Savage Realms Press: “Necro-Sapiens (Anthologies of Horror Series)”

I’m in yet another horror anthology. They just keep flooding in. It’s available in ebook, paperback, and audiobook formats. The best of all worlds. This time from the fine folks at Savage Realms Press. They are known for their dark fiction anthologies that go all the way up to 500 pages in length. But that’s not all. They produce captivating gamebooks too. How awesome is that! Small press is hot right now, and you should check out Savage Realms’ latest production: Necro-Sapiens. It’s the third book in a series. I’m in it, along with some familiar names in horror: Bram Stoker nominee James Dorr, Troy Anthony Schermer, Matthew Hollis Damon, Angelique Fawns. The list goes on. My story this time around could best be described as one part cosmic horror, the other part dark fantasy. What happens when you take a highway accident, a creepy little girl with a balloon, and throw a distraught clown into the mix? You get my story, “Whatever Your Heart Desires.” I’ll leave all pictures and links down below.

Savage Realms Press presents: NECRO-SAPIENS (Anthologies of Horror Series)

Featuring new Dagstine story: “Whatever Your Heart Desires”

SAVAGE REALMS PRESS MAIN WEBSITE – (click link, be redirected):

https://www.savagerealmspress.com/

**Necro-Sapiens is on Amazon Kindle, in paperback, and audiobook**

I’m thrilled to share that, as of this post, Necro-Sapiens has officially broken into the TOP 100 on Amazon Kindle! This marks the third anthology featuring one of my stories in just the past few weeks to hit the TOP 100 in its category.

DESCRIPTION FROM AMAZON: From Savage Realms Press comes a truly unsettling assortment of tales about the undead guaranteed to haunt your dreams and stalk your waking hours!

  • A detective investigates the mysterious disappearance of a university professor
  • A sheriff and a pie-loving redneck must team up to end a string of gruesome murders
  • A professional thief is hired to recover the stolen urn of a dead rock star
  • Love is in the air with a modern day mummy romance
  • and many more

Necro-Sapiens features 23 delightfully dreadful stories of the macabre from authors Amanda M. Blake, Mark Silcox, K.M. Parker, Marie Lanza, Matthew Hollis Damon, M. Legree, Kevin Beckett, Angelique Fawns, Harding McFadden, Lawrence Dagstine, Arindam Kalita, Gordon Grice, TroyAnthony Schermer, Paul O’Neill, Rich Restucci, R.L. Blackburne, Jordan King-Lacroix, James Dorr, Shane Simmons, Jake McCormac, LJ Jacobs, and John A. DeLaughter.

Other New Entries: “Books & Anthos” and “Digital Credits”

Eldritch Cat Press: “Cemetery Songs Vol. 1” – NEW PRESSES, NEW ANTHOLOGIES!

Busy season for horror and dark fantasy. Pooped. Back again with yet another anthology appearance. This time for a new genre publisher, called: Eldritch Cat Press. The editor there is the talented Alanna Robertson-Webb. And for this press’s debut anthology they decided to go with something themed. Stories centered around three things: cemeteries, songs, and cats. The anthology includes all those things. That’s the recipe here. It got such an amazing turnout, it spawned TWO volumes. I was one of the lucky authors to make it into the first volume. Volume one. My story takes place in ancient times, Greater Assyria. It’s called: “Songs for the Unburied.” I’ll leave pictures and essential info below. Check it out on Amazon, in print or ebook formats.

Cemetery Songs Anthology – Volume #1

Published by Eldritch Cat Press – Edited by Alanna Robertson-Webb

Featuring Dagstine story: “Songs for the Unburied”

***Available on Amazon Kindle or in print paperback formats***

Company Logo Copyright Alanna Robertson-Webb, Eldritch Cat Press

DESCRIPTION FROM AMAZON:Cemetery Songs Volume 1 is the first of two books featuring 20 fictional, short horror stories from a unique blend of authors. While each story is vastly different in tone, style and content they all have three elements in common: a cat, a song and a cemetery. Some stories will send chills down your spine, others will leave you with a quiet, unsettled feeling in the pit of your stomach and a few may even bring a tear to your eye. Come, pull up a seat with us as we dive into this incredible blend of entertaining tales fit for the living…and the dead.

Other New Entries: “Books & Anthos” and “Digital Credits”

Lawrence Dagstine: “2024 was my most productive year…but wait, there’s MORE…

2024 will arguably go down as my best year in writing and submitting; 2023 wasn’t so bad either (The Nightmare Cycle was published and I got an advance for it). I wrote a record sixty-five short stories between November 2023 and December 2024—all new. During that time, I also received the most book, anthology, and magazine acceptances (some yet to be released) for a single calendar year, surpassing my previous record year of 2008. I received acceptances from a variety of markets—mainly genre, as that is my specialty—in science fiction, fantasy, horror, and even humor. These markets ranged from pro-identifying to token, including small press and micro press. I also appeared in two anthology-magazines that went to number one on Amazon; another Kindle Anthology broke the Top 100 in World Literature, and a handful of my other offerings made it into the Top 100 or Top 500 sales rank-wise. That’s never happened to me before. Additionally, I have a couple of new books out right now (see right-hand column, scroll down).

My rejection ratio was fifteen turn-downs for every acceptance, if you’re curious about the odds. Yes, where there are acceptances, there are rejections. It comes with the territory. But I’m not here to toot my horn. This was a personal goal I wanted to achieve, and I did. I wanted to see if I still possessed that 2000s-era magic.

At fifty years old, you stop measuring press levels—Pro, Semi-Pro, Hobby, Indie—and accept whatever comes your way, especially if it’s available physically (paperback or hardback), and you know how to hustle and sell it. Believe it or not, most of my readers are not from the United States. Many Americans are too dependent on technology, staring at their smartphones all day, or engaging in activities that don’t involve literature. If they do read, it’s usually the “obligatory” twelve books per year—one per month. I’m guilty of this myself. I used to read a hundred books per year, but as you get older, there are only so many hours in a day. Most of my readers hail from places like India, Japan, and, oddly enough, Belgium. Earlier this year, readers from India wrote to tell me how much they liked my horror stories. I appreciate that; I’ve never received such feedback from US readers. Obviously, I was flattered. I joined two writing groups in Manhattan, got the necessary certifications, and became a writing teacher, which is relatively easy in New York State compared to other places.

As we get older, we often become adjunct professors, tutors, instructors, substitute or assistant teachers. We take up residencies, shepherd online MFA programs, hold online and in-person workshops, and add experience to our curriculum vitae. The revenue from these workshops helps fill our fridges. We may teach English as a second language if we move overseas or teach the short story form, novel writing, story analysis, and linguistics. We show younger writers our techniques and formulas, paving the way for them and enlightening them on how we did it. We pass our knowledge to the next generation of aspiring writers. We take on protégés. Other jobs we take on include writing advertising copy, technical writing/business writing, expository essay writing, things like that.

I can’t believe I’ve been doing this for thirty years. Sometimes I wonder if I wasted my life. Should I have pursued another field? Should I have become a full-time artist and taken up comic illustration, which was my passion in the early ‘90s? Despite my love for science fiction, I would have preferred seeing the art through. I lost my love for drawing in late 1994 and turned to writing instead. Applying for art jobs thirty years ago, where prospective employers said comic art and graffiti art weren’t “real art” didn’t help. So I ended up in writing. I appeared in a couple of magazines, made some cash, and bought nice things. Picking up every genre magazine I could get a hold of in Borders and meeting Kurt Vonnegut regularly while working as a delivery boy for a pharmacy further fueled my enthusiasm.

Author Mercedes Lackey once noted that 90% of the writers in the SFWA (Science Fiction Writers Association) have had or currently hold full-time jobs. The rest have spouses who work full-time, serving as the breadwinners, covering the overhead, and providing health insurance for the family. Alternatively, the full-time writer might be retired and living on a pension or 401K. I could join the SFWA tomorrow. But at my age? For what? Bragging rights? I’m ready for the grave. This isn’t to say I won’t produce an anthology in the future. I’m full of ideas, and I won’t accept anything less than outstanding. But hey, I’m old. Many of the books with my stories are published by presses that might not exist in five or ten years. Presses come and go; the same can be said about good books. Publications go on lengthy hiatuses. Economies rise and fall. Inflation affects spending habits. People’s reading preferences change. Advertising techniques and technology evolve. Not only that, over 10,000 books are self-published per day, so there’s no such thing as professional competition anymore. It’s a too-open field. Also, generational shifts happen, and what was popular with one generation might not be with the next. How many people do you know in 2025 who have a profound love for Philip K. Dick, Isaac Asimov, and John Brunner like I do?

I’m very much a socialite. I often go into the city, visit upscale places, penthouses, private parties, and get the VIP treatment. I network and get my books into these places. You have to network in this day and age. Word of mouth is still a very powerful tool, and you want to get non-genre readers interested in reading genre. When I sit down with a glass of wine and talk to affluent or corporate types about horror, they say, “Oh, Stephen King!” And that’s it. They don’t know anybody else. They think Stephen King is the only author there is when it comes to horror. I say, “You haven’t read the work of Paul Tremblay, Stephen Graham Jones, or Josh Malerman?” They give me a daft look. Who? What? They don’t even know that Stephen King has two sons who also write (Owen and Joe). They think Stephen King never had children. But we know. Because writers read each other. We are aware of each other. And it’s kind of depressing in a way. It’s like we’re trapped inside this shrinking genre bubble, and you’re not sure if it’s going to burst or when it’s going to burst. It’s disintegrating, for sure, it’s just a matter of when. You hope it pays your utilities for as long as it can, at least until you take up a teaching position or land an agent. Only 15% of writers ever land an agent and break into the Big Five. And that number shrinks with age. Some are luckier than others; your mileage may vary. What happens for most, whether traditionally published or indie-published, is we end up at genre conventions, gaming cons, comic cons, indie bookstores, or local fairs and fests, and our literature is available at vendor tables.

Nowadays, many people publish each other in a quid pro quo fashion (tit-for-tat), which is fine, but simply reading each other’s work isn’t sustainable in the long term. It seems we’re just passing time until we reach the end. If we’ve chosen writing as our forte, we must have a lot of time to spare. Some of the biggest names, award-nominated genre writers, are suddenly submitting to semi-pro and token markets. This used to be a no-no. Yesterday’s professional paying magazines now depend on Patreons or annual crowdfunding just to survive. And then there’s Artificial Intelligence, which will inevitably replace us in the next 20 years. I’ve seen some of these young tech kids at conferences, and what they can do with Python and Stable Diffusion; they’re smart.

Publishing was a very different animal in the first ten years of the Internet. You could actually make an income from freelancing regularly, and web content was big! Webzines were especially big. They were new, they paid fair money, and there wasn’t much of an editorial filter, but you got your byline and content out to the world. A handful of these sites were built with Dreamweaver, Frontpage (Microsoft), or typical HTML coding. Some were even hosted by GeoCities. Plus, the cost of living was cheaper back then (my rent was only $650 to $750 per month during this era, utilities included). You could stay home, take care of the kids, and have paper checks coming to your mailbox. This was still before the age of PayPal, Venmo, Zelle, and other electronic payment methods. So it was paper checks. If you were a freelancer of genre fiction and creative non-fiction, and you were a quick writer and productive, you got paid $20 to $50 per piece consistently! Sometimes more, sometimes less. One on top of the other. Some of the webzines that appeared in the first ten years of the Internet were Atomjack Magazine, Whispering Spirits, Midnight Times, Dawnsky, The Random Eye, Gotta Write Network Litmag, and hundreds of others! I appeared in many of these places, scouring market sites like Ralan and Spicy Green Iguana on a daily basis. The Boomers never went near these little zines, but I did. And I got my name out there. And I was paid. And I bought clothes. And I bought food. And I paid bills. At one point, I even had a $6000 bank account put aside for my infant son—from writing. There was a time when I had 200 different stories in a folder on a Windows XP laptop, and I would submit to any paying market, even those offering $5.00 compensation. Acceptance here, acceptance there. You do the math. You might find these webzines on the Wayback Machine, but if you’ve heard of the ones I just mentioned, you’re old and gray now, just like me.

To this day, I think the periodical I was paid the most for a single story or article was in either 1999 or 2000, and this was in a queer publication called GENRE Magazine. Or just Genre. And it had nothing to do with genre. They didn’t even publish science fiction. That was just the name. It was primarily a New York-based gay lifestyle magazine with a modest circulation for its time period. It was distributed to LGBTQ-identifying establishments before LGBTQ was even a term. Before ebooks, before Amazon, when physical publications still had modest circulations. When people still relied on the Writer’s Market. I was paid $750 for two, maybe three hours worth of work. The editor said he would take care of the grammatical errors. I kept my mouth shut, let him handle it. Nowadays, twenty-five years later, that same $750 is your paycheck for a horror novel to a rising indie press.

Still, I’m thankful I didn’t become a full-timer in this day and age. I own nice things. Call me materialistic, but I enjoy my little luxuries: designer clothes, nice electronics, video games. I can buy my family birthday and Christmas presents. I can wine and dine on occasion. Some writers who went all-in don’t have that luxury. Imagine not having health insurance, unable to run to an emergency room or urgent care. A vast majority of writers don’t have insurance. Sure, some scored two or three-book deals with the big houses, only to not sell to expectations and never be heard from again. So when people ask me what advice I would give an aspiring writer in 2025, I say, “Don’t quit your day job. Do this strictly for passive income. Do this because you love it. For the sake of art. Do this because you like to tell stories. And read!”

Listen, H.P. Lovecraft died extremely poor. He couldn’t afford treatment for his small intestine cancer, compounded by his fear of doctors. So, he wrote and lived in daily pain—not a pot to piss in. Some of his finest works weren’t noticed until decades later. John Wyndham, a prominent British science fiction writer, was often overlooked in his lifetime. He didn’t receive the recognition he deserved, even as the author of “The Day of the Triffids.” It’s only now, in the 21st century, that his shorter works are being sought out and reprinted. John Brunner, author of mega-hits like “Stand on Zanzibar” and “The Crucible of Time,” feared failure. He wrote under a pen name in his later years and worked as an underpaid proofreader. But regardless of success, they were storytellers. And there’s nothing wrong with being a storyteller. If you get paid for it, that’s like the cherry on top of a hot fudge sundae.

Looking back, I’d say I’m privileged. I’m not a New York Times or USA Today Bestseller by any means. I see myself as a semi-pro of the short form, one of those one-to-three cent jobbers. Apparently, I’m a jobber who makes it into the TOP 100 often; I probably would’ve really crushed it during John W. Campbell’s era. Many writers don’t get to do this for three decades, non-stop. Today, many people self-publish books that are mediocre at best, invest in Amazon Ads, and suddenly they call themselves bestselling authors. They don’t know what it’s like to have spent time in the trenches. Otherwise, a handful of the younger kids coming up don’t know how to read, write, spell their names, or pick up a book after high school. I definitely didn’t think I’d become a teacher. Like I said, I feel privileged. I came to this earth and got to do it. And I’ll try to continue doing it for as long as I have the desire.

This is Lawrence Dagstine, prolific writer for the past thirty years.

Storyteller. Jobber. Future anthologist? I could live with that.

Edited to Add: This essay, which I write from firsthand experience, will be reprinted in a newsletter, currently under development. Stay tuned for news of that.

NEW YEARS ANTHOLOGIES: “The Alien Buddha’s Chaos Countdowns” – Alien Buddha Press

I have a reprint (appeared in DASH Literary Journal about two years ago), that matches the theme of the following anthology. Chaotic or haphazard stories about New Years, and similar celebratory fiction fare to go along with the once-a-year holiday. And what better way to ring in 2025 than with Alien Buddha Press (the publisher), and sharing a table of contents with the likes of NJ Gallegos, Dawn DeBraal, April Ridge, and Bram Stoker-nominee James Dorr. My New Years-themed story has elements of speculative fiction, steampunk, and magic realism in it. Oh, and angel doctors! It’s called Before Measured Time. It takes place right before midnight on December 31st 1899, and the 20th century and universe is at stake! Check out Alien Buddha’s Chaos Countdowns Anthology now on Amazon. Pictures and info down below. Most of all, Happy New Years!

Alien Buddha’s New Years Chaos Countdowns Anthology

Published by Alien Buddha Press

Featuring Lawrence Dagstine reprint: “Before Measured Time”

Available in paperback on Amazon (click preview box below):

Other New Entries: “Books & Anthos”

Black Sheep Magazine, September 2024 No. #15 – Hobb’s End Press

Pleased to announce I have a story about a little boy and the devil himself (think William Peter Blatty’s The Exorcist), in the latest issue of a very interesting and pulpish looking “anthology-magazine.” It’s got that 1970s nerd vibe to it, when kids used to ride their bikes to the comic shop to pick up their weekly scifi rags. Also getting hints of Tales of the Talisman here. How many of you remember Hadrosaur Tales way back in the 2000s? The name of the publication is Black Sheep. They have beautiful covers, and they are published as a numbered anthology series by the fine folks at Hobb’s End Press. They have a couple of these magazine series up for sale, 181 pages in length, from Dark Horses to Mobius Blvd to what-have-you, and feature roughly ten to twelve authors per edition. Their focus is primarily science fiction, fantasy, horror, and your good old-fashioned weird tale. I’m in Issue No. 15, September 2024. It is exclusive to Amazon on Kindle for $3.99, or as a collectible paperback for a mere $8.99. Pick up your copy today. Clickable links and pics below.

Black Sheep: Unique Tales of Terror and Wonder

Published by Hobb’s End Press – featuring Lawrence Dagstine

September 2024 Edition/Issue – No. 15 of 15 Anthology-Magazine

AUTHOR LINEUP:

Kelly Hossaini, Elizabeth Rosen, Spencer Sekulin, NP Cunniffe, Wayne Kyle Spitzer, C. Dan Castro, Ethan Cordeta, Lawrence Dagstine, Mikel J. Wisler, George Hagler.

Other New Entries: “Magazines” and “Digital Credits”

PIRATE BOOKS: “The Black Beacon Book of Pirates” – Pirate & Horror-Themed Anthology

It’s with great pleasure to announce that I am headlining a very major pirate and horror-themed anthology with a brand new tale which borders on novelette length, and has just the right touch of the Golden Age of Piracy to it (from a historical point of view), and just the right Lovecraftian feel to it (where Cosmic Horror is concerned). But it’s not all about tentacles and eerie and ominous abberations from the deepest corners of the Seven Seas or Hades itself. Presenting, “The Black Beacon Book of Pirates.” Edited by Cameron Trost. Available in the USA, UK, Australia, Amazon, or obtain it from Black Beacon themselves. They have a website, and I will put links, pictures, the table of contents, and any miscellaneous information down below or to the side column. My story, which I first started working on in 2022 and didn’t finish till 2023, is called, “The Mutineer.”

Without giving too much of the story away, The Mutineer is an unsettling tale full of despair, the story of an imprisoned buccanner named Frederick March, who is in service to an evil monarchy and their power-hungry armada. March, who is the Mutineer and witness to everything on this scary voyage, tells his tale of oceanic, cosmic mayhem of how he is sent to the Caribbean to hunt down a Cthulhu-like apparition with great power. This manifestation of ill-omen is known only as The Boatswain. But March soon finds out the merry band of pirates he leads gets a little bit more than they bargained for when they invade the Boatswain’s island habitat and learn he comes from a race of beings and worshippers just like himself. Who will survive? Because you only get one chance. Only one! With the Boatswain… in The Mutineer!

THE BLACK BEACON BOOK OF PIRATES – Edited by Cameron Trost

Published by Black Beacon Books

Featuring BRAND NEW Dagstine story: “The Mutineer”

BLACK BEACON BOOKS WEBSITE (click link):

https://blackbeaconbooks.blogspot.com/

ORDER ON AMAZON (sample below):

Table of Contents:

Personally, I would even go as far as to say The Mutineer is one of my three best horror stories of my life. It’s definitely up there with the likes of Thursday’s Children (which can be found in The Nightmare Cycle), and my tale of vampires and one man’s paralysis, The Paraplegic.

Time will tell.

Oh, the cover art is by the legendary Daniele Serra.

Edited to Add: The Black Beacon Book of Pirates is now available at Books-A-Million.

LINK: https://www.booksamillion.com/p/Black-Beacon-Book-Pirates/Lawrence-Dagstine/9780645247183?id=9202635427834

New Entries: “Books & Anthos” and “Digital Credits”

Cursed Books: “An Ancient Curse” – Anthology of Ancient Curse Stories

My latest short story appearance comes to a “cursed book.” Not just one volume, but two… I’m in the first. Book One is where my story can be found, but I recommend both. I will supply pictures and info below, as well as little book photos to the right-hand side. Culture Cult Press (imprint of Pulp Cult) presents: “An Ancient Curse.” – An anthology featuring stories about ancient curses. My tale, as I said, is in Volume One, and it is a different kind of story about vampires and vampiric curses. If you enjoy horror stories involving strange phenomena, horror, and curses turned into fiction form, why not check it out? My story is, “The Curse of San Guadeloupe.” – 220 pages, available in paperback. Direct links at the bottom of this post.

An Ancient Curse – Anthology of Ancient Curse Stories

Edited by Jay Chakravarti – Culture Cult/Pulp Cult Press

VOLUME ONE CONTENT:

MALEDICTUS by Andre Schuck

SHETANI by J. Agombar

SPEAK OF THE DEVIL, AND THE DEVIL APPEARS by Frederick Pangbourne

SÉANCE AT PATHARUGHAT by Arun Hariharan

ELISA by Fariel Shafee

BRING OUT THE DEAD by Gina Easton

MALEDICTIO ANTIQUA by Fernando E. Silva

BURIED by Josh Poole

KITAB AL-EANAKIB by Dwain Campbell

AT THE ALTAR by Dibyasree Nandy

THE BLACK VALLEY by David Crerand

STITCHED by Ashley Cooke

SEA HAGS OF EL CALEUCHE by Maggie D Brace

THE CURSE OF SAN GUADELOUPE by Lawrence Dagstine

A CURIOUS CASE OF COLONIAL CANNIBALISM by Con Chapman

THE MASK by Christopher Michael Blake

FOR VOLUME 2, below (I recommend both):

BUY VOLUME 1 PAPERBACK (featuring Lawrence Dagstine): https://www.lulu.com/shop/jay-chakravarti/an-ancient-curse-vol-01/paperback/product-nkm2rr.html

BUY VOLUME 2 PAPERBACK (other talented authors, such as Ken Goldman and J Rocky Colavito): https://www.lulu.com/shop/jay-chakravarti/an-ancient-curse-vol-02/paperback/product-748r56.html

Edited to Add: An Ancient Curse is indeed available on Amazon Kindle (Volume 1 and 2), and for only $3.99; the price of a large coffee. Link: https://www.amazon.com/Ancient-Curse-Vol-Anthology-Stories-ebook/dp/B0C9S731PN/

Other New Entries: “Books & Anthos”

“The Nightmare Cycle” by Lawrence Dagstine – Dark Owl Publishing

So today is here. Today is the day of my third official story collection: THE NIGHTMARE CYCLE, from Dark Owl Publishing. It is available in print and digital formats (Paperback and on Amazon Kindle). And as the year goes on, straight thru 2024, will be available at book fairs, from various literary vendors, horror and comic-themed conventions, the odd novelty or specialty store, or wherever other fine horror books or goods are sold. I will keep you updated on this website. The spooky fun starts in Arizona first and New York second.

A short story collection is a book of tales by one single author, where an anthology is a book of stories usually centered around a theme from not one but many authors, from many different states or countries or diverse backgrounds. The Nightmare Cycle was an idea for a book that came to me one day in a dream (go figure), but is not about being in a dream. It gets its title from every single story being “A Nightmarish Scenario,” one warped tale leading into the next (the theme of cycling and unending), and then the one thereafter. There is no finality. Just horrific circumstance after circumstance. Undulated terror. Beginning, middle, end. Think Rod Serling’s The Night Gallery, but modern day, my take.

THE NIGHTMARE CYCLE by Lawrence Dagstine

From Dark Owl Publishing – NOW AVAILABLE worldwide

You have mostly new stories between the pages, but you have some obscure offerings as well. Tales from my humble beginnings as a horror author. The 2000s era. There are stories like Thursday’s Children. Imagine pitting zombie youth against each other the same way people hold backroom cockfights for money. The Adopted, where werewolf adoption in Southeast Asia is more complex than you think. Human Transfer, a very dark and dystopic tale of population control, and betrayal by the people you thought you knew and trusted most.

There are Dark Owl exclusives, tales which are theirs and theirs only, such as The Thing about Eden. Imagine Mars in the future where life under one dark leadership only becomes concerning, overbearing, and darker with the next. The Acrylic Man, about a painter of spectral portraits who captures his love interests with not just grace but permanence. The Show Must Go On, a story about a sharpshooting djinn and her western travels, but also her wretched past.

You have new offerings such as Princely Homecoming, a unique take on Snow White, who longs for her long dead prince. There is Pet, a tale set during the backdrop of the Nixon era, which puts a twist on just “who” or “what” constitutes man’s best friend. Genetically speaking, of course. There is Our Family Awaits, a witch’s tale unlike any other, about foster care and deep dark secrets. This is one which will have you clutching the blankets. And there is so much more; there’s even a novelette within The Nightmare Cycle’s pages.

AMAZON KINDLE “EBOOK” VERSION:

(Sample a few pages below, or shoot for the paperback version)

AMAZON LINK: https://www.amazon.com/Nightmare-Cycle-Lawrence-Dagstine-ebook/dp/B0C27TTD24

DARK OWL LINK: https://www.darkowlpublishing.com/the-nightmare-cycle

Here’s the horror convention calendar for Dark Owl Publishing and The Nightmare Cycle. This calendar will obviously grow. I will be away in July (after the 4th), but I will have my netbook with me, keep in touch via social media. Dark Owl will also have some of their horror wares and anthologies available from a talented stable of other authors as well, so be sure to keep tuning in to this link below:

https://www.darkowlpublishing.com/our-schedule

Oh, by the way, the fabulous cover art was done by Fernando JFL (Giotefeli), who is a professional horror illustrator and death metal artist from South America. He takes a rather retro, vintage approach to his work. If you are looking for an artist, might I recommend him: https://www.instagram.com/giotefeli, and https://giotefeli.tumblr.com/

The book is available first on Amazon, then Terror Trader second (Arizona’s Number One Horror Marketplace). Then it will go to the usual vendors and themed cons, and through the usual distribution channels/networks.

http://www.terrortrader.com

And finally, here is some early praise for the collection from horror-themed review sites such as The Sinister Scoop:

https://www.thesinisterscoop.com/post/the-nightmare-cycle-lawrence-dagstine

Other New Entries: “Books & Anthos, Digital Credits”

NEW DARK ROMANCE ANTHOLOGY: “Soulmate Syndrome Vol. 1 & 2” – Wicked Shadow Press

My latest credit comes to the dark and doomed romance anthology series, Soulmate Syndrome! Volumes One and Two. My story, a tale about forbidden love (the kind you cherish but can never have), curses, affliction, and lycantrhropy, can be found in Volume One. The name of the story, “The Romance of Vegada.” Just who and what are the Wolves of Caliente? Why is the love in my story, at its core, unobtainable? Find out in Soulmate Syndrome Volume One, along with dark and doomed and paranormal-style romances by a plethora of other great writers. I’ll provide pictures and ordering info (links) down below or to the right-hand side as always. And I’ll be seeing you on the next one.

SOULMATE SYNDROME Volumes 1 & 2 – (read Lawrence in Volume One up above; ordering info below)

published by WICKED SHADOW PRESS

WICKED SHADOW PRESS ORDERING INFO:

Buy a Paperback copy of SOULMATE SYNDROME VOL. 01 from Lulu.com: 

https://www.lulu.com/shop/parth-sarathi-chakraborty-and-rasiika-sen/soulmate-syndrome-vol-01/paperback/product-82nw7r.html

Buy a ebook version of SOULMATE SYNDROME VOL. 01 from Lulu.com: https://www.lulu.com/shop/parth-sarathi-chakraborty-and-rasiika-sen/soulmate-syndrome-vol-01/ebook/product-rpgk82.html

Buy a Paperback copy of SOULMATE SYNDROME VOL. 02 from Lulu.com: 

https://www.lulu.com/shop/parth-sarathi-chakraborty-and-rasiika-sen/soulmate-syndrome-vol-02/paperback/product-rpg4ek.html

Buy a ebook version of SOULMATE SYNDROME VOL. 02 from Lulu.com: https://www.lulu.com/shop/parth-sarathi-chakraborty-and-rasiika-sen/soulmate-syndrome-vol-02/ebook/product-qpzq2p.html

Like WSP us on Facebook: https://www.facebook.com/wickedshadowpress

Follow us on Instagram: https://instagram.com/wickedshadowpress

Follow us on Twitter: https://twitter.com/wickedshadowpub

Other New Entries: “Books and Anthos”

Amazon Kindle: “New eBooks by Lawrence Dagstine…”

Well, after a year in the making, the five-novellas project comes to a close.  Five brand new releases for Amazon Kindle, B&N Nook, Kobo, Sony eReader (via Smashwords), Apple iPad (Smashwords), Smashwords.com, and I’m sure over the next few weeks a couple of more.  I have a wide range of science fiction, fantasy, horror, alternate history, satire and suspense titles available (including the almost-40,000 word A CHILD WEEPS IN MOSCOW), some inspired by authors like George Orwell and Kurt Vonnegut to Stephen King and Ray Bradbury.  Quality fiction with characters and plots that boldly go where no other (at least I hope) author has ventured before.  I’d like to take this time to thank my cover artist Bob Veon, and fellow editor Edith Marlowe.  With that said, these titles below are only 99 cents to $2.99 each, worth the price, and a welcome addition to any eReader.  Just click on the buttons beneath the covers to access the ordering page for your favorite reading device.  Or go and visit my eBooks & Kindle page (up on top).  Most of all, happy reading!

Cool_VibePSD

DOWNLOAD NOW

ONLY 99cts to $2.99

SELECT YOUR READER & CLICK ON BUTTONS

How Jones Goes by Lawrence Dagstine

Story Name: “How Jones Goes”

Price: SCIENCE FICTION (FREE on Smashwords)

Kindle               Nook_Button1_N75               Smashwords75               Kobo_Button75

In the late 21st century, overpopulation is a problem.  There’s also the problem with mental health.  In one particularly unusual asylum, there is Dr. Born (psychiatric intern) and Dr. Bloch (sexologist).  And then there’s Jones.  You have not met anyone like Jones.  You see, it’s not every day that patients claim they are from Mars.  And it’s not every day they come and go as they please.  A science fiction story filled with loads of satire (and lots of oddities that will make you shake your head) by speculative fiction author, Lawrence Dagstine.

A Child Weeps in Moscow by Lawrence Dagstine

A Child Weeps in Moscow by Lawrence Dagstine

Story Name: “A Child Weeps in Moscow”

Kindle               Nook_Button1_N75               Smashwords_Tall75              Kobo_Button75

Alien possession meets alternate history, in this communist tale set in 1923 Russia, about a boy named Abraham (Abe), whose parents suddenly disappear one day.  Like many of the adults throughout Russia, they are being taken away in the night by a special police force put together by Lenin’s “new” government, a government put together after the arrival of spacecrafts with biomechanoid origins and higher intelligence and influence.  Aliens the citizens simply call, The Invaders!

Klara Izolyev, Abe’s teacher, tells the boy that the only way he can learn the truth about the Invaders is to go to Moscow.  There he will learn what they really want on Earth, what role they play in the current socialist movement, and possibly find his missing parents and sister.  There he will fight starvation, arrest, combat homelessness, and meet an even more influential figure.  Arkady, the leader of a Moscow street gang, whose parents have also been taken away.  Together they will all journey to find the people they once loved, discovering just why the aliens are so interested in helping Lenin.

The Mysterious Lady of the Caribbean by Lawrence Dagstine

Story Name: “The Mysterious Lady of the Caribbean”

Kindle               Nook_Button1_N75               Smashwords75               Kobo_Button75

Mercer Hollingsworth is not your typical pirate; he’s more a buccaneer of the freelance sort, with a bit of the old hero in him.  No job is too big for his merry crew, so long as it helps bring down the Great Armada and plenty of booty is involved.  But when he brings his own wench aboard, members of the crew start disappearing.  Who is this mysterious young woman? Why does she sing so much? Why is Mercer still alive? When they find themselves stranded on an island in the Caribbean, blood and death will go hand in hand, as the wench reveals her true form and purpose in this speculative pirate story.

“The Paraplegic” by Lawrence Dagstine

Story Name: “The Paraplegic”

Kindle               Nook_Button1_N75               Smashwords75               Kobo_Button75

“Doc, I’m telling you.  I just woke up in a hole in broad daylight.  No memory!”

When Herbert was told he had amnesia, he knew things were bad.  When he couldn’t feel anything below the waist, he got scared.  When the doctor told him he’d be paralyzed for life, he got depressed and wanted to die.  After all, no one wants to be a paraplegic.  But what made him crippled so suddenly? Did somebody do this to him? And if so, why? Now in the hospital, undergoing intensive surgery, little does Herbert know that the force responsible isn’t done with him, not by a long shot! Something’s coming back.  There’s a little unfinished business to take care of, and it comes in the form of vampires.

“Family Reunion” by Lawrence Dagstine

Story Name: “Family Reunion”

Kindle               Nook_Button1_N75               Smashwords75               Kobo_Button75

When Kendra was a teenager, she got raped and knocked up more than once.  When she finally found the courage to run away with the children, she went back to school, got a job, and set up a nice life for herself far away.  The children are now eight, and Howard has come ‘home’ for what he feels belongs to him.  He swears he’s a changed man, he wants to get married and be a dad.  Even if it kills! He wants this reunion to be one that Kendra and the kids will never forget… should they live to tell about it!

"Overcast" by Lawrence Dagstine

“Overcast” by Lawrence Dagstine

Story Name: “Overcast”

Kindle               Nook_Button1_N75               Smashwords_Tall75               Kobo_Button75

It’s not every day that a 1920’s flying ace risks his life to bring a plane down safely for a little girl.  But when a horribly disfigured Sal and Lillian land in the remote, snowy mountains of Montana, a friendship will occur, a bond like no other.  As the winds blow and the snow accumulates, the pilot will do everything in his power to get this child down harsh ravines and rocky slopes.  Through darkness and despair they will do whatever it takes to stay alive.  A bittersweet story of survival, with an emphasis on the importance of not giving up and working together, no matter what age group you are.

Moscow Novella

Or purchase the NEW 150-page print version of Child Weeps in Moscow for $5.95.

BuyNow

Other New Entries: “New Releases, eBooks & Kindle”

If you can’t find a Dagstine story on a particular reader or android device, just get to me at Facebook or Twitter.  Every few weeks I will be ironing out formatting issues, adding on stuff, and working out other kinks.

Artist Spotlight: “Interview with Cover Artist-Illustrator Bob Veon…”

If you draw or write in the genre communities, if you are affiliated with comic books and illustration in any shape or form, if you know who Alex McVey, Vincent Chong, and Daniela Siera is, then you probably know who Bob Veon is.  If not, you are missing out on the next big thing in horror and scifi illustration, Ebook and print cover art, as well as mind-blowing graphic design.  Like McVey, Chong and Siera, Bob Veon is currently breaking into the big time.  2012 seems to be his year, and things are only looking up for 2013.  Here is a small press artist that turns your visions into beautiful—or scary, if that’s how you like it—prints.  A man who can turn a canvas or book cover into the next museum masterpiece, or who can bring ideas to the table that probably no other artist of his caliber can.  This freelance master of pencils, ink, paint and Photoshop is also available for hire.  Let it be said that there is nothing this man can’t do.  He is the next award-winning genre artist.  It is not only an honor and a privilege to obtain his services for my own fiction work, but to interview him this very day.  See what inspires him and makes him tick.  You will also see some of his favorite art samples and be able to contact him at the end of the interview should you desire his services.  And now, on with the Q and A…

Robert Veon (a.k.a. Bob) hard at work

Lawrence: Bob, I’m glad you could be here today.  Let’s start from the beginning.  Where did you grow up and go to school?

Bob:  Thanks for having me here!  I grew up in East Palestine, Ohio, and went to high school there.  After, I went to Pittsburgh Technical Institute in Pittsburgh, Pennsylvania where I studied Multimedia and Graphic Design.

Lawrence: What was your childhood like?

Bob:  Probably pretty much the same as any other kid growing up in the 80’s/90’s.  I was always interested in horror movies and books from a very early age and anything else creepy and strange.  I liked to play video games and draw, read comic books.  Pretty typical stuff.

Bob Veon  — pencil, ink, canvas, computer art, etc.

Lawrence: How did you first get into drawing?

Bob:  I liked to draw pretty early on in life.  Ever since I was able to pick up a crayon, I think I’ve been drawing since!  I always liked to come up with strange creatures and places that were different from what you saw in life.  When I was a kid I was always fascinated with drawing skulls and skeletons (no shocker that I still have that fascination).  I remember a tornado going over the apartments we lived in during the mid-80’s and afterward I went into my “tornado drawing phase.” Drawing has always been my place to go to think and look at things.

I always doodled in my notebooks at school and at work.  Probably about 2005 or so I decided to start doing more elaborate work with it.  Trying to make something distinct, original.  I came to this decision that I’d make some stuff that I would like to hang on the walls around me, art that would reflect myself and things I found interesting.  Then a friend of mine suggested that I try doing illustrations for short stories, so I checked around online and Whispers of Wickedness gave me a try.

Lawrence: I used to be a reviewer and contributor for Whispers of Wickedness.  So tell me, what inspires you? For example, certain music and video games set the mood for me.  But they also inspire me, too.

Bob:  I’ve always been drawn to dark and strange themes.  When I draw I tend to put on a lot of music that reflects that, and the two of them, music and drawing, seem to go together great!  I tend to listen to things like Blue Oyster Cult, Black Sabbath, Marilyn Manson.  A lot of Industrial music too, things like Wumpscut, Combichrist, and Dismantled.  That sort of thing.  It really adds an energy to what you’re doing!

Bob Veon’s Comic Book work 1

Bob Veon’s Comic Book work 2

Lawrence: Let’s talk influences.  Everybody has them.  What writers, artists, or filmmakers influenced you and your work?

Bob:  Huge fan of Stephen King’s work – The Dark Tower series is still something I read over and over.  Clive Barker has been a major influence in my life since I first saw Hellraiser and then went on to read his books and get acquainted with his artwork.  He’s great in any medium he works in, as far as I’m concerned.  Besides fiction, I read a lot on paranormal subjects.  The things like alien abduction, UFOs in general; mysterious occurrences, cryptozoology, and conspiracy theories. Books by folks like John Keel and Jim Marrs. There’s a lot of strange things that happen in the world that kind of get brushed aside.  I don’t know what’s more fascinating a lot of times, the stories you hear themselves, or the reactions in the “official world” to them.  As far as art goes, I’ve always been amazed by HR Giger’s work – definitely an original vision there!  Frank Miller’s black and white comic style is definitely something I was impressed by.  Jae Lee is fantastic in that whole positive/negative style too.  I love his attention to minute details.

Bob Veon’s work space

Bob Veon & Lawrence Dagstine project

Lawrence: I love your penciling and inking style the most.  I love how you draw everything by hand first.  But at the same time you’re the kind of guy who can do pencils and inks one day, then jump from canvas to crayon to computer art the next.  What is your favorite medium to work in? Also, what mediums are you experienced in?

Bob:  I’m going to have to say that the medium that seems to be “me” the most is pen and ink drawings.  It’s a pretty fun and worthwhile effort all around to see what you can come up with.  When I first started to get serious with pen and ink drawings I would sit down to a piece of paper with just a pen, no pencils or other starting points, and just start going.  Make a mistake?  Just fold it into what I was doing somehow!  It could get challenging, but at the same time was pretty exciting.  Especially when I pulled off something that looked good!

I also like to paint a lot, but haven’t done much of that in the past year.  It’s always interesting to me how drawing and painting, while essentially very similar in that you are trying to create form, space, and value, defining something two-dimensional to look a certain way, are so very different to do in technique.

As for other mediums, I do stuff with Photoshop, but mainly just for coloring or adding effects.  I don’t do much with it aside from that.  I do a lot with Illustrator which is a really interesting graphic design program with a lot of potential.  When I was in school I worked in some 3D programs but never really got into them like I thought I would.

Mysterious Lady of the Caribbean 1 – Bob Veon

Mysterious Lady of the Caribbean 2

Mysterious Lady of the Caribbean 3

Lawrence: Originality.  It’s definitely something you have.  What is your take on it?

Bob:  Like I said before, I was striving to try to go into places that I hadn’t seen before when I started getting serious with my artwork.  I try to be as original as possible when I’m coming up with things to work on, but I’m sure that you see a lot of the things that influence me in there as well.  I guess that you’ll always have that, though.

Lawrence: Your black and white illustrations would look great on somebody’s back or forearm.  I’m sure they would also make your typical tattoo artist salivate.  Have you ever thought about working alongside a tattoo artist?

Bob:  I have indeed!  Actually, I’ve done tattoo designs for a few people.  My girlfriend actually got one that she asked me to design for her.  I did check out a tattoo shop a few years ago that was looking for apprentices and took in several of my sketchbooks for the owner to look through.  He seemed to be really impressed with what I was doing and said it was very original, which I took as a great compliment!  Unfortunately, due mainly to time and economic reasons, I wasn’t able to go forward with this.

Family Reunion Novella – pencils

Family Reunion Novella – colors

Lawrence: A lot of artists create their own graphic novels or books of their work these days.  They even do it on places like Lulu or CreateSpace.  Have you ever thought about coming out with an art book?

Bob:  I finished up a graphic novel script just last year that I’d love to get moving on.  I started penciling about three pages then got busy with other projects, but would love to get back to it.  I know that it’s going to be a long project, and I think that kind of keeps me reserved on it.

I do have a book of artwork available through Lulu from 2007 called Landscapes of Hell.  It’s still available if anyone’s interested.

(to order Landscapes of Hell: http://www.lulu.com/spotlight/bobveon)

The Paraplegic – pencils

The Paraplegic – colors

Lawrence: Who are some clients, authors or publications you have done artwork for?

Bob:  I started off doing black and white illustrations for Whispers of Wickedness.  They always had some really good stories!  From there I started working with Jason Gaskell on his online magazine Oriental Tales, doing illustrations for the stories people sent in.  Other than that, I was asked to send some original work in for Taj Mahal Review and Harvests of New Millennium.  For a while I hadn’t been doing much illustration and then just this last summer Jason Gaskell got in touch with me about doing illustrations for more of his short fiction for a collection he wanted to put out.

Grim Reaper print (part 1) by Bob Veon

Grim Reaper print (part 2) by Bob Veon

Lawrence: What do you think art is most lacking these days? And why?

Bob:  I try not to get too elitist about art.  It’s usually something you get or you don’t, but the fact that someone created something, took the time out of their life to put the energy in to make something for someone or just for themselves, that’s pretty important and deserves a look.  If I want to get picky about things though, I could say there is too much of a reliance on digital technology to make something look good.  But that would be a stupid thing to say since I do it myself!

Gargoyle-Dragon Creature

In Thrall to the Succubus

Lawrence: Although it’s taken both of us almost a year, what do you think of the “Six Novellas” eBook project? Have you ever done something like this before?

Bob:  It’s been a lot of fun and exciting!  I never know what to expect in the next story I get from you, and that adds to the fun of what I do for them.  Hell, I’d never drawn a pirate ship before and then found myself doing it for Mysterious Lady of the Caribbean!  I’ve never done anything like this before, but would love to do more of it.  It certainly keeps the creative process moving!

Lawrence: If there was an artist or writer you could work beside, living or dead, who would it be? And why?

Bob:  I think it would be pretty fun to work with someone like David Lynch.  He certainly brings a very unique touch to whatever he’s working on.   Really just about anyone I mentioned before as influences would be great fun to work with.  It would be neat to see firsthand how they go about their work.

Death Clock

Dream Within a Dream

Lawrence: Funny how when we first teamed up we learned that we owned the same exact video games, the same exact toys and stickers (Star Wars, Mega Man, Final Fantasy, etc.), and other collectibles as if we had identical childhoods.  Fun Stuff… What do you do for fun? Where do you turn when it’s time to take a break?

Bob:  I know what you mean!  It was pretty wild to find out we pretty much owned the same toys and video games!  Usually for fun I like to play video games.  I’ve been a huge fan of them since the old Nintendo system and haven’t stopped playing since!  Things like Final Fantasy, Metal Gear, Grand Theft Auto, Castlevania – I enjoy them all.  I also like to watch movies and read.  Seems like most of the things I liked to do when I was a kid have pretty much stayed the same!

Nurse by Bob Veon

Secrets of Darkness

Soul-Eating Demon

Lawrence: In twenty years time, where would you like to see yourself?

Bob:  I would love to be able to work on my artwork full time.

Lawrence: If you could be somebody famous in history, who would it be? And why?

Bob:  I don’t know if he’s considered someone famous, but the Count St. Germain.  I just want to know if he was this immortal that he claimed to be or a fake.  Regardless, I’m sure it would be an interesting time!

Scarecrow Piece by Bob Veon

Tarot Reader piece by Bob Veon

The Return by Bob Veon

Lawrence: Favorite comic book superhero and super villain? And why?

Bob:  Oh boy, this is one that’s hard for a comic geek!  If I had to boil it down, I’m going to go with Wolverine for superhero.  Why?  With his powers and unbreakable skeleton he pretty much has no choice but to be this tough little ball of fury taking it to the villains every time they come up!  As for super villain – Herr Starr from the Preacher comics.  He takes villainy to a ridiculously fun level to read!

Lawrence: You know it’s bad for you.  Favorite junk food?

Bob:  I could eat pizza every day if I could, though I don’t consider it a junk food because it contains the four food groups.  See how I justified that?

The Tormentor by Bob Veon

We Can Make You Better

Wicked Forest

Lawrence: Have any advice for aspiring artists who might be reading this?

Bob:  If you want to make artwork just do it. And keep on doing it.  Don’t try to compare what you’re doing with what someone else has done because that’s a very quick way to get discouraged.  Good and bad are arbitrary things in art, and you are your own judge.  The important thing is that you are expressing yourself creatively and hopefully gaining confidence as to just what you’re capable of doing with your abilities.  It takes time and effort, but you will find your own unique style.

Canvas Work 1

Canvas Work 2

Canvas Work 3

Lawrence: Bob, I want to thank you for being here today and wish you the best of luck.  Do you have any last words?

Bob:  Just that I hope everyone likes what we’ve got on the Six Novellas project for next year! It’s been a pretty fun thing to be working on, so I’m hoping everyone gets that sense of fun when they get to read the stories.  Thanks again, Lawrence!

Commissioned cover for Surprising Stories

Need a book cover done? Or maybe a canvas or a graphic novel? Hire Bob Veon now.  Click any of the links below:

Main website:

http://bobveon.webs.com/index.htm

Also check out:

http://fineartamerica.com/profiles/bob-veon.html

http://www.artistrising.com/shop/tags/bob-veon.htm

http://bobveon.deviantart.com/

Or contact Bob Veon directly at:

bobveon@yahoo.com

Artwork Copyright by Bob Veon.  All Rights Reserved. 

Free SF Serial: “Orphan’s Prey pt. 4” by Lawrence Dagstine

*Science Fiction Serial – New Installment – First Draft*

ORPHAN’S PREY #4

Last Time (part #3): https://lawrencedagstine.com/2010/09/02/free-sf-serial-orphans-prey-pt-3-lawrence-dagstine/

For a reptile such emotions were not like him; then again, perhaps he did not try hard enough to show emotion.  Along with his predictions in the weather, and for as long as he could remember, he had experienced premonitions instead.  If the premonition seemed genuine, his chest unit would emit a strange glow, and he would utter a warning of disaster to the rest of the tribe.  Very rarely did the Vendragon take him seriously, and very rarely did they act on it.  His forebodings were never specific, the calamity either absurd or nameless, so it was unusual that he did not speak of any premonition in the days or hours before Arim—a most treasured farmhand assisting their nascent culture in advancing agriculturally—was attacked and fell from that high cliff.  And never in his wildest dreams, he thought, could he predict that, even now, the two orphans he searched endlessly for might bring with them a terrible but ancient disaster.

 ORPHAN’S PREY #4

by

Lawrence R. Dagstine

Blake discovered that there is a point beyond which another blow to the spirit is almost meaningless because it cannot be felt.  Helping his sister cope with the jaw-dropping size of the storm—though the gravity of its suddenness was what was most startling—no shelter from the wind-driven onslaught in sight, and instilling a renewed sense of faith and meaning in the importance of survival, the boy led the way through the wastes as any adult leader would.  This was not the same frightened little cherub from two days earlier.  This was not the same eavesdropping eight-year-old who cowered only in the safest corner of an overturned transport, as shadow monsters with an insatiable taste for fluid waited for their next meal.  No, this was a child who finally came to the realization that, in this unnatural environment, the odds were stacked greatly against him.  He had no choice but to push on, even if it meant dragging those he loved dearly along with him; his sister obviously loaned him some of that inspiration and courage in order for this sparkling change to take place.

The fast-approaching clouds, with their thunderbolts and swirling snows pulverizing the landscape, looked like an entity unto itself.  During the late night scramble, above the four-thousand-foot high stretches of sand and rock, the children progressed hurriedly through a dark expanse of steep ridges and intertwining cliffs, upward rather than down across the valley floors.  Blake assured his sister that the higher you were, the safer it was.  So Chandler had told him.  Long after the bluffs were in complete shadows, Chelsea had watched the rapidly changing weather with a solemn look on her face.  One minute it was one season, the next it was entirely the opposite.  It went from hot to cold and cold to hot, to just plain damp and icy again.  It was uncanny, especially at this height.

“Fog thickens and encircles the thunderheads first,” Blake pointed out from atop a thin ledge.  They both stopped for a quick breather. “Or maybe the other way around.  Sorry, sis.  I’m kinda tired now.” He nodded toward the sky. “Streamers.”

“Streamers?” The girl was confused.

“Yup.  See them?”

“I suppose,” Chelsea said, though she still didn’t know what he was talking about.  Practically gasping for air, she’d run so far and fast that she could barely concentrate on the present moment.  Fearful of the climate, and being lost on account of her brother, she also felt displaced. “What about it?”

“Think of them as a main storm body within another storm body.”

“Then they should be carrying warning features.”

“Maybe.  Chandler wouldn’t have thought so,” the boy admitted. “Oh, and see those big dark masses over there?” His finger was outstretched and pointing. “They’re the real soldiers, carrying the big muscle, all the moisture and all the winds.  If they want to, they can regroup, break out the lightning and hail, and really kick ass”—he paused, shaking his head gently in awe—“and with more power,” he went on, “than you can believe possible.  More energy released, too!”

Chelsea nodded. “I see.”

“Moisture inside the fog cloud condenses with the help of little specks of mud and dust,” the boy added, “and as it rises in an updraft it turns to ice.  Then maybe it comes down, builds up more moisture, and goes up again, swirling around and forming more ice.  Up and down, back and forth, growing and getting harder all the time.  That’s how you get hailstones the size of pterodactyl eggs.”

Chelsea was smiling lightly. “I told you, bro.  Pterodactyls are extinct.”

“Oh, well, the hail’s still big.”

“I bet.” Outside, the girl continued listening quietly, her eyes on the distant horizon; inside, she was growing impatient. “Chandler taught you this?”

“Yep, he sure did.  And those big ol’ fog clouds aren’t static either.  Somewhere inside they boil and churn.  Like you said, enormous magnetic forces are at work”—he paused again, this time to show off his necklace as it slowly drifted away from the collar of his shirt by some invisible force—“updrafts, downdrafts, sudden cooling, sudden warming, generating enough electricity to light a whole solar city for a few nights.  Come on, look at the rope around my neck, sis.  You know there’s some evil at work here.” He tucked the chain back in; the way he’d explained it sounded like it was a good thing.

Chelsea snapped. “Did it ever occur to you that actually looking for a place to hide in the rock face might be an option, rather than a weather report?”

“Huh?” Now it was Blake who was confused.

“You really want to know what’s happening out there, little brother?”

“Hey, how come—”

“No, let me finish!” The girl was fuming. “Because this place isn’t cool one bit, and that’s what you’re making it out to be.  Neither is it rad or awesome.  I know your ego is fragile, Blake, but every so often you need to be kicked in the noggin.  Repeat after me: IT’S OKAY TO BE SCARED!!” There was a stunning silence as they just stood there, long and heavy raindrops sopping their clothes. “Mom and Dad aren’t here.  The Keeper isn’t here.  The Vendragon are a no-show.  The planet itself is unpredictable.  Chandler is dead.  Even the friggin’ information bank on my wrist got wet; damn thing is on the fritz!” She smacked the top of it. “All you can do is talk about how amazing and deadly the climate is? Seriously, I don’t think it gets any more selfish and immature than that!”

After five long days, Blake’s shyness suddenly reappeared.  For a brief minute his thoughts went back to the time spent aboard the Juniper, then his body loosened and he reached around to rub the back of his neck.  He walked up to the top of the ledge, watching the storm-crazed heavens; he was in such a trance he would have probably walked straight off it, so long as he didn’t have to be around his sister.  The moons of Ragnarok were much farther now, and the night continued closing in.  The mix of rain and snow got harder.  The air got colder.  The lower parts of the land became darker.  New stars appeared in the clear sections of sky but eventually those patches, too, were blotted out as the clouds merged and continued their relentless advance.

Some of the showers and hail that evening were mere dustings which held on the chilled ground and rocky ledges.  In other high places the winds dropped as much as five or six inches which, here and there, accumulated in small drifts.  He could only imagine the shape of the marshlands, the lower valleys, and the much flatter plains.

Finally the girl swallowed her awful tongue and approached him. “Hey, listen, I’m… I’m sorry, kiddo.” She suddenly felt terrible for the way she acted. “Being lost like this would pretty much drive any girl stir-crazy,” she carried on in a low but silly voice. “The weather doesn’t help any either.”

The boy did not say anything.

“Come on, Blake.  You know how much I worry about you.  What if this storm caused us to get separated? What if you got terribly ill? What if—”

“Stop!” Blake narrowed his eyes in hurt, but did not turn around. “Why’d you mention Mom and Dad?”

“Huh? Oh, that… It was spur of the moment.  You know, a passing reference?”

“So that gives you the right to preach?”

“I was scared,” Chelsea admitted. “My nerves got the better of me.  I’m soaked to the bone, I’m numb with cold, and I thought you were fooling around.  It felt like it wasn’t the right time for bullshit.”

The boy went silent again.

“Blake, please!”

He crossed his arms and ignored her.  Now his thoughts went back to another time and place, even long before the freighter.  Mother.  Father.  Other family.  He was so young; it was all so hazy.  But there were some memories.  Vague instances that were not really detailed, but they were better than no memories at all.  And there they were again, playing itself out amidst the hard driving rain like some mental hologram.

Blake’s parents had been wannabe out-colonists from the start.  They were like any other family of their generation, saving up their earnings while looking toward the future—in their time, to look ahead was the only way to think—often waiting with prolonged anticipation to see what a new planet in a new solar system would bring.  Jeremiah Prittengayle, a business savvy engineer by trade, dealt in matter transference and rockets.  He believed that the urge to visit the world of your choice, or what could eventually become the fruits of your new origins, was buried deep in every human’s heart.  To communicate with alien races, to explore and inhabit lands many light years away was something to be appreciated.  It was an escape from orthodox living and remedial technology in a Great World Society; some called the lifestyle homogenous.  But, being by nature a self-contained man, he had never asked how other family members felt about it—most of Blake’s aunts and uncles lived in the same block as him—nor would he have cared what their answers might be.

As too perfect as it might have been, and for as little time as he experienced it, Blake wanted to be back in that society now.  Anything was better than Ragnarok.  Perhaps that’s why he talked about the weather so much.  To take his mind off things like Earth, Mom and Dad, Aunt Rachel, Grace and Steven, Grandpa Jack and his funny metal leg, apple pie and real friends, other kid’s laughter.  He remembered his father most from his shaving emulsion, which gave off a peculiar but interesting scent.  His superficial-in-a-good-way attitude second.

He suddenly wept.  But it was a good weeping.

There had always been insight into his family: his great-grandfather’s journals which, unfortunately, he had left behind on the Juniper.  He wondered if the diaries were still there, tucked between the metal frame and mattress of his bunk, or if some other youngster had come along and found it.  Would the new child have thrown it away? If he lay down to read it, what would he have thought afterwards?

Of his mother, Courtney Prittengayle, he remembered her soothing voice and the way she embraced him.  She gave the best hugs.  The soft teddy bear kind.  Both she and Rachel had been the daughters of a once-famous geologist.  Though the man had died well before his birth, Blake recognized who he and Chelsea inherited their instinct and desire to adapt from, and when and how to use it.

He remembered being a toddler in the backseat of her father’s ship, vacationing one year in the icy plains of Europa.  He must have been about two-and-a-half.  Chelsea was probably about his age now.  His mother had skills as a navigator and pilot; so did Rachel.  Looking back, she flew the sleek white craft with precision, something he was sure that, as an adoring mother, she did many things.  She’d glance over her shoulder and smile at him, and he’d laugh back.  That feeling of events gaining the upper hand was always with her, but she knew when to push it aside, settle down, and study her surroundings.

“Honey, look, a wilderness!” She pointed downward.

Blake’s father peered out from his side. “Oh yeah, look at that.  Real trees.  They must be rooted somewhere in the ice.” He turned around to face the children. “Look kids, a forest on Europa.  Isn’t it breathtaking? Maybe one day when you grow up both of you will visit a sphere just like this.  Who knows, maybe you’ll even live on one.  Wouldn’t that be exciting?”

The boy nodded cheerfully at the time.

Chelsea was awestruck.  She had opened her eyes as wide as possible, then stuck her forehead and freckled nose against the special glass. “Awesome! Do you see that, little brother?” She tugged his shirt to the point of wrinkles. “Do you see the sculptures and waterfalls? It’s beautiful!”

“Wowww!” The boy sat up on his knees, amazed, then giggled. “Beautiful!”

“Baby, sit down and put your belt back on,” his mother ordered.

“Yes, Mommy.”

“Come now.  You too, Chelsea.”

Blake had lifted his head as far as his neck would stretch.  He just managed the tip of his mother’s shoulder; he never quite understood what went on in the front seat.  He had seen a visual system come down with elaborate keys.  Some were heat-operated, others you just had to blink commands.  They were topographical maps, as Chelsea had told him, and even his father had a virtual one open on his lap.  The contours crowded close on the atlas like holographic shapes and symbols.  It indicated oceanic rifts and icy basins, steep mountainous slopes or sheer cliffs; but the reality of their exploration were the rock faces dropping into darkness, bottomless canyons into which the sun would penetrate only for short hours or even minutes a day, rocky slopes too steep for a human to stand on.  Like Ragnarok, these seemed features of another world; they were features of another world.  In north-facing crevices and hollows, the last Jupiter year’s freeze-over held.

“Looks like we won’t be able to bring her down there,” his mother said.

“Should we take her back to the rough country?”

“We may have to, dear.”

“Mommy,” Blake muttered.

“Oh, almost forgot, darling.  Oxygen.” His mother handed his father a special mask. “You too, Chelsea.  And give your brother one.” She already wore her own, and her voice was muffled. “The atmosphere is dense in this area.  We’ll be up about twenty thousand, and the deep pockets can sneak up on you.”

“Mommy,” Blake repeated. “I have to pee.”

The boy had eventually put on the mask without another word.

From this height, any basins or frozen lakes they passed looked small indeed, toy representations of the real thing; a child’s model platform suddenly came to mind.  There was the wintry stream that was supposed to feed the lake, and there were its countless tributaries and dry ice cracks, some gleaming faintly with heat-generated water, some flowing now but easy enough to pick out from the way they extended across the landscape like branches from a tree.

Where they were now, thousands of feet above the highest ranges, the view was breathtaking.  More sheer slopes and more steep cliffs, some snow-blanketed, others mostly ice-covered, with indentations stretching to the poles as far as visibility went.  It was through this unknown, tangled mass of blue and white, Blake thought, that his parents and others like them had found their lonely way.

His father tapped his mother on the shoulder. “Look, Courtney, there’s the air tower.  The hotels and shops must be just beneath it.” He turned slightly and hollered, “Hey guys, keep your masks on.  We’re almost there.”

From the distance, much of it looked like a metallic ski resort. “This is so cool,” Chelsea said.

“Honey, you think checking in early will be a problem?”

“Nah, shouldn’t be,” the man said. “We can always come back.”

Beside him, the woman seemed to be waiting for some kind of signal. “Maintain this altitude, but swing back over the basin again,” she said, throwing some control switches.  At once the horizon shifted as they began a wavering turn.

As the wind currents moved slowly beneath them, Blake caught the gleam of standing water near the top of a high canyon.  They were coming over the tower now, and although the boy had no idea what his parents might be looking for, he searched carefully every slope, every gorge, every steep drop-off.

That was until they collided with an air pocket.

The sudden force ripped through the hull of the craft; invisible, but the power was tremendous.  Chelsea’s mask flew off and, though strapped in tight, reached for her throat and fell into a state of oxygen-deprived unconsciousness.

His father turned around. “Chelsea? Chelsea! Omigod, Courtney.  You have to bring her down now!” He saw the girl’s head tilted to the side.

The boy grabbed the armrests in fear.

“I…I can’t!” his mother cried. “Nothing’s working.  What’s going on?”

“Blake, whatever you do… DON’T MOVE!” The man had shouted it to the boy with the utmost urgency.

“Jeremiah, we’re going down.  Fast!” There was confusion; it was hard to understand anything over the inrush of wind, which came from the rear.

“Blake, listen to me.  Stay still!”

The boy suddenly stopped and shook his head in silence.  He tried to go back and remember some more but saw nothing that could explain the optical illusion he had seen while in the air.  That and the crash.  Was there even a crash? Were his parents even dead? It was so long ago.

Reality had brought him down to that sodden cliff on Ragnarok so fast and so cruel again, he didn’t know what to say.  There was so much he wanted to understand, but he never got around to reconsidering the past.  Upon their return home, Rachel had disappeared from their lives, too.  He was abandoned by other surviving family and, along with his sister, thrust aboard a ship for orphans, forced to just… deal.

Finally he heard someone say DON’T MOVE again, and with the same insistent tone his father had used.  He turned around in the pouring rain and saw his sister at the opposite end of the cliff.  Frightened, she was backed into a corner by a large and terrifying beast.  It had jumped down from a much higher ledge and almost pounced her.  The creature was feline, but it only had one eye.  It looked like some kind of saber-toothed Cyclops cat; Blake didn’t know how else to describe it.  It stood at least eight feet long and four feet wide, very powerful, with a large ivory horn in the top of its head.  From its sides were long and thin tentacles, three to each and six in all, with fine and sharp pincers at the tips.  The animal raised a giant claw and dug it into the ground with force, causing an upheaval of wet snow and mud.  It made its presence felt between the children; it had noticed the girl first but still left about ten feet open for them both.

Blake motioned with his hands from behind and said extra-softly, “Chelsea, don’t move.” He slipped off his satchel and searched for some perma-flares.  When he saw that he wasn’t the one carrying them, he searched for something else.

The girl stared past the animal at him in fright. “Please, hurry,” she indicated quietly and carefully, then went back to trembling in her corner.

The giant cat displayed its massively long fangs and gave off a monstrous roar.  Chelsea put her hands to her ears and held them there.  It roared and slammed the ground again, then proceeded slowly toward her.  The tentacles at its sides began to viciously click and snap.  The colossal eye widened and loomed in on her, while Blake emptied his bags and looked for something—anything he could use as a weapon.

Seconds later he remembered where he had left the crystal-tipped spear with the attached laser cutter.  It was leaning against the rock wall, just within reach.  He slid across the mud-spattered floor and retrieved it, standing and shouting from the far left side now, “Hey you! Yeah you, ya big ol’ pussycat! Why don’t you pick on someone your own size?” He tightened his grip around the base of the weapon, as the enormous beast turned its giant pupil and sharp fangs toward him. “Get away from my sister!”

“Blake, you don’t have enough room!” Chelsea shouted once she was clear of the ledge; she had maneuvered about fifteen feet. “Get out of there.  Now!”

“Keep climbin’, sis.  I’ll take care of this mean ol’ cat.  Just go!”

“Blake, don’t be an idiot!”

The animal started backing him up in a corner—it was either that or face it on the thin ledge—and snarled angrily.  The boy made small pokes and jabs at it.  Instinctively, the cat responded by opening its mouth, cringing its long-whiskered face, and taking quick swipes.  Blake was short and slim enough to pull his body back from the razor-sharp talons that were now swinging right to left and left to right.

Moments later the cat took two steps back and stood up on its hind legs.  It roared ferociously and raised an angry paw that overshadowed the child’s face.  Blake stood on the balls of his feet and, using as much leverage as he could muster, dug the now-heated tip of the spear into the underbelly of the animal.  The cat bellowed in pain, then swung its massive frame back and forth until the weapon broke like a twig.  Blake fell backwards to the ground.  The cat’s paw descended with a mighty thud, tearing up earth and hurling fragments of rock aside.  The boy lay watching beneath the rubble, as the salivating animal opened its mouth wide and came in for the kill.

TO BE CONTINUED…

Free SF Serial: “Orphan’s Prey pt. 3” – Lawrence Dagstine

Science Fiction Serial Part 3

First Draft – Follow it from the beginning…

Orphan’s Prey 1: https://lawrencedagstine.com/2010/04/20/free-sf-serial-orphans-prey-pt-1-by-lawrence-dagstine/

Orphan’s Prey 2: https://lawrencedagstine.com/2010/06/10/free-sf-serials-orphans-prey-pt-2-by-lawrence-dagstine/

Who are the Vendragon?

So self-assured, she was, only hours earlier. So brave and self-confident. So virtuous and independent at the right moments, yet obviously weak during others. 

She suddenly found herself pressing her hands to the sides of her head—she’d never done something like this in front of her brother—almost sick with discomfort.  She saw the expression on the boy’s face, then her own, only in her mind’s eye, weak, scared, unprotected, and she realized once more that they were just small children, incapable of much, and just how alone they really were.

 

ORPHAN’S PREY

 by

Lawrence Dagstine

A rather large, muscular, adobe-colored lizard was awakened that same night by what sounded like distant explosions.  From behind the controls of his land scout, the startled iguana with the reddish-brown leather armor and twaddle-speaking tongue realized it was thunder reverberating among the low cumulus that was some hundreds of miles wide.  There was the pitter-patter of rain pellets on the vehicle’s front looking glass and hood.  A break in the drought? No, couldn’t be; Ragnarok should only be so lucky this time of year.  All the water in the universe couldn’t fix that recurrent problem, only toss it a band-aid.  Hence the greenhouses, pipelines, and special sprinkler system back at the city.  Fog clouds approaching? Maybe.  It was a more logical bet.  In sandy, mountainous regions like this, a heavy thunderstorm or methane-mixed hail shower could be an isolated occurrence or a signal that a new front was moving in—or yet another unwanted season.  Whichever it was, the lizard was glad he was snug inside his tracker rather than camped out in a dry marsh or deep desert valley where the storm was picking up speed and strength.  As for how bad conditions would get, he’d just have to wait and see.

“Fog billows?” asked a similar life form from a standard operating panel in the rear.  Unlike the front of the vehicle, there were no visual systems or radar maps or even a looking glass to peer out of.   Compared to his much taller partner, this reptile’s armor was grayish steel, the portions of scaly flesh that was visible a mustard tone.

The tongue-tied lizard at the wheel of the land scout looked at his weather gauge. “With precipitation like this”—when he talked his mouth didn’t always move but, rather, an electronic chest unit with a flashing orb flickered—“what else could it be?”

“The way you study natural features,” his friend remarked, “I would have thought something more exciting.  Whatever your definition of exciting is.  You know, Koral, I’m quite surprised you never applied for an Earth visa.  You show a certain kind of enthusiasm for your work.”

Their vernacular wasn’t perfect, the interpretive English and back and forth chitchat a bit skidded; but the chest units helped immensely with vocabulary and pronunciation.

“You mean neurotic?” Koral’s tongue lashed out in slight irritation.

“Mmm, that’s the word.  A human term, too.  I’d bet my green farm that Earth scientists would have adored you.”

“Funny, Bakkra,” he laughed. “I don’t know whether to pat you on the gills for your clever perceptions of me—because I am mostly used to your cynicism—or just go ahead and collect my winnings now.  Heh! And here I thought only the man-droid was able to understand me.” There was a brief pause. “Speaking of which, the synthetic one has not returned or communicated back with our lovely package.”

“He’s a robot.  Robots are late, too, you know.”

“Not this robot.  I was the one the manufacturers hunted down and finally sold to.  I was the one guiding him through the wastes.”

“You seem concerned, and tired.  Should we call off the search?”

“No.  Not yet.”

“They’re that important to you, huh?”

“Yes.  That important.” Koral leaned back in his metal chair and let the ravaging elements unfold before him, while keeping a close eye on the overhead gauges and monitor for something else.

Lightning flashed some more.  The alignment of the bolts, shooting outward from the cumulus in all directions, reminded the lizard of the storm chasing he undertook in his youth; after three hundred and sixty years, one begins to feel old but still take pleasure in the eccentricities of the past.

Thunderstorms in the wastelands of Ragnarok were forever awesome displays of limitless power, he thought, sometimes releasing energy many times greater than the atomic explosion range.  Hailstorms derived of methane were a whole other story.  Still, he knew if you were close to either one, or became trapped in the very center of a fog cloud, there was about them a personal quality.  It was dramatic and inescapable.  It was terrifying but vivid, as if every sudden flash, every strong gust of wind, and every simultaneous explosion that crackled and boomed were seeking you out; after all, it really sought no one else.  The lightning came in multitudes and blinded you.  The thunder wreaked havoc on your ears and deafened you.  The ice-cold rains came down heavily and drowned you.  And on the open plains, the sand-filled wastes, and in hanging valleys of crystal and rock, there was no place to take refuge.

The snow, which frequently becomes spot blizzards with reckless currents of air beyond gale force, could also be merciless and astonishing in its ferocity.  Large, lazy flakes drifting down at first, touching the ground and melting instantly.  But in minutes the fall becomes thicker, more rigid, and the wind-whipped mess pummels the landscape.  The temperature drops rapidly.  Marshes and gullies turn in the twinkling of an eye to great streams of half-frozen mud, which then later break apart from those very same winds and become torrents, rushing steeply downhill unintended, catching up loose rocks, Yurga bush, even boulders.  Other times, the mud is uplifted and snatched from their channels, as if by some godly hand.  Then it is flung into the air with impending force, thus turning it into hail during its whirl around the cloud formations and falling with a shrapnel effect down upon lower elevations of land.  In the midst of the mud particles, an unscented methane composite, laid bare to Ragnarok’s wrath and planetary nature to do whatever mixing and mashing it likes.  Once it falls back down again, hardened and in hail form, it wreaks of the most terrible odor, which can be inhaled up to hundreds of miles away.

Koral always remembered the cloud masses beginning somewhere in the high mountains, never the desert regions or marshlands, and in an almost tentative fashion.  Always the highest escarpments, always the greatest plateaus.  Perhaps that was what made the seasonal irregularities so peculiar, so unrelenting in their expansive devastation.  And you never expected a season to change so fast or, unintentionally, drive through one.  Not unless it was closely monitored or regarded from a distance.

From within the land scout, and up along a high altitude, the now-dozing lizard found such an effect magical.  A swirling, shifting pattern of light, eventually graying, then dulling and, finally, obscuring.  Precipitation from some disturbance in the planet’s magnetic field eventually conjured up the surrounding fog—yes, that had to be it—but he couldn’t be certain.  Neither could his people.  It was just another mystery of the planet, passed down from generation to generation, and his hypothesis was open to much conjecture.  Sometimes there was a break; usually there wasn’t.  Sometimes it revealed uncharted peaks, gorges and canyons, and the Vendragon Township far below, often untouched by the gathering clouds and coming storm.

At times he found such atmospheric wonder indescribable.  He often used worlds populated by humans as a comparison: where Earth’s seasons changed over the course of months, the cycles on Ragnarok could change within minutes if not mere seconds.  He used these comparisons in his teachings.  The Vendragon, whose society already flourished in ways early human colonies had, achieved much knowledge and experience from it.  They took it with them wherever they went; though formally a tribal race, that and available technology became a handed down tradition.

Finally the lizard’s thoughts were interrupted by a voice on the overhead speaker. “Hey, storm chaser! Come in, chaser! What are you chasing after now? Over.”

“Apparently little boys and girls,” Bakkra hollered from the back. “Ain’t that right, Koral?”

The man-sized iguana turned and shot his mustard-colored friend a filthy glance. “Do you mind?” His chest unit flared bright red.

The speaker chimed again: “Check.  Fog clouds reach you yet? Over.”

“Affirmative,” he answered. “Unpredictable weather surrounding just about everything.  All within close proximity of the vehicle, at least, otherwise cloud-to-ground.  Too soon to tell.  Just beginning.  Over.”

“I’m sure the young ones are all right,” the speaker crooned; the voice on the other side tried to be reassuring.

“What makes you think I was worried about that? Over.”

“Have any of our friends made an appearance?” An intense silence followed.

Bakkra was about to say something smart when Koral turned and shushed him. “The man-droid has still not reported back, and no,” he said. “No activity or other signs of life in the region.  Over.”

“Oh, well, still armor yourself.  This storm system reading is immense from our side.  We’re going to catch it for good and for sure, and there’s an airstream behind it.  First snow and ice, then rain and wind, heavy at times.  Even at your elevation.”

“Trust me.  We’ve already felt the thunder.”

“Thunder is nothing.” The communicator cut off for what seemed like two, maybe three seconds, followed by unusual static. “We may lose… you if… you go any… higher,” the voice continued brokenly. “You been feeling tremors? Over.”

“Negative.” Koral flipped a few switches on the overhead panel and fixed the glitch. “Unless there’s something I don’t already know or you’re not telling me.  Over.”

“Hmm, well, we’re still sending two extra rovers your way.  Over.”

“Helpful, Ooglad, but Bakkra and I are all right.  Over.”

“Listen, Koral, I know it’s just a random search, and this cloud build-up is like all the other occasions, but let’s be honest here, you can use all the help you can get.” A brief pause, and then: “Small stuff, under four on the quake register, with sand-shocks set well outside your perimeter.  But why turn down a free assist? Over.”

“Thanks, Ooglad, but no thanks.  Out.” Koral switched off the communicator.

Bakkra was the one with the smug look now. “What did you do that for? You’d have to be mad to turn down a rescue and assist in conditions like this.”

“We don’t need it.  We’ll just stay the night.  The storm will pass, like those before it.”

“For all you know those children might already be dead! Your droid’s bleeper would have picked them up kilometers ago.  This, my friend, is just suicide!”

“Really, Bakkra? How so?” Koral leaned back in his seat once more. “Does this also mean I’m forcing you to commit suicide with me? Because I do occasionally entertain the thought.”

“I guarantee you these children are already worm food or some other kind of beast droppings!”

“I say you’re wrong.” The lizard was terribly amused. “For once in your pathetic existence, don’t be such a coward.  Part of our race’s survival depends on these two kids.  We’ve weathered fog clouds before, and knowing how Ooglad thinks, he’ll most likely still send out that extra patrol regardless of what I say.  He’s crazy and neurotic, too.”

“You’re right,” Bakkra said. “For once you are very right.  That young reptile is paranoid and foolish like you.  But I am not.” Gathering his things, he went on, “I don’t plan on staying here with you.  So, if you will not wait for the assist and accept it, then I will.  They’ll give me a ride back to the city, while you stay out in the hail to wither and die.”

He was prepared to slide open the door and exit the vehicle when Koral jumped up and stopped him. “Oh no, my friend.  You are not leaving this tracker.” The lizard made his presence felt; the air suddenly became hostile and serious. “Not while I am in charge.  I say we weather the storm, investigate these hills and cliffs, and that is final!”

“Let go of the door, Koral.  Things could get messy in a very confined space.”

Lightning flashed just outside; the crackling sound was ear-piercing.  Koral shook it off.  Then he released his massive-sized hand from the door’s grip. “Go ahead,” he said. “I’d ask you to be reasonable but I think you and I both know we are beyond that now.”

The mustard-toned reptile reconsidered. “The only reason you are being this way is because of what happened to Arim.  You’re scared you’ll have to live through a repeat.” There was a brief silence, significant, and followed by what seemed like an even more emotional reawakening. “Your puny brain might not realize it, because it’s crammed deep inside your subconscious—yes, one of your human terms—waiting for the chance to be exposed, waiting for the opportunity to be expressed, and aired in permanent relief.” Then Bakkra put his things down and took two steps back. “There is a cause to your neuroses, Koral.  I see this.  Ooglad sees this.  The whole tribe sees this! They worry about you.  They can see right through your armor, the pain you are suffering, the empty feelings you sometimes emit.  You leave the camps and city grounds to study the conditions out here, bury yourself in your research.  This is your means of escape.  But because Arim perished and you suffer does not mean others need suffer as well.”

Koral did not reply.  Instead, he returned to the front of the vehicle, strapped himself back into his metal chair, and peered silently out of the looking glass.

Bakkra went on, “I will not go.  I will return to my station.  This is a very strong storm formation we are dealing with here.  Hopefully, your instincts are right this time.  I also pray you will not be blinded by pride again.  This stubbornness needs to subside.”

Koral blocked the rest of what he had to say out and stared up at the overhead panels in dismay.  Eventually he closed his eyes and, with the ease of long practice in strange places, went immediately off to dozing again.  In a few hours he would see what effects of the storm he could find, and if the children or the man-droid had left a trail for him.  This time he was prepared.  He had a carry-along machine, lightweight with a strap, which detected alien life forms.

He continued to ignore Bakkra’s petty banter through the night.  He continued to be aware of feeling kinship with the environment and, oddly enough, with the fog clouds.  It was a feeling he found impossible to shake.  Pensively he looked back at the fateful actions that led up to the Arim tragedy.  It was so long ago, uneventful to say the least.  How could the thoughts still persist? Were they really bottled up inside of him? It was his first interspecies “coop”, as most out-colony settlers called it in those days.  The boy was too young.  Sixteen in Earth years.  For every hour the lizard was out there searching for the two orphans he probably thought of Arim and the accident that befell him twice as much, only unconsciously.

For a reptile such emotions were not like him; then again, perhaps he did not try hard enough to show emotion.  Along with his predictions in the weather, and for as long as he could remember, he had experienced premonitions instead.  If the premonition seemed genuine, his chest unit would emit a strange glow, and he would utter a warning of disaster to the rest of the tribe.  Very rarely did the Vendragon take him seriously, and very rarely did they act on it.  His forebodings were never specific, the calamity either absurd or nameless, so it was unusual that he did not speak of any premonition in the days or hours before Arim—a most treasured farmhand assisting their nascent culture in advancing agriculturally—was attacked and fell from that high cliff.  And never in his wildest dreams, he thought, could he predict that, even now, the two orphans he searched endlessly for might bring with them a terrible but ancient disaster.

TO BE CONTINUED…

Cover of Darkness, May 2010… (Now Available!)

Nurses and babysitters taking care of vampires and werewolves during The Great Depression? President Herbert Hoover striking financial aid deals with monsters? Compassion for a vampire child from another era? Who came first? The monsters or the humans? The year is 1930… and Lawrence Dagstine is just one of your Feature Authors for a very weird novelette.  It all takes place in the latest issue of Sam’s Dot Publishing’s digest-sized magazine, Cover of Darkness.  Edited by Tyree Campbell.  Published semi-annually.

A Time And Place For Monsters – 1930

 

Written by Lawrence Dagstine

Weaver of the Historical Weird Tale…

COVER OF DARKNESS – MAY 2010

 

 

Order Lawrence Dagstine’s novelette in Cover of Darkness:

http://www.genremall.com/anthologiesr.htm#coverofdarkness0510

Sam’s Dot Publishing Main Homepage (updated monthly):

www.samsdotpublishing.com

Also featuring Novelette-length work by Lawrence Dagstine:

COVER OF DARKNESS – NOVEMBER 2009

 

Get both issues for a discounted postage price at The Genre Mall.

Other Authors & Poets: Mark Anthony Brennan, Tyree Campbell, Virginia Mohlere, Jonathan Wolf, Edward Cox, Ferrel D. Moore, Marc Colten, Lawrence Dagstine, W.K. Tucker, Jennifer Sparlin, Hillary Bartholomew, Eric Obame, Thom Olausson, Marge B. Simon, Peter Layton, K.S. Hardy, Cathy Buburuz, Gary Every, Ash Krafton, and finally, W.C. Roberts. 

Other New Entries: “Magazines”

FRESH BLOOD by Lawrence Dagstine… (PDF and E-Format!)

My 2009 debut short story collection, FRESH BLOOD, filled with 160 pages of dark science fiction stories and twisted horror tales is now coming to PDF/e-Format.  You can get it from one of the largest RPG retailers on the Web. DriveThruRPG.com! Or, for just a few dollars more, you can splurge for the print copy and see what all of last summer’s buzz was about. Just do a search for “Sam’s Dot Publishing”.  It might take a while for the publisher’s page to go up.

Vampires * Zombies * Ghosts * Giant Lizards * Alternate Universes

FRESH BLOOD: TALES FROM THE SPECULATIVE GRAVEYARD

Published by Sam’s Dot Publishing

Author: Lawrence R. Dagstine

FRESH BLOOD in PDF/E-Format - ISBN: 978-0-9819696-2-6

Order the PDF or e-Version for upload to your readers at… DriveThruRPG.com:

www.drivethrustuff.com

For a little more, the softcover version at The Genre Mall:

http://www.genremall.com/anthologiesr.htm#freshblood

Fresh Blood by Lawrence Dagstine - PRINT VERSION

Other New Entries: “Books & Anthos”

The Random Eye, Volume #2… (2010 Edition!)

The 2010 edition of The Random Eye is now up — an annual e-Zine dedicated to alternatives, communication that breaks the mold, universes or altiverses that are parallel in nature, and where, for the new decade, tea is the ongoing theme.  Edited by Melissa Jones, The Random Eye is also The Random Radio.  Published annually.  Come, click, and have a cup.

The Random Eye, Volume #2

MAIN HOMEPAGE:

http://therandomeye.atspace.com/index.html

THE RANDOM EYE on TWITTER:

http://twitter.com/therandomeye

FREE FICTION – THEME: TEA…

http://therandomeye.atspace.com/thegirlwhodreamtportals.html

Other New Entries: “Magazines”

Steampunk Tales #6, Second Acceptance… (coming soon!)

The Golden Age makes its return in digital format.  So does the Industrial Revolution, Neo-Victorian Horror, and lots of other spooky historical tales.  Come one, come all to Steampunk Tales! Where many adventures, horrors, and mysteries await.  Some of the best short stories by short story giants and rising stars in the field.  On my eBooks & Kindle page you too can order my brand new stories alongside many other talented authors within the Steampunk genre.  And at a very affordable price.  Behold the future of fiction magazines! Read them anytime, anywhere! Previous editions have featured such authors as Jay Lake, Catherynne M. Valente, G.D. Falksen, Jillian Venters, Phil Brucato, Brenda Cooper, and myself, among others.

Lawrence Dagstine Coming to Steampunk Tales Issue #6

His Scariest Horror Novelette to date!!

 

Also appearing in Steampunk Tales #2

 For your iPhone/iPod Touch, PDF, and KINDLE

Also check out Lawrence Dagstine in Issue #2:

https://lawrencedagstine.com/ebooks-kindle-dagstine/

www.steampunktales.com

Penny Dreadfuls * Victorian Pulps for your readers!

(*Also available as a PDF, Kindle, or through Mobipocket*)

Sample look at Steampunk Tales:

Featuring:

  • 10 pieces of exciting steampunk pulp fiction at an unbelievable price.
  • Featuring a true A+ lineup of award winning authors.
  • Stories run 4,500 – 11,000 words each! (totaling over 600 screen pages using the default font and font size)
  • The Steampunk Tales Reader on (iPhone/iPod Touch) features unique retro-futuristic Victorian styling never before seen in an eBook reader!

Other New Entries: “eBooks & Kindle” and “Magazines”

Withersin Magazine, January 2010… (Now Available!)

First, a Healthy and Happy New Year to those who follow this blog homepage.  Next, I’m starting off 2010 with the latest issue of Withersin, No. #3.3, themed: Arsenic. Published three issues per year by Misty Gersley, Withersin is a glossy, beautiful art-filled mag of horror and non-fiction relating to the paranormal and more.  You can find it in some chain bookstores, or pre-order the issue by following the link below.

WITHERSIN MAGAZINE – January 2010

Issue #3.3 – Theme: Arsenic

ORDER THE ISSUE – SUBMISSION GUIDELINES:

www.withersin.com

Other New Entries: “Magazines”

The Random Eye, Volume #2; 2010… (coming soon!)

For the second year in a row, I’ll be appearing in the annual eZine, The Random Eye. The Random Eye is about parallel universes, alternate history, alternative fiction, and stories which break the boundaries of communication.  Edited by Melissa Jones, the Random Eye is also The Random Radio.  My second acceptance is coming in early 2010, Volume #2.  It can best be described as a weird tale with a dash of steampunk, a dash of the historical, part fairy tale and part science fiction.  Oh yeah, and the 2010 theme is… TEA!

By the way, they’re still actively seeking fiction until January 2010.

THE RANDOM EYE: An eZine Dedicated to Alternatives

a.k.a. THE RANDOM RADIO

The Random Eye

SUBMIT OR READ IN JANUARY-FEBRUARY 2010:

http://therandomeye.atspace.com/index.html

Follow The Random Eye on Twitter:

http://twitter.com/therandomeye

2010 story theme: tea

Other New Entries: “Magazines”