Visitation Rights, Amazon Kindle… (Reminder Post!)

Many of you have probably been wondering where the heck I’ve been, blogging two, three times per month.  Well, lately I’m going through a very hectic divorce.  Yes, I’ve split up and moved away from my now ex-significant other.  We shared four wonderful years together as a couple, gave birth to a scifi nut for a toddler, but with a 70% divorce rate in the United States, hey, sometimes these things are not meant to last.  On June 10th (and maybe beyond), it’s all about who gets the custody and visitation and when and where (I’ll probably get the kid on the weekends).  But New York Court can be a dragging process when it comes to this.  I’d like to thank all of my friends I grew up with in Manhattan, my friends in Brooklyn, all of my very supportive friends–all 2,500 of you–on Facebook, for cheering me up, for being there for me.  Even though there is more legal stuff ahead, a lot of you took the teary moments and depression away.  I’d like to also thank you for your privacy concerning all these family matters at this time.  Sometimes love is not meant forever.  What this does mean, however, is I need to get my ass writing more when all this is over.  I have a roof over my head.  It’s a room… cozy… $500 a month with utilities (I know peeps), and for a Native New Yorker and Bohemian like myself it will suit me just fine.  I feel as if I’ll get more work done now.  Perhaps better work, as I’ll be able to concentrate.  Oddly enough though, the way the visitation proceedings are playing out—minus the paranormal elements, of course—they’re roughly 70% similar to my first Amazon Kindle title: Visitation Rights. 

VISITATION RIGHTS: by Lawrence Dagstine

for Amazon Kindle and most other Digital Readers/Platforms

Sometimes very small fragments of art imitate life…

…and sometimes very small fragments of life imitate art.

Damnation Books – Direct Link:

http://www.damnationbooks.com/book.php?isbn=9781615720088

Other Amazon Kindle & eBook Titles by Dagstine:

https://lawrencedagstine.com/ebooks-kindle-dagstine/

ISBN 13: 978-1-61572-008-1
ISBN 10: 1-61572-008-1

Welcome to my life…

Cover of Darkness, May 2010… (Now Available!)

Nurses and babysitters taking care of vampires and werewolves during The Great Depression? President Herbert Hoover striking financial aid deals with monsters? Compassion for a vampire child from another era? Who came first? The monsters or the humans? The year is 1930… and Lawrence Dagstine is just one of your Feature Authors for a very weird novelette.  It all takes place in the latest issue of Sam’s Dot Publishing’s digest-sized magazine, Cover of Darkness.  Edited by Tyree Campbell.  Published semi-annually.

A Time And Place For Monsters – 1930

 

Written by Lawrence Dagstine

Weaver of the Historical Weird Tale…

COVER OF DARKNESS – MAY 2010

 

 

Order Lawrence Dagstine’s novelette in Cover of Darkness:

http://www.genremall.com/anthologiesr.htm#coverofdarkness0510

Sam’s Dot Publishing Main Homepage (updated monthly):

www.samsdotpublishing.com

Also featuring Novelette-length work by Lawrence Dagstine:

COVER OF DARKNESS – NOVEMBER 2009

 

Get both issues for a discounted postage price at The Genre Mall.

Other Authors & Poets: Mark Anthony Brennan, Tyree Campbell, Virginia Mohlere, Jonathan Wolf, Edward Cox, Ferrel D. Moore, Marc Colten, Lawrence Dagstine, W.K. Tucker, Jennifer Sparlin, Hillary Bartholomew, Eric Obame, Thom Olausson, Marge B. Simon, Peter Layton, K.S. Hardy, Cathy Buburuz, Gary Every, Ash Krafton, and finally, W.C. Roberts. 

Other New Entries: “Magazines”

Lawrence Dagstine: “A Day at the Brooklyn Museum…”

The following series of pictures were taken a little over a year ago, when I went on a research trip to The Brooklyn Museum of New York.  During that time, between 2008 and early 2009, there was an Ancient Egyptian/Assyrian Exhibit.  They also had an “Old School” Graffiti Art exhibit on the 5th Floor.  It was a lot of fun.  I got to see some real mummies (which you’ll see below), tombs, statues, canvases, masks, and a whole lot of other interesting stuff from the days before Christ.  I finally got around to resizing some of those other photographs.  The results of this visit would be a short article for an archeological magazine and an alternate history tale featuring Cleopatra (novelette-length).  Here they are, finally, in all their glory.  Historical and artistic pics.

Assyria * Ancient Egypt * Mummies * Tombs

The mummies were the freakiest…

(There were more pics for this exhibit, but those were sold along with the article)

Asian Artifacts * Age-Old Trinkets * Masks * Molds

 

Paintings * Canvases * Stained-Glass Works

Graffiti Art Exhibit * Urban Art Canvases * Retro Works

As you can tell, you could even participate…

 

For more information about the Brooklyn Museum of New York:

www.brooklynmuseum.org

200 Eastern Parkway
Brooklyn, NY 11238-6099
(718) 638-5000

Lawrence Dagstine: “How to make $5000.00 from writing…”

*HOW TO MAKE FIVE-GRAND IN YOUR SPARE TIME FROM WRITING*

An Essay by Lawrence Dagstine

This conversation always seems to come up whenever my name is made in passing in certain industry circles, regarding that “Prolific Hack” Lawrence R. Dagstine.  This time it came via Facebook a few days ago by a person we’ll call Chubbs.  Congratulations, Chubbs, you are now a character in my upcoming, racially provocative, cyberpunk novella, MAURICE AND THE URBANITES.  All with good intentions, Chubbs; I won’t kill your character off.  If there’s one thing I’m known for, it’s helping other writers find markets for their work.  However, I think it is important that all housewives or househusbands, part-time tutors, teachers or students looking for extra cash, has-beens, wannabes, bohemians, panderers, starving artists, prose-driven lushes, pain-killer popping poet laureates, and yes, even young technical writers who need reminding pay heed.  Or if you’re smart, can program yourself to type methodically, but find yourself currently unemployed.  So let’s start this off right…

Publishing Clip/Magazine Tupperware No. 2 of 4 - Yes, I own four.

Hi, my name is Lawrence.  I’m a hack writer who made roughly $5000.00 in 2009 from the written word.  Cash.  Mojo.  Bling.  And I’m going to show you too how to make this kind of money over a 365-day period; have checks and payments coming in regularly in this tough economy; samples on how to get writing gigs and become a fiction writing machine in your spare time, and the difference between quantity and quality (in my opinion).  As a trench-writer since the late 90’s, with close to 400 magazine and webzine credits, and in this current market, this is how I perceive Quantity and Quality.

QUANTITY = The Possibility of Fast Money and Brief Popularity.

QUALITY = The Possibility of Immortality and Elegance of Prose.

Author’s Note: With the above, your mileage may vary.  But both can exhibit a certain level of professionalism.  I’ll also get to the novelist a bit more later on.  Everything I put down here in the meantime is from firsthand experience, acceptances, years of observation, and generally whatever else worked for me concerning the written word.

I think everybody pretty much knows by now that I submit to a LOT of half-cent to three-cent per word paying markets.  I often have a minimum of 20 to 40 different short stories and novelettes floating out there at any given time, and so should you; with reprints, once rights have reverted back to me, sometimes as many as 60 fiction markets.  There’s one short that I’ve sold over seven, eight times already.  These are often called “Trunk Stories”, stories which have already been published and are just sitting on your laptop, can be dusted off, and sold again after many years.  And I’m not including small non-fiction gigs, which rely mainly on published clips, actual “print” periodicals, or through connections/recommendations one might have through freelancing or journalism.  That’s a whole other ballgame.  If you want to make some kind of extra cash with short stories, you need to write plenty of them! Like one or two per week, then build up a hefty folder over time.  This is a must! It won’t be an overnight thing.  Oh yeah, and expect to get a boatload of rejections.  But I think every writer and his or her grandmother is aware that it comes with the territory.

At the same time, I truly believe that while the written word is the written word – by that, I mean whatever you manufacture from your keyboard – within short story writing and novel writing there exists two very different breeds of writer.  Two very different thought process patterns between both of them.  Even though, over time, it is essentially the hardworking novelist who will round up the most funds.  One is taught to submit to nothing but the highest paying markets, because there is this invisible rule, and everybody should adhere to it.  Because we should better ourselves.  Start at the top, work your way down.  Maybe go to Clarions or Borderlands or a similar writing workshop, and attend seminars where you can sit down with actual New York Times Bestselling Authors.  Excellent philosophy.  I’m for it one hundred percent! I’ve been told to submit to nothing but five-cent per word markets, otherwise throw your story away.  I’ve had writers tell me five cents is an insult and submit to only seven-to-ten-cent per word paying markets.  And there was the one old-schooler who said submit to only ten-cent markets (yeah, and out of the thousands upon thousands of genre writers, statistically we all know there’s a ton of those out there).  I wouldn’t dare say keep that piece sitting in a drawer, especially if you believe in it.  Submit it! Still, at the same time we can’t forget that some levels of writers do it for the sake of paying other bills, no matter how big or small that earning from writing may be: it might help you fill up your gas tank, it might help you afford air conditioning this summer, or even pay your mortgage or credit card.  For some the opportunity is out there (on both levels); for some, not in a million years because they might not know what to do or how to go about freelancing or how to utilize reprints or how to get into the “Writing Habit”.  Personally, I could give a damn about immortality.  I live in the Here and Now, therefore I must eat, think, and survive in the Here and Now.  That’s my philosophy.

Basically, have a secondary income coming in on a fairly repetitive basis.  Checks and Paypal payments flying in every week to two weeks.  The same way prolific novelists receive royalties by the quarter.  Two very different breeds of writer, in my opinion.

Example 1:

On one particular day in September 2009, I opened up my email to find seven paying acceptances in ONE DAY – nothing big, nothing exorbitant – and I’m not a full-time writer.  That’s my current record, by the way.  In December 2009 I had another four paying acceptances in ONE DAY.  That’s eleven paying short story acceptances right there.  In only two days out of 365.  Now, out of those eleven acceptances, who am I to say no to $25.00 checks, $50.00 checks, $75.00 checks, or even a $100.00 check, which might turn out to be a 2-cent per word story which just happens to equal a Benjamin Franklin? Especially if they’re rolling in constantly! Unless you’re already established, you never say no to Benjamin Franklin.  Benjamin is your friend; Grant ain’t so bad either.  A 2,000-word short story to a professional market equals the SAME hundred dollars.  Not to mention I can probably name three or four other prolific short story writers who have me beat with the numbers above.  And while Benjamin and Grant are your best friends, they can do more than just get your name and work out there.  In this current market and economy it can pay for things.

Here’s another example from December 2009.  The publication in the link below, which has been around eleven years, I often get acceptances from.  I’ve even helped improve their exposure and circulation a bit.  They pay me 1-cent per word for material.  The two accepted stories in this particular entry, to be released this year, are 6,000 words in length each.  That equals $120.00.  Over a period of twelve months, it adds up.

CLICK HERE: https://lawrencedagstine.com/2009/12/21/nova-science-fiction-spring-2010-eight-acceptances/

This recent story acceptance below is fairly long.  It took me one day to write this story.  The creative juices were flowing.  The check from it will pay for one gas bill.  Still, if you want to pay more than one bill, you need to have at least 40 different short stories floating out there for you.  When rejections come in, send the stories right back out.

CLICK HERE: https://lawrencedagstine.com/2010/02/10/aoifes-kiss-35-december-2010-12th-acceptance/

Once again, that $5000.00 was from part-time writing, not full-time.  This came from short fiction, short non-fiction, selling Dagstine mags and wares in Coney Island, small leads and gigs on places like Craigs List to resume writing (www.craigslist.com).  Let’s throw in a little off the books proofreading for people advertising simple jobs from foreign-speaking countries (e.g., gigs I had for Denmark and The Philippines).  You can charge these people a fee in the low hundreds just to edit their manuscripts or fill their technical and business writing needs.  Always charge less than what the Writer’s Market suggests for these jobs; work with your clients, they’ll use you again or recommend you to others.  That’s how resume writing fell into my lap.  It doesn’t matter where you come from: if you understand English, have Internet access, and enjoy typing, anybody can do this… ANYBODY CAN DO THIS! So what if it isn’t entirely fiction? Now I’m building up an entirely different kind of portfolio in the process, something I would never have done or thought of, say, five years ago.  I’ve written under such names as Lawrence Davis, Lawrence Roberts, Lawrence Hewitt, and in the science fiction arena, Lawrence Dagstine.  The list goes on.  I even wrote a porn story once under the name Nabudi Sun (this was for kicks).  Plus, the freedom of this also gives me the time to write more genre fiction, which I enjoy and grew up on.

SAMPLE FOREIGN / FREELANCE LINK: http://manila.craigslist.com.ph/wri/

You ever see that show, DEAL OR NO DEAL? Hosted by Howie Mandel? He comes out on stage rocking his baldy, a woman with a silver briefcase hollering and screaming at his side.  The audience is cheering on.  The woman is given the option to pick briefcases and go for a six-figure win.  Let’s pretend that the contestant is a writer, and that this game show scenario applies to writing.  Very rarely do people get that six-figures; shit, some times they don’t even score five.  Howie Mandel will call upstairs and one of the producers or whatever will make an offer.  It might be $6,000, $8,000, or $10,000… Do yourself a favor, TAKE THE MONEY AND RUN! Don’t wait around for a half-million dollars.  Because, in traditional publishing, six-figures ain’t happening.  $10,000, sure, why not.  I can figure that.  Pay your bills and have fun with your peers.

Example 2:

You know, when you think about it, $5000.00 equals an advance on some novels, which might take you a year to write and then an additional 18 months to be released.  There’s no guarantee the book will sell, the agent you have will keep you or you will keep her, or that you’ll be the next big thing.  Your book may sit on a shelf for what seems like an eternity, or be sent back for a refund.  Or, in the end, have its cover torn off.

You have to remember, writing is a starving profession.  Freelancing is quick cash.  Thanks to it, I sell most of my works a minimum of three times each.  Thanks to it I have heat and hot water, a full refrigerator, electricity and gas, copays on prescriptions covered, clothes on my back, toilet paper to wipe my ass, diapers on my kid’s behind, and all other bills and necessities besides a rent firmly paid.

But, I understand.  Even though you realize that genre is a lottery, with one in every 10,000 to 20,000 truly making it BIG, you aspire to be that New York Times Bestselling writer.  There’s nothing wrong with that.  Dreaming big is a part of life.  Sometimes those workshops or classes, however, are pricey.  With round-trip airfare, hotel and food, you could be talking $2000 just to attend! Freelancing, in the fashion mentioned above, can PAY FOR THAT PROFESSIONAL WORKSHOP… It can help you afford these writing camps in what is a truly reserved economy.

In the end, it’s all about enjoying what you do.  The storytelling aspect, and of course, entertaining your readers.  Listen, you don’t have to stay in this little shell your whole life because some organization has it hammered out that way or because people have inferiority complexes (such as Chubbs).  What good is a writer who ends up worm food from lack of finances? I think that at a certain point, you have to come out and set up your career the way you feel most comfortable with it.  Remember, only you are responsible for your own destiny.  Only you can carve out a niche for yourself, thus turning it into your own reality.

Until Next Time,

Lawrence Dagstine

FRESH BLOOD by Lawrence Dagstine… (PDF and E-Format!)

My 2009 debut short story collection, FRESH BLOOD, filled with 160 pages of dark science fiction stories and twisted horror tales is now coming to PDF/e-Format.  You can get it from one of the largest RPG retailers on the Web. DriveThruRPG.com! Or, for just a few dollars more, you can splurge for the print copy and see what all of last summer’s buzz was about. Just do a search for “Sam’s Dot Publishing”.  It might take a while for the publisher’s page to go up.

Vampires * Zombies * Ghosts * Giant Lizards * Alternate Universes

FRESH BLOOD: TALES FROM THE SPECULATIVE GRAVEYARD

Published by Sam’s Dot Publishing

Author: Lawrence R. Dagstine

FRESH BLOOD in PDF/E-Format - ISBN: 978-0-9819696-2-6

Order the PDF or e-Version for upload to your readers at… DriveThruRPG.com:

www.drivethrustuff.com

For a little more, the softcover version at The Genre Mall:

http://www.genremall.com/anthologiesr.htm#freshblood

Fresh Blood by Lawrence Dagstine - PRINT VERSION

Other New Entries: “Books & Anthos”

Lawrence Dagstine: “eBooks & Kindle for the Holidays…”

Nothing says Christmas 2009 better than a good old-fashioned eBook, Digital Short Story, or Amazon Kindle title by Lawrence R. Dagstine.  Less than $5.00!

MERRY DIGITAL CHRISTMAS

"Visitation Rights" by Lawrence Dagstine

Story: “Visitation Rights”
Type: Paranormal Drama
Pub: Damnation Books, 2009
www.damnationbooks.com

ISBN 13: 978-1-61572-008-1
ISBN 10: 1-61572-008-1

"The Freak from the Past" by Lawrence Dagstine

Story: “The Freak from the Past”

Pub: Steampunk Tales #2, 2009
www.steampunktales.com

Featuring 10 Semi-Pro & Professional Authors

More E-Stories Coming 2010-2011

KINDLE  *  SONY  eREADER  *  iPHONE/iPOD TOUCH  *  PDA/SMART PHONES

Other New Entries: “eBooks & Kindle”

Lawrence Dagstine: “Christmas Time 2009…”

For the 2009 holiday season, I decided to update my blog homepage and fill my fans and followers in on some of my gifts and achievements of the last twelve months, along with what to look out for and what will be under the x-mas tree this yuletide season (for the little one).  Regardless of the last year-and-a-half of dying markets and a bad genre economy, 2009 still managed to be my best year in the “earning” department, where I doubt I will ever be able to rival 2007 in the quantity and material department.  Some of these achievements range from smaller press and semi-pro fiction acceptances, minor proofreading, non-fiction writing and essays, resumes, my first official short story collection being released, my first Kindle title being released, making over 2000 friends and followers on Facebook, and just a lot revolving around the written word and The Spirit of Christmas.

Isn’t that a beautiful Christmas tree? The lights flash blue and white.  Progress-wise, this year I had very little time to blog/plug but got a lot of acceptances (some straight through 2011), let go of a lot of reprints, wrote 26 BRAND NEW short stories, wrote 8 BRAND NEW novelettes, wrote four unfinished novellas between 15,000 and 30,000 words in length — which I may make available on my blog to read next year.  I mean, why let good stories go to waste.  Or maybe I will get around to editing and finishing those novellas.  I have future eBooks & Kindle titles on the horizon.  I realized that, money-wise, it doesn’t pay to release a second short story collection.  I can earn more individually.  I was shortlisted a couple of times by some decent pubs, made second readings, almost made it into 4 professional level magazines/venues.  And that’s just the fiction department.  Oh yeah, did I mention the steampunk and satire offers?

Below you will find pictures of just half of this year’s gifts.  It’s mainly a Cybermen-themed Christmas this year, with David Tennant regenerating into Matt Smith and all.  And my son is now a Dr. Who fan and absolutely adores The Cybermen (he’s scared of the Daleks).  Oddly enough, he’s also more a Christopher Eccleston fan.  One of the items I searched the UK high and low for was The Cybermen Age of Steel 4-figure collection.  Collect them all, open up the packages, and you can build a fifth figure.  The Cyber Controller.  I also picked up The Next Doctor on DVD and ordered a Cyber Leader Voice-Changing Helmet to seal the deal.

Some of the other gifts, which are already wrapped, consist of model kits with glues and paints from my old man, though they say ages 8+ and 12+ on the packages.  So I guess the little one will have to hold on to them until he’s old enough to understand them.  Those are made by Revell.  There are also Bob the Builder videos.  Believe me, Doctor Who wasn’t the only stocking stuffer.  There are some other wonderful toys and gifts ranging from Super Mario to Toddler Costumes to Spongebob Squarepants-themed games, and, like last year, play food items.  Like “make your own pizza.”  The Spongebob game in the picture below is actually Connect Four, but obviously for a slightly younger age group.  Then there’s the one last-minute gift I just couldn’t put down.  The paint job was so realistic.  It reminded me of the Super Powers Action Figures of the 80’s.  Remember those? The Justice League of America Boxed Set: Superman, Batman, Wonder Woman, and Green Lantern.  These figures are mint and pristine! And who doesn’t love the JLA?

Now that’s a big ass cup of coffee (by the way, that’s made of metal).  Just couldn’t resist.

In a reduced and very affordable fashion, I also treated myself to a few early-season gifts.  First, notice the non-fiction book above on Pompeii.  You got it.  It’s research time.  Lawrence Dagstine will be coming your way sometime in 2010 with a story set in Pompeii.  It could be before Volcano Day, it could be after.  It could be Alternate History or not the story you’re expecting.  But you know me when it comes to Historical Weird Tales.

Also, I can’t recommend enough WEIRD HISTORY 101 — published by Falls River, and if you’re a B&N member, you might be able to get it reduced now for $4.00 — in hardcover.  This tome is sooo awesome.  It’s like a mini factbook and reference tool for the writer, and just all around interesting to own.  If you’re a writer of historical tales, alternate history, steampunk, or period pieces, trust me and go to Barnes & Nobles and get this book.  Doesn’t matter what genre.  Author is John Richard Stephens.  You won’t find these kind of facts on Google, or between the pages of traditional historical reference books.

And if you look up above, I finally have a new computer desk.  Nice to have shelving and a drawer, but still unsure of what to fill it up with yet.  Now that the little one has gotten older, the bookcase units pretty much belong to him and his toys.  Now that I have a Kindle, most of my print books will be donated.  Those I wish to keep will be locked away in storage between two households (yeah, there’s that many).  But that desk above is situated in a new corner, it’s my new workspace, and it’s where I’ll pen that Pompeii tale for you Dagstine readers when the time comes.

With that said, I’ll probably only update this blog four more times before the New Year.  Stay with me in 2010.  We have many adventures to go on together, and much awaits.  Won’t you join me? To all my fans and readers…

Merry Christmas and Happy New Year!

Lawrence R. Dagstine

Other New Entries: “About Me”

Aoife’s Kiss #31, December 2009… (Now Available!)

It’s my 11th story appearance within the folds of Sam’s Dot Publishing’s magazine, Aoife’s Kiss.  This would be the December 2009 issue, a pretty funky cover.  This issue also features Ken Goldman.  No. 31.  Interesting fact about the magazine: the title comes from Irish.  After all these years, I didn’t even know that.  However, if you love science fiction and adventure stories, you definitely can’t go wrong with a copy. 

AOIFE’S KISS, December 2009 – Issue No. 31

APPEARANCE No. 11 – Science Fiction Magazines

SUBSCRIBE/BUY NOW – JUST CLICK BELOW:

http://www.genremall.com/zinesr.htm#aoife

Submission Guidelines and MORE:

http://www.samsdotpublishing.com/aoife/cover.htm

Featuring Work by: Theodora Fair, D.W. Manning, Kate MacLeod, Ken Goldman, Marshall Payne, Kristin Noone, Kimberly Colley, Lawrence R. Dagstine, Jason Heller, Chris Ward, Curt Jeffreys, Geoffrey A. Landis, Julie Mark Cohen, Lenora Farrington-Sarrouf, Vanessa Waters, Justin Bohardt, Jonathan C. Holeman, Hillary Bartholomew, Shelly Bryant, William Beyer, Jamie Lee Moyer, Stephen Jarrell Williams, Michael Ceraolo, Jenna Kelly, Maggie Desmond O’Brien, Jene Erick Beardsley, Roberta Shepard, Carolyn Crow, and Edward Cox.

More Issues of Aoife’s Kiss featuring Lawrence Dagstine (click below):

https://lawrencedagstine.com/magazine-credits-dagstine/

Other New Entries: “Magazines”

Nova Science Fiction #24, November 2009… (Now Available!)

I’m pleased to announce that the 24th issue of NOVA SF is now available.  Ten years publishing! This would mark my fifth appearance with the Hard SF and Christian SF publication.  I’ll have another story with them sometime in late spring 2010.  According to the recent Novel & Short Story Writer’s Market, the circulation has gone up a little.  Let’s see if we can increase that again this year.  You can also subscribe via Paypal.  Published semi-annually, NOVA SF is edited by Wesley Kawato.  It also appears he’ll have a dealer’s table at a very famous Doctor Who Convention in Los Angeles, CA in February.  GALLIFREY 2010/Gallifrey One: http://www.gallifreyone.com/

It’s the Biggest Dr. Who Convention in the United States and NOVA SF will be there!

DETAILS: http://www.gallifreyone.com/dealers.php

Fellow Satirica Author, Bill Housley, is also in this issue:

NOVA SCIENCE FICTION – Issue #24

Autumn 2009 – Ten Years Running!

NOVA_24_Big

SUBMISSION GUIDELINES or SUBSCRIBE:

www.novascifi.com

SNAIL MAIL SUBMISSIONS ONLY!

NOVA SF Banner

PREVIOUS ISSUES FEATURING LAWRENCE DAGSTINE:

NOVA_24_Small

Other New Entries: “Magazines”

 

Cover of Darkness, November 2009… (Now Available!)

This is probably one of my favorite covers to anything I’ve ever been in.  You can find an almost novelette-length story of mine in the very popular COVER OF DARKNESS, November 2009.  Published twice a year, it’s a magazine-anthology of lengthy horror, urban fantasy, speculative fiction and other dark tales in-between.  Edited by Tyree Campbell and published by Sam’s Dot.  For this issue, an entire town is destroyed… Dagstine-style.  And that officially ends the Fall 2009 year on Vampires, Werewolves, and Zombies.  This magazine’s a thick one. 

COVER OF DARKNESS – November 2009

Anthology Magazine – edited by Tyree Campbell

CoverOfDarkness

SAM’S DOT PUBLISHING HOMEPAGE (updated monthly):

www.samsdotpublishing.com

ORDER COVER OF DARKNESS DIRECT FROM THE GENRE MALL:

 http://www.genremall.com/anthologiesr.htm#coverofdarkness1109

And while you’re at it, pick up the latest issue of HUNGUR:

https://lawrencedagstine.com/2009/11/03/hungur-magazine-9-november-2009-now-available/

Dark stories and poems by: Linda L. Donahue, Ferrel D. Moore, Michelle D. Sonnier, Tyree Campbell, Julie Serroul, Cathy Buburuz, Lawrence Dagstine, David Sullivan, Hillary Bartholomew, Holly Day, Jene Erick Beardsley, Thomas P. Feeny, Miguel de Leon, Stephen J. Williams, and Vanessa Watters.

Other New Entries: “Magazines”

Lawrence Dagstine: “How to Make Money at Signings…”

“HOW TO MAKE MONEY AT BOOK SIGNINGS”

dagstine-merch-1

AT OUTDOOR EVENTS & FOR THE INDEPENDENT/NEWBIE AUTHOR

by Lawrence R. Dagstine

A lot of people have been “hinting” recently on places such as Facebook and via email looking for advice.  They want to know how I did it.  They want to know how to make money selling books and magazines at functions and signings, especially if you’re an independent/newbie author.  As many people already know, I came out of a series of signings at Coney Island, New York this past summer with a decent intake on such titles as FRESH BLOOD (see Books & Anthos), and more.  Writing is pretty much an extra income field for a majority of us.  Once you learn to accept that, and not depend on fiction or look forward to fancy six-figure careers, you find your comfort zone.  The checks that come in repetitively or non-repetitively may pay for such things as utility bills, groceries, little odds and ends in places like Rite-Aid, CVS, or Walmart, co-pays on prescriptions, dinner and a movie, or something as simple as a gallon of milk or filling up your gas tank.  Of course, all of this might not come from fiction, but that’s okay.  After all, it’s a starving profession to begin with.  In this recession, every dime that comes out of the written word counts, because you never know how much your next electric bill or gas bill will be.  For example, right now I’m doing people’s resumes.  If you’re already an established, professional author with a couple of novels out, this information probably won’t help you, as you already make a nice income from being an upper midlist author or being able to relax on what royalties and advances you make from mass market paperbacks.  That, and some of your publishers may already foot the bill for some of your traveling expenses from signings.  But nowadays it’s very rare unless you’re a lead-lister.

However, if you’re an independent/micro-press author who lives in a big city or a pretty happening little town, whose been published in lots of print magazines, maybe a few anthologies, has a new book or collection available through a POD press, has access to a small newspaper (bonus points here), this information might help you better understand the kind of buyers that you want to attract, the places you want to sell, the performance you want to give when selling, how much to pay for dealers’ tables, number-crunching, and, what seems to work and not work “perception-wise” when selling to an audience outside of genre, because let’s be honest—that’s the consumer you’re gunning for, and they’re hard to reach.  At the end of the day they’re still a reader of Charlaine Harris, Dan Brown, or James Patterson.  You want to sell to both genre readers and non-genre readers alike.  Most likely, you work a day job, or maybe you’re on a fixed income.  You need to rely on a budget throughout, cut corners when necessary, because this article is recession-friendly.  People may perceive you as a hack, an amateur, people you know for years may perceive you as a pro, a super-pro, or even Superman! But no matter what kind of author you are, the moment you sat down at that table and sold a variety of stuff with your name on it, you were no longer just an author.  You also became a merchant and a bookseller, and you need to keep that mindset.

If you do live in a big city or a small town and haven’t been able to get signings in places such as Borders, Waldenbooks, or Barnes & Nobles, that’s okay.  In this economy, if you don’t expect family or friends to show up (or friends of those friends), chances are you’ll only sell less than twenty copies anyway and look like a schmuck at a table in the corner with a bowl of lollipops or cookies.  Somewhere away from the door if you’re not cozy with the store manager.  I chose Coney Island because it was a seasonal attraction—over five million visitors per summer—rather than a one-day gig, and I’d known about it almost a year in advance because I did some writing and research for one of their papers.  I knew people, and I made connections.  And if you can make connections, and you know the turnout is going to be big and profitable in advance, and it’s inexpensive to show up and conduct your little set-up, then what are you waiting for?

Fact: five-million people do not visit a Borders bookstore over the course of a summer — matter of fact, they’re closing stores, and I would be surprised at how many more survive — neither does that amount visit an independent bookstore, which I find to be a good way to do nothing, sell nothing, and just kill the day in a chair.  A world famous amusement park and tourist attraction is a whole other story.  Even little carnivals passing through town may attract more visitors.

Of course, there are always exceptions.

If you’re not selling in places like the chains, then you still want to add some diversity to your table, make it look pretty: business cards, flyers, postcards, magnets, or buttons made up cheap.  I recommend Vistaprint (www.vistaprint.com).  You can get stuff made up by them quite often for free.  All you have to do is pay the shipping & handling.  Some of the greatest places to sell books, and which attract crowds are book fairs, street fairs, flea markets (outdoor, indoor, churches and synagogues), carnivals, community centers, town halls, schools, festivals, bars… But mostly outdoor events in spring and summer.  Warm weather.

One writer asked me how much should he pay for tables (or, in some cases, booths).  I would say if you’re an independent author DO NOT pay more than a hundred bucks for a table (but that’s just me).  If you don’t come out of your signings making a minimum of 70 to 80% profit, don’t even bother reserving a spot.  Why? Because you need to first make the cost of the table back.  Then there’s the cost of gasoline, food and beverages (maybe even hotel and airfare).  Trust me, it adds up.  Make your signings LOCAL, and, if possible, try to split the table costs with fellow authors, too.  Oh yeah, you also want to hit up the smaller cons rather than the big cons.  Not that you shouldn’t attend the bigger cons, only that some of the smaller conventions are much easier on your pocket when it comes to the dealer’s area.  Sam’s Dot Publishing, one of my publishers, always seems to make a killing at these events.  They often sell out! Flea markets, churches, and festivals can go as low as $25 to $50.  I know this one church which holds a pretty popular flea market on Tuesdays and Fridays for twenty bucks, but you have to bring your own table.  Always packed.  Just sell a few used books, sports cards and comics on the side, you’ll make that back in no time flat.  Other genre wares should be meant to cover the cost of your table and traveling expenses.  This is a must!

When you go into a signing as an independent/newbie author, you need to go into it with the mind of a businessman or businesswoman.  You need to ask yourself: where do I expect to pick up the most sales and the best exposure.  The ice cream parlor, the town library, or the state fair (obviously the state fair).  If you need a license, get one.  They’re really not that expensive.  If you’re a newbie on a fixed income, you need to calculate all this in advance.  Don’t just sit at a table with your hands clasped, smiling and nodding at passersby.  Get up and be a regular PT Barnum.  Be jovial.  Prepare what’s called a pitch. For example: “Hello, Ma’am, you’re looking lovely today.  You must love to read.  Oh, don’t be shy.  I bet you have a soft spot for books reminiscent of Stephen King and JK Rowling!”—you get the gist (woman sees table filled to the rim with merch; friendly conversation is under way).  You need to stand up and introduce yourself.  You need to have confidence, charisma, personality, and a little humor doesn’t hurt either.  Books don’t sell themselves.  Hence why you need to be business-minded when you approach this, especially in these hard economic times, where the independent writer gets the short end of the stick.

Snail Mail

Let’s talk about Coney Island now.  My very first signing on that very first day in June was a disaster.  Why? Because I had only brought Fresh Blood with me and a few used books by pulp authors.  Luckily, that first day I covered the cost of the booth (it was only $30 at the time), but I’ll never forget this one guy who came up to me and said, “Wow, so you like write stuff.  Man, I remember books.” I was astonished! Let’s just say the guy was a caveman who’d taken one too many bong hits.  How does someone forget about reading and books? Another girl just wanted her photograph taken with me because she never met an author before, yet she didn’t buy anything.  Not to mention I looked like a big tool just sitting there with one Dagstine-related item to my name when, back home, I had hundreds of print periodicals I could have toted with me.  Duplicate copies, too.  Yes, variety, along with ‘public perception’ makes for a very nice recipe, which I’ll explain in more detail in a moment.

After that first day I learned my lesson.  Between June and August there were supposed to be seven signings, but there ended up to be six due to a one-day rainout.  There would have been a few more had it not rained constantly between June and July.  And Flea by the Sea (the name of Coney Island’s summer marketplace), though covered by tents, was an outdoor event.  It was on top of the beach.  At times, the winds were horrible.  The circus was there, too, and one day there was a big hoopla going on because Ringling Brothers were abusing the elephants, but believe it or not a few of the animal rights activists picked up some of my goods.  So I can’t complain there.  But what I’m trying to say here is that, make sure it’s not going to rain on your parade on the day that you sell.  Mother Nature has a funny way of defying writers when it comes to selling outdoors.  By July and early August I was paying $40.00 for the booth and then $10.00 to rent the table, which came out to $50.00 for an entire weekend.  How could you beat that price? This is the price area you should be looking into.  Once again, a hundred bucks should always be your cap, and hopefully, you have more than one book to offer.  Speaking of which…

They say never judge a book by its cover.  Bullshit. When you’re selling in quantity to a non-genre and genre crowd, cover art I noticed makes all the difference.  In most cases it comes down to perception and appearances, or just the way people interpret merchandise.  I don’t care what anybody says.  They do judge a book by its cover.  And what people saw were stacks of magazines with extra copies, six different hardcovers and anthologies, and of course, a stack of Fresh Blood.  It was set up professionally and it looked pretty, like my own compact comic book shop.  All featuring something by ‘Dagstine.’

People were complimenting me because of the covers of the magazines.  Short lines and interested eyes gathered.  One person said, “So you must be Brooklyn’s SF Writer.”—I said, “Okay.” I just totally went with it.  Everything acted sort of like a cash cow.  One Dagstine publication led to the purchase or attraction of another.  Not only did one person spend $50.00 in one shot on me, but over the course of those signings I pushed $250.00 worth of old self-published hardcovers from The Year of the Flood, back when I didn’t know what the words ‘Vanity Press’ meant.  The point I’m trying to make here: I had a lot to choose from, my buyers had a lot to choose from, and so should you.  The cover art, the variety, the set-up, and “come one, come all” pitch made all the difference.  Even the shirt I wore! I got to autograph and sell my writing where, with only Fresh Blood, I probably wouldn’t have made what I did over the course of the summer: around $1200.00 – NET. And hey, I got my work and business cards out there.  Not bad for a hack, and my table investments had already been covered. 

If you’re a writer whose works have appeared in quite a few magazines, talk to the editor about getting extra issues at an author discount.  Always use media mail.  You might pay $4.00, $5.00, even $6.00 for those extra copies featuring your work in it.  You’re going to autograph them and sell them for $8.00 to $10.00… And don’t forget what I said, once you’ve included the cost of the table, food and beverages, gas or transportation to get to your selling destination, you need to make a minimum of 70 to 80% profit, otherwise it’s pointless.  Remember to invest in your work, invest in yourself, and before you attend that signing with more than one book or periodical, sit down with a calculator and crunch those numbers.  Make sure the location is going to be worth the time and effort.

In closing…

Whether you’re selling indoors in some chain, an artsy-fartsy independent that has velvet couches and serves Lattes and marble loaf in the back, or you’re giving the outdoor thing a whirl like I did, there is also another reason why you need to impress that passerby.  Besides cover art and quantity, nine out of ten times the general reading public will throw down cash on used books, non-fiction, children’s books, fast-paced thrillers, or romances before they will genres or subgenres known for killer slugs, planets with giant lizards, what the future would be like if everybody were pink, zombie stories, and heroic fantasy yarns.  If you’re a writer of genre fiction, you’re automatically at a disadvantage, so you need to think of ways to catch up.  That’s why the business model/bookseller mentality is so important.

Still, if I could do it with twelve hundred smackers, with a little initiative, so can you.

Until Next Time,

Lawrence R. Dagstine

Lawrence Dagstine: “The New York Yankees 2009…”

NEW YORK CITY

HOME OF CHAMPIONS!!!

yankeesCongratulations to the New York Yankees… Championship No. 27.

2009 MLB World Series – Bronx, New York.

Hungur Magazine #9, November 2009… (Now Available!)

Vampires get your fangs ready! I’ve got a story in the latest issue of Hungur Magazine, No. #9.  Fall 2009.  Edited by Terrie Leigh Relf, and published by Sam’s Dot.  If you think the Obama Administration or any administration is safe from a vampire threat, think again! It’s an issue you won’t want to miss.  Because this issue… The Vampires are running the show.

HUNGUR MAGAZINE

Late Fall 2009 – Issue #9

HungurMagazine_9

SUBMISSION GUIDELINES:

http://www.samsdotpublishing.com/HungurGL.htm

ORDER DIRECT FROM SAM’S DOT & THE GENRE MALL:

http://www.genremall.com/zinesr.htm#hungur


Bloodletting works by: Tyree Campbell, Lawrence Dagstine, Scot Coon, William Marden, Lawrence Barker, Dev Jarrett, John H. Stevens, Donald Jacob Uitvlugt, Jared W. Vickery, J. Jay Waller, Lawrence Buentello, Allan Wise, Marge Simon, Brian Rosenberger, G.O. Clark, Debby Feo, Terrie Leigh Relf, Tom Galusha, Justin Bohardt, and illustrations also by Marge Simon.

Other New Entries: “Magazines”

Lawrence Dagstine: “Happy Halloween 2009…”

TRICK OR TREAT

HAPPY HALLOWEEN 2009

from Lawrence Dagstine

(I love scarecrows; had to go with a scarecrow theme this year)

However, in case you love zombies, werewolves, vampires, and lizards…

Still Available from Sam’s Dot Publishing & The Genre Mall:

 

http://www.genremall.com/anthologiesr.htm#freshblood

Tales of the Talisman, Autumn 2009… (Now Available!)

Issue #5.2 – Fall 2009, of David Lee Summer’s TALES OF THE TALISMAN is now available for purchase.  Get your copy today.  Also, don’t forget, I’ll be back again next year around this time with a novelette-length work.  In the meantime, enjoy the 2009 print edition.  The interior artwork is fab!

TALES OF THE TALISMAN #5.2 – AUTUMN 2009

Tales5-2-cover-big

Submission Guidelines – Order Here:

www.talesofthetalisman.com

Table of Contents:

http://www.talesofthetalisman.com/Tales5-2-TOC.html

PREVIOUS ISSUES (maybe still available):

https://lawrencedagstine.com/2009/09/18/tales-of-the-talisman-fall-2010-4th-acceptance/

Other New Entries: “Magazines”

Lawrence Dagstine: “Classroom of the Dead…”

Welcome to DAGSTINE’S HALLOWEEN! Did you ever wonder what it would be like to teach undead children? Did you ever wonder what the scientific, psychological, and moral implications of something so eerie would be like? I mean, dead kids with some thought processes still intact being taught and experimented on.  

Ever since 28 Days Later, every few years zombies have this funny way of making a comeback (perhaps too much).  From the Dawn of the Dead remake to Diary of the Dead and Land of the Dead.  From foreign masterpieces like [.REC] to hilarious films like Shaun of the Dead and Zombieland.  It’s as if we truly are a “zombiefied” culture.  For this year’s fiction sample and Halloween story, I’ve decided to present to you one of my more widely accepted tales — mags ranging from Necrotic Tissue to Atomjack  — entitled, Classroom of the Dead.  Have a wonderful holiday and enjoy!

HAPPY HALLOWEEN 2009 – FREE FICTION

CLASSROOM OF THE DEAD

by

Lawrence R. Dagstine

The room was huge.  A cavernous, old turn-of-the-century affair, with twelve-foot-high ceilings and magnificent, large windows that looked out on absolutely nothing worth seeing: a brick wall and the smokestack of the chemical plant next door, a well-sized piece of land fenced off and secluded from outsiders—most called it a playground for the stiffs—and it was just how the government wanted it.  A hefty chunk of the room had been partitioned off with gray steel industrial shelving units, used to store the supplies of safety such a learning environment would require.  The T-shaped area that was left belonged to substitute teacher, Howard Tressy. 

Windows ran the length of the wide, long arm of the T, where the chairs and work desks were; the narrow, shorter arm of the T contained the blackboard on one wall and the titanium emergency hatch at the opposite end.  It was an adequate amount of space—he had taught in more cramped, dangerous conditions—but it was a quirky arrangement.  The blackboard was useless because it couldn’t be seen from the work area, and the children didn’t have the skills required to pay full attention to it anyway.  And short of standing like a guard at the junction of the two arms of the T, he saw that he could not monitor the hatch.  Most eccentric, and morbid, however, was the government’s decision to combine a classroom for undead children with regards to furthering their education even after their pulses stopped.

They called it HOS (short for hostile, or Homicidal Outburst Syndrome).  You know, one of those biological “Oh, shit, it’s the End of Days” diseases which turned a whole nation of little boys and girls into half brain-dead monsters, flooding them with super strength and unbelievable rage.  It was to be one of the first official self-contained classrooms in the state of Colorado for zombies, ages twelve and under, who could be instructed and mentally reared since the No Kill Act had been passed in 2018.  For Howard, walking back into a schoolroom with musty children that early September morning, having been gone from teaching almost three years, had provoked a sense of intense déjà vu.  Looking at the twenty or so decomposed faces, it seemed as if he had been away forever and yet had never left at all. 

He put down his briefcase and studied the features of each of them.  Their pale white eyes caused a shiver to run up his spine to his shoulders.  As a precautionary measure, those who were extra vicious were handcuffed to their chairs, and if they were caught escaping or attacking the teacher, an armed guard, usually a Marine, would hear an alarm go off and hurry inside, then blow the ravenous child’s head off. 

The six through eight year olds came with the kind of profile that was almost a cliché: borderline death IQ, short to almost non-existent attention span, no verbal skills beyond a grunt or a moan, overaggressive and violent behavior when in large numbers.  In his entire short career as a substitute, Howard achieved virtually nothing.  Yes, some could talk.  But most could neither read nor write, or understand even the most basic of math.

The nine through twelve year olds had succumbed to the HOS sickness quite some time ago; it was obvious in their pale, sunken cheeks.  They had spent virtually all of their dead time in confinement facilities or walking the red earth.  Their early days were horrible—a litany of bloodshed and brutality.  And while it would take more than the joy of love and learning to conquer their fateful disease, they were diagnosed as being too unstable to ever make a return to society, and had a very poor prognosis for improvement.

Nervous, Howard said, “Children, uhh, inside your desks you will find textbooks.  Open up to the chapter marked PLAGUES.” The school was required to have a certain amount of copies of the same particular book on hand, and he saw that only a select few had the capacity to pick them up. “Start reading amongst yourselves under THIS DAY IN HISTORY: 2012.  I’ll be with you all in a few moments.  Before the day is out, I’ll be testing you on this.” 

Putting his pencils out and searching himself now, he realized he hadn’t meant to be teaching again.  He’d been abroad, living between Baltimore and Bangkok, working part-time as a book translator, and he intended to return to his life in the East, to his little straw shack, his laid-back life and no worries if a zombie was going to turn a corner and jump out at him.  However, a phone call and an insurmountable pay hike from the government—and a less than enthusiastic divorce settlement—had brought him back to the States for good, and before he knew it, he was looking for an apartment outside of Denver. 

A friend of a friend in a top-secret division of the DOD had rang him one afternoon.  He’d never met the military scientist, but he’d heard of him and his breakthroughs in “awakening the mummified cerebrum” in undead adolescents, or, “we mobilize them, you instruct them”.  They had a problem of their own with a new school, it seemed, and since they had both held positions in the Pentagon, maybe they could help one another out.  One of their special education teachers had been taken ill—actually, she’d been eaten at recess—and there was only two weeks left before the beginning of the second trial school year, and they had no replacement.  They asked Howard if he would be interested in substituting. 

No thanks, he said immediately.  He wanted to be able to lead a zombie-free life the instant his wife cleared out.  But the woman wasn’t easily moved, and finding himself almost penniless and without a roof over his head after the lawyers caught up to him, Howard finally said, Okay, I’ll do it.

Reminiscing, he sat down at his desk, the students in the back row frowning and groaning at him.  He was staring out the gated window at the smokestack, dull and purple-gray in the late summer sunshine, when a ceiling light in back of the room went on and the hatch slid open.

“Mr. Tressy?” a female voice called.  He couldn’t see who it was from where he was sitting, so he rose.  An undead girl, deceased at maybe six or seven, was holding a torn Dora the Explorer doll.  Her head and neck was twisted and decayed, practically snapping what was left of her upper spinal alignment and sliding off her shoulder, yet she still managed to poke her head through the hatch and around the left side of the room. “Another one of your students has arrived,” the woman that followed her said. “The parents are by the side of the road.”

“What?” Howard was confused. “Are you the principal?”

“No, of course not,” she said. “There are no principals here.  I’m just a facilitator.” She walked the edge of the room carefully, so as not to rile up the students.  Almost two-dozen pairs of eyes were on her.  Finally, she reached the desk and extended a hand. “Dorothy Wilkins,” she added.  An army brat with an M-16 waited at the foot of the room for her.  He chewed on a saturated toothpick with a smug face.

“Pleasure,” Howard said. “Don’t mind me, it’s been a while.”

“Oh, really? I gather they didn’t give you the refresher course then.”

“No, they did,” he assured her. “Back in Baltimore.  It’s just that… Well, I’ve never seen an arrangement like this so far out.  It’s in the middle of nowhere.” He glanced down at the shy but mindless little girl who, like the others, had fine hair that was now brittle and streaked with gray.  Her right eye was hanging halfway out of its socket, a few tethered veins and a single optical nerve holding it in place. “And what’s your name, darling?” he knelt down and asked her, trying to break the aura of creepiness surrounding him, and blend in as best he could.

This would be Nancy,” Dorothy said, as the girl smiled wickedly through torn cheek flesh and hid behind her legs. “And if she puts what’s left of her thinking cap on, she’s good at numbers.”

“Is she now?” Howard was impressed.  Mildly.

Then Dorothy smiled herself. “Why don’t you come with me? I’ll show you around and make you feel at home in our special school.”

“But the children,” he said, pointing, “they’ll—”

“Oh, they’re going nowhere.  Think of them as well-behaved dogs when you’re out of the room.”

Howard nodded. “All right, then.”

Dorothy brought him to a much older building than the first one, part of an underground complex which looked abandoned since the late half of the 20th century.  Only it wasn’t abandoned.  Much of its interior was no longer used principally as a school.  Instead, it housed a few administrative offices and a training facility for young cadets.  The empty classrooms on the first floor were turned into an indoor shooting range—targeting practice and termination for the misbehaved or hopeless case (roughly one in every three), and to help coach newer soldiers in the art of zombie killing. 

The scientists had the second floor, to work, sleep, and eat—they even had a recreation room with pinball machines, a pool table, and a dartboard—and as Dorothy gave him a quick tour of the upstairs, he noticed a few doors marked, EXPERIMENTAL TRIALS, GROWTH CHAMBER, and BIOFEEDBACK.  The rest of the rooms were used for storage.  In fact, there were only a half-dozen real classrooms there: the one he was going to be teaching in and a few turned laboratory two floors below, in the basement.  Save for the occasional gun-toting soldier passing through, the building’s halls were hauntingly quiet on this first day of school.

Sublevel, however, he realized that the elevator system and intertwining tunnels connected with the old smoke-piping plant next door, and this interested him very much.  Every corridor they turned down there were blue steel walls, reinforced metal or concrete, low rocky ceilings, and unusual looking cameras mounted above them.  So unusual that he decided to question his tour guide on it. “Just wondering, Ms. Wilkins, but what is this place for?”

“The cameras got you?” she asked.

“Well, yes, I do find it unusual that you have this place so…so monitored…”

“One can never be too safe when it comes to a HOS casualty, Mr. Tressy.  After all, these are not ordinary children we’re dealing with.”

“But I’ve taught HOS victims in the past,” he explained, “and though the tutoring sessions and trials were costly and much to the government’s disadvantage in containing the disease, security and surroundings were still never like this.”

“Oh, that’s right,” Dorothy recalled. “They had you handing out leaflets and crayons from a fold-up table in a giant hangar, a bunch of men in gasmasks and white suits patrolling the corners and exits.” They passed an opening in the tunnel’s rock face, a small exterior shell of a room with no door to bar the outside but plenty of digital monitors and equipment on the inside. “We do things much differently here.  Have a look for yourself.”

Howard stepped inside briefly.  Two men in gray jumpsuits and donning headsets swiveled around a vast circle of television screens, wired through the rocks and pipelines above.  One man took notes in front of a microphone and recording panel, while the other wheeled back and forth mumbling things like “progress” and “stages”. 

Howard moved closer.  He turned to Dorothy and said, “Is all this for real?”

“Why, of course,” Dorothy answered.

Howard turned back and observed the two men at work.

The first man backslapped his coworker on the arm and said, “Hey, look at this.  Monitor no. 34.  We have us a live one, a thinking one.”

“Get out of here,” the second man said. “He’s scratchin’ for maggots again, I tell ya.”

“No, look!”

On-screen, at one of many different angles, a moldy looking child slowly went into his desk and pulled out a crayon and a composition notebook, studying the two objects carefully.  Searching for some kind of meaning, it was as if he wanted to know what they were for.

“That’s my class,” Howard whispered. “That’s one of my students.”

Dorothy smiled. “Yes.”

“I remember gray shelving and a closet there. You mean that’s a hidden camera?”

“One of many, Mr. Tressy.  Also, you have the key to that closet at all times.   There’s a shotgun and a first aid kit in case of an emergency.”

Howard was astonished.

Finally, the first man in front of him said, “That’s the Tarhouse brat.  He’s picking up the crayon, Harry.  Look, he’s opening the book and starting to scrawl.  He’s making circles!”

The second man couldn’t believe his eyes.  Hurrying for the panel, he said, “Holy shit, you’re right! We do have a thinker.” He brought up a school record on the screen in front of him, turned on the microphone, and started taking notes: “Student identification no. 42501236… Name: Billy Tarhouse.  Deceased: St. Louis, Missouri, 2017.  Noted age and race at time of death and reanimation, approximately eight years old and Caucasian.  Child has picked up a writing instrument without teacher present, and appears to be drawing.  At this stage, I’d say motor skills are barely level three.  But it’s a positive sign.  I repeat, there is progress.”

After he’d heard all that, Howard stepped away in disgust. “I don’t want to be here anymore,” he told Dorothy.

“Well, we could—”

“No, Ms. Wilkins.  This is too disturbing.  Take me elsewhere.”

They walked the remainder of the underground halls in silence, until they reached a secure metal door with a window in it.  With a dull expression on his face, Howard quickly peeked at what was going on inside the room.  Much to his surprise an officer, in standard military uniform, was sitting down behind a large table.  His eyes were glued to a teenage girl, tall, thirteen, maybe fourteen, standing with only half her skull visible against the far wall.  To the military official’s credit, a scientist arrived on the scene from a buzz-in door on the opposite side.  They both studied the unfortunate subject, and, while she hadn’t quite managed to shed the undead image, she’d obviously tried.  Her rank face was covered in makeup.  With the help of others, prosthetics and lengthy but seedy looking clothes had replaced the skeletal parts of her body.

“What else can she do?” the uniformed man asked.

The scientist said, “Why don’t you ask her yourself?”

“Will she cooperate this time?”

“Much of the exterior fractures and impact holes are small,” the scientist pointed out. “You’ll also notice her left temporal lobe and hypothalamus are still intact.  So, yes, I don’t see why not.”

The uniformed man took the scientist’s clipboard, then faced the girl again.  Her features, for a HOS victim, were decent; her oozing brain matter, however, was another story.  She’d clipped the cracked pieces of her skull back with large barrettes so that it would stay in place on her head.  Shocked, Howard wondered if it would be enough to convince the officer for whatever purpose his visit required.

Finally, the man nodded. “You look good,” he said. “But can you braid what’s left of your hair back or something?”

Sitting down across from him, she pulled strands of her hair around over her shoulder and began to braid it.  She never spoke.

“Are you quite well now, Tracy?” the scientist inquired when he reintroduced the military official to her. “We don’t want another incident.”

The uniformed man glanced in the scientist’s direction, a questioning expression on his face; it occurred to him that she might have little or no memory of that previous occasion.  Then he gave her a knowing look. “He means when I was last here.  You know, last semester.”

She grinned. “Yes, I remember,” she replied.

Howard was taken aback.  He wondered where this girl’s intelligence and ability to speak and think came from; even more perplexing, how had these scientists succeeded where he had failed?

Through the window, Tracy smiled in a friendly way. “I know where I saw you last,” she said. “You were laying on the ground, protecting that teacher.”

A flush of color filled the uniformed man’s face. 

And of course, there was the scientist and Howard.

“Your men all came outside at once.  You shot me.  Over and over.”

“Are you sure about that, Tracy?” The man looked up and said, “This isn’t working.  She’s still too corpselike.”

The scientist disagreed. “I beg to differ.  Here, feel her arm.  Touch it.”

“I’m not going to touch no dead girl!”

Touch it.  Feel her arm.  See? See how warm her arm is.  Dead people are cold, aren’t they? Feel how warm she is.  A part of her brain is still sending signals to other parts of her body.”

“Get her away from me!”

Suddenly, she shrieked, “It’s the dead teacher! That dead teacher is here…” She pointed toward the door with Howard staring through it. “She wants her old job back!”

“Tracy, she’s not exactly dead.  Now calm down,” the scientist ordered.

“Who’s that?” the uniformed man asked.

“He’s our new substitute,” the scientist replied. “Ms. Wilkins is giving him a go of the place.”

“No, she’s dead!” The zombie girl shouted. “I killed her.  I made the teacher go away.  Now she’ll be back!”

To say that the two men inside were looking horrified by this point was a vast understatement, Howard thought.  From the other side of the door, even his expression was more horrified than before.  The girl was frozen, unable to pull herself away from staring at him, a maniacal little smile repeatedly coming to her lips.  And though the trancelike connection was eventually broken, she seemed to confuse him for this other teacher.

Dorothy put her hand on his shoulder. “She’s a special case,” she said. “We should go.”

Howard moved away from the window.

“How do you keep them so calm?” he asked. “A girl as challenged as that one should have attacked the door the moment she spotted me.”

“Every morning we prep them with mega-dosages of tranquilizers,” Dorothy said. “Their parents must sign confidentiality agreements and permission forms before the administering begins.  And even then, we have a special selection process as to who gets into one of our classes.  Naturally, those we feel are most gifted are bumped up to the top of the list.”

They took the elevator back to the first floor, and it was here, on their way back to the other building, that Howard stopped to gather his thoughts. “Ms. Wilkins, I never signed up for this,” he said. “I realize not all HOS victims are unique, and all cases can’t be alike, but—”

Dorothy shushed him. “Mr. Tressy, did you know that a child’s brain grows until age twenty? After that, adult brains become atrophic and shrink.  A young person’s brain, however, produces a certain amount of cells and neurotransmitters, and often well through college.  Even in death, these kids sometimes maintain serotonin levels equal to living people.” 

“Listen, I’ve taught zombies before, but never within a factory or military science installation.  What could a child, dead or alive, possibly learn in an environment where purple smog and constant monitoring is the everyday norm?”

“Ah, I knew you’d question that,” she said, “and it turned three other teachers off by the position.  The reason we keep this school next to a chemical mill is not by accident.  The discolored remnants you see coming out of that smokestack, the smog as you call it, isn’t just some industrial pollution.  The science team is releasing a mile-wide toxin that gives parents their wishes and children a second chance at life.  We’re giving mothers and fathers peace of mind, and kids the opportunity of learning and adapting to society.  The toxin tries to tap into a dormant cell in young people.  This cell has the potential of multiplying into millions more just like it, only at a slower pace than the living.  A thinking cell.  It doesn’t work for all of them, naturally.  It’s all behavioral when you observe these youngsters together in one room, and you get to look beyond their musty features.  Speech, logic, reason—in the right-fueled environment, undead children can be host once again to these traits, and many more they picked up whilst among the living.  So yes, in a way, they are like guinea pigs.  But we’re trying to help these guinea pigs, because we feel they deserve an education.”

She reached forward and gave his hand a quick, clammy shake for good luck.  Howard was glancing around nervously, but he still regarded the facilitator’s words.  While his take on the school by now was not precisely negative, neither was it positive.  Once more he studied the environment with the kind of unabashed scrutiny not usually tolerated among substitutes.  Every muscle in his body was taut, and when the woman opened the hatch for him, a strange silence followed.  It was almost as if he didn’t know what to do once he stepped back inside the room.

“You’ll be fine,” she said, urging him forward. “You won’t know unless you try.”

The door sealed behind him and, like an hour earlier, he found himself alone with his new class.

The girl with the twisted head and neck, Nancy, walked over to him.  She seemed the most sedate of the bunch. “What should we do, Mr. Teacher?” she asked, looking up and tugging at his pant leg.

He smiled down at her. “Ah, a genuine talker.  Let’s just leave things and get acquainted for today,” he told her, his mind still gazing off. “Perhaps we’ll feel more like learning tomorrow.” After that, he told the students—the ones that could understand, and the ones that couldn’t—that they could put their textbooks away.

He had an idea.

As had long been his custom in special classes, he opened the day with “story time”.  Story time required a book, which he searched the wall in back for; stories traditionally explored areas that persistently got the children thinking, or took them on brave new adventures—an escape from their horrible disfigurements, their cause and effect behaviors, lack of feelings and moral understanding.  The period was not used for problem solving or problem making, but relaxation and fun. 

He was creating a comfort zone and, once at ease, finally realized that he could make a difference in these young people’s lives, no matter what their ailments.  So much that their grunts and moans were replaced by laughs and smiles.

The End

Other New Entries: “Fiction Sample”

M-Brane SF: Issue #9, October 2009… (Now Available!)

Probably destined to become a semi-prozine down the road with a little bit of funding  — they don’t make Hard SF or genuine SciFi news like this anymore, seriously — and available in an affordable monthly PDF format (12 dollars per year), M-BRANE Science Fiction.  Issue #9, October 2009.  This would be my 2nd appearance with the publication.  They also have a print version available on Lulu for those interested.  My story takes place on Mars fifty years into the future.  They’ve featured such names as Rick Novy, Cat Rambo, Brandon Bell, and Cate Gardner among others.

M-BRANE Science Fiction – Issue #9, October 2009

M-Brane SF - Issue #9, October 2009

M-Brane SF - Issue #9, October 2009

SUBMISSION GUIDELINES – ORDERING INFO:

www.mbranesf.blogspot.com

Issue #9 Fiction Line-up: Eden Robins, Sue Lange, Maura McHugh, Janett Grady, Bill Ward, Bob Brill, Joyce Reynolds-Ward, Fredrick Obermeyer, Jason Earls, Jeff Kozzi, Anna Sykora, Lawrence Dagstine, Mari Kurisato.  Edited by Christopher Fletcher. 

Also available as a LULU print version:

www.lulu.com – Enter M-BRANE SF in Search Box.

*   *   *   *   *

Previous Issues featuring Lawrence R. Dagstine

M-BRANE SF, Issue #2 – Late 2008/Early 2009 

M-Brane SF - Issue #2, Past Editions

M-Brane SF - Issue #2, Past Editions

That main homepage one more time:

www.mbranesf.blogspot.com

Other New Entries: “Magazines”

Tales of the Talisman, Fall 2010… (4th acceptance)

Not to be confused with the upcoming Fall 2009 issue, which should be out around Halloween to early November.   That’s Issue #5.2.  I’ve learned I’ll be making my 4th appearance next year in Issue #6.2 — Autumn 2010.  A long way off, but stay tuned to this spot.  Tales of the Talisman.  Edited by David Lee Summers, the magazine has been around for a number of years, features ten to twelve authors per issue, and is published quarterly.  Annual subscriptions also available.

tales_banner

www.talesofthetalisman.com

Previous Issues which may still be available.

Featuring stories by Lawrence R. Dagstine

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Tales of the Talisman, Issue #3.1 (2007)

 

Tales of the Talisman, Issue #4.1 (2008)

And click the link below to see what’s due in 2009:

https://lawrencedagstine.com/2009/08/10/tales-of-the-talisman-late-fall-2009-coming-soon/

Other New Entries: “Magazines”