Tightbeam #268, November 2013… (appearances)

My science fiction story, The Starship Hanoi, is in the current issue of Tightbeam.  Tightbeam is the official zine of the National Fantasy Fan Federation (N3F), an organization created in 1941 with a very large audience in SF fandom (it’s also a club with dues); Tightbeam has been around since 1960, and has a pretty healthy circulation at numerous SF/F conventions.  They have fiction, non-fiction, book reviews (all mostly unsolicited), and con reports between their pages.  My story is about The Vietnamese Life Cycle and what inertia will bring to an Asian colony (and culture) in the far future.  It’s a story of the burdens of technology and progress, really.  Links to free download and N3F website below (also in print).  Issue #268, edited by David Speakman.

TIGHTBEAM #268

***November 2013***

Official Zine of the National Fantasy Fan Federation

TightbeamJPG

The National Fantasy Fan Website (est. 1941):

http://www.N3F.org

Tightbeam (est. 1960, free download):

http://n3f.org/2013/10/tightbeam-268/

Other New Entries: “Magazines”

Amazon Kindle: “New eBooks by Lawrence Dagstine…”

Well, after a year in the making, the five-novellas project comes to a close.  Five brand new releases for Amazon Kindle, B&N Nook, Kobo, Sony eReader (via Smashwords), Apple iPad (Smashwords), Smashwords.com, and I’m sure over the next few weeks a couple of more.  I have a wide range of science fiction, fantasy, horror, alternate history, satire and suspense titles available (including the almost-40,000 word A CHILD WEEPS IN MOSCOW), some inspired by authors like George Orwell and Kurt Vonnegut to Stephen King and Ray Bradbury.  Quality fiction with characters and plots that boldly go where no other (at least I hope) author has ventured before.  I’d like to take this time to thank my cover artist Bob Veon, and fellow editor Edith Marlowe.  With that said, these titles below are only 99 cents to $2.99 each, worth the price, and a welcome addition to any eReader.  Just click on the buttons beneath the covers to access the ordering page for your favorite reading device.  Or go and visit my eBooks & Kindle page (up on top).  Most of all, happy reading!

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ONLY 99cts to $2.99

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How Jones Goes by Lawrence Dagstine

Story Name: “How Jones Goes”

Price: SCIENCE FICTION (FREE on Smashwords)

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In the late 21st century, overpopulation is a problem.  There’s also the problem with mental health.  In one particularly unusual asylum, there is Dr. Born (psychiatric intern) and Dr. Bloch (sexologist).  And then there’s Jones.  You have not met anyone like Jones.  You see, it’s not every day that patients claim they are from Mars.  And it’s not every day they come and go as they please.  A science fiction story filled with loads of satire (and lots of oddities that will make you shake your head) by speculative fiction author, Lawrence Dagstine.

A Child Weeps in Moscow by Lawrence Dagstine

A Child Weeps in Moscow by Lawrence Dagstine

Story Name: “A Child Weeps in Moscow”

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Alien possession meets alternate history, in this communist tale set in 1923 Russia, about a boy named Abraham (Abe), whose parents suddenly disappear one day.  Like many of the adults throughout Russia, they are being taken away in the night by a special police force put together by Lenin’s “new” government, a government put together after the arrival of spacecrafts with biomechanoid origins and higher intelligence and influence.  Aliens the citizens simply call, The Invaders!

Klara Izolyev, Abe’s teacher, tells the boy that the only way he can learn the truth about the Invaders is to go to Moscow.  There he will learn what they really want on Earth, what role they play in the current socialist movement, and possibly find his missing parents and sister.  There he will fight starvation, arrest, combat homelessness, and meet an even more influential figure.  Arkady, the leader of a Moscow street gang, whose parents have also been taken away.  Together they will all journey to find the people they once loved, discovering just why the aliens are so interested in helping Lenin.

The Mysterious Lady of the Caribbean by Lawrence Dagstine

Story Name: “The Mysterious Lady of the Caribbean”

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Mercer Hollingsworth is not your typical pirate; he’s more a buccaneer of the freelance sort, with a bit of the old hero in him.  No job is too big for his merry crew, so long as it helps bring down the Great Armada and plenty of booty is involved.  But when he brings his own wench aboard, members of the crew start disappearing.  Who is this mysterious young woman? Why does she sing so much? Why is Mercer still alive? When they find themselves stranded on an island in the Caribbean, blood and death will go hand in hand, as the wench reveals her true form and purpose in this speculative pirate story.

“The Paraplegic” by Lawrence Dagstine

Story Name: “The Paraplegic”

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“Doc, I’m telling you.  I just woke up in a hole in broad daylight.  No memory!”

When Herbert was told he had amnesia, he knew things were bad.  When he couldn’t feel anything below the waist, he got scared.  When the doctor told him he’d be paralyzed for life, he got depressed and wanted to die.  After all, no one wants to be a paraplegic.  But what made him crippled so suddenly? Did somebody do this to him? And if so, why? Now in the hospital, undergoing intensive surgery, little does Herbert know that the force responsible isn’t done with him, not by a long shot! Something’s coming back.  There’s a little unfinished business to take care of, and it comes in the form of vampires.

“Family Reunion” by Lawrence Dagstine

Story Name: “Family Reunion”

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When Kendra was a teenager, she got raped and knocked up more than once.  When she finally found the courage to run away with the children, she went back to school, got a job, and set up a nice life for herself far away.  The children are now eight, and Howard has come ‘home’ for what he feels belongs to him.  He swears he’s a changed man, he wants to get married and be a dad.  Even if it kills! He wants this reunion to be one that Kendra and the kids will never forget… should they live to tell about it!

"Overcast" by Lawrence Dagstine

“Overcast” by Lawrence Dagstine

Story Name: “Overcast”

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It’s not every day that a 1920’s flying ace risks his life to bring a plane down safely for a little girl.  But when a horribly disfigured Sal and Lillian land in the remote, snowy mountains of Montana, a friendship will occur, a bond like no other.  As the winds blow and the snow accumulates, the pilot will do everything in his power to get this child down harsh ravines and rocky slopes.  Through darkness and despair they will do whatever it takes to stay alive.  A bittersweet story of survival, with an emphasis on the importance of not giving up and working together, no matter what age group you are.

Moscow Novella

Or purchase the NEW 150-page print version of Child Weeps in Moscow for $5.95.

BuyNow

Other New Entries: “New Releases, eBooks & Kindle”

If you can’t find a Dagstine story on a particular reader or android device, just get to me at Facebook or Twitter.  Every few weeks I will be ironing out formatting issues, adding on stuff, and working out other kinks.

Coming Soon: “A Child Weeps in Moscow” by Lawrence Dagstine

COMING SPRING-SUMMER 2013

to Amazon Kindle, B&N Nook, Sony eReader, Kobo…

Coming to e-Dagstine.com Download Center, coming to eBooks & Kindle (and as a chapbook).

In the vein of George Orwell’s 1984

“A CHILD WEEPS IN MOSCOW”

A Novella by Lawrence Dagstine

ChildWeepsMoscow

Alien possession meets alternate history, in this communist tale set in 1923 Russia, about a boy named Abraham (Abe), whose parents suddenly disappear one day.  Like many of the adults throughout Russia, they are being taken away in the night by a special police force put together by Lenin’s “new” government, a government put together after the arrival of spacecrafts with biomechanoid origins and higher intelligence and influence.  Aliens the citizens simply call, The Invaders!

Klara Izolyev, Abe’s teacher, tells the boy that the only way he can learn the truth about the Invaders is to go to Moscow.  There he will learn what they really want on Earth, what role they play in the current socialist movement, and possibly find his missing parents and sister.  There he will fight starvation, arrest, combat homelessness, and meet an even more influential figure.  Arkady, the leader of a Moscow street gang, whose parents have also been taken away.  Together they will all journey to find the people they once loved, discovering just why the aliens are so interested in helping Lenin.

Official soundtrack for… Mysterious Lady of the Caribbean (teasers):

Also coming in 2013, and a MUST READ!

For fans of Weird Tales & Pirate Fiction

“THE MYSTERIOUS LADY OF THE CARIBBEAN”

A Novelette by Lawrence Dagstine

MysteriousLadyoftheCaribbean

Coming Soon to: New Releases, eBooks & Kindle

Artist Spotlight: “Interview with Cover Artist-Illustrator Bob Veon…”

If you draw or write in the genre communities, if you are affiliated with comic books and illustration in any shape or form, if you know who Alex McVey, Vincent Chong, and Daniela Siera is, then you probably know who Bob Veon is.  If not, you are missing out on the next big thing in horror and scifi illustration, Ebook and print cover art, as well as mind-blowing graphic design.  Like McVey, Chong and Siera, Bob Veon is currently breaking into the big time.  2012 seems to be his year, and things are only looking up for 2013.  Here is a small press artist that turns your visions into beautiful—or scary, if that’s how you like it—prints.  A man who can turn a canvas or book cover into the next museum masterpiece, or who can bring ideas to the table that probably no other artist of his caliber can.  This freelance master of pencils, ink, paint and Photoshop is also available for hire.  Let it be said that there is nothing this man can’t do.  He is the next award-winning genre artist.  It is not only an honor and a privilege to obtain his services for my own fiction work, but to interview him this very day.  See what inspires him and makes him tick.  You will also see some of his favorite art samples and be able to contact him at the end of the interview should you desire his services.  And now, on with the Q and A…

Robert Veon (a.k.a. Bob) hard at work

Lawrence: Bob, I’m glad you could be here today.  Let’s start from the beginning.  Where did you grow up and go to school?

Bob:  Thanks for having me here!  I grew up in East Palestine, Ohio, and went to high school there.  After, I went to Pittsburgh Technical Institute in Pittsburgh, Pennsylvania where I studied Multimedia and Graphic Design.

Lawrence: What was your childhood like?

Bob:  Probably pretty much the same as any other kid growing up in the 80’s/90’s.  I was always interested in horror movies and books from a very early age and anything else creepy and strange.  I liked to play video games and draw, read comic books.  Pretty typical stuff.

Bob Veon  — pencil, ink, canvas, computer art, etc.

Lawrence: How did you first get into drawing?

Bob:  I liked to draw pretty early on in life.  Ever since I was able to pick up a crayon, I think I’ve been drawing since!  I always liked to come up with strange creatures and places that were different from what you saw in life.  When I was a kid I was always fascinated with drawing skulls and skeletons (no shocker that I still have that fascination).  I remember a tornado going over the apartments we lived in during the mid-80’s and afterward I went into my “tornado drawing phase.” Drawing has always been my place to go to think and look at things.

I always doodled in my notebooks at school and at work.  Probably about 2005 or so I decided to start doing more elaborate work with it.  Trying to make something distinct, original.  I came to this decision that I’d make some stuff that I would like to hang on the walls around me, art that would reflect myself and things I found interesting.  Then a friend of mine suggested that I try doing illustrations for short stories, so I checked around online and Whispers of Wickedness gave me a try.

Lawrence: I used to be a reviewer and contributor for Whispers of Wickedness.  So tell me, what inspires you? For example, certain music and video games set the mood for me.  But they also inspire me, too.

Bob:  I’ve always been drawn to dark and strange themes.  When I draw I tend to put on a lot of music that reflects that, and the two of them, music and drawing, seem to go together great!  I tend to listen to things like Blue Oyster Cult, Black Sabbath, Marilyn Manson.  A lot of Industrial music too, things like Wumpscut, Combichrist, and Dismantled.  That sort of thing.  It really adds an energy to what you’re doing!

Bob Veon’s Comic Book work 1

Bob Veon’s Comic Book work 2

Lawrence: Let’s talk influences.  Everybody has them.  What writers, artists, or filmmakers influenced you and your work?

Bob:  Huge fan of Stephen King’s work – The Dark Tower series is still something I read over and over.  Clive Barker has been a major influence in my life since I first saw Hellraiser and then went on to read his books and get acquainted with his artwork.  He’s great in any medium he works in, as far as I’m concerned.  Besides fiction, I read a lot on paranormal subjects.  The things like alien abduction, UFOs in general; mysterious occurrences, cryptozoology, and conspiracy theories. Books by folks like John Keel and Jim Marrs. There’s a lot of strange things that happen in the world that kind of get brushed aside.  I don’t know what’s more fascinating a lot of times, the stories you hear themselves, or the reactions in the “official world” to them.  As far as art goes, I’ve always been amazed by HR Giger’s work – definitely an original vision there!  Frank Miller’s black and white comic style is definitely something I was impressed by.  Jae Lee is fantastic in that whole positive/negative style too.  I love his attention to minute details.

Bob Veon’s work space

Bob Veon & Lawrence Dagstine project

Lawrence: I love your penciling and inking style the most.  I love how you draw everything by hand first.  But at the same time you’re the kind of guy who can do pencils and inks one day, then jump from canvas to crayon to computer art the next.  What is your favorite medium to work in? Also, what mediums are you experienced in?

Bob:  I’m going to have to say that the medium that seems to be “me” the most is pen and ink drawings.  It’s a pretty fun and worthwhile effort all around to see what you can come up with.  When I first started to get serious with pen and ink drawings I would sit down to a piece of paper with just a pen, no pencils or other starting points, and just start going.  Make a mistake?  Just fold it into what I was doing somehow!  It could get challenging, but at the same time was pretty exciting.  Especially when I pulled off something that looked good!

I also like to paint a lot, but haven’t done much of that in the past year.  It’s always interesting to me how drawing and painting, while essentially very similar in that you are trying to create form, space, and value, defining something two-dimensional to look a certain way, are so very different to do in technique.

As for other mediums, I do stuff with Photoshop, but mainly just for coloring or adding effects.  I don’t do much with it aside from that.  I do a lot with Illustrator which is a really interesting graphic design program with a lot of potential.  When I was in school I worked in some 3D programs but never really got into them like I thought I would.

Mysterious Lady of the Caribbean 1 – Bob Veon

Mysterious Lady of the Caribbean 2

Mysterious Lady of the Caribbean 3

Lawrence: Originality.  It’s definitely something you have.  What is your take on it?

Bob:  Like I said before, I was striving to try to go into places that I hadn’t seen before when I started getting serious with my artwork.  I try to be as original as possible when I’m coming up with things to work on, but I’m sure that you see a lot of the things that influence me in there as well.  I guess that you’ll always have that, though.

Lawrence: Your black and white illustrations would look great on somebody’s back or forearm.  I’m sure they would also make your typical tattoo artist salivate.  Have you ever thought about working alongside a tattoo artist?

Bob:  I have indeed!  Actually, I’ve done tattoo designs for a few people.  My girlfriend actually got one that she asked me to design for her.  I did check out a tattoo shop a few years ago that was looking for apprentices and took in several of my sketchbooks for the owner to look through.  He seemed to be really impressed with what I was doing and said it was very original, which I took as a great compliment!  Unfortunately, due mainly to time and economic reasons, I wasn’t able to go forward with this.

Family Reunion Novella – pencils

Family Reunion Novella – colors

Lawrence: A lot of artists create their own graphic novels or books of their work these days.  They even do it on places like Lulu or CreateSpace.  Have you ever thought about coming out with an art book?

Bob:  I finished up a graphic novel script just last year that I’d love to get moving on.  I started penciling about three pages then got busy with other projects, but would love to get back to it.  I know that it’s going to be a long project, and I think that kind of keeps me reserved on it.

I do have a book of artwork available through Lulu from 2007 called Landscapes of Hell.  It’s still available if anyone’s interested.

(to order Landscapes of Hell: http://www.lulu.com/spotlight/bobveon)

The Paraplegic – pencils

The Paraplegic – colors

Lawrence: Who are some clients, authors or publications you have done artwork for?

Bob:  I started off doing black and white illustrations for Whispers of Wickedness.  They always had some really good stories!  From there I started working with Jason Gaskell on his online magazine Oriental Tales, doing illustrations for the stories people sent in.  Other than that, I was asked to send some original work in for Taj Mahal Review and Harvests of New Millennium.  For a while I hadn’t been doing much illustration and then just this last summer Jason Gaskell got in touch with me about doing illustrations for more of his short fiction for a collection he wanted to put out.

Grim Reaper print (part 1) by Bob Veon

Grim Reaper print (part 2) by Bob Veon

Lawrence: What do you think art is most lacking these days? And why?

Bob:  I try not to get too elitist about art.  It’s usually something you get or you don’t, but the fact that someone created something, took the time out of their life to put the energy in to make something for someone or just for themselves, that’s pretty important and deserves a look.  If I want to get picky about things though, I could say there is too much of a reliance on digital technology to make something look good.  But that would be a stupid thing to say since I do it myself!

Gargoyle-Dragon Creature

In Thrall to the Succubus

Lawrence: Although it’s taken both of us almost a year, what do you think of the “Six Novellas” eBook project? Have you ever done something like this before?

Bob:  It’s been a lot of fun and exciting!  I never know what to expect in the next story I get from you, and that adds to the fun of what I do for them.  Hell, I’d never drawn a pirate ship before and then found myself doing it for Mysterious Lady of the Caribbean!  I’ve never done anything like this before, but would love to do more of it.  It certainly keeps the creative process moving!

Lawrence: If there was an artist or writer you could work beside, living or dead, who would it be? And why?

Bob:  I think it would be pretty fun to work with someone like David Lynch.  He certainly brings a very unique touch to whatever he’s working on.   Really just about anyone I mentioned before as influences would be great fun to work with.  It would be neat to see firsthand how they go about their work.

Death Clock

Dream Within a Dream

Lawrence: Funny how when we first teamed up we learned that we owned the same exact video games, the same exact toys and stickers (Star Wars, Mega Man, Final Fantasy, etc.), and other collectibles as if we had identical childhoods.  Fun Stuff… What do you do for fun? Where do you turn when it’s time to take a break?

Bob:  I know what you mean!  It was pretty wild to find out we pretty much owned the same toys and video games!  Usually for fun I like to play video games.  I’ve been a huge fan of them since the old Nintendo system and haven’t stopped playing since!  Things like Final Fantasy, Metal Gear, Grand Theft Auto, Castlevania – I enjoy them all.  I also like to watch movies and read.  Seems like most of the things I liked to do when I was a kid have pretty much stayed the same!

Nurse by Bob Veon

Secrets of Darkness

Soul-Eating Demon

Lawrence: In twenty years time, where would you like to see yourself?

Bob:  I would love to be able to work on my artwork full time.

Lawrence: If you could be somebody famous in history, who would it be? And why?

Bob:  I don’t know if he’s considered someone famous, but the Count St. Germain.  I just want to know if he was this immortal that he claimed to be or a fake.  Regardless, I’m sure it would be an interesting time!

Scarecrow Piece by Bob Veon

Tarot Reader piece by Bob Veon

The Return by Bob Veon

Lawrence: Favorite comic book superhero and super villain? And why?

Bob:  Oh boy, this is one that’s hard for a comic geek!  If I had to boil it down, I’m going to go with Wolverine for superhero.  Why?  With his powers and unbreakable skeleton he pretty much has no choice but to be this tough little ball of fury taking it to the villains every time they come up!  As for super villain – Herr Starr from the Preacher comics.  He takes villainy to a ridiculously fun level to read!

Lawrence: You know it’s bad for you.  Favorite junk food?

Bob:  I could eat pizza every day if I could, though I don’t consider it a junk food because it contains the four food groups.  See how I justified that?

The Tormentor by Bob Veon

We Can Make You Better

Wicked Forest

Lawrence: Have any advice for aspiring artists who might be reading this?

Bob:  If you want to make artwork just do it. And keep on doing it.  Don’t try to compare what you’re doing with what someone else has done because that’s a very quick way to get discouraged.  Good and bad are arbitrary things in art, and you are your own judge.  The important thing is that you are expressing yourself creatively and hopefully gaining confidence as to just what you’re capable of doing with your abilities.  It takes time and effort, but you will find your own unique style.

Canvas Work 1

Canvas Work 2

Canvas Work 3

Lawrence: Bob, I want to thank you for being here today and wish you the best of luck.  Do you have any last words?

Bob:  Just that I hope everyone likes what we’ve got on the Six Novellas project for next year! It’s been a pretty fun thing to be working on, so I’m hoping everyone gets that sense of fun when they get to read the stories.  Thanks again, Lawrence!

Commissioned cover for Surprising Stories

Need a book cover done? Or maybe a canvas or a graphic novel? Hire Bob Veon now.  Click any of the links below:

Main website:

http://bobveon.webs.com/index.htm

Also check out:

http://fineartamerica.com/profiles/bob-veon.html

http://www.artistrising.com/shop/tags/bob-veon.htm

http://bobveon.deviantart.com/

Or contact Bob Veon directly at:

bobveon@yahoo.com

Artwork Copyright by Bob Veon.  All Rights Reserved. 

Free SF Serial: “Orphan’s Prey pt. 3” – Lawrence Dagstine

Science Fiction Serial Part 3

First Draft – Follow it from the beginning…

Orphan’s Prey 1: https://lawrencedagstine.com/2010/04/20/free-sf-serial-orphans-prey-pt-1-by-lawrence-dagstine/

Orphan’s Prey 2: https://lawrencedagstine.com/2010/06/10/free-sf-serials-orphans-prey-pt-2-by-lawrence-dagstine/

Who are the Vendragon?

So self-assured, she was, only hours earlier. So brave and self-confident. So virtuous and independent at the right moments, yet obviously weak during others. 

She suddenly found herself pressing her hands to the sides of her head—she’d never done something like this in front of her brother—almost sick with discomfort.  She saw the expression on the boy’s face, then her own, only in her mind’s eye, weak, scared, unprotected, and she realized once more that they were just small children, incapable of much, and just how alone they really were.

 

ORPHAN’S PREY

 by

Lawrence Dagstine

A rather large, muscular, adobe-colored lizard was awakened that same night by what sounded like distant explosions.  From behind the controls of his land scout, the startled iguana with the reddish-brown leather armor and twaddle-speaking tongue realized it was thunder reverberating among the low cumulus that was some hundreds of miles wide.  There was the pitter-patter of rain pellets on the vehicle’s front looking glass and hood.  A break in the drought? No, couldn’t be; Ragnarok should only be so lucky this time of year.  All the water in the universe couldn’t fix that recurrent problem, only toss it a band-aid.  Hence the greenhouses, pipelines, and special sprinkler system back at the city.  Fog clouds approaching? Maybe.  It was a more logical bet.  In sandy, mountainous regions like this, a heavy thunderstorm or methane-mixed hail shower could be an isolated occurrence or a signal that a new front was moving in—or yet another unwanted season.  Whichever it was, the lizard was glad he was snug inside his tracker rather than camped out in a dry marsh or deep desert valley where the storm was picking up speed and strength.  As for how bad conditions would get, he’d just have to wait and see.

“Fog billows?” asked a similar life form from a standard operating panel in the rear.  Unlike the front of the vehicle, there were no visual systems or radar maps or even a looking glass to peer out of.   Compared to his much taller partner, this reptile’s armor was grayish steel, the portions of scaly flesh that was visible a mustard tone.

The tongue-tied lizard at the wheel of the land scout looked at his weather gauge. “With precipitation like this”—when he talked his mouth didn’t always move but, rather, an electronic chest unit with a flashing orb flickered—“what else could it be?”

“The way you study natural features,” his friend remarked, “I would have thought something more exciting.  Whatever your definition of exciting is.  You know, Koral, I’m quite surprised you never applied for an Earth visa.  You show a certain kind of enthusiasm for your work.”

Their vernacular wasn’t perfect, the interpretive English and back and forth chitchat a bit skidded; but the chest units helped immensely with vocabulary and pronunciation.

“You mean neurotic?” Koral’s tongue lashed out in slight irritation.

“Mmm, that’s the word.  A human term, too.  I’d bet my green farm that Earth scientists would have adored you.”

“Funny, Bakkra,” he laughed. “I don’t know whether to pat you on the gills for your clever perceptions of me—because I am mostly used to your cynicism—or just go ahead and collect my winnings now.  Heh! And here I thought only the man-droid was able to understand me.” There was a brief pause. “Speaking of which, the synthetic one has not returned or communicated back with our lovely package.”

“He’s a robot.  Robots are late, too, you know.”

“Not this robot.  I was the one the manufacturers hunted down and finally sold to.  I was the one guiding him through the wastes.”

“You seem concerned, and tired.  Should we call off the search?”

“No.  Not yet.”

“They’re that important to you, huh?”

“Yes.  That important.” Koral leaned back in his metal chair and let the ravaging elements unfold before him, while keeping a close eye on the overhead gauges and monitor for something else.

Lightning flashed some more.  The alignment of the bolts, shooting outward from the cumulus in all directions, reminded the lizard of the storm chasing he undertook in his youth; after three hundred and sixty years, one begins to feel old but still take pleasure in the eccentricities of the past.

Thunderstorms in the wastelands of Ragnarok were forever awesome displays of limitless power, he thought, sometimes releasing energy many times greater than the atomic explosion range.  Hailstorms derived of methane were a whole other story.  Still, he knew if you were close to either one, or became trapped in the very center of a fog cloud, there was about them a personal quality.  It was dramatic and inescapable.  It was terrifying but vivid, as if every sudden flash, every strong gust of wind, and every simultaneous explosion that crackled and boomed were seeking you out; after all, it really sought no one else.  The lightning came in multitudes and blinded you.  The thunder wreaked havoc on your ears and deafened you.  The ice-cold rains came down heavily and drowned you.  And on the open plains, the sand-filled wastes, and in hanging valleys of crystal and rock, there was no place to take refuge.

The snow, which frequently becomes spot blizzards with reckless currents of air beyond gale force, could also be merciless and astonishing in its ferocity.  Large, lazy flakes drifting down at first, touching the ground and melting instantly.  But in minutes the fall becomes thicker, more rigid, and the wind-whipped mess pummels the landscape.  The temperature drops rapidly.  Marshes and gullies turn in the twinkling of an eye to great streams of half-frozen mud, which then later break apart from those very same winds and become torrents, rushing steeply downhill unintended, catching up loose rocks, Yurga bush, even boulders.  Other times, the mud is uplifted and snatched from their channels, as if by some godly hand.  Then it is flung into the air with impending force, thus turning it into hail during its whirl around the cloud formations and falling with a shrapnel effect down upon lower elevations of land.  In the midst of the mud particles, an unscented methane composite, laid bare to Ragnarok’s wrath and planetary nature to do whatever mixing and mashing it likes.  Once it falls back down again, hardened and in hail form, it wreaks of the most terrible odor, which can be inhaled up to hundreds of miles away.

Koral always remembered the cloud masses beginning somewhere in the high mountains, never the desert regions or marshlands, and in an almost tentative fashion.  Always the highest escarpments, always the greatest plateaus.  Perhaps that was what made the seasonal irregularities so peculiar, so unrelenting in their expansive devastation.  And you never expected a season to change so fast or, unintentionally, drive through one.  Not unless it was closely monitored or regarded from a distance.

From within the land scout, and up along a high altitude, the now-dozing lizard found such an effect magical.  A swirling, shifting pattern of light, eventually graying, then dulling and, finally, obscuring.  Precipitation from some disturbance in the planet’s magnetic field eventually conjured up the surrounding fog—yes, that had to be it—but he couldn’t be certain.  Neither could his people.  It was just another mystery of the planet, passed down from generation to generation, and his hypothesis was open to much conjecture.  Sometimes there was a break; usually there wasn’t.  Sometimes it revealed uncharted peaks, gorges and canyons, and the Vendragon Township far below, often untouched by the gathering clouds and coming storm.

At times he found such atmospheric wonder indescribable.  He often used worlds populated by humans as a comparison: where Earth’s seasons changed over the course of months, the cycles on Ragnarok could change within minutes if not mere seconds.  He used these comparisons in his teachings.  The Vendragon, whose society already flourished in ways early human colonies had, achieved much knowledge and experience from it.  They took it with them wherever they went; though formally a tribal race, that and available technology became a handed down tradition.

Finally the lizard’s thoughts were interrupted by a voice on the overhead speaker. “Hey, storm chaser! Come in, chaser! What are you chasing after now? Over.”

“Apparently little boys and girls,” Bakkra hollered from the back. “Ain’t that right, Koral?”

The man-sized iguana turned and shot his mustard-colored friend a filthy glance. “Do you mind?” His chest unit flared bright red.

The speaker chimed again: “Check.  Fog clouds reach you yet? Over.”

“Affirmative,” he answered. “Unpredictable weather surrounding just about everything.  All within close proximity of the vehicle, at least, otherwise cloud-to-ground.  Too soon to tell.  Just beginning.  Over.”

“I’m sure the young ones are all right,” the speaker crooned; the voice on the other side tried to be reassuring.

“What makes you think I was worried about that? Over.”

“Have any of our friends made an appearance?” An intense silence followed.

Bakkra was about to say something smart when Koral turned and shushed him. “The man-droid has still not reported back, and no,” he said. “No activity or other signs of life in the region.  Over.”

“Oh, well, still armor yourself.  This storm system reading is immense from our side.  We’re going to catch it for good and for sure, and there’s an airstream behind it.  First snow and ice, then rain and wind, heavy at times.  Even at your elevation.”

“Trust me.  We’ve already felt the thunder.”

“Thunder is nothing.” The communicator cut off for what seemed like two, maybe three seconds, followed by unusual static. “We may lose… you if… you go any… higher,” the voice continued brokenly. “You been feeling tremors? Over.”

“Negative.” Koral flipped a few switches on the overhead panel and fixed the glitch. “Unless there’s something I don’t already know or you’re not telling me.  Over.”

“Hmm, well, we’re still sending two extra rovers your way.  Over.”

“Helpful, Ooglad, but Bakkra and I are all right.  Over.”

“Listen, Koral, I know it’s just a random search, and this cloud build-up is like all the other occasions, but let’s be honest here, you can use all the help you can get.” A brief pause, and then: “Small stuff, under four on the quake register, with sand-shocks set well outside your perimeter.  But why turn down a free assist? Over.”

“Thanks, Ooglad, but no thanks.  Out.” Koral switched off the communicator.

Bakkra was the one with the smug look now. “What did you do that for? You’d have to be mad to turn down a rescue and assist in conditions like this.”

“We don’t need it.  We’ll just stay the night.  The storm will pass, like those before it.”

“For all you know those children might already be dead! Your droid’s bleeper would have picked them up kilometers ago.  This, my friend, is just suicide!”

“Really, Bakkra? How so?” Koral leaned back in his seat once more. “Does this also mean I’m forcing you to commit suicide with me? Because I do occasionally entertain the thought.”

“I guarantee you these children are already worm food or some other kind of beast droppings!”

“I say you’re wrong.” The lizard was terribly amused. “For once in your pathetic existence, don’t be such a coward.  Part of our race’s survival depends on these two kids.  We’ve weathered fog clouds before, and knowing how Ooglad thinks, he’ll most likely still send out that extra patrol regardless of what I say.  He’s crazy and neurotic, too.”

“You’re right,” Bakkra said. “For once you are very right.  That young reptile is paranoid and foolish like you.  But I am not.” Gathering his things, he went on, “I don’t plan on staying here with you.  So, if you will not wait for the assist and accept it, then I will.  They’ll give me a ride back to the city, while you stay out in the hail to wither and die.”

He was prepared to slide open the door and exit the vehicle when Koral jumped up and stopped him. “Oh no, my friend.  You are not leaving this tracker.” The lizard made his presence felt; the air suddenly became hostile and serious. “Not while I am in charge.  I say we weather the storm, investigate these hills and cliffs, and that is final!”

“Let go of the door, Koral.  Things could get messy in a very confined space.”

Lightning flashed just outside; the crackling sound was ear-piercing.  Koral shook it off.  Then he released his massive-sized hand from the door’s grip. “Go ahead,” he said. “I’d ask you to be reasonable but I think you and I both know we are beyond that now.”

The mustard-toned reptile reconsidered. “The only reason you are being this way is because of what happened to Arim.  You’re scared you’ll have to live through a repeat.” There was a brief silence, significant, and followed by what seemed like an even more emotional reawakening. “Your puny brain might not realize it, because it’s crammed deep inside your subconscious—yes, one of your human terms—waiting for the chance to be exposed, waiting for the opportunity to be expressed, and aired in permanent relief.” Then Bakkra put his things down and took two steps back. “There is a cause to your neuroses, Koral.  I see this.  Ooglad sees this.  The whole tribe sees this! They worry about you.  They can see right through your armor, the pain you are suffering, the empty feelings you sometimes emit.  You leave the camps and city grounds to study the conditions out here, bury yourself in your research.  This is your means of escape.  But because Arim perished and you suffer does not mean others need suffer as well.”

Koral did not reply.  Instead, he returned to the front of the vehicle, strapped himself back into his metal chair, and peered silently out of the looking glass.

Bakkra went on, “I will not go.  I will return to my station.  This is a very strong storm formation we are dealing with here.  Hopefully, your instincts are right this time.  I also pray you will not be blinded by pride again.  This stubbornness needs to subside.”

Koral blocked the rest of what he had to say out and stared up at the overhead panels in dismay.  Eventually he closed his eyes and, with the ease of long practice in strange places, went immediately off to dozing again.  In a few hours he would see what effects of the storm he could find, and if the children or the man-droid had left a trail for him.  This time he was prepared.  He had a carry-along machine, lightweight with a strap, which detected alien life forms.

He continued to ignore Bakkra’s petty banter through the night.  He continued to be aware of feeling kinship with the environment and, oddly enough, with the fog clouds.  It was a feeling he found impossible to shake.  Pensively he looked back at the fateful actions that led up to the Arim tragedy.  It was so long ago, uneventful to say the least.  How could the thoughts still persist? Were they really bottled up inside of him? It was his first interspecies “coop”, as most out-colony settlers called it in those days.  The boy was too young.  Sixteen in Earth years.  For every hour the lizard was out there searching for the two orphans he probably thought of Arim and the accident that befell him twice as much, only unconsciously.

For a reptile such emotions were not like him; then again, perhaps he did not try hard enough to show emotion.  Along with his predictions in the weather, and for as long as he could remember, he had experienced premonitions instead.  If the premonition seemed genuine, his chest unit would emit a strange glow, and he would utter a warning of disaster to the rest of the tribe.  Very rarely did the Vendragon take him seriously, and very rarely did they act on it.  His forebodings were never specific, the calamity either absurd or nameless, so it was unusual that he did not speak of any premonition in the days or hours before Arim—a most treasured farmhand assisting their nascent culture in advancing agriculturally—was attacked and fell from that high cliff.  And never in his wildest dreams, he thought, could he predict that, even now, the two orphans he searched endlessly for might bring with them a terrible but ancient disaster.

TO BE CONTINUED…

Lawrence Dagstine: “Masters of the Universe 2010…”

The birthday of all birthdays approaches.  Three.  And this year’s theme is actually the very expensive, 30th Anniversary re-release of some funky figures I grew up to in the very early 1980s.  He-man and the Masters of the Universe: Adult Collector Series.  These are for my son, but I’d be lying if I didn’t say I had a little fun with them myself (he he).  The artwork and detail is out of this world, done by the Four Horsemen, and if you have an action figure or toy news blog, please feel free to use these pics.  I was most surprised by how expensive they were.  First off, they sell out in less than 24 hours all the time on Mattel’s main homepage… So your only shots are places like eBay or Amazon if you want to own these high-end figures.  Next, when I say high-end, I mean it.  The 2010 Masters of the Universe line-up runs between $25.00 and $80.00 per figure on average; with $35.00 to $60.00 being that in-between number with S&H.  Are they worth it? Yes and no (I also managed to pick up a 2002 Castle Grayskull MINT in the box.  Some of the more memorable characters are even more awesome-looking than when they first came out in 1982.  Characters like He-Man, Man-at-Arms, Trap-Jaw, and Moss Man included.  And they include better weapons and equipment, too.

Word, yo. It all good... Later we go to Mr. B's for a Nickel and Shiznit!

It should be noted that I didn’t pick up Skeletor but, rather, Scareglow instead.

No hard feelings, Skeletor.  I’ll give a little description of the figures further down.

Sorry, Skeletor... but Scareglow looked wayyy cooler than your candy ass.

So with the castle and the average forty-fifty dollar action figure I ended up spending close to $700.00 in He-man related toys.  Why spend so much, you ask? Well, while I agree they are for my son and I’m reliving my childhood through him, and hope one day that he might want to repeat the process… It wasn’t just a birthday celebration or bunch of gifts I just “had to own!” Yes, I do collect my own Doctor Who and Star Wars action figures.  Yes, I have Matchbox/Hot Wheels cars.  Yes, I have baseball cards made of chrome.   Oh, and don’t even get me started on Transformers, Thundercats, Smurfs, G.I.Joe, and some now-old school 8-bit NES games.  These toys were a celebration to welcome my son into my home as I now have custody (visitation rights) of him 7 to 8 days a month.  In the event a weekend lands with a Monday as a holiday, there’s your eighth day.  So I have my kid for lots of cartoon fun (and the park outdoors) one week a month.  Which means more to me than my writing, so yes, along with a new bed directly across from mine, makes $700.00 seem all the more worth it.

2002 Castle Grayskull - MIB; with Action Chip/Sound Effects

2002 Castle Grayskull - Back of box/castle interior view

Other gifts included a Superman “Through the Ages” gift set, a 13″ tall Cyberman, a pair of Iron Man sneakers, and a 2010 AT-AT Imperial Walker.  But let’s concentrate on the Masters of the Universe line-up for now.

Scareglow - Skeletor's Henchman from another dimension

Beast Man - Skeletor's Original Henchman with realistic paint job

Tri-Klops - Skeletor's Henchman who can see through one eye

Trap-Jaw - Skeletor's iron-mouthed, claw-armed henchman - RARE! $50 and up!

The He-man adult series also comes in nice collectible boxes

It appears I’ve picked up an unequal amount of good guys versus bad guys.  Maybe that’s because the bad guys always looked cooler.  I’ve also picked up the whole 130-episode television series, which lasted four years in the early 80s — they tried to bring it back in 2002, but failed — and they were the basis of my childhood and fantasies growing up.  It’s now time to introduce it to another generation, just as some parents from Generation X are introducing Star Wars and Transformers to their young ones.  Who knows, maybe the 80s culture will always be with us.  Why? Because the 80s into the early 90s were probably one of the coolest periods for things in general.  And not just toys.  Though cheesy to some today, you had your clothes, music, movies (ala Empire Strikes Back, Predator, Terminator, and Aliens), comics, graphic novels, and even science fiction, fantasy and horror novels when it was at its height.  There is a man by the name of Stephen King we can thank for that.  Anyway, on to some more action figure pics.

He-man in Battle Armor - paint job just like the day he premiered

Faker - The evil He-man which Tri-Klops & Skeletor put back together.

Wun-Dar - Savage ancestor of He-man; great grandfather - VERY RARE

Moss Man - authentic green fur and he smells like a Christmas Tree

Man-E-Faces - Good guy robot from the 2002 collection with three faces

Now before I go, get a load of this… Not only did they make the new figures look just like the older figures, only with superior paint jobs — once again, the Four Horsemen are responsible for these figures — but one of them included a ring.  The ring you see below I used to own and wear almost thirty years ago.  The Castle Grayskull Ring.  Every detail has been repeated.  I don’t know what’s funnier, the way it looks since I lost it in the early eighties and the fact that I still remember it, or when I was running around second grade with it on, raising my hand to the sky, shouting, “I HAVE THE POWER!” Actually, what’s probably hilarious is the ring still fits my ring finger, and I wore it outdoors by mistake one day, not realizing I had it on.  Nevertheless, when I was young I loved that He-man ring, and I’m glad to have an exact duplicate of it back.  It sits on my writing desk, and believe it or not, it even gives me a little inspiration when it comes to penning horror stories.  I fiddle around, put it on, or sometimes just stare at it.  Oh yeah, I also picked up the NEW Webstor figure.

The Castle Grayskull Ring - Memories that still fit almost 30 years later.

Castle Grayskull put together w. The whole gang saying goodbye.

Once again, there’s nothing wrong with reliving your childhood or passing it on to the next generation.  And it’s things like this which helped inspire me to become the one thing I do most these days.  Being a genre writer.

With that said, everybody say goodbye.  Until next time.  BYE BYE.  Bye everyone.  See ya.

Cheers,

Lawrence Dagstine

OG’s Speculative Fiction, Mid-Late 2010… (3rd Acceptance!)

A couple of weeks ago I grabbed my third acceptance to the long running speculative fiction/science fiction magazine on the Web — available as a free PDF Download to read and eventually purchase on LULU as a magazine for cons — The Opinion Guy (aka OG’s Speculative Fiction).  This would be my second acceptance in one year to them, and they’ve featured some very talented and familiar names in the science fiction arena.  Both short stories and poetry.  Matter of fact, this third credit comes right after my 2nd, and bolstered me up to the 400 credit mark.  Editor is Seth Crossman, and he also provides an Internet site full of informative articles.

 

Lawrence Dagstine RETURNS to OG’s Speculative Fiction

Third Acceptance – Click on the link(s) for some free reading in PDF format

MAIN HOMEPAGE:

www.theopinionguy.com

Previous Dagstine Stories:

https://lawrencedagstine.com/2010/03/25/ogs-speculative-fiction-march-2010-2nd-acceptances/

Other New Entries: “Magazines”

Free SF Serials: “Orphan’s Prey pt. 2” by Lawrence Dagstine

Lawrence Dagstine’s Bimonthly Serial – Don’t Miss Out! Part One link below:

https://lawrencedagstine.com/2010/04/20/free-sf-serial-orphans-prey-pt-1-by-lawrence-dagstine/

“Vendragons live in the grassier regions—probably further north.  They rely on our knowledge of agriculture.  Supposedly, they thrive off it.”

“Yeah, but couldn’t we still head in that direction? I mean, somethin’ made that smoke.”

“Oh, Blake! It’s much too far.  We should wait for a scouting vessel.” She started to undo the knots in her hair. “Go back to sleep.  I’ll take first watch.  Besides, the distance of these plains are farther than you think.  And who knows what manner of beast created those rings.  For all we know it might be the same kind of creature that attacked us, burning carcasses and picking on flesh.”

The boy went scared and silent.

She hoped she spoke with conviction, but after what they’d been through, it disturbed her to know that her brother’s thoughts had been running so close to hers. 

They settled down by the fire, and before long their breathing grew slower and deeper.  After a while, Chelsea couldn’t stay up any longer.  Eyelids falling, she reached for her brother’s swollen hand.  Normally he’d have snatched it away, but he didn’t now.  A veil of mist drifted over the moons that scattered the night sky, and the children slept…

Orphan’s Prey – Part Two

by Lawrence R. Dagstine

Chelsea woke in the twin lights of dawn and reached for her brother.  He wasn’t there.  She quickly looked around her, then scrambled to her feet. “Blake? Blake! Where are you?” For a terrifying moment she thought he had set off by himself had gone on about those smoke rings and the Vendragon for a good hour.  But then she saw him, a dozen or so yards from where the fire had been, staring out across the desert.  In the faint light, with his red vest and tan khakis, he looked taller and older.

Displeased, Chelsea clenched her hands into fists and plodded over. “Blake Prittengayle! What are you doing?”

He didn’t move but kept staring ahead as if in a trance. “Looks like some abominable wasteland, don’t it,” he said, without looking up at her.

“Abominable?” Chelsea vested a short laugh. “I can’t believe you know what that word means.  Come on.” She led him back to the campsite.  He moved like a tiny sleepwalker, then he started to shiver.  She lowered him to the ground and cradled his head in her lap, just as their mother used to.  After a while his shivering stopped.

“Chandler told me what that word meant,” he muttered under his tongue.

“Did he now?”

“Uh-huh.  Also, the air smells funny.  The weather’s gonna change seasons again soon.  The air is salty, like there’s somethin’ big on the way.  Chandler called it pre-cip… pre-cipi…”

“Precipitation?”

“Yeah, that’s it!”

“Blake, what were you thinking of running off like that?”

He slowly got to his feet. “I don’t wanna live on Ragnarok.  We don’t belong here!” His eyes were serious, then he faced the distant mountains.  He remembered the out-colony stories he had heard at the sanctuary from those who were older, those who had gone walkabout with their siblings or cousins on foreign worlds, only to take part in alien ceremonies or have relatives sacrificed in accordance to them.  One boy, eleven, who he shared bunks with, had returned to the freighter after four months of living on nothing but insects.  A salvage team had found him naked, soiled from head to toe and huddled up in the corner of some old cave in the side of a cliff.  He came back without his twin brother or his two older sisters.  There was no trace of the adopting species, no documentation.  The only thing the boy had to remember them by was a photographic imprint locked into a small handcrafted identification bracelet.

“I don’t wanna end up like Louie,” he finally said.

“Louie?” Chelsea was silent for a moment. “Oh, yeah… Louie Peder.  The other kids used to make fun of him.  They used to call him Stinky, because he never bathed or washed.  But after he came back from that extrasolar rock, after his sisters and brother went missing, he just wasn’t right again.  He stopped talking.  Kids stopped making fun of him.  They stopped bothering with him altogether.”

“Hey, let’s go south! Back to the transmat station, where the Keeper let us down.  Plus the air’s not as salty there.”

“But the freighter is no longer above the planet,” Chelsea tried to explain.

“So, maybe it’ll come back when it finds out what happened to us.  The Keeper has rescued stranded kids before.”

“Blake, there is no way I am going back through those crystalline wastes.  And there is no way I am going to risk both our lives going back near those giant stones in the bluffs.  That’s where we first spotted those monsters.”

“Ahh, Chelsea, please!” The boy practically begged. “We have plenty of daylight to guide us, and lots of rest!”

“And what about your hand? Last I looked your knuckles were almost flattened, all black and blue.”

The boy held his hand up for her to see. “Look! All better.  I don’t even need a bandage.”

She had known it was coming, especially since the talk the night before about the smoke rings and the northern part of the planet. “That terminus could be anywhere from a couple of hundred miles to a whole thousand behind us.  We never kept track.  We were inside the vehicle the whole time.  It took almost three days to get where we are now, and using a durable transport.” A brief pause. “I know you’re not that stupid.  There’s no point in even checking our rations.  We’d surely die of hunger and thirst.”

“No nutrient packs or water?” the boy sulked.

“No nutrient packs, I’m afraid.  And not really enough water, to be honest.”

“We could die of hunger and thirst the other way, too, sis.  Or we could get the rover’s touchpad working again.  Least while it’s still sunny.”

“Idiot! You mean the navigational router? Not even the best mechanic in the Cat’s Eye could get that infernal taxi and its low-tech components to run again.  Don’t you remember what that thing did to it?”

There was a moment of significant silence as the memory flashed back.

The girl braided and unbraided her hair.  She was intelligent—so was the boy when he wanted to be, eager and far beyond his years—but her life as an orphan had done nothing to qualify her to make this sort of decision.  So why would Blake be any different? Deep down she was scared like him, only less easily at times to show it.  All she knew in this strange world was that she had to protect her brother, no matter what the cost. “Okay, suppose,” she said slowly, “we stay here one more night, find some kind of cave or shelter in the vicinity of these hills.  After all, I think I noticed some cliffsides.  We have plenty of flares.  We can find some use from all this Yurga brush.  Give your hand another day to heal, maybe collect some herbs or plantlife and make weapons out of the crystals.  If a scouting vessel doesn’t come by tomorrow morning, then we might as well head back to the transmat.  Hope that the Keeper or Koral are there waiting for us.”

Blake nodded. “Fine.”

But no rescue came.  They spent another night in the bluffs, sitting beside the fire again, waiting and hoping.  They examined the flora they had collected, separated what could be used as food or an ingredient and what could not.  Wrist encyclopedias helped them achieve this function.  As handy as the schooling devices were, there was only so much memory it could hold and only so much knowledge it could provide.  That whole day picking, and straight into the night, Chelsea was frightened the monsters would come back—out of all worries, that remained her constant—while Blake complained that the air got chillier at times and smelled saltier.  Whenever she looked down at her wrist, she tried to pull up info about the planet and its meteorological phases, its orbit, and other asymmetries.  Nothing.  No factual data relating to the worlds in the surrounding nebula.  Not even an out-of-place singularity in which she could barter for a clue.  Whenever she tried to be smarter than the device, punch in a successful tag or keyword, she got nothing.  There was absolutely zilch on the tornado creatures—she had figured as much—and nothing even remotely resourceful on the Vendragon.  With its miniature data core, it was pretty much only good for geological referencing: rocks, minerals, botany.  Blake’s was slightly bigger but malfunctioning because he wore his on the hand that got injured. 

In the early morning hours of their fourth day, toting extra satchels of herbs and shrubbery, they set out to walk to the south.  The now longed-for terminus of their dreaming which lay beyond a ridiculous amount of horizons, and an expanse of miles they could not possibly fathom, they walked.  They carried with them spears which they had carved and built by hand: part jagged-edged crystal, part disposable laser cutter.  But even with the lighted, armor-piercing weapons, from all paths the odds were still too overwhelming.  They were not stacked in their favor this day just like the rest; it was a merciful thing they didn’t realize that they had about as much chance of getting to their destination as a soldier ant crossing the cold, terra-formed wastes of New Sedna. 

In the late afternoon they arrived back at the scene of the incident, only along a much higher tract of land; the rover was just over some dry sandy hillocks.  Had they been mindlessly walking in circles? Regardless, Chelsea stood on her tippy toes to look over the rocks.  The moment she saw the monoliths her anxiety level rose again.  Blake began to set aside a couple of water canisters, some wireless provisions, and the weapons they had put together the night before.  Then they approached the edge of the nearest ridge and peeked down.  They lay quietly on their stomachs and just watched.  There were no signs of life, but Chelsea still remarked in a low voice, “We shouldn’t be backtracking let alone stopping here.  Not even briefly.  Those things live here.  I just know it.”

“Oh, come on, sis,” Blake said. “You knew we had to come back this way, and I still think we should go down there and disconnect that touchpad, otherwise look for some kind of communicator.”

“Again, what good will an inoperable router do us?”

“If we get it working it’ll lead us in the right direction.  Duh!”

“Is it worth sacrificing your life for? Oh, you can be so stubborn at times, little one.  Scared one minute yet outwardly brave the next.  No, bro, as your older sister this is where I put my foot down.” She grabbed his wrist with force and, as he pulled away, she fell backwards in the dirt.  His encyclopedia unit detached easily and was now in her hand. “Blake, get back here this instant!” He started running downward along the dust and crystal-lined ridge, handmade spear in tow.  The pulverized vehicle was less than a quarter-mile away. “Blake, please, don’t!” Hesitant to raise her voice any louder, she hurried after him.

Back at the wreckage, the boy stood quietly facing the rover.  A single tear fell from his eye; moments later more followed.  Chelsea finally caught up with him; so did the terrible memories of days past.  Together they turned their attention to the upended vehicle, the broken glass, and the headless driver, whose lanky frame was still sticking a few feet out.  Much of his synthetic tubing was shriveled up, the plastics and operating fluids dried out from prolonged exposure to the heat.  The girl wrinkled her nose, while continuously stealing glances over her shoulder.  Unlike before, the monoliths now interested her.  She wondered what had caused such tall and magnificent bricks to melt from within.

“He ought to be buried,” Blake said.

“Chandler was a machine.”

“Doesn’t matter.  He was still encoded with feelings.  That makes him just as human as us—and he was my friend!” The boy wiped his eyes with his sleeve. “He deserves a funeral.  Even in a place like this.”

“Yes, but how?” The body was too heavy to carry back up the trail, and the ground at the site of the accident happened to be hard. “Listen, if it makes you feel any better, I’ll make a pulley out of what’s left of the truck’s door.  Seems durable enough.” She looked up at the sky. “The suns are currently with us.  It’s that or nothing, kiddo.”

Blake gave a nod of approval.  Then he went to the vehicle to retrieve the touchpad and scavenge for items his sister might have otherwise overlooked or considered worthless.  Afterwards he had to admit reluctantly that she was right: the corpse was heavy.  Panting and straining, they heaved Chandler’s remains onto the top of the blue-tinted door.  In the end, they raised the zyranium stretcher along a ramp and atop a high flat-surfaced boulder.  So flat it resembled a slab in midair.  Once it was clear of the ground, Chelsea crossed her fingers and hoped that the strange alien creatures who walked by wind and shadow wouldn’t mistreat the rest of the body.

The boy didn’t want to chance it. “Burn it,” he said, swallowing hard.

“Are you sure?” Chelsea asked.

“Yeah, I’m sure.”

The girl approached the boulder, leaned up against it, stood on the balls of her feet and raised the spear in her left hand.  The laser cutter at the tip of the weapon worked in conjunction with the lime crystals and ignited Chandler’s dismembered form.  Then she returned to her brother’s side, and together they watched the flames.  A few minutes later she climbed into the back of the rover again and checked the power cells.  The solar reserves were exhausted.  Looking up, however, she noticed a small bulb on one of the contorted operating panels.  A distress beacon—the silent kind.  It was glowing green.  Perhaps Chandler knew the moment they were attacked to throw it on.  Perhaps help was already on the way.  She parted a smile. 

Perhaps there was hope yet.

Outside the boy was packing the router all snug in his satchel.  He deposited its energy cubes in his vest pocket.  Hopefully it could be fixed.  Hopefully he’d be the one to mend it, and, if so, put it to good use later on in their travels.  Then he stared back up at the burning body.  He remembered Chandler’s singsong kindness: the ancient stories of wonder and the furtive bites of jerky and candy that caused intoxicating laughter.  What he did next was partly instinctive, reminiscent of his days aboard the Juniper.  He began to pray and hymn; it was the special prayer which, according to keepers and lonely orphans, would exorcise a new home or planet of its evil spirits and bad elements.  Just like the one that caused Chandler’s death. 

The girl came back and watched her brother.  She felt torn in two; as if half of her was standing dry-eyed beside a spread-open coffin intoning an Earth requiem, while the other half was dancing around gaily and celebrating life.

The boy’s harmonious devotion ebbed and flowed between the smooth cadences of what the Keeper had taught him of religion.  When they were residents of the Juniper, the children had a much simpler name for it.  They called it Faith Class.

Chelsea patted her brother on the shoulder and, giving him as much time alone as he needed, went to inspect the monoliths.  She raised her arm to the first and largest of the great green stones and punched a few buttons on her wrist encyclopedia.  When Blake had finished, he’d gotten off his knees and caught up with her. “What’s up?” he asked.

“Oh, nothing,” she replied without looking back.  Her tone was matter-of-fact.

“Looks like somethin’ to me,” the boy said nosily.

“Just surveying, really.” Chelsea remained unconcerned, but her intuition would have told another story. “See this? According to my cyclopedia this is some form of granite with an igneous outer layer but an internal heating source.” She held her wrist out for her brother to see; Blake shrugged his shoulders. “I’ve never seen anything like it in text cards or disks.”

“You mean like volcanoes?”

“Kind of, I suppose.  Also, these blocks have their own magnetic fields—small, mind you; practically dwarf-sized—but given their geological shape over time they probably act as nothing more than a wind receptor or miniature power conductor.” When she leaned in closer the key drive containing her life essence flipped out of her shirt and clung to the great stone. “See what I mean?”

“Whoa!” The boy was taken aback; he, too, felt the rope around his neck being tugged and pulled. “You think they have somethin’ to do with this planet’s crazy weather system?”

“Maybe.  Magnetic properties are very common among these types of stones: Earth, Mars, Ganymede, Titan, Upsilon, Epsilon, Centauri, Andromeda—they’re all over.  Scientists and colonies from across the stars have proclaimed they even have the ability to metaphysically heal the sick.” The girl was confident she was on to something. “But all the suns and moons in the Cat’s Eye,” she went on, “all the heat generated in Ragnarok’s core couldn’t cause melting of this magnitude.  I just know it.  No, this was a very different kind of combustion.  Or at least something along those lines.  A very powerful force from within, and that force absorbed the special properties these stones give off and used it to burst free.”

“So somethin’ lived inside this big rock, huh?” Blake looked up at the tall stone and rapped the side of it.  He counted twenty more within a few yards of where he was standing.

“Or slept,” Chelsea said. “If you want my opinion, they might even be some kind of age-old resting chamber or husk.”

“The Vendragon?”

“Nah, couldn’t be.”

“Bigger?” The boy’s eyes widened. “Worse?”

“Yes.” Chelsea went back to her wrist and ran another analysis. “And very much alive.”

After she finished scrounging around for more data, she shut the device off and flipped the top panel shut.  She stepped back from the monolith and observed it some more.  For a moment it reminded her of an extraterrestrial Stonehenge, an ancient Earth supposedly known for its magnetic and metaphysical properties.  Then she pretended it was a giant sandstone coffin; the eerie comparison caused a sudden shiver to run up her spine.  She soon realized that anything else than what she’d discovered so far was just a mystery or worthless knowledge.  

Blake was already halfway up the trail. “Come on, sis! We’ve got a lot of walking ahead of us.”

Chelsea eventually caught up. “Oh, here,” she said, going into her knapsack and tossing something his way.

“What’s this?” Blake had never seen anything like it; the interior was paper.

“When I went back I found it in Chandler’s overhead compartment,” she said. “I know how close you were to him.  Thought you might want it.  It’s a book.”

“What’s a book?”

“It’s an antiquity.  The contents are paper.  They don’t make paper anymore.  Not for centuries.”

“What’s an antiquity?”

“Old objects of worth, numbskull.” Chelsea rolled her eyes and laughed. “Books were the things used for entertainment or learning purposes long before touchpads and wrist encyclopedias became necessary.  They were meant for the imagination.”

Blake thumbed through the pages. “It has words in it.”

“So do wrist encyclopedias.”

The front cover read: Lord of the Flies

The boy grinned. “Thanks.  I’ll treasure it with my life.”

He led the way south into the dry wastes and ridges of sand, crystal, and sprinkled garnet.  He didn’t look back, but the girl glanced more than once over her shoulder at the rover and flat-surfaced boulder in the glare of the two suns.  In the hours before the double sunset they covered perhaps twenty miles.  Chelsea was happy with it.  So long as they were far away from the site of the wreckage by the time the primary sun disappeared over the horizon.  That’s all that mattered to her.

They found a good place to camp among a cluster of Yurga stalks which rose like pallid ghosts around a depression.  There, in this quiet place, other washed out trees and herbs were strewn about.  They laid out their provisions, pre-programmed a half-dozen flares and made a giant circle of flames as their fire, then each ate jerky and wuava fruit.  With twilight came the stars—millions of them, literally dotting every section of the colored sky.  Compared to the bluffs, the wastes were beautiful by moonlight—fourteen moons, upon first count—and the children were settling down contentedly in the warmth of the glowing embers.  Here and there the boy went into his satchel and fiddled with the router.  But it was obvious he could not get the touchpad working, no matter how hard he tried.  The girl, on the other hand, sat thinking about the Juniper, and how she too missed the voices of the kids now.  She could hardly believe how far they journeyed.  She could hardly believe they were going into their fifth day on this enormous planet. 

With the flames crackling in all directions, the children heard a metallic clatter in the distance and saw a light inching across the skyline.  It was some time before they realized that it was a rover coming up through the wastes. 

They also shared the most unusual feeling that they were being watched.

The girl’s voice was uncertain. “If we ran quickly, do you think we’d catch it?”

The boy said nothing at first, strangely sniffing the air.  Very carefully he kicked sand and ash over the fires, extinguishing every single glimmer of flame that surrounded them.  His behavior was very weird.  After a time the light moved on in the direction of the bluffs.  Then, finally, he nodded to his sister. “Koral?”

Chelsea, hardly seeable, shrugged her shoulders. “Can’t be sure.” There was a moment of silence as they stared past each other in the darkness. “It’s late,” she whispered. “I really don’t want to take any chances if we don’t have to.  Go ahead.  Make another fire.”

The boy smelled the air again, then ran up the rocky ridge behind him. “Salty,” he said. “I knew it.  Look!” Not one, but two immense fog clouds were moving across the desert fast.  Almost like airborne sandstorms. “Bad weather’s on the way, sis.  Pretty low-cast, too.”

“Smells like methane if you ask me,” Chelsea remarked curiously.  After a while, the stench had become so unbearable she had to pinch her nostrils.

“It’s in the snow that travels over the endless sands,” Blake pointed out, “and the snow falls within the fog.  Never outside it.  Chandler told me all about it.  It’s an atmospheric phe-nom…phe-nom-e…”

“Phenomenon?”

“Yeah, that’s the word!”

“You make that sound as if it’s a good thing.”

“No, it really isn’t.” The boy looked to the plains and darkened horizon. “We need to take cover fast, sis.  Real fast.” His voice was full of worry.

With the helpful glare of one or more moons, Chelsea could notice the same in his eyes. “What if there isn’t enough time? What if we can’t find a cave or some rocks quick enough?” She panicked.

So self-assured, she was, only hours earlier.  So brave and self-confident.  So virtuous and independent at the right moments, yet obviously weak during others. 

She suddenly found herself pressing her hands to the sides of her head—she’d never done something like this in front of her brother—almost sick with discomfort.  She saw the expression on the boy’s face, then her own, only in her mind’s eye, weak, scared, unprotected, and she realized once more that they were just small children, incapable of much, and just how alone they really were.

*

A rather large, muscular, adobe-colored lizard was awakened that same night by what sounded like distant explosions.  From behind the controls of his land scout, the startled iguana with the reddish-brown leather armor and twaddle-speaking tongue realized it was thunder reverberating among the low cumulus that was some hundreds of miles wide.  There was the pitter-patter of rain pellets on the vehicle’s front looking glass and hood.  A break in the drought? Nah, couldn’t be; Ragnarok should only be so lucky this time of year.  All the water in the universe couldn’t fix that recurrent problem, only toss it a band-aid.  Hence the greenhouses, pipelines, and special sprinkler system back at the city.  Fog clouds approaching? Maybe.  It was a more logical bet.  In sandy, mountainous regions like this, a heavy thunderstorm or methane-mixed hail shower could be an isolated occurrence or a signal that a new front was moving in—or yet another unwanted season.  Whichever it was, the lizard was glad he was snug inside his tracker rather than camped out in a dry marsh or deep desert valley where the storm was picking up speed and strength.  As for how bad conditions would get, he’d just have to wait and see.  

TO BE CONTINUED…

Author’s Note: First Draft

M-Brane SF #17, June-July 2010… (Now Available!)

It’s finally summer, folks, and I’m back for what is my third appearance with a weird SF/alternate history tale of sorts to M-BRANE SF.  Edited by Christopher Fletcher, M-Brane Scifi is not just an electronic monthly, a speculative magazine dedicated to the pulps. It’s available in PDF format for  only $1.00 per issue ($12.00 annually); you can download it to your Amazon Kindles and other e-readers.  Christopher Fletcher also provides a daily blog site, complete with news, reviews, and insight on subjects of science fiction and science fact.  Hard SF, Sociological SF, Space Opera, Cyberpunk, Alternate History, authors new and old can all be found at M-BRANE SF. 

M-BRANE SF – Third Appearance – Early Summer 2010

Issue #17 – Edited by Christopher Fletcher

featuring Lawrence R. Dagstine

 

ORDER THE PDF MAGAZINE w. LAWRENCE DAGSTINE – Only $1.00

www.mbranesf.blogspot.com

Issue Line-up: Edd Howarth, Aaron Polson, Lawrence Dagstine, Jason Sizemore, Joe Jablonski, Charles A. Muir, Margaret Karmazin.

Previous Issues available as compilation print mags on LULU (www.lulu.com)

 

 M-Brane SF Issue #9 — October 2009

M-Brane SF – Issue #2 — March 2009

 

Other New Entries: “Magazines” – PDF Downloads

M-Brane Science Fiction, Summer 2010… (3rd Acceptance!)

In about a month or so I’ll be returning for a third time with a weird SF/alternate history tale of sorts to M-BRANE SF.  Edited by Christopher Fletcher, M-Brane Science Fiction is not just a monthly, speculative magazine dedicated to the pulps in PDF format.  It’s also only $1.00 per electronic issue ($12.00 per year), and you can download it to your Amazon Kindles and other digital readers.  Christopher Fletcher provides a daily blog site, complete with hardcore news, reviews, and insight on subjects of science fiction and science fact.  Hard SF, Sociological SF, Cyberpunk, Alternate History, authors new and old can all be found at M-BRANE SF.  A LULU version is also offered, I believe.

M-BRANE SF – Third Acceptance (summer 2010)

COMING SOON – SO STAY TUNED!

www.mbranesf.blogspot.com

Other New Entries: “Magazines”

Free SF Serial: “Orphan’s Prey pt. 1” – by Lawrence Dagstine

Science fiction meets interplanetary horror, in this 30th century survivalist’s fable about two orphans stranded on the most fantastic yet dangerous world, the benefits and perils of alien cultures meeting and clashing, being reunited with the past, and a most unique and dark breed of alien vampire. Lord of the Flies meets the movie Pitch Black meets Living Amongst the Lizards.  Welcome to Ragnarok, the largest planet in the Cat’s Eye Nebula, the largest world in the known universe.  Meet Chelsea and Blake (our protagonists), as we embark on a new bimonthly series of free serialized science fiction.  What are life servers? Who are the Vendragon? What are the Docengard? An adventure awaits you, in the first installment of Orphan’s Prey, here on… Ragnarok! First draft, first run.  A novella in entirety.  Enjoy!

ORPHAN’S PREY

Science Fiction Serial Part One

 by

Lawrence R. Dagstine

The planet was a phenomenon.  A livable, breathable phenomenon.  The jagged-edged terrain lay sedated to immobility by the heat of twin stars by day, and cold methane hails and monstrous storms by night.  From the vehicle looking glass, the land consisted of desert islands in a yellow sand-like mist that stretched to infinity.  The sky was radiant, directly overhead tangerine with purple, and although the air was chill, the primary sun was already beginning to warm the pre-dawn.

“Sometimes on mornings like this,” the driver said, “I pretend that I’m the only artificial intelligence on Ragnarok.  But”—he smiled with sudden brilliance—“I like it better like this, with a few other inhabitants, preferably young and small.  Oh, by the way, I’m Chandler.”

Suddenly, without warning, the overhead transceiver came to life.  A voice was speaking what sounded to Chelsea and Blake like gibberish, and Chandler smiled. “That’s Koral.  He’s a Vendragon.  You know, the people you were told about before coming here? Always erratic, that one.  He takes a little getting used to.” The children listened for a few moments. “The high pressure system—real high—moving hundreds of degrees faster than what you Earthlings are used to, that’s our direction from him and the colony.  We’ve got a fog cloud ahead of us, which is Koral’s way of saying we’ll be surrounded by irregular precipitation and possible danger.  Good old weather lizard that he is.  But we should be safe in here.  This baby stores double-solar oomph, and the alloy is wind-resistant.”

“Oomph? What’s that?” Blake asked.

Chandler nodded up. “The collector panels on the roof.”

“When do we stop?”

Chandler pointed to an overhead visual system. “Here.” He pressed a red circle on the touchpad.  Surrounding it, the lowest of the two suns lighted the mountaintops, glazed them, turning any visible snow to clear pink, accentuating the shadows of the canyons and valleys and whatever else reside beneath. “We want to be here.  You must understand, this planet is very big.  We go through four seasons every run; it takes more than eighteen seasons to get across the entire northern hemisphere.”

Blake dropped his bottom lip in surprise, then looked across at his sister, who had begun nodding off.

“The weather here is fierce and uncanny,” he continued, “but in the center of that brutality is a place filled with great sunshine, grassy knolls, colorful landscapes, and the most awesome valleys you can run and play in.”

“Did you hear that, Chelsea? Maybe things won’t be that bad after all.” The little boy crowed from his metal chair.

Chelsea was tired.  Her gaze was wandering vaguely, and after a few minutes she closed her eyes again as her lips curved in the faintest of smiles.  She found it hard to follow the A.I.’s rambling words about such a magnificent sphere, but there was still something in them which evoked a sense of unease.

Chandler rambled on.  Chelsea sat trying to think coherently, to feel any kind of enthusiasm, but nothing moved in her.  Eventually Blake stopped crooning and fell asleep himself.  Chelsea’s numbed brain began to come to life again, and she realized that what she had learned made no difference to the situation.  They were never returning to Earth.  They were never returning to the orphan ship, Juniper.  Perhaps it was stupid not to realize that it made a frightening difference.  After all, if it had, she might have been better prepared for the web of mystery, terror, and danger that was to entrap them.

By the time they exited the fog cloud it was almost midday.  The only moving thing was the large zyranium-shelled rover, churning in a cocoon of dust along the now weather-beaten track between the desert islands and the terminus from which they were picked up.  Mud and bacteria-bottomed channels filled the marshlike gaps in-between.  In the driver’s seat the A.I. was alert, optimistic, crossing territories and watching for signs of life.  In the back, seated amongst the luggage and other provisions, the children lay dozing, oblivious to their current surroundings.  The eight-year-old—bright, resourceful, full of energy—slept soundly.  Wisps of red hair covered one of his eyes.  As he breathed, a silky strand would fly up in the air and come back down upon his forehead lightly.  Like his sister, his nose turned up slightly at the end, a spray of freckles across it, his mouth thin, the cheeks half-plump and rosy.  His eyes were wide, a deep blue; his sister’s were hazel. 

Fourteen-year-old Chelsea Prittengayle’s facial gestures were more refined, however, more serious.  More brooding.  Other times they were exaggerated: surprise or puzzlement, pleasure or anxiety, the typical moody or unsatisfied-with-anything teenager.  Whatever emotion she felt, her face would either show it much too emphatically or much too hesitantly.  Compared to Blake’s ruddiness, her chin was smaller, the eyes and ears narrower, her body bonier, her tresses and bangs splayed purple and pink at the tips.  She was also more restless, dreaming.

Chelsea dreamed that she was standing again, as she had stood only three days ago, aboard the Juniper, holding her brother tightly by the hand and listening to her Sanctuary Keeper. “It’s a wonderful chance,” the nun figure said, “for you both, and you’ll be able to stay together.  No more foster planets, just a brave new world.  An exciting one.  Ragnarok is one of the biggest out-colony territories in the Cat’s Eye Nebula, and the Vendragon are a fine species.  Matter of fact, it might be the biggest planet in the known universe.  So much room to move around.  I’m sure you’ll be happy there.”

Chelsea faced the floor. “Yes, ma’am,” she said.

“But what if we don’t like it?” Blake stomped his feet and whined. “What if it’s just like the others? I don’t wanna go.  I don’t wanna leave my friends again!”

“Blake, calm down.” His sister knelt beside him. “Really, it’s all right.  You know the drill.”

The Keeper waved a soothing hand. “No, no.  He’s right.  Here”—she picked up two hexagonal-shaped chips from a servicing tray beside her, walked across the grated floor to a processing machine, then inserted them into place—“in the event you grow bored of your new home.” She brought up the two children’s molecular profiles on screen. “Now give me your hands.” She confirmed their print data.

“What are you doing?” Chelsea asked.

“You’ll see.” Seconds later she was finished.  She removed the two chips from the grooves in the console and attached titanium-alloyed ropes to them. “Wear these key drives as necklaces, but whatever you do don’t lose them.  They hold within them an embodiment of your memories, your metaphysical structure, who you are, and what you may eventually become capable of.  They hold your souls, your very essences.  If you are ever in danger, if you are ever bored, you need only crush them into fine grain, and you will cease to exist in this form and be free from a life unwanted.”

Chelsea held hers up in front of her eye; Blake quickly put his around his neck. “So this is us,” she muttered. “Everything about us is in this small chip.”

“The information on it can be accessed from any life server.  But, at the same time, I would be cautious.  It can be tampered with.”

“I still wish we didn’t have to go,” Blake said.

The Keeper nodded in agreement. “It’s a rush, I know.  The funding for your kind isn’t there either.  But the Vendragon want you right away, before the seasons on their side of the planet change again, and a special transport’s coming for you.”

Chelsea picked up her knapsack. “Why do they want us, and yet our own kind doesn’t?”

“Now, now.  That’s a silly way to think.” The Keeper was programmed to be sympathetic, but she realized she could not hold the truth from them. “Foster humans have become an expenditure for a very stressed and careworn Earth.  There are less than twenty-three thousand of you left, all within sanctuary care or already placed in homes many light years away.  Some siblings don’t have the luxury of being housed together.  Hopefully, both of your journeys will finally end here.  You are an asset to these other races because of your youth, your empathic ways.  The knowledge and traits you possess can grow with you.  Creatures like the Vendragon see human children as role models.”

Blake cried. “Oh, Keeper,” he said, running to hug her. “I’m gonna miss you.  An awful lot!”

“And I will miss you, child.” She embraced them as if they were her own.  Then she led both of them down to the craft’s transmat. “Now before you leave, is there anything either of you would like to ask? Anything at all?”

Teary-eyed, Blake stepped back and shifted from foot to foot.  Chelsea, in a voice she hardly recognized as her own, said: “Our parents.  Our real ones.  Suppose they come back from Earth.  How will they find us?”

“My child”—the nun’s voice was gentle—“if your parents are indeed alive, and if they do ever come back, we’ll send a salvage team for you.”

“Promise?”

The Keeper parted a half-smile. “Promise.”

The dream blurred.  The one thing that stood out from the whirlwind of goodbyes with the other children was the nun’s last minute reminder—“Oh, and Chelsea! See that you look after your brother!” Then they were waving from behind the protective glass of the particle disseminator, just one section of missionary freighter which had been their home on and off for five years, since she was nine and Blake three.  The transmat beamed them down to the terminus.  From this steel transfer point the rover waited, then headed out on the extremely long drive to the Vendragon Township via the listless wastes.

 

“Yes, sir.  Ragnarok! No ball in the universe quite like it,” the A.I. boasted. “Lots and lots of room to run and play.” 

At first the children had been in awe of Chandler, the synthetic man who was driving.  He was the planet’s tour guide and taxi driver.  He was built tall and rangy, pleasurable and amusing, and he understood the many wonders of human behavior.  Juvenile behavior.  The only weird thing about him was that his body smelled of coolant. 

After getting to know him, the children were taking turns riding up front, and he was feeding them processed nuts and jerky.  He told them of the great herds of reptilian creatures that once drifted over the plains and the thousand-year-old walking cacti, which kept the Vendragon on the move in a never-ending battle for food and water.  He educated them on the Docengard—the gangling, clumsy predecessors to Ragnarok, and how, for centuries, they lived in the rocks alone, yet the earlier species regarded them as something of mystics.  By the end of the first day’s ride they were best friends, and the children loved the voyage through the tired yellow landscape old as time itself.  They saw spiky clumps of Yurga, a sweet white medicinal herb, smooth sculptured garnet trees, bloated potato patches and vegetated mist swamps, and smoke rings rising gray and black over the lime crystal bluffs.  It was a fantastic environment, one that was full of desolation yet color, different yet utterly surreal; surely gods must have shaped it.  It was all exciting and new, but in the bluffs an incident happened that Chelsea wanted to forget.

On the morning of the second day’s ride, when a breeze was blowing over the blazing desert sands, Chelsea had seen shadowy columns of air circling the vehicle.  The silhouetted tornadoes had no real substance to them, neither any real shape nor form.  At first, the dozen or so that were out there did not scare her.  Matter of fact, she didn’t think much of them.  For a brief moment she took her necklace out of her shirt.  Curiously, she held the key drive up.  Then, after a minute or two, she tucked it back in.  With some extra speed and a waving of hands from Chandler and Blake, they were now setting out on what seemed like the final stages of their journey.  For a while the girl sat very still, her eyes on the Yurga-plastered trail, her lips pressed tightly together.  The rover made a weird humming sound, and it vibrated to the point of nausea. 

At midday, when the children were asleep in the back of the vehicle, Chandler was tempted to pull over for a much-needed recharge, but he knew that if the fog clouds or other storm-ravaging elements returned, it would hold them up and transform the ground into a sea of impassable mud.  So he drove on through the heat, watching for rifts in the trail.  The temperature in the bluffs was well over a hundred degrees.  They were three-quarters of the way through the landscape, one of the deepest desert regions on the planet, made up of miles and miles of sand and crystalline escarpment.  The road, still rugged in some areas, was following a gully down through a crack in the plateau, twisting and turning between grotesque blocks of melted green granite—monolithic play-bricks scattered along a dried up riverbed or marsh.

It happened without warning.  One second they were skirting a boulder half the size of a building, the next, the shadowy tornado came swirling around a bend, a ten-foot column of viciously dark spinning air.  It hit the rover head on, knocked the vehicle into a skid, and smashed it against an outcrop of crystal. “What was that?” Chelsea’s heart rose out of her chest and into her throat. “What’s going on?” Her seatbelt snapped and, as the vehicle upended, she fell back into the luggage, causing two rows of holding canisters to collapse on her head. 

The tornado, seemingly alive, came back for seconds.

“Damn!” Chandler fiddled with the clutch, but it was bent and stuck.  He quickly glanced through the looking glass in front of him. “Such power! Don’t worry, I’ll get you kids out of here.”

Blake was frightened. “It’s one of those big reptile monsters,” he shouted, as one of the large jagged-edged crystals pierced the vehicle’s interior.

“Can’t be, son.  They’re extinct.”

Chelsea managed to pull herself out from under the baggage. “It was the wind,” she muttered, her forehead bleeding slightly. “The black things swirling in the wind caught us.”

Blake huddled up in a corner with his sister. “I wanna go home, Chelsea,” he cried, as the tornado came back for more. “I want the Keeper.  I want my Mommy!”

“Okay, both of you need to calm down.  Just stay in back of the vehicle.  I’ll get you out of here, now—”

The A.I. was shouting some miscellaneous warnings when a large spear-tipped crystal burst through the front looking glass and caught him on the base of the neck and cut off his vocal functions.  Silver paint and white oil splattered everywhere.  The children screamed hysterically, as manufacturing fluid sprayed across their faces and drenched their clothes.  Chandler’s eyes rolled in back of his head.  He lifted a weary hand and grabbed the area where his larynx used to be.  Outside, the tornado stopped moving.  The tall phantom-like creature stood atop the shadier part of the monolith closest to the rover, sniffing the air.  Seconds later it flew off, spun its way back to the paralyzed vehicle, tore through what was left of the front looking glass, and ripped the A.I.’s convulsing head off.  Fleshy upper body connector tubes and other plastics fluttered everywhere, leaking more white oil and fluids.  The tornado extended a claw-shaped appendage and tore out Chandler’s mechanical heart, then attempted to absorb the spraying juices.  Frustrated that the A.I. was not digestible, it gave off an ear-piercing howl, swirled in a backward motion, and disappeared from the rover with Chandler’s head.

Shaking uncontrollably, Chelsea hugged Blake.  She dare not let go, as a few more metal boxes fell.  There followed a significant period of silence; she did not even blink.  After what seemed like many hours, she finally whispered, “Stay still.”

“No, Chelsea.  Don’t!” Blake cried frantically but quietly.

“I’m not going anywhere.  I just want to look.” They continued to talk in short whispers. 

“But, but—”

“Shhh.” Chelsea lifted her head slowly and peeked out from the rover’s backend.  At first, everything looked quiet.  The same barren wastes, the same gargantuan stones, the same lime crystal formations, the same patches of Yurga root sprouting here and there.  But then her eyes moved to the far left.  There it was—the ravenous tornado creature.  It whirled playfully up the gully with Chandler’s head in tow, leaving the crushed rover on its side, its enormous tires spinning slowly to a halt.  Her eyes then focused on the other dozen or so monoliths in back of them.  Her heart leaped again.  Silhouettes with razor-sharp claws—not spinning, not moving—stood atop the shadowy parts of the high ledges.  Hauntingly, each one seemed to stare back at her, right through the vehicle’s shell, right through her very soul; she grabbed her necklace out of force of habit.  They reminded her of vultures, hungry and in wait for their next meal.  After a few more minutes, the dust settled and the suns beat down harder.  The tornado creatures vanished.  Everything was very quiet again. 

“Blake!” The girl’s voice was frightened. “You okay?”

The boy was matter-of-fact. “Uh-huh.  But my left arm is stuck under this darned metal crate.  And I can’t feel my fingers.”

“Anything broken?”

“I…I don’t think so,” Blake said. “What was it, sis?”

Chelsea shrugged her shoulders. “A whirling devil or something, I suppose.” She used her feet to push the heavy box of provisions aside.  Then she eased the other toppled luggage away from his fingers as gently as she could, and he pulled his bruised hand away from the piled up chaos. “Probably native to the region,” she went on, “and we just happened to shortcut through its habitat.”

“Do you think that was the Vendragon?”

“No.  It was something else, something far creepier.  More dangerous.”

“How do you know?” 

“The Keeper showed me learning disks.  The Vendragon have lizardy features, sort of like iguanas.  They’re a scaly, dry-skinned race.  Their bodies don’t give off perspiration like we do because of their arid surroundings and Ragnarok’s two suns.  She also said they’re humanoid in more ways than one, more than we think.  Can we continue this biology lesson elsewhere?”

Blake nodded, then pushed himself against the escape hatch. “It won’t budge,” he said, then looked back at his sister. “I’m scared, Chelsea.”

“Yeah, I know.  Me, too, brother.” She felt the impacted metal. “Let me have a go at it.”

She managed the door open and helped Blake down from the half-crushed vehicle, and they stood gazing at the wreckage.  The headless A.I. was sprawled halfway out of the driver’s seat, his flittering tubes and empty chest open to the hot-winded air. “Man, only a giant could have done this,” Blake said after inspecting the damage. “Poor Chandler.  He was cool.  Maybe we can use the spare power cells stored in the rover to reenergize him or somethin’, help guide us the rest of the way.”

“I don’t think that’s possible,” Chelsea explained.  She kept looking over her shoulder. “And I don’t think we should stay out here any longer than we have to.  It’s going to get dark soon.”

“Surely the Township isn’t too far now, huh, sis?”

“Yeah, surely…” Chelsea retrieved her knapsack and Blake’s in a hurry.  She looked for any lightweight supplies—digital nightspecs, perma-flares, laser cutters or first aid blocks—and pre-processed rations she could find.  Anything that might come in handy, anything that might aid in their survival. “Here, catch!”

Blake walked back to the front of the vehicle.  He didn’t understand much about artificial intelligences.  Even headless, he thought for a moment that Chandler was only injured or out of battery power; then he saw the remnants of fluid seeping from his shoulders, and the peculiar angle of his synthetic shape. “Chandler’s not growing another face, is he?” His eyes opened wide and, like his sister, his fingers moved to the key drive hanging low around his neck. “Does he at least have a soul?”

“Blake,” Chelsea whispered. “Chandler’s gone.”

Some time later they sat on a rocky cliff while the environment turned from yellow and green to a dusk brown and deep tangerine.  Chelsea had decided to get as far away from the wreck as possible, but she never left the trail.  Chandler had been in constant communication with Koral.  A scouting rover, she told herself, was bound to come sooner or later, and for the moment they had plenty of sunshine and plenty of food and water.  Blake was falling asleep; the boy was worn out, and his hand swelled something awful.  Every so often Chelsea got some irrational fear inside of her and steeled herself to kneel beside her brother, listening for a flutter of a heartbeat, making sure that he still had his soul on him.  Only when his body began to rest comfortably did she kiss his forehead and lay down beside him. 

“Mother and Father aren’t here,” she said, running her hand through his flimsy hair. “Neither is the Keeper.  It’s my job to look after you, little brother.”

Without realizing just how many hours of daylight Ragnarok was subject to, Chelsea too closed her eyes the moment her muscles stopped tensing and the tornado creature left her thoughts.  The first sun slid behind the rim of the gully, then eventually dissolved over the bluffs; the sky turned orange, with the occasional streak of red marking their spot in the universe.  Then the second, slightly larger sun disappeared over the tip of the escarpment.  The desert wastes, the misty, bubbly swamps that separated them like islands, and the crystalline plateau vanished under a blanket of purple and black, touched up with a satellite-tinged glow.  A breeze swirled the planet’s dusts and, in the face of the twilight, the girl shivered. 

Chelsea was awakened by the wind’s intensity; the monster from earlier played with her mind once more.  Afraid, she shook her brother out of slumber. “Blake.  Blake, get up.” She glanced around her. “It looks like we’re here for the night… However long that is.”

Blake barely opened one eye. “So?”

“So I think those whirling demons can’t take too much daylight.  When I saw them, they always seemed to stand in very little sun or take to the shadows.”

“Then we’ll build a fire.” Blake was very self-possessed. “You took perma-flares from the rover, didn’t you?” Seconds later, he sat up.

“Yeah, but when was the last time you and I went camping?”

“Titan.” Blake smiled.

“How could you possibly remember that? You were only two.  You mean you actually have a vivid memory of Me, Mom and Dad on our trip to Saturn?”

“Yes.”

Chelsea pinched his cheek.  Then she went into her knapsack and handed him a flare. “Remember how to program a spark, too?”

A short while later the children sat close to the blazing fire, listening to the flip-flap-flip of the two-headed air marmot, the long sad wail of the desert dolphin, and the surreal pitter-patter of marsh insects.  They weren’t exactly frightened of these animals; but the front row seat was a far cry from the virtual zoos and jungles back on Earth.

“You think that wind creature was a pterodactyl?” Blake asked out of the blue. 

Huddled closely around the flames, Chelsea answered, “No, silly.  It definitely wasn’t a pterodactyl.  Pterodactyls are long extinct.  From all worlds.” A moment of silence followed. 

Then the boy began to fidget. “Chelsea, what’s this Ragnarok place really like?” He almost wanted to cry again. “Chandler had told me so much.  What do we do now? How are we gonna survive?”

“I don’t know, Blake.  But I reckon we’ll be OK.  So long as you stay with me at all times.  We must never split up, never lose sight of each other.  Not even for a second.”

The boy fiddled with the key drive around his neck. “If something bad happens to one of us, should we give each other permission now to—um, well, you know—”

“Crush the chips and let our souls go free?” Chelsea grasped her own necklace tightly. “Let’s hope we don’t have to.  And if Mom and Dad are still alive, if they’re still out there somewhere, they wouldn’t want us giving up without a fight.”

The boy picked up a garnet tree branch and stirred the fire. “Maybe if the Vendragon find us, they’ll let us use their life server.”

Chelsea grimaced. “Yeah, sure.  Maybe.”

The boy said, “Remember those smoke rings we saw on the way? You reckon they came from the Township?”

She shook her head. “Vendragons live in the grassier regions—probably further north.  They rely on our knowledge of agriculture.  Supposedly, they thrive off it.”

“Yeah, but couldn’t we still head in that direction? I mean, somethin’ made that smoke.”

“Oh, Blake! It’s much too far.  We should wait for a scouting vessel.” She started to undo the knots in her hair. “Go back to sleep.  I’ll take first watch.  Besides, the distance of these plains are farther than you think.  And who knows what manner of beast created those rings.  For all we know it might be the same kind of creature that attacked us, burning carcasses and picking on flesh.”

The boy went scared and silent.

She hoped she spoke with conviction, but after what they’d been through, it disturbed her to know that her brother’s thoughts had been running so close to hers. 

They settled down by the fire, and before long their breathing grew slower and deeper.  After a while, Chelsea couldn’t stay up any longer.  Eyelids falling, she reached for her brother’s swollen hand.  Normally he’d have snatched it away, but he didn’t now.  A veil of mist drifted over the moons that scattered the night sky, and the children slept.

 

TO BE CONTINUED…

M-Brane SF: Issue #9, October 2009… (Now Available!)

Probably destined to become a semi-prozine down the road with a little bit of funding  — they don’t make Hard SF or genuine SciFi news like this anymore, seriously — and available in an affordable monthly PDF format (12 dollars per year), M-BRANE Science Fiction.  Issue #9, October 2009.  This would be my 2nd appearance with the publication.  They also have a print version available on Lulu for those interested.  My story takes place on Mars fifty years into the future.  They’ve featured such names as Rick Novy, Cat Rambo, Brandon Bell, and Cate Gardner among others.

M-BRANE Science Fiction – Issue #9, October 2009

M-Brane SF - Issue #9, October 2009

M-Brane SF - Issue #9, October 2009

SUBMISSION GUIDELINES – ORDERING INFO:

www.mbranesf.blogspot.com

Issue #9 Fiction Line-up: Eden Robins, Sue Lange, Maura McHugh, Janett Grady, Bill Ward, Bob Brill, Joyce Reynolds-Ward, Fredrick Obermeyer, Jason Earls, Jeff Kozzi, Anna Sykora, Lawrence Dagstine, Mari Kurisato.  Edited by Christopher Fletcher. 

Also available as a LULU print version:

www.lulu.com – Enter M-BRANE SF in Search Box.

*   *   *   *   *

Previous Issues featuring Lawrence R. Dagstine

M-BRANE SF, Issue #2 – Late 2008/Early 2009 

M-Brane SF - Issue #2, Past Editions

M-Brane SF - Issue #2, Past Editions

That main homepage one more time:

www.mbranesf.blogspot.com

Other New Entries: “Magazines”

Lawrence Dagstine: “On the state of Science Fiction…”

…And a few other thoughts.

The following essay pertains to mostly science fiction.  It’s an opinion-based essay and nothing more than that.  These are my views, take it for what it’s worth.  It derives from something Harlan Ellison originally wrote on his Webderland Website a few days ago, a paragraph which can be found here: http://harlanellison.com/home.htm

Harlan Ellison thinks SF is dead.

Harlan Ellison thinks SF is dead.

 He might be right.  Here is what he wrote:

“Literature is dead. Civility is dead. Ethical considerations are dead. Common sense is dead. Dignity, respect, responsibility are dead. It is a cheapshit spur-of-the-moment tawdry and empty-headed congeries of societies, here, there, everywhere. It is a universally cheapjack time in which a steadily more ignorant and venal species has become drunk on notoriety and the scent of Paris Hilton’s thong. Science fiction is dead? You just noticed? You come late to the literature party; the hyenas have long since been attracted to the stench of stupidity; text them for me: bon appetit.”

HARLAN ELLISON / 28 August 2009

Now…

Did you know there are over 100,000 readers of science fiction, fantasy, and horror out there? At the same time, in any given year, there are around 100,000 submitters of genre fiction out there.  Worldwide, that is a rough estimate.  I was surprised to learn from one hobbyist publication that during their quarterly reading periods, they receive anywhere from 300 to 500 manuscripts.  And they only pay 25 bucks.  So the next time you get a publishing credit or get shortlisted for a story slot, give yourself a pat on the back, because getting published in genre fiction nowadays is sort of like trying to win the lottery.  Actually, if you live in New York, it’s probably easier to win the Take Five or one of those Loose Change/Bingo scratch-offs.  Or you could just pay-to-play (many esteemed venues such as F&SF are doing it, even though for years such places advised against it).  That’s code for broke.  Still, there are much more writers than there are magazines (it’s sad), and buying something as simple as a sample issue or two can help a magazine stay alive and keep slots – part-time and full-time jobs for those who struggle – open and afloat.  Then you have the whole e-revolution and how prices just went down on X-BOX 360’s, Nintendo Wii’s, and Playstation 3’s.  Now that makes it a whole lot easier to introduce a new generation to geek-a-ture.

Everybody has a story to tell, but not everybody wants to listen.  People are laughing now at devices like the Kindle, the iPhone, the Sony eReader.  I’m thinking way ahead of that, wondering what will replace those devices in twenty years time. 

Amazing Stories

Amazing Stories

Remember the days of Jack Vance, Frederick Pohl, Philip Jose Farmer, Ray Bradbury, Theodore Sturgeon, A.E. Van Vogt, Fritz Lieber, Frank Herbert, Robert Heinlein, Isaac Asimov, Arthur C. Clarke, and yes, guys like Harlan Ellison? Remember the days of Richard Laymon, Robert McCammon, Hugh B. Cave, Charles L. Grant? Remember female authors such as Vonda McIntyre, Connie Willis, Ursula K. Leguin, and Octavia Butler? And yes, there are some notable British names I’m leaving out, that should be included.  Nowadays Stephenie Meyer is the NEW Stephen King, and I still don’t know what to make of Margaret Atwood all these years later.  Eventually I’ll have an answer.  In 2009 we can’t wait to read about vampire Bill Compton sucking on little Sookie Stackhouse’s titties—yesteryear it was Spike humping Buffy—or tuning in to the next great classics: Fringe (yesteryear it was The X-Files).  Everywhere there are zombies, werewolves, boogeymen or things that go bumpity-bump in the night.  And vampires.  From TV to movies to comic books to graphic novels.  Zombies, werewolves, vampire crossovers.  Zombies, werewolves, vampire subgenres.  It’s kind of like the Measles, but without the vaccine. 

Before all the clichés, before all the contrived storylines and slightly more mainstream pieces with beginnings but no middles and ends… before the slice-of-life vignettes which were supposed to relate to us, our inner demons (grrr!), or be politically daring and poetic to our ears and somehow symbolic, but was actually crappy and confusing rather… You had character-driven stories, plot-driven stories, protagonists you cared about, antagonists you cursed beneath your tongue, and most of all, innovative ideas.  Some of those ideas would eventually become what you see before you today.  Some of it yet to make its debut in society.

FACT: 75% of genre writers will die poor, starving, or rely on insubstantial bank funds as their nest egg.  Most don’t want to believe change is happening, or that evolution is impossible, and that it is going to stay that way.  A vast majority already have one foot in the coffin.  Otherwise, older, former editors and writers are about eight to ten years away from being maggot food regardless.

“Ah ha, Mr. Dagstine! But I have a Limited Edition of 500 copies from such-and-such-a-press in hardcover dustjacket.  It’s science fiction literature at its finest!”

No, trust me.  It isn’t… Paging Adam Roberts, paging Adam Roberts…

There are six-billion human beings on the planet Earth; most are from Asia.  There are more books than there are people.  Out of that 500 Limited Edition run from that Small Press, you might sell 250 to 300.  Perhaps more, and those will be to your colleagues.  It’s a race against time to write and get read (if, even after your death, technology has not evolved yet again and you are preferably read).  The other day I stared at a non-fiction check for $400.00 (Dagstine is my nom de plume for horror and scifi).  Then I looked at a micro-press pub and said I must be holding my prick in my hand.  My advice: take any money you make in this profession and fucking run!

 

Maybe Harlan Ellison is right.  Maybe science fiction is dead.  And maybe horror is just one big keg party where you get to check in but you don’t check out.  Maybe fantasy is for the LARP’ers who refuse to abandon ye’ olde dungeon.  Better yet, maybe we should save ourselves the glum silences and troubles of the clinical depressions that await us twenty, thirty years down the road.  What do you think? Should we start filling  those Zoloft prescriptions a little early?

Lawrence R. Dagstine

P.S.: If you still enjoy what you do, naturally, just go with the flow.  Me, I guess I’ll still keep on submitting, keep on trucking.  After all, what else is there? 

Science Fiction News: “Charles N. Brown, R.I.P…”

He was a man among legends.  He was a man born and raised in Brooklyn.  He was a major influence to many, and as someone whose been practicing the Scifi craft a long time, I’d hoped to one day shake hands with him.  He lived a good life, and he brought us LOCUS Magazine.  At least the last thing he did was the one thing he loved most. He got to see his peers at Readercon…

CHARLES N. BROWN R.I.P.

Founder of LOCUS Magazine

LocusNews

 DETAILS BELOW:

 http://www.locusmag.com/News/2009/07/charles-n-brown-1937-2009.html

My condolences go out to his friends, family, coworkers, peers, and those whose lives he changed in this time of grief… Push on…

Lawrence Dagstine: “Digital Stories Coming Soon…”

It is with great pleasure that I announce a couple of things.   One, now that the writing population is slowly starting to embrace the digital age, this site will not only act as a homepage and plug-page for magazines and upcoming science fiction, fantasy and horror venues, but also be a store.  You will be able to buy and then download short stories, novelettes, and novellas — most brand new, no reprints — from yours truly.  I am open to further freelancing, networking, and marketing with other authors if they too would like to be a part of this store (like trading purchase info links).  I advertise you, you advertise me.  I sell your work, you sell mine.  With that said, stay tuned to this site between now and mostly 2010.  The future may be digital, but it still looks good from where I’m at.

Alas, print is dying...

Alas, print is dying...

This site will also act as the occasional home of the “short story review”, the science fiction media news source and, later down the road, a new and unique kind of cross-marketing, branding-upon-branding, product placement and more.  To be honest, I’m surprised most bigger houses haven’t jumped on  a similar bandwagon yet.  Who knows, maybe it’s because the economy is still shoddy.  It’s what will also hopefully help fund the new venture come 2011.  I’d have to say that 2010 will also see an end to a majority of all print-related periodicals in “genre” featuring my stories in it.  I’ve been informed that 2011 would be a sort of conversion stage.  Or a few months after Kindle 3 comes out and prices on readers drop.  Whichever comes first.  Oh well.  However…

The best part of all this is you will be able to go to places like Mobipocket, Fictionwise, and Amazon.  You will be able to own my works on such reading devices as the Sony eReader, Kindle, Jetbook, iTouch, and so much more.  Matter of fact, my first e-title will be debuting shortly.   So stay tuned to the tab at the top of this page, entitled: “eBooks & Kindle”.

Thank You,

Lawrence R. Dagstine

Edited to Add: Fresh Blood Contest also coming soon…

Doctor Who: Paterson Joseph Replaces Matt Smith…?

No press releases, no nothing…  Everything is all very “hush-hush” since the news regarding the Doctor’s new companion for 2010 (Karen Gillan), who could pass for a younger Professor Riversong might I add.  However, there is nothing to quell these rumors at the moment… Only that Paterson Joseph may have replaced Matt Smith (or maybe the English actor was always in the driver’s seat to begin with).  Then there’s this photograph below.  What is Doctor Who writer Stephen Moffat planning? 

Paterson Joseph

Official BBC Doctor Who Homepage:

http://www.bbc.co.uk/doctorwho/

Supposedly Tennant already filmed the regeneration sequence.  I’ve seen the pics where he’s in a lot of pain, staggering, and a pre-2004 Billie Piper — yes, she returns for the two-part Christmas finale — along with her mother Jackie, bump into the soon-to-regenerate David Tennant.  Tennant encounters Ood Sigma at one point (again!), but it is unknown whether he makes it back to his TARDIS alone or not (according to Russell T. Davies, alone, because back in 2004 Rose Tyler would not have known the Doctor.  It’s said, however, that the ending is both a “surprise” and a real “tearjerker”. 

But how do you explain these sudden rumors of Matt Smith being replaced, and the Paterson Joseph pic? No recent photographs of Smith in his new Time Lord outfit at the very least? Nothing else leaked? Or is the pic above really bogus?

Previous Doctor Who links (related to Matt Smith):

https://lawrencedagstine.com/2009/01/05/doctor-who-matt-smith-is-not-the-eleventh-doctor/

https://lawrencedagstine.com/2009/03/16/doctor-who-series-five-monsters/

 

Lawrence Dagstine: “The Death of Magazines…”

…Or, the BEST BLOG EVAH! This made my day.  But then I think the “smart” folks out there knew this kind of thing was going to happen ages ago.   Next to go is print-on-demand; that’ll take time, and LSI will be like rare relic baseball cards in the age of the MLB steroid scandal — a specialty market.  And a collector’s pastime.  It’s more like the music industry.  Props go out to The Magazine Death Pool.  Credit given where credit is deserved.  Also, to the following comments below.

STARLOG MAGAZINE – R.I.P.

Starlog1

The Magazine Death Pool:

www.magazinedeathpool.com

Science Fiction Linkage:

http://www.magazinedeathpool.com/magazine_death_pool/2009/04/starlog-rip-april-2009.html#comments

Paul Riddell wrote: “I agree that the Internet is one of the reasons why “Starlog”, “Cinefantastique”, “Sci-Fi Universe”, and a plethora of other magazines went under, as their core audiences are generally so cheap that they use both sides of the toilet paper. That cheapness, though, is the real reason. Advertisers weren’t interested in buying ad space because the only response would be from “reviewers” who wanted freebies and from pocket psychotics who wanted to bitch about how they weren’t being hired for their obsessive knowledge of “Star Trek” trivia. On the newsstands, the copies would either be read and then discarded or shoplifted. Oh, and just try to get the cheap bastards to buy a subscription, even if the publisher got the subscriber copies out before the newsstand copies appeared, instead of three weeks to a month later. The only thing more pathetic than the science fiction media magazine market is the science fiction short story magazine market, which is why the few literary science fiction magazines left will probably be making the deadpool within the next year. I have money down on “The Magazine of Fantasy & Science Fiction” being the first casualty of the season.”

Shoplifting is a little pushing it.  To be honest, with advertising aside, my money was on F&SF until about 2011-2012 tops.  I guess time will tell; after all, there are only so many infusions and bailouts.  Many old-school writers and editors who work these publishing ends will most likely be shoveling snow to pay their mortgages and make ends meet.   The Age of Freelancing is here, people, hold on.  We are now our own bosses and our own vacuum cleaner salesmen forever!  Obscurity is going to take on a whole new meaning.  In ten years time, Borders and Waldenbooks will not exist.  Hold on to your royalty checks.  Content-wise, things are about to get bumpier!

Edited to Add: Be sure to also check out the Sept. 08, 2008 entry.

SATIRICA ANTHOLOGY: Nominated for IPPY Award…

Cowboy Logic Press’s 400+ page post-apocalyptic, scifi blockbuster of an anthology, featuring such talented writers as Steven J. Dines, Bill Housley, Jason K. Chapman, Roger Haller, Gary Cuba, Mike Philbin, Lawrence Dagstine, and various others have been nominated for an IPPY award.  Stay tuned and keep your fingers crossed.

Satirica Anthology

Satirica Anthology

 Published by Cowboy Logic Press; Edited by Roy Dudgeon

IPPY AWARD NOMINEE 2009

http://www.cowboylogic.net/CLP_Books.htm

Edited by Roy Dudgeon; published by Roger Haller

Edited by Roy Dudgeon; published by Roger Haller

Also available on AMAZON

and through various book retailers

Satirica Author Ballot

Satirica Author Ballot

In other news, chalk up another six stories.  Two repros and four new diddies.  Some genre, some not.

Other New Entries: “Books & Anthos”

Doctor Who: Series Five Monsters…

New Monsters! It’s about time… Hmm, am I making any sense? I don’t know, I might not make any sense ever again.  Fanboy-ism aside, and as a science fiction writer to boot, I’m here today to declare my love yet again for one of the longest running shows in TV history.  That’s right — Doctor Who! Torchwood would probably come in second or third for me.  And, as we all know, David Tennant regenerates after this year and becomes The Eleventh Doctor.  This role will go to the then 27-year old Matt Smith. 

regeneration_stunt

Now I will admit, at first I wasn’t too keen on the idea of Smith taking over the role; I had fingers crossed for Paterson Joseph, Adrian Lester, or even Colin Salmon.  But I guess it’s only right that we give the boy a chance.  After all, Stephen Moffat is a remarkable writer and it’s as if he were born to lead such a fantastic show.  Also, Matt Smith promises to bring a lot to the role as the Doctor — retracing the 70’s show model, Matt and Stephen? — and you know these newbies, one night they’re nobody, the next they’re a guaranteed success and eating the pie from the Actor’s Guild.  Matt Smith you have my attention.  I will give you a chance, I promise.  But what adversaries will you face? What monsters will you go up against? What surprises does Moffat have in store for us in 2010?

Official BBC Doctor Who Homepage:

http://www.bbc.co.uk/doctorwho/

I know the one monster I don’t want to see anymore is The Daleks — NO MORE! They’ve been done to death.  Russell T. Davies abused them enough, I think.  I love the Cybermen, don’t get me wrong… but please exit right.  And it’s safe to bet that the Sontarans were just a “one-time” gig.   I want monsters that harken back to the Baker years.  Or they should be, at the very least, considered.

matt-smith-doctor-who-1

I have read rumors (and they are only that), that the “Weeping Angels” will be making their return.  I’ve seen The Sea Devils being tossed about the Net.  The Troclafane were mentioned on one “source” forum, but I hope they weren’t serious.  And like the Sea Devils, my money is on the Ice Warriors all the way! I wouldn’t be surprised if they are a major villain in Series Five. 

There are so many monsters that haven’t returned, that should.  I mean, what about the Nimon? These were Minotaur-like monsters who could shoot you down with their horns.  In the insect department, you have the Wirrn, who are most memorable from Baker’s second story, The Ark in Space.   A Horror of Fang Rock-like story involving the Rutans would be kind of interesting.  Or how about using CGI to remake The Gravis and a new sort of Tractator? Perhaps The Zarbi? No, even better, how about the Rani?

nimon

As I get ready for PLANET OF THE DEAD, I wonder what surprises are in store for Matt Smith.  And us… 

What monsters do YOU want to see return to Doctor Who? Would you like to cast a vote?

Come, take a Doctor Who poll with me…

For another Matt Smith/Doctor Who related poll, go here:

https://lawrencedagstine.com/2009/01/05/doctor-who-matt-smith-is-not-the-eleventh-doctor/ 

Like monsters? Then read my latest collection, FRESH BLOOD.  There’s plenty to be had there, in PG-13 color:

https://lawrencedagstine.com/books-anthos/ 

 

Cheers,

Lawrence R. Dagstine