Artist Spotlight: “Interview with Cover Artist-Illustrator Bob Veon…”

If you draw or write in the genre communities, if you are affiliated with comic books and illustration in any shape or form, if you know who Alex McVey, Vincent Chong, and Daniela Siera is, then you probably know who Bob Veon is.  If not, you are missing out on the next big thing in horror and scifi illustration, Ebook and print cover art, as well as mind-blowing graphic design.  Like McVey, Chong and Siera, Bob Veon is currently breaking into the big time.  2012 seems to be his year, and things are only looking up for 2013.  Here is a small press artist that turns your visions into beautiful—or scary, if that’s how you like it—prints.  A man who can turn a canvas or book cover into the next museum masterpiece, or who can bring ideas to the table that probably no other artist of his caliber can.  This freelance master of pencils, ink, paint and Photoshop is also available for hire.  Let it be said that there is nothing this man can’t do.  He is the next award-winning genre artist.  It is not only an honor and a privilege to obtain his services for my own fiction work, but to interview him this very day.  See what inspires him and makes him tick.  You will also see some of his favorite art samples and be able to contact him at the end of the interview should you desire his services.  And now, on with the Q and A…

Robert Veon (a.k.a. Bob) hard at work

Lawrence: Bob, I’m glad you could be here today.  Let’s start from the beginning.  Where did you grow up and go to school?

Bob:  Thanks for having me here!  I grew up in East Palestine, Ohio, and went to high school there.  After, I went to Pittsburgh Technical Institute in Pittsburgh, Pennsylvania where I studied Multimedia and Graphic Design.

Lawrence: What was your childhood like?

Bob:  Probably pretty much the same as any other kid growing up in the 80’s/90’s.  I was always interested in horror movies and books from a very early age and anything else creepy and strange.  I liked to play video games and draw, read comic books.  Pretty typical stuff.

Bob Veon  — pencil, ink, canvas, computer art, etc.

Lawrence: How did you first get into drawing?

Bob:  I liked to draw pretty early on in life.  Ever since I was able to pick up a crayon, I think I’ve been drawing since!  I always liked to come up with strange creatures and places that were different from what you saw in life.  When I was a kid I was always fascinated with drawing skulls and skeletons (no shocker that I still have that fascination).  I remember a tornado going over the apartments we lived in during the mid-80’s and afterward I went into my “tornado drawing phase.” Drawing has always been my place to go to think and look at things.

I always doodled in my notebooks at school and at work.  Probably about 2005 or so I decided to start doing more elaborate work with it.  Trying to make something distinct, original.  I came to this decision that I’d make some stuff that I would like to hang on the walls around me, art that would reflect myself and things I found interesting.  Then a friend of mine suggested that I try doing illustrations for short stories, so I checked around online and Whispers of Wickedness gave me a try.

Lawrence: I used to be a reviewer and contributor for Whispers of Wickedness.  So tell me, what inspires you? For example, certain music and video games set the mood for me.  But they also inspire me, too.

Bob:  I’ve always been drawn to dark and strange themes.  When I draw I tend to put on a lot of music that reflects that, and the two of them, music and drawing, seem to go together great!  I tend to listen to things like Blue Oyster Cult, Black Sabbath, Marilyn Manson.  A lot of Industrial music too, things like Wumpscut, Combichrist, and Dismantled.  That sort of thing.  It really adds an energy to what you’re doing!

Bob Veon’s Comic Book work 1

Bob Veon’s Comic Book work 2

Lawrence: Let’s talk influences.  Everybody has them.  What writers, artists, or filmmakers influenced you and your work?

Bob:  Huge fan of Stephen King’s work – The Dark Tower series is still something I read over and over.  Clive Barker has been a major influence in my life since I first saw Hellraiser and then went on to read his books and get acquainted with his artwork.  He’s great in any medium he works in, as far as I’m concerned.  Besides fiction, I read a lot on paranormal subjects.  The things like alien abduction, UFOs in general; mysterious occurrences, cryptozoology, and conspiracy theories. Books by folks like John Keel and Jim Marrs. There’s a lot of strange things that happen in the world that kind of get brushed aside.  I don’t know what’s more fascinating a lot of times, the stories you hear themselves, or the reactions in the “official world” to them.  As far as art goes, I’ve always been amazed by HR Giger’s work – definitely an original vision there!  Frank Miller’s black and white comic style is definitely something I was impressed by.  Jae Lee is fantastic in that whole positive/negative style too.  I love his attention to minute details.

Bob Veon’s work space

Bob Veon & Lawrence Dagstine project

Lawrence: I love your penciling and inking style the most.  I love how you draw everything by hand first.  But at the same time you’re the kind of guy who can do pencils and inks one day, then jump from canvas to crayon to computer art the next.  What is your favorite medium to work in? Also, what mediums are you experienced in?

Bob:  I’m going to have to say that the medium that seems to be “me” the most is pen and ink drawings.  It’s a pretty fun and worthwhile effort all around to see what you can come up with.  When I first started to get serious with pen and ink drawings I would sit down to a piece of paper with just a pen, no pencils or other starting points, and just start going.  Make a mistake?  Just fold it into what I was doing somehow!  It could get challenging, but at the same time was pretty exciting.  Especially when I pulled off something that looked good!

I also like to paint a lot, but haven’t done much of that in the past year.  It’s always interesting to me how drawing and painting, while essentially very similar in that you are trying to create form, space, and value, defining something two-dimensional to look a certain way, are so very different to do in technique.

As for other mediums, I do stuff with Photoshop, but mainly just for coloring or adding effects.  I don’t do much with it aside from that.  I do a lot with Illustrator which is a really interesting graphic design program with a lot of potential.  When I was in school I worked in some 3D programs but never really got into them like I thought I would.

Mysterious Lady of the Caribbean 1 – Bob Veon

Mysterious Lady of the Caribbean 2

Mysterious Lady of the Caribbean 3

Lawrence: Originality.  It’s definitely something you have.  What is your take on it?

Bob:  Like I said before, I was striving to try to go into places that I hadn’t seen before when I started getting serious with my artwork.  I try to be as original as possible when I’m coming up with things to work on, but I’m sure that you see a lot of the things that influence me in there as well.  I guess that you’ll always have that, though.

Lawrence: Your black and white illustrations would look great on somebody’s back or forearm.  I’m sure they would also make your typical tattoo artist salivate.  Have you ever thought about working alongside a tattoo artist?

Bob:  I have indeed!  Actually, I’ve done tattoo designs for a few people.  My girlfriend actually got one that she asked me to design for her.  I did check out a tattoo shop a few years ago that was looking for apprentices and took in several of my sketchbooks for the owner to look through.  He seemed to be really impressed with what I was doing and said it was very original, which I took as a great compliment!  Unfortunately, due mainly to time and economic reasons, I wasn’t able to go forward with this.

Family Reunion Novella – pencils

Family Reunion Novella – colors

Lawrence: A lot of artists create their own graphic novels or books of their work these days.  They even do it on places like Lulu or CreateSpace.  Have you ever thought about coming out with an art book?

Bob:  I finished up a graphic novel script just last year that I’d love to get moving on.  I started penciling about three pages then got busy with other projects, but would love to get back to it.  I know that it’s going to be a long project, and I think that kind of keeps me reserved on it.

I do have a book of artwork available through Lulu from 2007 called Landscapes of Hell.  It’s still available if anyone’s interested.

(to order Landscapes of Hell: http://www.lulu.com/spotlight/bobveon)

The Paraplegic – pencils

The Paraplegic – colors

Lawrence: Who are some clients, authors or publications you have done artwork for?

Bob:  I started off doing black and white illustrations for Whispers of Wickedness.  They always had some really good stories!  From there I started working with Jason Gaskell on his online magazine Oriental Tales, doing illustrations for the stories people sent in.  Other than that, I was asked to send some original work in for Taj Mahal Review and Harvests of New Millennium.  For a while I hadn’t been doing much illustration and then just this last summer Jason Gaskell got in touch with me about doing illustrations for more of his short fiction for a collection he wanted to put out.

Grim Reaper print (part 1) by Bob Veon

Grim Reaper print (part 2) by Bob Veon

Lawrence: What do you think art is most lacking these days? And why?

Bob:  I try not to get too elitist about art.  It’s usually something you get or you don’t, but the fact that someone created something, took the time out of their life to put the energy in to make something for someone or just for themselves, that’s pretty important and deserves a look.  If I want to get picky about things though, I could say there is too much of a reliance on digital technology to make something look good.  But that would be a stupid thing to say since I do it myself!

Gargoyle-Dragon Creature

In Thrall to the Succubus

Lawrence: Although it’s taken both of us almost a year, what do you think of the “Six Novellas” eBook project? Have you ever done something like this before?

Bob:  It’s been a lot of fun and exciting!  I never know what to expect in the next story I get from you, and that adds to the fun of what I do for them.  Hell, I’d never drawn a pirate ship before and then found myself doing it for Mysterious Lady of the Caribbean!  I’ve never done anything like this before, but would love to do more of it.  It certainly keeps the creative process moving!

Lawrence: If there was an artist or writer you could work beside, living or dead, who would it be? And why?

Bob:  I think it would be pretty fun to work with someone like David Lynch.  He certainly brings a very unique touch to whatever he’s working on.   Really just about anyone I mentioned before as influences would be great fun to work with.  It would be neat to see firsthand how they go about their work.

Death Clock

Dream Within a Dream

Lawrence: Funny how when we first teamed up we learned that we owned the same exact video games, the same exact toys and stickers (Star Wars, Mega Man, Final Fantasy, etc.), and other collectibles as if we had identical childhoods.  Fun Stuff… What do you do for fun? Where do you turn when it’s time to take a break?

Bob:  I know what you mean!  It was pretty wild to find out we pretty much owned the same toys and video games!  Usually for fun I like to play video games.  I’ve been a huge fan of them since the old Nintendo system and haven’t stopped playing since!  Things like Final Fantasy, Metal Gear, Grand Theft Auto, Castlevania – I enjoy them all.  I also like to watch movies and read.  Seems like most of the things I liked to do when I was a kid have pretty much stayed the same!

Nurse by Bob Veon

Secrets of Darkness

Soul-Eating Demon

Lawrence: In twenty years time, where would you like to see yourself?

Bob:  I would love to be able to work on my artwork full time.

Lawrence: If you could be somebody famous in history, who would it be? And why?

Bob:  I don’t know if he’s considered someone famous, but the Count St. Germain.  I just want to know if he was this immortal that he claimed to be or a fake.  Regardless, I’m sure it would be an interesting time!

Scarecrow Piece by Bob Veon

Tarot Reader piece by Bob Veon

The Return by Bob Veon

Lawrence: Favorite comic book superhero and super villain? And why?

Bob:  Oh boy, this is one that’s hard for a comic geek!  If I had to boil it down, I’m going to go with Wolverine for superhero.  Why?  With his powers and unbreakable skeleton he pretty much has no choice but to be this tough little ball of fury taking it to the villains every time they come up!  As for super villain – Herr Starr from the Preacher comics.  He takes villainy to a ridiculously fun level to read!

Lawrence: You know it’s bad for you.  Favorite junk food?

Bob:  I could eat pizza every day if I could, though I don’t consider it a junk food because it contains the four food groups.  See how I justified that?

The Tormentor by Bob Veon

We Can Make You Better

Wicked Forest

Lawrence: Have any advice for aspiring artists who might be reading this?

Bob:  If you want to make artwork just do it. And keep on doing it.  Don’t try to compare what you’re doing with what someone else has done because that’s a very quick way to get discouraged.  Good and bad are arbitrary things in art, and you are your own judge.  The important thing is that you are expressing yourself creatively and hopefully gaining confidence as to just what you’re capable of doing with your abilities.  It takes time and effort, but you will find your own unique style.

Canvas Work 1

Canvas Work 2

Canvas Work 3

Lawrence: Bob, I want to thank you for being here today and wish you the best of luck.  Do you have any last words?

Bob:  Just that I hope everyone likes what we’ve got on the Six Novellas project for next year! It’s been a pretty fun thing to be working on, so I’m hoping everyone gets that sense of fun when they get to read the stories.  Thanks again, Lawrence!

Commissioned cover for Surprising Stories

Need a book cover done? Or maybe a canvas or a graphic novel? Hire Bob Veon now.  Click any of the links below:

Main website:

http://bobveon.webs.com/index.htm

Also check out:

http://fineartamerica.com/profiles/bob-veon.html

http://www.artistrising.com/shop/tags/bob-veon.htm

http://bobveon.deviantart.com/

Or contact Bob Veon directly at:

bobveon@yahoo.com

Artwork Copyright by Bob Veon.  All Rights Reserved. 

Fiction Excerpt: “Vampires in America” – Part 8

Welcome back to the Official Homepage of writer/artist Lawrence R. Dagstine.  Stay tuned here in the future for lots of wonderful free fiction, essays and excerpts, and most of all, digital releases you can download at cheap prices.  Get your Kindles, Nooks, and other eReaders ready.  Below is an installment from Part 8 of a work in progress, entitled: “Vampires in America.”  Historically rich, definitely weird, and what will be an unforgettable adventure in its entirety.

VAMPIRES IN AMERICA

Part 8.  Fiction Excerpt.

 

Bruce turned it into a hard day, bullying and ragging the other vampires.  He made Tom his special target.  Tom took the abuse without any attempt at fighting back.

In Fort Wayne a new locomotive came on, and so did a new crew.  The conductor was a nervous man, small and dumpy, constantly checking his watch.  The engineer, a homely, lanky young man, stood outside the train trading jokes with the fireman.

There were also several new passengers: a bearded preacher, a printer from Peoria, and a fearsome-looking riverboat man named Joe Tide, a burly fellow in a red shirt and yarn suspenders.

Tower wandered out from the lunchroom and came back to the boxcar, where J.C. was sitting in the open door.  He offered her half his sandwich.  She refused him without a word, jumping down and running off to join Samantha at the outdoor pump.

“So when are you going to tell them?” Samantha asked.

“Tell them what?” J.C. said.

“That you’re a female.”

“When I feel like it.  If I feel like it.”

“I’m sure most of them know.  The way they stare at you.”

“Let them think what they want,” J.C. said.

Finally the engineer and the fireman climbed up into the locomotive and the train started.  Some time after ten in the evening the train began to slow down.  The vampires awoke and opened the door to peer out into the dark countryside. “What is it, Miss Simpson?”

“There ain’t no town here, Miss Simpson.  Look.”

The train came to a full stop.  When J.C. and Langley leaned way out the door, they could see lanterns bobbing far down the track.  A man on horseback and a horse-drawn wagon came into view.  Two bearded men got down from the wagon, and the engineer went out to meet them.  The vampires whispered amongst themselves: Were they outlaws? Was it a robbery? Even worse, were they vampire hunters?

The two men walked back to their wagon and returned carrying a pine box about four feet long.  The baggage car door was opened and the box put aboard.  Then the horseman and the wagon rode off.

As the engineer climbed back up into the cab, J.C. suddenly jumped out of the boxcar and dashed toward the baggage car.

“J.C.!” Emily shouted after her. “Get back in here!”

“I want to sleep by myself once.  I’m not hurting anybody, Miss Simpson.” Grabbing the corner of the door, J.C. scrambled up into the car.

The train shuddered, slipped forward, shuddered again.  Emily took a deep breath and leaned against the slats of the boxcar.  She would talk to the vampire again in the morning.

*   *   *

J.C. was alone in the dark baggage car.  It was a little frightening, even for a vampire.  She groped her way through the car and found an old blanket that she folded up to use as a pillow.  She slid several trunks around until she made herself a nest.

As she slipped closer to sleep, her mind began to move back to the afternoon with the actors, their gestures, their bright costumes, their bits of song.  She had been crazy to get up and sing with Drew.  She didn’t want to have anything to do with actors or dancers, with their fake tears and their motioning protests of love.  She was moving west, where there were no theaters or dance halls, no orchestras or ballets, away from her mother’s crying, away from the arguing voices.  The high-hatted men standing in the half-closed door, not letting her mother close that door, not letting J.C. sleep.  J.C. was going away, into some wilderness, where there was stillness.

She woke with a start.  There was a sound in the baggage car, the sound of something moving.  J.C. lay very still.  It wasn’t a rat; no, it was something heavier.

She heard it again.  This time J.C. moved quickly and silently among the trunks.  She knelt beside the pine box that the bearded man brought aboard.  She put her ear to the box.  She heard breathing.

J.C. sat silent for a moment.  There was something alive inside.  Perhaps another vampire? An animal? It made her angry.  It was terrible to nail up an animal like that; there weren’t even any air holes.

She knocked softly on the box.  The sound of breathing stopped.  J.C. knocked again; there was only stillness, the click of the rails beneath her.

J.C. felt along the dirty floor of the car, patting the bags and trunks till her fingertips found the handle of a hoe.  Using the sharp edge as a wedge, J.C. pried under one of the boards.  Finally she pulled the board free and stared into the eyes of a man curled tight inside the box.

“Who are you?” he hissed at her.

J.C. moved back, grabbing the hoe and displaying her fangs. “Who are you?”

The man began to work his way out of the box, squirming painfully.  He was black. “Yo’ one creepy little man.  What side you workin’ fo’?”

J.C. held up the hoe in a swinging position. “I’m not working for any side.”

The man stretched, grimacing as he felt the lower part of his back.  He was almost six feet tall, in overalls, no shoes.  He scrutinized J.C. “You’re just a young vamp, ain’t ya?”

“Anything wrong with that?”

“No.  Just that you should look what you’re doing with that hoe.  You’re likely to bang somebody back of the head.” J.C. lowered the hoe a bit. “What’s your name, vamp?”

“J.C.  What’s yours?”

“My name’s Nester.”

“Where you coming from, Nester?”

“Now, why would you want to know that?”

“No reason,” J.C. said. “Where you going, then?”

Nester sat down on one of the trunks. “Same direction as you, I guess.  I’m going north, to Canada.”

“Nope,” J.C. said, putting down the hoe. “You’re going west.  To Danville.”

Nester frowned. “West? Well, there’s a reason, I know there is.  They’ll put me on another train.  I been on so many trains, you wouldn’t believe it.” He went to the door and peered out into the night. “They wouldn’t be trickin’ me.  Ain’t no way to be runnin’ an underground railroad, though, you gotta say it.”

“So you’re not a vampire yourself?” J.C. asked.

“Heck no.  I’m human as human gets.  Why?”

“Vampires sometimes sleep in coffins.  It’s something I heard once.  Don’t know if it’s true or not.”

Nester looked back at J.C. “I heard the same thing.  But what are you doin’ in here?”

“I got tired of the others,” J.C. said.

“What others is that? Oh, wait—”

“We’re all orphans.  Really nasty vampires made us like this.  You know, turned us.  So they’re giving the young a second chance.  They’re placing us out on farms with human families.  They think it’ll make us better citizens.  But they’re all no-good vampires, and I couldn’t stand ’em anymore.”

“I can see that,” Nester said.  He arched his back, feeling with his hand. “Oww, I got a crick back here.  Anybody in charge of you orphans?”

“There’s a lady in charge of us.”

“Is she human?”

“Unfortunately.” J.C. rolled her eyes.

Nester laughed. “Don’t sound like you like that lady.”

“She’s a little churchy, but she’s all right.  Just that I don’t know that I should trust her.  She says she’s gonna find us homes.  And she doesn’t know, really.”

“If she says she will, she will,” Nester said firmly.

“Oh, come on, you don’t know any more than she does!”

“You believe in her, that’s all I’m sayin’.  That’s the only chance you’ve got, young man.”

The car swayed.  Nester stumbled and then regained his balance. “If we can’t believe in people, we all stuck.  You take me now, J.C.  I made the break to freedom.  But to make it all the way, I need other folks, all kinds, black ones and white ones.  Green ones if I got to.  Folks I never laid eyes on in my life.”

“Hmm,” J.C. said skeptically.

“Only thing I can do is trust, young man, and not be prejudice back.  I been hidin’ in barns, bumpin’ along in wagons with all kinds of octoroons, mulattoes, not knowin’ which way we was headed.  If I can get in a box and have ’em nail me up like I was dead, well, that’s puttin’ yourself in people’s hands.” J.C. looked sour. “You ain’t gonna give up, are you?”

“Did I say I was giving up?”

“You’re gonna find a home, same as me.”

“Mmm,” J.C. said.

Nester draped himself across a pair of trunks. “It’s nice to jus’ stretch out for a little while.”

They both fell silent, the only sound the clicking of the wheels.  An hour could have passed, or even two.  J.C. was almost asleep when she realized that the time between clicks was growing.  The train was slowing down.  She sat upright and looked around wildly.  It was still night.  Nester sat, alert.

“What is it, Nester?”

“I dunno, but I figure I better be cozyin’ down in my box again.  I’m trustin’ you, son, to hammer me back in real good.”

“Sure,” J.C. said, her voice a little frightened.

Nester folded himself back into the box, tucked his head in just as the brakes screamed.  J.C. picked up the loose board with trembling hands.

Nester grinned at her. “It’s okay, son.  You come up to Canada sometime and I’ll take you for a ride on a moose.”

J.C. fitted the board in place.  With the back of the hoe she quickly hammered down the nails.  The train had stopped.  She went to the door and looked out.  There was a group of men on horseback, lanterns at their sides.  One of the men rode down the track, the horse picking its way gingerly.  In the lantern light J.C. saw a badge on the horseman’s chest.

She jumped down, shut the baggage car door behind her, and walked slowly toward the vampire car.  She was greeted with jeers. “Too dark for ya, J.C.?” and “Kinda skeery?” She plopped down on her blanket and said nothing.

The sheriff climbed into the passenger car.  Another of his men poked his head into the vampire car.  He was lean and young, with a big smile. “They tol’ me there was a load of vampire orphans back here and damn if it isn’t true. ‘Scuse my language, miss.”

Emily had pulled her duster around her in her most haughty manner. “May I ask why you’re disturbing us?”

“Oh, we’re just looking through the train, miss.  The sheriff’s received a complaint.  Sorry for waking you up like this.”

The sheriff jumped down from the passenger car, and he and an older deputy walked to the baggage car.  J.C. watched them, holding herself back.  The sheriff stood aside and let his man pull open the baggage car door.  The young deputy noticed J.C. staring back toward the baggage car, and he looked back, too.  There was the sound of breaking wood and then a shout.

J.C. leaped out of the boxcar and ran.  The young deputy stepped in front of the door, his hands held out in warning, but the vampires slipped by him on every side.  Finally he gave up and went loping to the baggage car.

The train’s passengers—human and vampire—gathered in a semi-circle in front of the baggage car.  In the doorway, held by a deputy, was a gaunt black man with a stubble of white beard.  The younger deputy held a crowbar.  Pieces of the shattered pine box lay on the floor behind them.  The sheriff bent down to hand the lanterns to one of the passengers, then jumped to the ground. “Well, that’s it for tonight,” he said. “You can all go back to bed.”

“You can’t take him!” J.C. said.

“What’s that, young feller?”

“Young man’s right,” said Joe Tide, the burly riverboat man, pulling his yarn suspenders. “It’s a free state.”

“That’s right, it’s a free state,” J.C. said. “Isn’t it, Miss Simpson?”

Emily could only stare at the face of the sheriff.

The sheriff answered. “There’s a law, I’m afraid, young man.  It’s called the Fugitive Slave Act.  Any runaway slave that’s caught, free state or not, goes back to his owner.”

The two deputies were trying to get themselves and Nester down from the baggage car without letting go of his arms, and it was about as awkward as a potato-sack race.  They finally all tumbled out, one of the deputies landing on his knees.  J.C. went up to Nester, put her hands on his arms above the deputies’ hands.

The first gray streaks of dawn had appeared on the eastern horizon.  A couple of heads still peered from the windows of the train, but most of the passengers who’d come out to take a look began to drift back toward the passenger car.  Frank Tower and Joe Tide and a few others held their ground.

“Let the man go, Sheriff, what’s it to you?” Tower said.

“The slave people payin’ you off, Sheriff?” It was the fireman.  The engineer tugged on the fireman’s arm, but that wasn’t about to stop the young man. “What’d they give you?”

The sheriff’s face reddened. “You listen to me, you railroad people.  There are laws here, and they apply to everybody.  You, too, Sam,” he said to the engineer. “We’ve been keepin’ our eyes on you.  You run your train through my town, you’re goin’ to abide by those laws.  This here slave is goin’ back.”

J.C. pressed against Nester, staring at the crowd.  No one moved.  Didn’t any of them see? These were the same people who had cried at Uncle Tom’s Cabin, who had applauded when the slaves were freed.  How could they not understand?

J.C. spun and kicked one of the deputies in the shins. “Run, Nester, run,” she shouted.  She pivoted smartly and hit the second deputy in the belly with her fist.  The man bellowed, then let go with a sweeping uppercut, catching J.C. under the right eye.  Suddenly she was down on her back in the dirt.

Tower threw himself at the deputy, the force of his rush tumbling the two of them to the ground.  The sheriff tried to move to help, but Joe Tide stepped up and wrapped his massive arms around the sheriff’s middle, lifting him like a bag of flour, squeezing agonizing groans out of him.  The young deputy pulled his pistol, and, as he did so, the fireman crouched down to pick up the crowbar.  Nester stood stock-still, uncertain whether to run or join the fight.

The engineer grabbed Nester by the arm. “You’re coming with me.” He reached over and slapped his young fireman on the shoulder. “Billy, put that thing down and let’s get the steam up.  We’re movin’ this train out of here.”

The fireman let the crowbar drop, and the three of them raced toward the front of the train.

The young deputy was frantic.  He ducked and darted, gun in hand, afraid to shoot into the tumbling, twisting fighters, and finally, in frustration, fired a shot in the air.  Instead of stopping anyone from fighting, the shot seemed to galvanize the bearded preacher, who picked up the crowbar and started running at the deputy.  The young man dropped his gun and ran down the track with the preacher in hot pursuit.

Emily tried to herd the vampires back toward the boxcar, holding the crying J.C. by one arm.  Tower and the other deputy were on their feet now, their hands at each other’s throats. “You really don’t want to make me angry,” Tower said.

“Oh, yeah? Why’s that?”

“Because I could just tear your head off if I wanted to.”

The train whistle pierced the air.  The engineer leaned out, waved for people to get on board.  The other passengers and the vampires started running for the train.  Tower had his deputy down on the ground again, and Joe Tide, the sheriff grasping in his arms, staggered toward them.  With a great shout, the boatman dumped the sheriff on the deputy and then secured the pile by throwing himself on top of them.  He shouted to Tower, “Go on, get on the train, I got ’em!” Sprawled across the two lawmen, the boatman held them fast.

“Wish I’d thought of that,” Tower said.

The train made a jolt forward.  Down the tracks, the preacher dropped the crowbar and came running.  There was a sprint now for the slow-moving train, Tower in the lead, the preacher behind.  Heads at every window of the train urged the runners onward.  Joe Tide staggered up and started running, too.

Emily and the vampires pulled Tower and then the preacher up into the boxcar.  Joe Tide, slower on his thick boatman’s legs, seemed to be losing ground, with the sheriff and his deputies only paces behind.  The vampires leaned out of the car, exhorting the boatman forward.  Gasping, he summoned up one last burst, caught Tower’s hand, and struggled up.

The train picked up speed.  The young deputy kept gaining; he was running alongside.  When he tried to climb aboard, a kick from the preacher sent him sprawling.  The train, under full steam now, sounded its whistle in triumph.

*   *   *

Inside the boxcar bedlam reigned.  The vampires piled on Tower and Nester and Joe Tide and the preacher, shouting over one another for attention.  Only J.C. sat by herself on a bench, sobbing softly.  It was Emily who first noticed.

“J.C., are you all right? That man didn’t hit you hard, did he?”

J.C. looked up and tried to stifle her sobs, but couldn’t entirely.  Emily’s mirror lay across her legs.  J.C. picked it up and stared into it.  There was no reflection. “I don’t even know what a puffy eye looks like!” she said.

“You can’t be worrying about how it looks, J.C.,” Tower said. “You handled yourself like a real man out there.”

“But I’m not a man!” J.C. sobbed. “I’m a female! A female monster!”

“A what?” Tower said.  Bruce laughed.

“Oh, J.C.!” Emily said.  The vampires all stared at J.C., but she refused to look back at any of them, instead gazing in the mirror and wishing that a reflection of her could have gazed back.

“Now doesn’t that just beat everything, Pledges,” Langley said. “J.C.’s a bloody faker.” Emily quickly hushed them both, and the only sound then was the rocking of the car.

It was Nester who finally spoke, glaring at Langley and Bruce. “You think that’s funny? If she says she’s a female, she’s a female.  This here vampire got me out of the hands of that jailer, so you all leave off gawkin’ at my friend.”

“Come now,” Emily said. “Let’s settle down.  You all need some rest.” The vampires slowly went to their blankets, casting sidelong glances at J.C.

When the train came to a halt again, the prairie was ablaze with a fierce morning sun.  There was not a building in sight.  A number of exhausted passengers stumbled out into the sunlight.  The engineer and Tower and Nester walked a distance from the train.  They stood talking quietly.  The passengers lined up along the car, speculating on the conversation among the three.

Dr. Walcott said, “That engineer’s just loco.  His job is gone once the railroad hears about this, you can bet on that.”

“He’s a brave young man, if you ask me,” said one of the other passengers.

Nester turned and shook hands with Tower and the engineer, then raised his hand toward the train.  J.C. raised her hand in return.  Joe Tide and finally, reluctantly, Dr. Walcott did the same.

Then, as naturally as a man would slip into a pool of water, Nester bent down over the side of a ridge and vanished.

*   *   *

Ten miles east of Danville, a dozen armed horsemen and a couple of wagons were gathered around the water tank.  As the train eased to a stop, a strong-looking man with a mane of wavy white hair hitched up his belt and walked toward the locomotive.  He wore a sheriff’s badge.

The engineer and the fireman climbed down from their cab, eyeing the horsemen.  The sheriff took off his hat and scratched at his wavy white hair. “Hello, Sam,” he said. “We heard there was a little trouble.”

“What kind of trouble?” the engineer said.

“What we got over the telegraph was that there was a slave on the train, and when the sheriff from the county over there tried to take him off, some of you boys got in his way.” The sheriff narrowed his eyes. “Tell me, Sam, you had a slave on this train?”

“Yes, sir.”

“And he’s not on the train now?”

“No, sir.”

“And do you know where he got off?”

“No, sir.”

“Mighty puzzling.” The sheriff turned slowly and faced the passengers crowded together on the steps of the train. “Any of you know where that slave might have got off?”

No one spoke.  Wind rustled the trees down by the stream.

“It’s a mystery, I tell yuh.” The sheriff rubbed his nose. “Sam, I’m afraid you’ll have to be comin’ with us.  If any of the others here were involved, well, that’s none of my business.  They didn’t put it on the telegraph, but I’m going to tell you something, Sam, you can just bless your stars that you got arrested in the right county.”

“What about us, Sheriff?” shouted one of the passengers.

“Folks, I hate to slow down your trip this way, but we’re arrestin’ your engineer.  Anybody that wants to ride into town with us and make other connections is welcome.  Otherwise, sit tight, and they’ll have another crew out here this afternoon.”

Emily decided it was best that she and the vampires would stay with the train.  The other passengers were leery about being stranded out in the country.  All of them except for Frank Tower, Joe Tide, and the preacher elected to take the wagons into Danville.

There was a great flurry of activity as baggage was lugged onto the two wagons.  Joe Tide was fuming, ready to fight this bunch of lawmen, too, but the engineer calmed him down.  They’d gotten a man free, that was the point, and, anyway, if there was going to be a trial, he had a better chance in Danville than a lot of places.

The vampires looked on in awe as the horses and wagons rumbled off.  The engineer waved back, grinning, then pointed across a field, where a quail was flying low, heading for safety.

*   *   *

When the horses and wagons disappeared from view, Bruce spat, then kicked at the ground.  Tower broke the silence. “I’ve never seen such a sad bunch of faces.  If you ask me, you should be proud of yourselves.  There’s a man free somewhere north of here, and maybe he wouldn’t be if it weren’t for you.  You should be proud of this train.”

“So? So what if we are?” Bruce said.

“So maybe you’d like to have your picture taken,” Tower said. “It’ll be my going-away present to all of you.”

The words stuck in Emily’s heart.  She stared at Tower.  He smiled back. “Emily, I want you in the picture, too.”

The vampires’ spirits rose instantly.  They lined up in front of the boxcar, squeezed in when Tower told them to squeeze in.  Eventually they were all as gravely still as anyone could ever want, holding until Tower told them that was it, and then they let out a whoop.

They crowded around the mercury bath, badgering him with questions.  When the plate was mercurated and washed, Tower let the vampires decide on a case.  After a fierce debate, they chose one that had a harp embossed on the outside and purple silk lining inside.  Tower handed the finished daguerreotype to Emily.

They all pressed around.  Didn’t J.C.’s shiner finally show up good now, Langley said.  And wasn’t Langley’s grin weird, like a skunk eating sand, Pledges said.  After they had tossed all the barbs they could think of, they went running off into the woods.

Emily stayed behind.  Tower was busy repacking his equipment.  Emily stood fingering the harp-embossed case.  As she watched him snapping down the legs of his tripod, she felt enormously drawn to him.  There was so little time, she thought, and she was letting it slip away.

Suddenly he turned back to her. “You know what I would like, Miss Simpson? I’d like to take a walk with you, before the new crew shows up.  Just you.  No vampires.  How does that sound?”

There was no mistaking her look.  Her face was shining. “It sounds wonderful, Mr. Tower.”

As Tower leaned his tripod against the passenger car, there was a shout. “Miss Simpson! Look what I brought you!” Samantha ran across the clearing, waving a nosegay she had made out of mullein, stock, and cornhusk twisted with grass.  Pledges was a minute behind her, walking carefully with his hands full.

“Look here, Miss Simpson!” Pledges held up a handful of acorns. “There are lots more.” Pledges suddenly eyed the two of them. “Where are you going?”

“Mr. Tower and I were going for a walk.”

“What for?” Pledges said.

“We thought we’d look for some of those acorns.”

Samantha wrinkled up her nose. “By yourselves?”

“But how can you find the acorns if we’re not along?” Pledges pleaded.

“I don’t think we could,” Tower said, smiling.  He took Samantha’s hand, then put his arm around Emily’s waist. “So I think you two should come with us.”

 End of Part 8.

Free SF Serials: “Orphan’s Prey pt. 2” by Lawrence Dagstine

Lawrence Dagstine’s Bimonthly Serial – Don’t Miss Out! Part One link below:

https://lawrencedagstine.com/2010/04/20/free-sf-serial-orphans-prey-pt-1-by-lawrence-dagstine/

“Vendragons live in the grassier regions—probably further north.  They rely on our knowledge of agriculture.  Supposedly, they thrive off it.”

“Yeah, but couldn’t we still head in that direction? I mean, somethin’ made that smoke.”

“Oh, Blake! It’s much too far.  We should wait for a scouting vessel.” She started to undo the knots in her hair. “Go back to sleep.  I’ll take first watch.  Besides, the distance of these plains are farther than you think.  And who knows what manner of beast created those rings.  For all we know it might be the same kind of creature that attacked us, burning carcasses and picking on flesh.”

The boy went scared and silent.

She hoped she spoke with conviction, but after what they’d been through, it disturbed her to know that her brother’s thoughts had been running so close to hers. 

They settled down by the fire, and before long their breathing grew slower and deeper.  After a while, Chelsea couldn’t stay up any longer.  Eyelids falling, she reached for her brother’s swollen hand.  Normally he’d have snatched it away, but he didn’t now.  A veil of mist drifted over the moons that scattered the night sky, and the children slept…

Orphan’s Prey – Part Two

by Lawrence R. Dagstine

Chelsea woke in the twin lights of dawn and reached for her brother.  He wasn’t there.  She quickly looked around her, then scrambled to her feet. “Blake? Blake! Where are you?” For a terrifying moment she thought he had set off by himself had gone on about those smoke rings and the Vendragon for a good hour.  But then she saw him, a dozen or so yards from where the fire had been, staring out across the desert.  In the faint light, with his red vest and tan khakis, he looked taller and older.

Displeased, Chelsea clenched her hands into fists and plodded over. “Blake Prittengayle! What are you doing?”

He didn’t move but kept staring ahead as if in a trance. “Looks like some abominable wasteland, don’t it,” he said, without looking up at her.

“Abominable?” Chelsea vested a short laugh. “I can’t believe you know what that word means.  Come on.” She led him back to the campsite.  He moved like a tiny sleepwalker, then he started to shiver.  She lowered him to the ground and cradled his head in her lap, just as their mother used to.  After a while his shivering stopped.

“Chandler told me what that word meant,” he muttered under his tongue.

“Did he now?”

“Uh-huh.  Also, the air smells funny.  The weather’s gonna change seasons again soon.  The air is salty, like there’s somethin’ big on the way.  Chandler called it pre-cip… pre-cipi…”

“Precipitation?”

“Yeah, that’s it!”

“Blake, what were you thinking of running off like that?”

He slowly got to his feet. “I don’t wanna live on Ragnarok.  We don’t belong here!” His eyes were serious, then he faced the distant mountains.  He remembered the out-colony stories he had heard at the sanctuary from those who were older, those who had gone walkabout with their siblings or cousins on foreign worlds, only to take part in alien ceremonies or have relatives sacrificed in accordance to them.  One boy, eleven, who he shared bunks with, had returned to the freighter after four months of living on nothing but insects.  A salvage team had found him naked, soiled from head to toe and huddled up in the corner of some old cave in the side of a cliff.  He came back without his twin brother or his two older sisters.  There was no trace of the adopting species, no documentation.  The only thing the boy had to remember them by was a photographic imprint locked into a small handcrafted identification bracelet.

“I don’t wanna end up like Louie,” he finally said.

“Louie?” Chelsea was silent for a moment. “Oh, yeah… Louie Peder.  The other kids used to make fun of him.  They used to call him Stinky, because he never bathed or washed.  But after he came back from that extrasolar rock, after his sisters and brother went missing, he just wasn’t right again.  He stopped talking.  Kids stopped making fun of him.  They stopped bothering with him altogether.”

“Hey, let’s go south! Back to the transmat station, where the Keeper let us down.  Plus the air’s not as salty there.”

“But the freighter is no longer above the planet,” Chelsea tried to explain.

“So, maybe it’ll come back when it finds out what happened to us.  The Keeper has rescued stranded kids before.”

“Blake, there is no way I am going back through those crystalline wastes.  And there is no way I am going to risk both our lives going back near those giant stones in the bluffs.  That’s where we first spotted those monsters.”

“Ahh, Chelsea, please!” The boy practically begged. “We have plenty of daylight to guide us, and lots of rest!”

“And what about your hand? Last I looked your knuckles were almost flattened, all black and blue.”

The boy held his hand up for her to see. “Look! All better.  I don’t even need a bandage.”

She had known it was coming, especially since the talk the night before about the smoke rings and the northern part of the planet. “That terminus could be anywhere from a couple of hundred miles to a whole thousand behind us.  We never kept track.  We were inside the vehicle the whole time.  It took almost three days to get where we are now, and using a durable transport.” A brief pause. “I know you’re not that stupid.  There’s no point in even checking our rations.  We’d surely die of hunger and thirst.”

“No nutrient packs or water?” the boy sulked.

“No nutrient packs, I’m afraid.  And not really enough water, to be honest.”

“We could die of hunger and thirst the other way, too, sis.  Or we could get the rover’s touchpad working again.  Least while it’s still sunny.”

“Idiot! You mean the navigational router? Not even the best mechanic in the Cat’s Eye could get that infernal taxi and its low-tech components to run again.  Don’t you remember what that thing did to it?”

There was a moment of significant silence as the memory flashed back.

The girl braided and unbraided her hair.  She was intelligent—so was the boy when he wanted to be, eager and far beyond his years—but her life as an orphan had done nothing to qualify her to make this sort of decision.  So why would Blake be any different? Deep down she was scared like him, only less easily at times to show it.  All she knew in this strange world was that she had to protect her brother, no matter what the cost. “Okay, suppose,” she said slowly, “we stay here one more night, find some kind of cave or shelter in the vicinity of these hills.  After all, I think I noticed some cliffsides.  We have plenty of flares.  We can find some use from all this Yurga brush.  Give your hand another day to heal, maybe collect some herbs or plantlife and make weapons out of the crystals.  If a scouting vessel doesn’t come by tomorrow morning, then we might as well head back to the transmat.  Hope that the Keeper or Koral are there waiting for us.”

Blake nodded. “Fine.”

But no rescue came.  They spent another night in the bluffs, sitting beside the fire again, waiting and hoping.  They examined the flora they had collected, separated what could be used as food or an ingredient and what could not.  Wrist encyclopedias helped them achieve this function.  As handy as the schooling devices were, there was only so much memory it could hold and only so much knowledge it could provide.  That whole day picking, and straight into the night, Chelsea was frightened the monsters would come back—out of all worries, that remained her constant—while Blake complained that the air got chillier at times and smelled saltier.  Whenever she looked down at her wrist, she tried to pull up info about the planet and its meteorological phases, its orbit, and other asymmetries.  Nothing.  No factual data relating to the worlds in the surrounding nebula.  Not even an out-of-place singularity in which she could barter for a clue.  Whenever she tried to be smarter than the device, punch in a successful tag or keyword, she got nothing.  There was absolutely zilch on the tornado creatures—she had figured as much—and nothing even remotely resourceful on the Vendragon.  With its miniature data core, it was pretty much only good for geological referencing: rocks, minerals, botany.  Blake’s was slightly bigger but malfunctioning because he wore his on the hand that got injured. 

In the early morning hours of their fourth day, toting extra satchels of herbs and shrubbery, they set out to walk to the south.  The now longed-for terminus of their dreaming which lay beyond a ridiculous amount of horizons, and an expanse of miles they could not possibly fathom, they walked.  They carried with them spears which they had carved and built by hand: part jagged-edged crystal, part disposable laser cutter.  But even with the lighted, armor-piercing weapons, from all paths the odds were still too overwhelming.  They were not stacked in their favor this day just like the rest; it was a merciful thing they didn’t realize that they had about as much chance of getting to their destination as a soldier ant crossing the cold, terra-formed wastes of New Sedna. 

In the late afternoon they arrived back at the scene of the incident, only along a much higher tract of land; the rover was just over some dry sandy hillocks.  Had they been mindlessly walking in circles? Regardless, Chelsea stood on her tippy toes to look over the rocks.  The moment she saw the monoliths her anxiety level rose again.  Blake began to set aside a couple of water canisters, some wireless provisions, and the weapons they had put together the night before.  Then they approached the edge of the nearest ridge and peeked down.  They lay quietly on their stomachs and just watched.  There were no signs of life, but Chelsea still remarked in a low voice, “We shouldn’t be backtracking let alone stopping here.  Not even briefly.  Those things live here.  I just know it.”

“Oh, come on, sis,” Blake said. “You knew we had to come back this way, and I still think we should go down there and disconnect that touchpad, otherwise look for some kind of communicator.”

“Again, what good will an inoperable router do us?”

“If we get it working it’ll lead us in the right direction.  Duh!”

“Is it worth sacrificing your life for? Oh, you can be so stubborn at times, little one.  Scared one minute yet outwardly brave the next.  No, bro, as your older sister this is where I put my foot down.” She grabbed his wrist with force and, as he pulled away, she fell backwards in the dirt.  His encyclopedia unit detached easily and was now in her hand. “Blake, get back here this instant!” He started running downward along the dust and crystal-lined ridge, handmade spear in tow.  The pulverized vehicle was less than a quarter-mile away. “Blake, please, don’t!” Hesitant to raise her voice any louder, she hurried after him.

Back at the wreckage, the boy stood quietly facing the rover.  A single tear fell from his eye; moments later more followed.  Chelsea finally caught up with him; so did the terrible memories of days past.  Together they turned their attention to the upended vehicle, the broken glass, and the headless driver, whose lanky frame was still sticking a few feet out.  Much of his synthetic tubing was shriveled up, the plastics and operating fluids dried out from prolonged exposure to the heat.  The girl wrinkled her nose, while continuously stealing glances over her shoulder.  Unlike before, the monoliths now interested her.  She wondered what had caused such tall and magnificent bricks to melt from within.

“He ought to be buried,” Blake said.

“Chandler was a machine.”

“Doesn’t matter.  He was still encoded with feelings.  That makes him just as human as us—and he was my friend!” The boy wiped his eyes with his sleeve. “He deserves a funeral.  Even in a place like this.”

“Yes, but how?” The body was too heavy to carry back up the trail, and the ground at the site of the accident happened to be hard. “Listen, if it makes you feel any better, I’ll make a pulley out of what’s left of the truck’s door.  Seems durable enough.” She looked up at the sky. “The suns are currently with us.  It’s that or nothing, kiddo.”

Blake gave a nod of approval.  Then he went to the vehicle to retrieve the touchpad and scavenge for items his sister might have otherwise overlooked or considered worthless.  Afterwards he had to admit reluctantly that she was right: the corpse was heavy.  Panting and straining, they heaved Chandler’s remains onto the top of the blue-tinted door.  In the end, they raised the zyranium stretcher along a ramp and atop a high flat-surfaced boulder.  So flat it resembled a slab in midair.  Once it was clear of the ground, Chelsea crossed her fingers and hoped that the strange alien creatures who walked by wind and shadow wouldn’t mistreat the rest of the body.

The boy didn’t want to chance it. “Burn it,” he said, swallowing hard.

“Are you sure?” Chelsea asked.

“Yeah, I’m sure.”

The girl approached the boulder, leaned up against it, stood on the balls of her feet and raised the spear in her left hand.  The laser cutter at the tip of the weapon worked in conjunction with the lime crystals and ignited Chandler’s dismembered form.  Then she returned to her brother’s side, and together they watched the flames.  A few minutes later she climbed into the back of the rover again and checked the power cells.  The solar reserves were exhausted.  Looking up, however, she noticed a small bulb on one of the contorted operating panels.  A distress beacon—the silent kind.  It was glowing green.  Perhaps Chandler knew the moment they were attacked to throw it on.  Perhaps help was already on the way.  She parted a smile. 

Perhaps there was hope yet.

Outside the boy was packing the router all snug in his satchel.  He deposited its energy cubes in his vest pocket.  Hopefully it could be fixed.  Hopefully he’d be the one to mend it, and, if so, put it to good use later on in their travels.  Then he stared back up at the burning body.  He remembered Chandler’s singsong kindness: the ancient stories of wonder and the furtive bites of jerky and candy that caused intoxicating laughter.  What he did next was partly instinctive, reminiscent of his days aboard the Juniper.  He began to pray and hymn; it was the special prayer which, according to keepers and lonely orphans, would exorcise a new home or planet of its evil spirits and bad elements.  Just like the one that caused Chandler’s death. 

The girl came back and watched her brother.  She felt torn in two; as if half of her was standing dry-eyed beside a spread-open coffin intoning an Earth requiem, while the other half was dancing around gaily and celebrating life.

The boy’s harmonious devotion ebbed and flowed between the smooth cadences of what the Keeper had taught him of religion.  When they were residents of the Juniper, the children had a much simpler name for it.  They called it Faith Class.

Chelsea patted her brother on the shoulder and, giving him as much time alone as he needed, went to inspect the monoliths.  She raised her arm to the first and largest of the great green stones and punched a few buttons on her wrist encyclopedia.  When Blake had finished, he’d gotten off his knees and caught up with her. “What’s up?” he asked.

“Oh, nothing,” she replied without looking back.  Her tone was matter-of-fact.

“Looks like somethin’ to me,” the boy said nosily.

“Just surveying, really.” Chelsea remained unconcerned, but her intuition would have told another story. “See this? According to my cyclopedia this is some form of granite with an igneous outer layer but an internal heating source.” She held her wrist out for her brother to see; Blake shrugged his shoulders. “I’ve never seen anything like it in text cards or disks.”

“You mean like volcanoes?”

“Kind of, I suppose.  Also, these blocks have their own magnetic fields—small, mind you; practically dwarf-sized—but given their geological shape over time they probably act as nothing more than a wind receptor or miniature power conductor.” When she leaned in closer the key drive containing her life essence flipped out of her shirt and clung to the great stone. “See what I mean?”

“Whoa!” The boy was taken aback; he, too, felt the rope around his neck being tugged and pulled. “You think they have somethin’ to do with this planet’s crazy weather system?”

“Maybe.  Magnetic properties are very common among these types of stones: Earth, Mars, Ganymede, Titan, Upsilon, Epsilon, Centauri, Andromeda—they’re all over.  Scientists and colonies from across the stars have proclaimed they even have the ability to metaphysically heal the sick.” The girl was confident she was on to something. “But all the suns and moons in the Cat’s Eye,” she went on, “all the heat generated in Ragnarok’s core couldn’t cause melting of this magnitude.  I just know it.  No, this was a very different kind of combustion.  Or at least something along those lines.  A very powerful force from within, and that force absorbed the special properties these stones give off and used it to burst free.”

“So somethin’ lived inside this big rock, huh?” Blake looked up at the tall stone and rapped the side of it.  He counted twenty more within a few yards of where he was standing.

“Or slept,” Chelsea said. “If you want my opinion, they might even be some kind of age-old resting chamber or husk.”

“The Vendragon?”

“Nah, couldn’t be.”

“Bigger?” The boy’s eyes widened. “Worse?”

“Yes.” Chelsea went back to her wrist and ran another analysis. “And very much alive.”

After she finished scrounging around for more data, she shut the device off and flipped the top panel shut.  She stepped back from the monolith and observed it some more.  For a moment it reminded her of an extraterrestrial Stonehenge, an ancient Earth supposedly known for its magnetic and metaphysical properties.  Then she pretended it was a giant sandstone coffin; the eerie comparison caused a sudden shiver to run up her spine.  She soon realized that anything else than what she’d discovered so far was just a mystery or worthless knowledge.  

Blake was already halfway up the trail. “Come on, sis! We’ve got a lot of walking ahead of us.”

Chelsea eventually caught up. “Oh, here,” she said, going into her knapsack and tossing something his way.

“What’s this?” Blake had never seen anything like it; the interior was paper.

“When I went back I found it in Chandler’s overhead compartment,” she said. “I know how close you were to him.  Thought you might want it.  It’s a book.”

“What’s a book?”

“It’s an antiquity.  The contents are paper.  They don’t make paper anymore.  Not for centuries.”

“What’s an antiquity?”

“Old objects of worth, numbskull.” Chelsea rolled her eyes and laughed. “Books were the things used for entertainment or learning purposes long before touchpads and wrist encyclopedias became necessary.  They were meant for the imagination.”

Blake thumbed through the pages. “It has words in it.”

“So do wrist encyclopedias.”

The front cover read: Lord of the Flies

The boy grinned. “Thanks.  I’ll treasure it with my life.”

He led the way south into the dry wastes and ridges of sand, crystal, and sprinkled garnet.  He didn’t look back, but the girl glanced more than once over her shoulder at the rover and flat-surfaced boulder in the glare of the two suns.  In the hours before the double sunset they covered perhaps twenty miles.  Chelsea was happy with it.  So long as they were far away from the site of the wreckage by the time the primary sun disappeared over the horizon.  That’s all that mattered to her.

They found a good place to camp among a cluster of Yurga stalks which rose like pallid ghosts around a depression.  There, in this quiet place, other washed out trees and herbs were strewn about.  They laid out their provisions, pre-programmed a half-dozen flares and made a giant circle of flames as their fire, then each ate jerky and wuava fruit.  With twilight came the stars—millions of them, literally dotting every section of the colored sky.  Compared to the bluffs, the wastes were beautiful by moonlight—fourteen moons, upon first count—and the children were settling down contentedly in the warmth of the glowing embers.  Here and there the boy went into his satchel and fiddled with the router.  But it was obvious he could not get the touchpad working, no matter how hard he tried.  The girl, on the other hand, sat thinking about the Juniper, and how she too missed the voices of the kids now.  She could hardly believe how far they journeyed.  She could hardly believe they were going into their fifth day on this enormous planet. 

With the flames crackling in all directions, the children heard a metallic clatter in the distance and saw a light inching across the skyline.  It was some time before they realized that it was a rover coming up through the wastes. 

They also shared the most unusual feeling that they were being watched.

The girl’s voice was uncertain. “If we ran quickly, do you think we’d catch it?”

The boy said nothing at first, strangely sniffing the air.  Very carefully he kicked sand and ash over the fires, extinguishing every single glimmer of flame that surrounded them.  His behavior was very weird.  After a time the light moved on in the direction of the bluffs.  Then, finally, he nodded to his sister. “Koral?”

Chelsea, hardly seeable, shrugged her shoulders. “Can’t be sure.” There was a moment of silence as they stared past each other in the darkness. “It’s late,” she whispered. “I really don’t want to take any chances if we don’t have to.  Go ahead.  Make another fire.”

The boy smelled the air again, then ran up the rocky ridge behind him. “Salty,” he said. “I knew it.  Look!” Not one, but two immense fog clouds were moving across the desert fast.  Almost like airborne sandstorms. “Bad weather’s on the way, sis.  Pretty low-cast, too.”

“Smells like methane if you ask me,” Chelsea remarked curiously.  After a while, the stench had become so unbearable she had to pinch her nostrils.

“It’s in the snow that travels over the endless sands,” Blake pointed out, “and the snow falls within the fog.  Never outside it.  Chandler told me all about it.  It’s an atmospheric phe-nom…phe-nom-e…”

“Phenomenon?”

“Yeah, that’s the word!”

“You make that sound as if it’s a good thing.”

“No, it really isn’t.” The boy looked to the plains and darkened horizon. “We need to take cover fast, sis.  Real fast.” His voice was full of worry.

With the helpful glare of one or more moons, Chelsea could notice the same in his eyes. “What if there isn’t enough time? What if we can’t find a cave or some rocks quick enough?” She panicked.

So self-assured, she was, only hours earlier.  So brave and self-confident.  So virtuous and independent at the right moments, yet obviously weak during others. 

She suddenly found herself pressing her hands to the sides of her head—she’d never done something like this in front of her brother—almost sick with discomfort.  She saw the expression on the boy’s face, then her own, only in her mind’s eye, weak, scared, unprotected, and she realized once more that they were just small children, incapable of much, and just how alone they really were.

*

A rather large, muscular, adobe-colored lizard was awakened that same night by what sounded like distant explosions.  From behind the controls of his land scout, the startled iguana with the reddish-brown leather armor and twaddle-speaking tongue realized it was thunder reverberating among the low cumulus that was some hundreds of miles wide.  There was the pitter-patter of rain pellets on the vehicle’s front looking glass and hood.  A break in the drought? Nah, couldn’t be; Ragnarok should only be so lucky this time of year.  All the water in the universe couldn’t fix that recurrent problem, only toss it a band-aid.  Hence the greenhouses, pipelines, and special sprinkler system back at the city.  Fog clouds approaching? Maybe.  It was a more logical bet.  In sandy, mountainous regions like this, a heavy thunderstorm or methane-mixed hail shower could be an isolated occurrence or a signal that a new front was moving in—or yet another unwanted season.  Whichever it was, the lizard was glad he was snug inside his tracker rather than camped out in a dry marsh or deep desert valley where the storm was picking up speed and strength.  As for how bad conditions would get, he’d just have to wait and see.  

TO BE CONTINUED…

Author’s Note: First Draft

Free SF Serial: “Orphan’s Prey pt. 1” – by Lawrence Dagstine

Science fiction meets interplanetary horror, in this 30th century survivalist’s fable about two orphans stranded on the most fantastic yet dangerous world, the benefits and perils of alien cultures meeting and clashing, being reunited with the past, and a most unique and dark breed of alien vampire. Lord of the Flies meets the movie Pitch Black meets Living Amongst the Lizards.  Welcome to Ragnarok, the largest planet in the Cat’s Eye Nebula, the largest world in the known universe.  Meet Chelsea and Blake (our protagonists), as we embark on a new bimonthly series of free serialized science fiction.  What are life servers? Who are the Vendragon? What are the Docengard? An adventure awaits you, in the first installment of Orphan’s Prey, here on… Ragnarok! First draft, first run.  A novella in entirety.  Enjoy!

ORPHAN’S PREY

Science Fiction Serial Part One

 by

Lawrence R. Dagstine

The planet was a phenomenon.  A livable, breathable phenomenon.  The jagged-edged terrain lay sedated to immobility by the heat of twin stars by day, and cold methane hails and monstrous storms by night.  From the vehicle looking glass, the land consisted of desert islands in a yellow sand-like mist that stretched to infinity.  The sky was radiant, directly overhead tangerine with purple, and although the air was chill, the primary sun was already beginning to warm the pre-dawn.

“Sometimes on mornings like this,” the driver said, “I pretend that I’m the only artificial intelligence on Ragnarok.  But”—he smiled with sudden brilliance—“I like it better like this, with a few other inhabitants, preferably young and small.  Oh, by the way, I’m Chandler.”

Suddenly, without warning, the overhead transceiver came to life.  A voice was speaking what sounded to Chelsea and Blake like gibberish, and Chandler smiled. “That’s Koral.  He’s a Vendragon.  You know, the people you were told about before coming here? Always erratic, that one.  He takes a little getting used to.” The children listened for a few moments. “The high pressure system—real high—moving hundreds of degrees faster than what you Earthlings are used to, that’s our direction from him and the colony.  We’ve got a fog cloud ahead of us, which is Koral’s way of saying we’ll be surrounded by irregular precipitation and possible danger.  Good old weather lizard that he is.  But we should be safe in here.  This baby stores double-solar oomph, and the alloy is wind-resistant.”

“Oomph? What’s that?” Blake asked.

Chandler nodded up. “The collector panels on the roof.”

“When do we stop?”

Chandler pointed to an overhead visual system. “Here.” He pressed a red circle on the touchpad.  Surrounding it, the lowest of the two suns lighted the mountaintops, glazed them, turning any visible snow to clear pink, accentuating the shadows of the canyons and valleys and whatever else reside beneath. “We want to be here.  You must understand, this planet is very big.  We go through four seasons every run; it takes more than eighteen seasons to get across the entire northern hemisphere.”

Blake dropped his bottom lip in surprise, then looked across at his sister, who had begun nodding off.

“The weather here is fierce and uncanny,” he continued, “but in the center of that brutality is a place filled with great sunshine, grassy knolls, colorful landscapes, and the most awesome valleys you can run and play in.”

“Did you hear that, Chelsea? Maybe things won’t be that bad after all.” The little boy crowed from his metal chair.

Chelsea was tired.  Her gaze was wandering vaguely, and after a few minutes she closed her eyes again as her lips curved in the faintest of smiles.  She found it hard to follow the A.I.’s rambling words about such a magnificent sphere, but there was still something in them which evoked a sense of unease.

Chandler rambled on.  Chelsea sat trying to think coherently, to feel any kind of enthusiasm, but nothing moved in her.  Eventually Blake stopped crooning and fell asleep himself.  Chelsea’s numbed brain began to come to life again, and she realized that what she had learned made no difference to the situation.  They were never returning to Earth.  They were never returning to the orphan ship, Juniper.  Perhaps it was stupid not to realize that it made a frightening difference.  After all, if it had, she might have been better prepared for the web of mystery, terror, and danger that was to entrap them.

By the time they exited the fog cloud it was almost midday.  The only moving thing was the large zyranium-shelled rover, churning in a cocoon of dust along the now weather-beaten track between the desert islands and the terminus from which they were picked up.  Mud and bacteria-bottomed channels filled the marshlike gaps in-between.  In the driver’s seat the A.I. was alert, optimistic, crossing territories and watching for signs of life.  In the back, seated amongst the luggage and other provisions, the children lay dozing, oblivious to their current surroundings.  The eight-year-old—bright, resourceful, full of energy—slept soundly.  Wisps of red hair covered one of his eyes.  As he breathed, a silky strand would fly up in the air and come back down upon his forehead lightly.  Like his sister, his nose turned up slightly at the end, a spray of freckles across it, his mouth thin, the cheeks half-plump and rosy.  His eyes were wide, a deep blue; his sister’s were hazel. 

Fourteen-year-old Chelsea Prittengayle’s facial gestures were more refined, however, more serious.  More brooding.  Other times they were exaggerated: surprise or puzzlement, pleasure or anxiety, the typical moody or unsatisfied-with-anything teenager.  Whatever emotion she felt, her face would either show it much too emphatically or much too hesitantly.  Compared to Blake’s ruddiness, her chin was smaller, the eyes and ears narrower, her body bonier, her tresses and bangs splayed purple and pink at the tips.  She was also more restless, dreaming.

Chelsea dreamed that she was standing again, as she had stood only three days ago, aboard the Juniper, holding her brother tightly by the hand and listening to her Sanctuary Keeper. “It’s a wonderful chance,” the nun figure said, “for you both, and you’ll be able to stay together.  No more foster planets, just a brave new world.  An exciting one.  Ragnarok is one of the biggest out-colony territories in the Cat’s Eye Nebula, and the Vendragon are a fine species.  Matter of fact, it might be the biggest planet in the known universe.  So much room to move around.  I’m sure you’ll be happy there.”

Chelsea faced the floor. “Yes, ma’am,” she said.

“But what if we don’t like it?” Blake stomped his feet and whined. “What if it’s just like the others? I don’t wanna go.  I don’t wanna leave my friends again!”

“Blake, calm down.” His sister knelt beside him. “Really, it’s all right.  You know the drill.”

The Keeper waved a soothing hand. “No, no.  He’s right.  Here”—she picked up two hexagonal-shaped chips from a servicing tray beside her, walked across the grated floor to a processing machine, then inserted them into place—“in the event you grow bored of your new home.” She brought up the two children’s molecular profiles on screen. “Now give me your hands.” She confirmed their print data.

“What are you doing?” Chelsea asked.

“You’ll see.” Seconds later she was finished.  She removed the two chips from the grooves in the console and attached titanium-alloyed ropes to them. “Wear these key drives as necklaces, but whatever you do don’t lose them.  They hold within them an embodiment of your memories, your metaphysical structure, who you are, and what you may eventually become capable of.  They hold your souls, your very essences.  If you are ever in danger, if you are ever bored, you need only crush them into fine grain, and you will cease to exist in this form and be free from a life unwanted.”

Chelsea held hers up in front of her eye; Blake quickly put his around his neck. “So this is us,” she muttered. “Everything about us is in this small chip.”

“The information on it can be accessed from any life server.  But, at the same time, I would be cautious.  It can be tampered with.”

“I still wish we didn’t have to go,” Blake said.

The Keeper nodded in agreement. “It’s a rush, I know.  The funding for your kind isn’t there either.  But the Vendragon want you right away, before the seasons on their side of the planet change again, and a special transport’s coming for you.”

Chelsea picked up her knapsack. “Why do they want us, and yet our own kind doesn’t?”

“Now, now.  That’s a silly way to think.” The Keeper was programmed to be sympathetic, but she realized she could not hold the truth from them. “Foster humans have become an expenditure for a very stressed and careworn Earth.  There are less than twenty-three thousand of you left, all within sanctuary care or already placed in homes many light years away.  Some siblings don’t have the luxury of being housed together.  Hopefully, both of your journeys will finally end here.  You are an asset to these other races because of your youth, your empathic ways.  The knowledge and traits you possess can grow with you.  Creatures like the Vendragon see human children as role models.”

Blake cried. “Oh, Keeper,” he said, running to hug her. “I’m gonna miss you.  An awful lot!”

“And I will miss you, child.” She embraced them as if they were her own.  Then she led both of them down to the craft’s transmat. “Now before you leave, is there anything either of you would like to ask? Anything at all?”

Teary-eyed, Blake stepped back and shifted from foot to foot.  Chelsea, in a voice she hardly recognized as her own, said: “Our parents.  Our real ones.  Suppose they come back from Earth.  How will they find us?”

“My child”—the nun’s voice was gentle—“if your parents are indeed alive, and if they do ever come back, we’ll send a salvage team for you.”

“Promise?”

The Keeper parted a half-smile. “Promise.”

The dream blurred.  The one thing that stood out from the whirlwind of goodbyes with the other children was the nun’s last minute reminder—“Oh, and Chelsea! See that you look after your brother!” Then they were waving from behind the protective glass of the particle disseminator, just one section of missionary freighter which had been their home on and off for five years, since she was nine and Blake three.  The transmat beamed them down to the terminus.  From this steel transfer point the rover waited, then headed out on the extremely long drive to the Vendragon Township via the listless wastes.

 

“Yes, sir.  Ragnarok! No ball in the universe quite like it,” the A.I. boasted. “Lots and lots of room to run and play.” 

At first the children had been in awe of Chandler, the synthetic man who was driving.  He was the planet’s tour guide and taxi driver.  He was built tall and rangy, pleasurable and amusing, and he understood the many wonders of human behavior.  Juvenile behavior.  The only weird thing about him was that his body smelled of coolant. 

After getting to know him, the children were taking turns riding up front, and he was feeding them processed nuts and jerky.  He told them of the great herds of reptilian creatures that once drifted over the plains and the thousand-year-old walking cacti, which kept the Vendragon on the move in a never-ending battle for food and water.  He educated them on the Docengard—the gangling, clumsy predecessors to Ragnarok, and how, for centuries, they lived in the rocks alone, yet the earlier species regarded them as something of mystics.  By the end of the first day’s ride they were best friends, and the children loved the voyage through the tired yellow landscape old as time itself.  They saw spiky clumps of Yurga, a sweet white medicinal herb, smooth sculptured garnet trees, bloated potato patches and vegetated mist swamps, and smoke rings rising gray and black over the lime crystal bluffs.  It was a fantastic environment, one that was full of desolation yet color, different yet utterly surreal; surely gods must have shaped it.  It was all exciting and new, but in the bluffs an incident happened that Chelsea wanted to forget.

On the morning of the second day’s ride, when a breeze was blowing over the blazing desert sands, Chelsea had seen shadowy columns of air circling the vehicle.  The silhouetted tornadoes had no real substance to them, neither any real shape nor form.  At first, the dozen or so that were out there did not scare her.  Matter of fact, she didn’t think much of them.  For a brief moment she took her necklace out of her shirt.  Curiously, she held the key drive up.  Then, after a minute or two, she tucked it back in.  With some extra speed and a waving of hands from Chandler and Blake, they were now setting out on what seemed like the final stages of their journey.  For a while the girl sat very still, her eyes on the Yurga-plastered trail, her lips pressed tightly together.  The rover made a weird humming sound, and it vibrated to the point of nausea. 

At midday, when the children were asleep in the back of the vehicle, Chandler was tempted to pull over for a much-needed recharge, but he knew that if the fog clouds or other storm-ravaging elements returned, it would hold them up and transform the ground into a sea of impassable mud.  So he drove on through the heat, watching for rifts in the trail.  The temperature in the bluffs was well over a hundred degrees.  They were three-quarters of the way through the landscape, one of the deepest desert regions on the planet, made up of miles and miles of sand and crystalline escarpment.  The road, still rugged in some areas, was following a gully down through a crack in the plateau, twisting and turning between grotesque blocks of melted green granite—monolithic play-bricks scattered along a dried up riverbed or marsh.

It happened without warning.  One second they were skirting a boulder half the size of a building, the next, the shadowy tornado came swirling around a bend, a ten-foot column of viciously dark spinning air.  It hit the rover head on, knocked the vehicle into a skid, and smashed it against an outcrop of crystal. “What was that?” Chelsea’s heart rose out of her chest and into her throat. “What’s going on?” Her seatbelt snapped and, as the vehicle upended, she fell back into the luggage, causing two rows of holding canisters to collapse on her head. 

The tornado, seemingly alive, came back for seconds.

“Damn!” Chandler fiddled with the clutch, but it was bent and stuck.  He quickly glanced through the looking glass in front of him. “Such power! Don’t worry, I’ll get you kids out of here.”

Blake was frightened. “It’s one of those big reptile monsters,” he shouted, as one of the large jagged-edged crystals pierced the vehicle’s interior.

“Can’t be, son.  They’re extinct.”

Chelsea managed to pull herself out from under the baggage. “It was the wind,” she muttered, her forehead bleeding slightly. “The black things swirling in the wind caught us.”

Blake huddled up in a corner with his sister. “I wanna go home, Chelsea,” he cried, as the tornado came back for more. “I want the Keeper.  I want my Mommy!”

“Okay, both of you need to calm down.  Just stay in back of the vehicle.  I’ll get you out of here, now—”

The A.I. was shouting some miscellaneous warnings when a large spear-tipped crystal burst through the front looking glass and caught him on the base of the neck and cut off his vocal functions.  Silver paint and white oil splattered everywhere.  The children screamed hysterically, as manufacturing fluid sprayed across their faces and drenched their clothes.  Chandler’s eyes rolled in back of his head.  He lifted a weary hand and grabbed the area where his larynx used to be.  Outside, the tornado stopped moving.  The tall phantom-like creature stood atop the shadier part of the monolith closest to the rover, sniffing the air.  Seconds later it flew off, spun its way back to the paralyzed vehicle, tore through what was left of the front looking glass, and ripped the A.I.’s convulsing head off.  Fleshy upper body connector tubes and other plastics fluttered everywhere, leaking more white oil and fluids.  The tornado extended a claw-shaped appendage and tore out Chandler’s mechanical heart, then attempted to absorb the spraying juices.  Frustrated that the A.I. was not digestible, it gave off an ear-piercing howl, swirled in a backward motion, and disappeared from the rover with Chandler’s head.

Shaking uncontrollably, Chelsea hugged Blake.  She dare not let go, as a few more metal boxes fell.  There followed a significant period of silence; she did not even blink.  After what seemed like many hours, she finally whispered, “Stay still.”

“No, Chelsea.  Don’t!” Blake cried frantically but quietly.

“I’m not going anywhere.  I just want to look.” They continued to talk in short whispers. 

“But, but—”

“Shhh.” Chelsea lifted her head slowly and peeked out from the rover’s backend.  At first, everything looked quiet.  The same barren wastes, the same gargantuan stones, the same lime crystal formations, the same patches of Yurga root sprouting here and there.  But then her eyes moved to the far left.  There it was—the ravenous tornado creature.  It whirled playfully up the gully with Chandler’s head in tow, leaving the crushed rover on its side, its enormous tires spinning slowly to a halt.  Her eyes then focused on the other dozen or so monoliths in back of them.  Her heart leaped again.  Silhouettes with razor-sharp claws—not spinning, not moving—stood atop the shadowy parts of the high ledges.  Hauntingly, each one seemed to stare back at her, right through the vehicle’s shell, right through her very soul; she grabbed her necklace out of force of habit.  They reminded her of vultures, hungry and in wait for their next meal.  After a few more minutes, the dust settled and the suns beat down harder.  The tornado creatures vanished.  Everything was very quiet again. 

“Blake!” The girl’s voice was frightened. “You okay?”

The boy was matter-of-fact. “Uh-huh.  But my left arm is stuck under this darned metal crate.  And I can’t feel my fingers.”

“Anything broken?”

“I…I don’t think so,” Blake said. “What was it, sis?”

Chelsea shrugged her shoulders. “A whirling devil or something, I suppose.” She used her feet to push the heavy box of provisions aside.  Then she eased the other toppled luggage away from his fingers as gently as she could, and he pulled his bruised hand away from the piled up chaos. “Probably native to the region,” she went on, “and we just happened to shortcut through its habitat.”

“Do you think that was the Vendragon?”

“No.  It was something else, something far creepier.  More dangerous.”

“How do you know?” 

“The Keeper showed me learning disks.  The Vendragon have lizardy features, sort of like iguanas.  They’re a scaly, dry-skinned race.  Their bodies don’t give off perspiration like we do because of their arid surroundings and Ragnarok’s two suns.  She also said they’re humanoid in more ways than one, more than we think.  Can we continue this biology lesson elsewhere?”

Blake nodded, then pushed himself against the escape hatch. “It won’t budge,” he said, then looked back at his sister. “I’m scared, Chelsea.”

“Yeah, I know.  Me, too, brother.” She felt the impacted metal. “Let me have a go at it.”

She managed the door open and helped Blake down from the half-crushed vehicle, and they stood gazing at the wreckage.  The headless A.I. was sprawled halfway out of the driver’s seat, his flittering tubes and empty chest open to the hot-winded air. “Man, only a giant could have done this,” Blake said after inspecting the damage. “Poor Chandler.  He was cool.  Maybe we can use the spare power cells stored in the rover to reenergize him or somethin’, help guide us the rest of the way.”

“I don’t think that’s possible,” Chelsea explained.  She kept looking over her shoulder. “And I don’t think we should stay out here any longer than we have to.  It’s going to get dark soon.”

“Surely the Township isn’t too far now, huh, sis?”

“Yeah, surely…” Chelsea retrieved her knapsack and Blake’s in a hurry.  She looked for any lightweight supplies—digital nightspecs, perma-flares, laser cutters or first aid blocks—and pre-processed rations she could find.  Anything that might come in handy, anything that might aid in their survival. “Here, catch!”

Blake walked back to the front of the vehicle.  He didn’t understand much about artificial intelligences.  Even headless, he thought for a moment that Chandler was only injured or out of battery power; then he saw the remnants of fluid seeping from his shoulders, and the peculiar angle of his synthetic shape. “Chandler’s not growing another face, is he?” His eyes opened wide and, like his sister, his fingers moved to the key drive hanging low around his neck. “Does he at least have a soul?”

“Blake,” Chelsea whispered. “Chandler’s gone.”

Some time later they sat on a rocky cliff while the environment turned from yellow and green to a dusk brown and deep tangerine.  Chelsea had decided to get as far away from the wreck as possible, but she never left the trail.  Chandler had been in constant communication with Koral.  A scouting rover, she told herself, was bound to come sooner or later, and for the moment they had plenty of sunshine and plenty of food and water.  Blake was falling asleep; the boy was worn out, and his hand swelled something awful.  Every so often Chelsea got some irrational fear inside of her and steeled herself to kneel beside her brother, listening for a flutter of a heartbeat, making sure that he still had his soul on him.  Only when his body began to rest comfortably did she kiss his forehead and lay down beside him. 

“Mother and Father aren’t here,” she said, running her hand through his flimsy hair. “Neither is the Keeper.  It’s my job to look after you, little brother.”

Without realizing just how many hours of daylight Ragnarok was subject to, Chelsea too closed her eyes the moment her muscles stopped tensing and the tornado creature left her thoughts.  The first sun slid behind the rim of the gully, then eventually dissolved over the bluffs; the sky turned orange, with the occasional streak of red marking their spot in the universe.  Then the second, slightly larger sun disappeared over the tip of the escarpment.  The desert wastes, the misty, bubbly swamps that separated them like islands, and the crystalline plateau vanished under a blanket of purple and black, touched up with a satellite-tinged glow.  A breeze swirled the planet’s dusts and, in the face of the twilight, the girl shivered. 

Chelsea was awakened by the wind’s intensity; the monster from earlier played with her mind once more.  Afraid, she shook her brother out of slumber. “Blake.  Blake, get up.” She glanced around her. “It looks like we’re here for the night… However long that is.”

Blake barely opened one eye. “So?”

“So I think those whirling demons can’t take too much daylight.  When I saw them, they always seemed to stand in very little sun or take to the shadows.”

“Then we’ll build a fire.” Blake was very self-possessed. “You took perma-flares from the rover, didn’t you?” Seconds later, he sat up.

“Yeah, but when was the last time you and I went camping?”

“Titan.” Blake smiled.

“How could you possibly remember that? You were only two.  You mean you actually have a vivid memory of Me, Mom and Dad on our trip to Saturn?”

“Yes.”

Chelsea pinched his cheek.  Then she went into her knapsack and handed him a flare. “Remember how to program a spark, too?”

A short while later the children sat close to the blazing fire, listening to the flip-flap-flip of the two-headed air marmot, the long sad wail of the desert dolphin, and the surreal pitter-patter of marsh insects.  They weren’t exactly frightened of these animals; but the front row seat was a far cry from the virtual zoos and jungles back on Earth.

“You think that wind creature was a pterodactyl?” Blake asked out of the blue. 

Huddled closely around the flames, Chelsea answered, “No, silly.  It definitely wasn’t a pterodactyl.  Pterodactyls are long extinct.  From all worlds.” A moment of silence followed. 

Then the boy began to fidget. “Chelsea, what’s this Ragnarok place really like?” He almost wanted to cry again. “Chandler had told me so much.  What do we do now? How are we gonna survive?”

“I don’t know, Blake.  But I reckon we’ll be OK.  So long as you stay with me at all times.  We must never split up, never lose sight of each other.  Not even for a second.”

The boy fiddled with the key drive around his neck. “If something bad happens to one of us, should we give each other permission now to—um, well, you know—”

“Crush the chips and let our souls go free?” Chelsea grasped her own necklace tightly. “Let’s hope we don’t have to.  And if Mom and Dad are still alive, if they’re still out there somewhere, they wouldn’t want us giving up without a fight.”

The boy picked up a garnet tree branch and stirred the fire. “Maybe if the Vendragon find us, they’ll let us use their life server.”

Chelsea grimaced. “Yeah, sure.  Maybe.”

The boy said, “Remember those smoke rings we saw on the way? You reckon they came from the Township?”

She shook her head. “Vendragons live in the grassier regions—probably further north.  They rely on our knowledge of agriculture.  Supposedly, they thrive off it.”

“Yeah, but couldn’t we still head in that direction? I mean, somethin’ made that smoke.”

“Oh, Blake! It’s much too far.  We should wait for a scouting vessel.” She started to undo the knots in her hair. “Go back to sleep.  I’ll take first watch.  Besides, the distance of these plains are farther than you think.  And who knows what manner of beast created those rings.  For all we know it might be the same kind of creature that attacked us, burning carcasses and picking on flesh.”

The boy went scared and silent.

She hoped she spoke with conviction, but after what they’d been through, it disturbed her to know that her brother’s thoughts had been running so close to hers. 

They settled down by the fire, and before long their breathing grew slower and deeper.  After a while, Chelsea couldn’t stay up any longer.  Eyelids falling, she reached for her brother’s swollen hand.  Normally he’d have snatched it away, but he didn’t now.  A veil of mist drifted over the moons that scattered the night sky, and the children slept.

 

TO BE CONTINUED…