NEW SCIFI ANTHOLOGY: “Cosmic Contact” – Culture Cult Press

For late January-Early February 2023 I have yet another science fiction tale, this time a brand new short about alien parenting, entitled: Forgotten Species. It comes to you within the very well laid out, well designed pages of COSMIC CONTACT. This is a science fiction & fantasy anthology on the subject of aliens making “first contact” with humans and other species. It is a rather big beefy book put out by the folks at Pulp Cult/Culture Cult Press. They’re the same people who did the exorcism anthology I CAST YOU OUT and the haunted house anthology HAUS in 2022.

Cosmic Contact has some interesting interior design, fonts, layouts, and even features a lot of familiar short story authors from out of the 2000s era, names such as Ken Goldman, Elana Gomel, Matt Shaw, Thomas Stewart, and DJ Camden. I’ll leave ordering info down below, links and pics, and also to the right-hand side.

Edited by Jay Chakravarti

Paperback copy of COSMIC CONTACT from Lulu: https://www.lulu.com/shop/jay-chakravarti/cosmic-contact-first-contact-stories/paperback/product-pp7vz9.html

Epub copy of COSMIC CONTACT from Lulu: https://www.lulu.com/shop/jay-chakravarti/cosmic-contact-first-contact-stories/ebook/product-77e7gg.html

———-

COSMIC CONTACT is coming soon on Pothi.com (To be sold in India)

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Other New Entries: “Books & Anthos”

Red Penguin Books: “Shoot for the Moon” Space Adventure Anthology…!

It is with great pleasure to announce that yet another anthology featuring one of my tales has been released this month, this time a science fiction adventure story featuring a team of old school astronauts (think the days of Apollo & Sputnik, that style). So it has a pulp bent to it, but with an unexpected finish. Red Penguin Books presents, SHOOT FOR THE MOON. I’m not sure if it is available on Amazon, but it IS available in select Barnes&Nobles locations (check the scifi section), and as an Ebook (probably Nook). I’ll leave any links and pictures down below, as well as to the right-hand side. And I’ll be seeing you on the next one.

Buy it now from B&N. In Print or for your NOOK eReader (click below):

https://www.barnesandnoble.com/w/shoot-for-the-moon-jk-larkin/1142957462

Other New Entries: “Books & Anthos”

New Anthologies: “Classics Remixed” – Left Hand Publishers

I have a science fiction story in Left Hand Publishers speculative fiction anthology, titled: CLASSICS REMIXED. Edited by Karen T. Newman. This is a big beefy book, chock full of imaginative stories of characters we know from past fairy tales, novels, and folklore. What happens when you take famous story characters and put them in different scenarios, speculative situations, or twist around a fairy tale? You get Classics Remixed. An anthology of classic characters REMIXED and REIMAGINED into something new and different. It has beautiful cover art, and as always when I update my website, I will leave pictures of book covers, a lineup of the author talent (Table of Contents), and links to the publisher’s website and places like Amazon, where you can order this book in trade paperback form.

CLASSICS REMIXED

An Anthology: Edited by Karen T. Newman

ClassicReMix_Cover-SMALL-FRONT

Left Hand Publisher’s Online Store (order book):

https://lefthandpublishers.com/shop/

Classics Remixed – Order from Amazon:

https://www.amazon.com/Classics-ReMixed-anthology-classic-tales/dp/1949241114/ref=sr_1_2?keywords=classics+remixed&qid=1560065576&s=gateway&sr=8-2

ClassicReMix_Cover-SMALL-WHOLE

Table of Contents for Classics Remixed:

Cinderella’s Fairy Godmother Tells All by Jill Hand
The inside story behind one of our favorite fables
Sailor’s Saga by Steve Rouse
Old Man and the Sea meets Moby Dick meet 20,000 Leagues
Not a Single Soul by Tom Howard
A good witch, a wicked witch, but which witch is which?
The Maze Under the Clouds by Blake Jessop
A sci-fi spin on the myth of Theseus and the Minotaur
The Upper Hand by A.P. Sessler
In a spin on “The Monkey’s Paw,” be careful what you wish for…
Of House and Home by Eric Andrews-Katz
Were Hansel and Gretel the victims? Not so much.
Solomon’s Moon by Kevin M. Folliard
Not all invisible men are created equal. Some are just bad.
A Taste of Wonderland by Gregory L. Norris
Starvation twists Alice, Wonderland, and all its inhabitants
Gluttony by Henry Herz
What happens below decks, stays below decks in this biblical misadventure.
Moby n’ Queegs by William Ade
This ain’t your daddy’s Moby Dick
Follicles, Fables & Follies by Paul K. Metheney
Rapunzel, Rapunzel, let down … never mind
Jane, Designed to Love by Brandon L. Summers
Jane Eyre or A.I.? Do androids dream of electric love?
Ding Dong the Pitch is Deadly by Jonathan Shipley
There’s no place like home plate
Catcher in the Crawlspace by Jay Seate
Catcher in the Rye or Stalker in the Crawlspace?
Curse of Avalon by Anthony Regolino
That’s no Lady of the Lake…
Treasure Moon by Robert Allen Lupton
Treasure Island with a sci-fi twisted sense of humor
Noah from Mars by Lawrence Dagstine
Science fictions versus one family’s faith
Strike the Match by Robert Petyo
The Three Musketeers go bowling. Seriously.
Handsome and Greedy by Katherine Brown
Hansel and Gretel like you’ve never seen them before
Copper County Fair by Cheryl Stevens Clark
The story of the Minotaur comes to Copper County
Mermaid by Karen Janowsky
The Little Mermaid in modern day prose
A Novel Gathering by Neil Childs
A band of fictional rogues who attempt to rob the poor to feather their own nests

 

Other New Entries: “Books & Anthos”

NEW ANTHOLOGIES: “Re-Launch: Science Fiction Stories of New Beginnings…”

You can now find a story of mine in the reprint anthology, RE-LAUNCH: Science Fiction Stories of New Beginnings. Available in ebook form, for Kindle. And edited by Kelly A. Harmon and Vonnie Winslow Crist. Re-Launch is just one of many genre titles in the Re-Imagined Series. This particular one being my forte, pulp science fiction. If you like pulp-stylized stories of astronauts and cosmonauts and space travel and interplanetary landings, this might be up your alley. I’m not sure if a print version exists but I will provide an Amazon link down below along with the author line-up.

ANTHOLOGY APPEARANCES:

RE-LAUNCH

Science Fiction Stories of New Beginnings

Re-Launch

BUY EBOOK VERSION NOW:

https://www.amazon.com/Re-Launch-Science-Fiction-Beginnings-Re-Imagined-ebook/dp/B07G9N45SN/ref=sr_1_1?ie=UTF8&qid=1536058557&sr=8-1&keywords=re-launch

Edited by Kelly A. Harmon & Vonnie Winslow Crist

AUTHOR LINE-UP: Douglas Smith, James Dorr, Kris Austin Radcliffe, Eando Bender, Wendy Nikel, Stewart C. Baker, Meriah Crawford, Gregory L. Norris, Jennifer Rachel Baumer, Jonathan Shipley, Vonnie Winslow Crist, Lawrence Dagstine, CB Droege, Jude-Marie Green, Steven R. Southard, Calie Voorhis, Anthony Cardno, Andrew Gudgel.

 

Other New Entries: “Books & Anthos”

Proofreading and Writing Services – Satisfaction Guaranteed!

Hi, my name is Lawrence, and I’m a writer of fiction and non-fiction.  If you clicked on this page, then you are probably interested in my proofreading services, or at the very least, wondering what I can do in regards to the written word.  Let me first tell you a little bit about myself and this website.  Many people know me as an author of speculative fiction (science fiction, fantasy and horror), and my name is pretty synonymous within the small press.  I’ve been writing for well over fifteen years, and I have an extensive publishing history.  Think of this site as a sort of virtual resume of some of my previous work, upcoming work, and publications.  Not just the services I provide, since I consider myself a working writer.  I’ve been called prolific when it comes to writing short stories and informative when it comes to magazine articles.  Wherever I go, any social media platform I visit, people tend to say, “Oh, Lawrence Dagstine, he’s that Scifi/Horror writer.  Sure, I’ve heard of him.”

This is me, hard at work for you.

Unfortunately, it’s a label I’m stuck with—because I chose to enter that field and write in that form.  You see, as a child I grew up to movies like Star Wars and Aliens, TV shows like Doctor Who and The Incredible Hulk, and I read Marvel comic books and digested good science fiction literature (no, great!).  Isaac Asimov, Arthur C. Clarke, Robert Heinlein, George Orwell, Ray Bradbury, you name it.  I read voraciously! I lived around the corner from a Forbidden Planet and was practically there every day.  I did book reports on lengthy Stephen King novels in 2nd and 3rd grade, and was the head of the boys in reading and writing in my school district at the time (the 1980s).  Years back my IQ was tested and I got a score of 150 (teachers called me gifted).  I even delivered prescriptions to the late Kurt Vonnegut and, for a brief period, became friends with him and he a sort of mentor to me.  So reading and writing, especially genre, has always been in my blood.  But I prefer to be called a Freelance Writer because I work with words in general.  It’s what I studied.  Not just fiction.  Genre fiction is pretty much the “fandom” side.  And it is very hard to make a full-time income writing fiction, as most genre writers are paid a pittance.  I’ve known writers who got their BA or MA, thinking they were going to write the next literary masterpiece or appear in The Paris Review, only to become editors or teachers.  They weren’t delusional, they had the confidence, their hearts were in it, they just dreamed a little too high is all.  Even I dreamed high once, then my first client base involved writing and proofing pamphlets and instruction manuals.  So you really need to expand your writing skills to other areas, other venues.

Now if you’ve written something that you feel needs improvement, but don’t know how to go about fixing it, ask yourself a few questions… Have you ever had trouble with words like ‘further’ and ‘farther?’ Perhaps verb usage? Do you know the difference between their/there/they’re? Did you know that words like ‘never mind’, or ‘any more’, or ‘all together’ are not compound words? They’re all two words! Does your story have a beginning, a middle, and an end? Plenty of conflict? Because something has to happen in your story, and something has to be resolved.  The first sentence means more than you know, because it’s the first thing the reader sees after the title and byline.  It’s what immediately draws the reader in.  What about non-fiction, or product placement, or a cool advertisement? Maybe you have an idea and want somebody to word that idea a certain way, where it can potentially become a moneymaking vehicle.  Maybe you need help creating or formatting a resume or cover letter, want to stand out from the rest of the crowd when it comes time to apply for that killer job.  Need a catalog done, or a brochure, or a catchy slogan? Need some minor ghostwriting (query)? Textbook writing or editing? Essays or proposals? Striking web content for a business or organization? Help with a novelette or novella? What’s that? Want me to write you a Western Romance? Okay, I’ll write you a Western Romance.  You’re the boss.

No matter what it is, if it involves words, I can probably help you.  My publishing history consists of over 400 fiction credits in print magazines, webzines, anthologies, and miscellaneous periodicals.  My non-fiction consists of 150 credits, online and offline, for small and medium circulation newspapers, trade journals, regionals, and everyday magazines in need of good filler.  I’ve penned video game reviews in the past for Nintendo Power and written greeting card jingles for Hallmark’s competitors.  I’ve written articles on the paranormal, pharmaceuticals, beach erosion, Native American spirituality, theology, historical subjects, marriage, divorce, pets, vacation spots, real estate, wrestling and more.  I’ve shared tables of contents with two Hugo Award winners and two Bram Stoker winners.  I can do just about 75% of what’s out there.

Still in doubt? Well, ask yourself these 12 sample questions.

Do you know how to assemble a story arc? Do you know what character development is? Do you know what a three-act and five-act narrative is? Are you familiar with the Chicago Manual of Style? Have you ever referenced the work of John Gardner (On Becoming a Novelist, The Forms of Fiction, The Art of Fiction)? Do you know the difference between literary and mainstream? Do you know what structural analysis is? Have you ever studied English Literature—authors like Graham Greene, Truman Capote, EM Forster, D.H. Lawrence, Joseph Conrad, Scott Fitzgerald, Hemingway, and the like? Do you know what proper manuscript format is? Do you know the difference between filler and feature article? Do you know how to write a pitch? Do you know the difference between a plot formula and a plot device? Heck, do you even know what I’m talking about?

If you answered no to five or more of the above, then it wouldn’t hurt to have me or some other qualified individual as your proofreader/editor.  Because I will only improve your fiction or non-fiction project, and only to your liking.  That is what I do.  I work with words.  Think of me as a sort of literary engineer.  I check for errors, make corrections, do any necessary research, and make your prose more persuasive.  I assist you in getting it the attention it deserves.  I develop fresh, innovative, and compelling work.  I drive constant voice, grammar, format, and diction across all text.  I know that your project is your baby.  It was birthed from your imagination.  But you must be able to take criticism and suggestions.  It will only help your project stand out from the rest, and help you get better.  What I am not is a copy editor.  A copy editor is an entirely different animal.  Copy editors usually work, or have worked, for publishing houses.  And good ones (not the kind you see for these run-of-the-mill small presses, who also publish their own books with the same company).  They do what’s called line edits.  They review your manuscript and send it to you with revisions in a program like Microsoft Word.  I do NOT do line edits.  Yes, I am certified in editing, but there is a great difference between a workshop certificate and a staff editor with more than 10 years experience at one of the big houses.  Yes, I have a background and education in journalism, creative writing, technical writing, and the business side of writing that could very well meet your needs.  Yes, as a proofreader I will go over your manuscript a minimum of three times, acquiring your voice and style.  Yes, I will print out your story or article, take a red pen to it, highlight certain areas I feel should be highlighted, and tell you what I think.  Yes, as your proofreader I will pay attention to the usual stuff like grammar, punctuation, spelling, consistency and sentence structure.  But I am not a copy editor.  I’m being honest here.  Even I use an outside editor for lengthy projects.  Because everybody needs a qualified editorial eye.  After all, how can you successfully edit a work that came from your own subconscious mind?

Difference between copyediting and proofreading:

http://www.dailywritingtips.com/the-difference-between-copyediting-and-proofreading/

Difference between copyediting and line editing:

http://publicizeyourbook.blogspot.com/2007/04/difference-between-copy-and-line.html

A copy editor will usually charge you by the word or line (I charge a flat fee).  They often do book manuscripts, and make up what’s called a style sheet.  If you’re looking for one, personally, I suggest looking for someone with at least three years experience.  Also, be careful of line editors posing as copy editors, as they can really screw up the flow of your manuscript if they don’t know what they’re doing.  This has happened to me.

Once again, I charge a very affordable flat fee.  Satisfaction guaranteed.  On a budget? I understand we’re still in a recession, the economy may very well not be good for years to come, and because of that, I am willing to work with you.  I expect at least half the cost of the project at the beginning of our agreement.  You are to pay me the other half after the project is finished.  Our email acts as a sort of electronic contract, if you will.  Research or additional time spent on projects (like staying up all night and losing sleep to meet a deadline on your behalf), costs extra.  And no, not an arm and a leg.  You are responsible for the cost of things like encyclopedias, visual aids, books purchased on Amazon, transportation places, or other reference materials.  I fact-check well, and I give citations where instructed or needed.  I do great copy—print copy! I’m not the kind of lazy individual who just looks something up on Google or Wikipedia.  Google is one of the worst reference tools you can turn to.  That’s because you usually find more than one answer to a particular question.  A long time ago I was commissioned to do a short article on Planned Parenthood in the new millennium.  I needed abortion statistics.  I found eleven well-rounded, informative sites by using Google.  The only problem is I found eleven different statistics.  So which was the right answer? For your project, if I have to go to a library, then so be it.  To the library it is.

I put in the time and effort to make your project as professional as possible.  I am proficient in Microsoft Word and Open Office (sorry, no crappy programs like WordPerfect).  I can give your project the treatment it deserves, and if you feel it needs work or you are not fully satisfied, I will tailor it to suit your needs at no additional cost.  I want you to be happy with my work.  I want you to succeed.  You retain all rights.  My name does not go on your written material.  I merely spruce it up.  So do you have something that involves the written word? Send me an email today for a free evaluation or price quote.  Give me an outline of your project and what you’re looking for.  Tell me about yourself and the work you do in three to six paragraphs; small businesses and companies most welcome.  If you want, I’ll even give you a freebie.  Three double-spaced pages for fiction (or 1,000 words); a half-a-page for non-fiction (150 words)—absolutely free! Have a fax machine? Want more proof emailed to you? Press clips always available upon request.  And I do simple typing too!

So contact me today, tell a friend, because no project is too large.  All material should be sent as an attachment.  I look forward to our partnership and any questions you may have.  Contact: ldagstine @ hotmail.com

Sincerely Yours,

Lawrence Dagstine

Speculative Fiction Author/Freelance Writer & Editor

Proofreading and Writing Services

Also be sure to follow me on Facebook, Twitter, and Linkedin

Other New Entries: “Proofreading Services”

OG’s Speculative Fiction #25, Summer 2010… (appearances)

You can now find my 400th publishing credit in the webzine/free PDF Download/Lulu Magazine… OG’s Speculative Fiction, edited on a monthly to bimonthly basis by Seth Crossman.  Issue #25.  It wasn’t that long ago that I graced the pages of Issue #23.  This issue has wonderful artwork, a supernova or planet burning up, I believe.  You can download the issue in PDF format direct to your computers.  Other fiction and poetry in this issue includes a story by Desmond Warzel.  This is my third time at the long-running “Opinion Guy.”

OG’s SPECULATIVE FICTION #25 – The Opinion Guy

Lawrence Dagstine – PDF Download – 3rd Appearance

Also check out my last issue…

 

Main Homepage:

www.theopinionguy.com

http://theopinionguy.com/2010/07/ogs-speculative-fiction-issue-25/

Previous Issues w. Lawrence Dagstine:

https://lawrencedagstine.com/2010/03/25/ogs-speculative-fiction-march-2010-2nd-acceptances/

 

Other New Entries: “Magazines”

OG’s Speculative Fiction, Mid-Late 2010… (3rd Acceptance!)

A couple of weeks ago I grabbed my third acceptance to the long running speculative fiction/science fiction magazine on the Web — available as a free PDF Download to read and eventually purchase on LULU as a magazine for cons — The Opinion Guy (aka OG’s Speculative Fiction).  This would be my second acceptance in one year to them, and they’ve featured some very talented and familiar names in the science fiction arena.  Both short stories and poetry.  Matter of fact, this third credit comes right after my 2nd, and bolstered me up to the 400 credit mark.  Editor is Seth Crossman, and he also provides an Internet site full of informative articles.

 

Lawrence Dagstine RETURNS to OG’s Speculative Fiction

Third Acceptance – Click on the link(s) for some free reading in PDF format

MAIN HOMEPAGE:

www.theopinionguy.com

Previous Dagstine Stories:

https://lawrencedagstine.com/2010/03/25/ogs-speculative-fiction-march-2010-2nd-acceptances/

Other New Entries: “Magazines”

M-Brane SF #17, June-July 2010… (Now Available!)

It’s finally summer, folks, and I’m back for what is my third appearance with a weird SF/alternate history tale of sorts to M-BRANE SF.  Edited by Christopher Fletcher, M-Brane Scifi is not just an electronic monthly, a speculative magazine dedicated to the pulps. It’s available in PDF format for  only $1.00 per issue ($12.00 annually); you can download it to your Amazon Kindles and other e-readers.  Christopher Fletcher also provides a daily blog site, complete with news, reviews, and insight on subjects of science fiction and science fact.  Hard SF, Sociological SF, Space Opera, Cyberpunk, Alternate History, authors new and old can all be found at M-BRANE SF. 

M-BRANE SF – Third Appearance – Early Summer 2010

Issue #17 – Edited by Christopher Fletcher

featuring Lawrence R. Dagstine

 

ORDER THE PDF MAGAZINE w. LAWRENCE DAGSTINE – Only $1.00

www.mbranesf.blogspot.com

Issue Line-up: Edd Howarth, Aaron Polson, Lawrence Dagstine, Jason Sizemore, Joe Jablonski, Charles A. Muir, Margaret Karmazin.

Previous Issues available as compilation print mags on LULU (www.lulu.com)

 

 M-Brane SF Issue #9 — October 2009

M-Brane SF – Issue #2 — March 2009

 

Other New Entries: “Magazines” – PDF Downloads

M-Brane Science Fiction, Summer 2010… (3rd Acceptance!)

In about a month or so I’ll be returning for a third time with a weird SF/alternate history tale of sorts to M-BRANE SF.  Edited by Christopher Fletcher, M-Brane Science Fiction is not just a monthly, speculative magazine dedicated to the pulps in PDF format.  It’s also only $1.00 per electronic issue ($12.00 per year), and you can download it to your Amazon Kindles and other digital readers.  Christopher Fletcher provides a daily blog site, complete with hardcore news, reviews, and insight on subjects of science fiction and science fact.  Hard SF, Sociological SF, Cyberpunk, Alternate History, authors new and old can all be found at M-BRANE SF.  A LULU version is also offered, I believe.

M-BRANE SF – Third Acceptance (summer 2010)

COMING SOON – SO STAY TUNED!

www.mbranesf.blogspot.com

Other New Entries: “Magazines”

Free SF Serial: “Orphan’s Prey pt. 1” – by Lawrence Dagstine

Science fiction meets interplanetary horror, in this 30th century survivalist’s fable about two orphans stranded on the most fantastic yet dangerous world, the benefits and perils of alien cultures meeting and clashing, being reunited with the past, and a most unique and dark breed of alien vampire. Lord of the Flies meets the movie Pitch Black meets Living Amongst the Lizards.  Welcome to Ragnarok, the largest planet in the Cat’s Eye Nebula, the largest world in the known universe.  Meet Chelsea and Blake (our protagonists), as we embark on a new bimonthly series of free serialized science fiction.  What are life servers? Who are the Vendragon? What are the Docengard? An adventure awaits you, in the first installment of Orphan’s Prey, here on… Ragnarok! First draft, first run.  A novella in entirety.  Enjoy!

ORPHAN’S PREY

Science Fiction Serial Part One

 by

Lawrence R. Dagstine

The planet was a phenomenon.  A livable, breathable phenomenon.  The jagged-edged terrain lay sedated to immobility by the heat of twin stars by day, and cold methane hails and monstrous storms by night.  From the vehicle looking glass, the land consisted of desert islands in a yellow sand-like mist that stretched to infinity.  The sky was radiant, directly overhead tangerine with purple, and although the air was chill, the primary sun was already beginning to warm the pre-dawn.

“Sometimes on mornings like this,” the driver said, “I pretend that I’m the only artificial intelligence on Ragnarok.  But”—he smiled with sudden brilliance—“I like it better like this, with a few other inhabitants, preferably young and small.  Oh, by the way, I’m Chandler.”

Suddenly, without warning, the overhead transceiver came to life.  A voice was speaking what sounded to Chelsea and Blake like gibberish, and Chandler smiled. “That’s Koral.  He’s a Vendragon.  You know, the people you were told about before coming here? Always erratic, that one.  He takes a little getting used to.” The children listened for a few moments. “The high pressure system—real high—moving hundreds of degrees faster than what you Earthlings are used to, that’s our direction from him and the colony.  We’ve got a fog cloud ahead of us, which is Koral’s way of saying we’ll be surrounded by irregular precipitation and possible danger.  Good old weather lizard that he is.  But we should be safe in here.  This baby stores double-solar oomph, and the alloy is wind-resistant.”

“Oomph? What’s that?” Blake asked.

Chandler nodded up. “The collector panels on the roof.”

“When do we stop?”

Chandler pointed to an overhead visual system. “Here.” He pressed a red circle on the touchpad.  Surrounding it, the lowest of the two suns lighted the mountaintops, glazed them, turning any visible snow to clear pink, accentuating the shadows of the canyons and valleys and whatever else reside beneath. “We want to be here.  You must understand, this planet is very big.  We go through four seasons every run; it takes more than eighteen seasons to get across the entire northern hemisphere.”

Blake dropped his bottom lip in surprise, then looked across at his sister, who had begun nodding off.

“The weather here is fierce and uncanny,” he continued, “but in the center of that brutality is a place filled with great sunshine, grassy knolls, colorful landscapes, and the most awesome valleys you can run and play in.”

“Did you hear that, Chelsea? Maybe things won’t be that bad after all.” The little boy crowed from his metal chair.

Chelsea was tired.  Her gaze was wandering vaguely, and after a few minutes she closed her eyes again as her lips curved in the faintest of smiles.  She found it hard to follow the A.I.’s rambling words about such a magnificent sphere, but there was still something in them which evoked a sense of unease.

Chandler rambled on.  Chelsea sat trying to think coherently, to feel any kind of enthusiasm, but nothing moved in her.  Eventually Blake stopped crooning and fell asleep himself.  Chelsea’s numbed brain began to come to life again, and she realized that what she had learned made no difference to the situation.  They were never returning to Earth.  They were never returning to the orphan ship, Juniper.  Perhaps it was stupid not to realize that it made a frightening difference.  After all, if it had, she might have been better prepared for the web of mystery, terror, and danger that was to entrap them.

By the time they exited the fog cloud it was almost midday.  The only moving thing was the large zyranium-shelled rover, churning in a cocoon of dust along the now weather-beaten track between the desert islands and the terminus from which they were picked up.  Mud and bacteria-bottomed channels filled the marshlike gaps in-between.  In the driver’s seat the A.I. was alert, optimistic, crossing territories and watching for signs of life.  In the back, seated amongst the luggage and other provisions, the children lay dozing, oblivious to their current surroundings.  The eight-year-old—bright, resourceful, full of energy—slept soundly.  Wisps of red hair covered one of his eyes.  As he breathed, a silky strand would fly up in the air and come back down upon his forehead lightly.  Like his sister, his nose turned up slightly at the end, a spray of freckles across it, his mouth thin, the cheeks half-plump and rosy.  His eyes were wide, a deep blue; his sister’s were hazel. 

Fourteen-year-old Chelsea Prittengayle’s facial gestures were more refined, however, more serious.  More brooding.  Other times they were exaggerated: surprise or puzzlement, pleasure or anxiety, the typical moody or unsatisfied-with-anything teenager.  Whatever emotion she felt, her face would either show it much too emphatically or much too hesitantly.  Compared to Blake’s ruddiness, her chin was smaller, the eyes and ears narrower, her body bonier, her tresses and bangs splayed purple and pink at the tips.  She was also more restless, dreaming.

Chelsea dreamed that she was standing again, as she had stood only three days ago, aboard the Juniper, holding her brother tightly by the hand and listening to her Sanctuary Keeper. “It’s a wonderful chance,” the nun figure said, “for you both, and you’ll be able to stay together.  No more foster planets, just a brave new world.  An exciting one.  Ragnarok is one of the biggest out-colony territories in the Cat’s Eye Nebula, and the Vendragon are a fine species.  Matter of fact, it might be the biggest planet in the known universe.  So much room to move around.  I’m sure you’ll be happy there.”

Chelsea faced the floor. “Yes, ma’am,” she said.

“But what if we don’t like it?” Blake stomped his feet and whined. “What if it’s just like the others? I don’t wanna go.  I don’t wanna leave my friends again!”

“Blake, calm down.” His sister knelt beside him. “Really, it’s all right.  You know the drill.”

The Keeper waved a soothing hand. “No, no.  He’s right.  Here”—she picked up two hexagonal-shaped chips from a servicing tray beside her, walked across the grated floor to a processing machine, then inserted them into place—“in the event you grow bored of your new home.” She brought up the two children’s molecular profiles on screen. “Now give me your hands.” She confirmed their print data.

“What are you doing?” Chelsea asked.

“You’ll see.” Seconds later she was finished.  She removed the two chips from the grooves in the console and attached titanium-alloyed ropes to them. “Wear these key drives as necklaces, but whatever you do don’t lose them.  They hold within them an embodiment of your memories, your metaphysical structure, who you are, and what you may eventually become capable of.  They hold your souls, your very essences.  If you are ever in danger, if you are ever bored, you need only crush them into fine grain, and you will cease to exist in this form and be free from a life unwanted.”

Chelsea held hers up in front of her eye; Blake quickly put his around his neck. “So this is us,” she muttered. “Everything about us is in this small chip.”

“The information on it can be accessed from any life server.  But, at the same time, I would be cautious.  It can be tampered with.”

“I still wish we didn’t have to go,” Blake said.

The Keeper nodded in agreement. “It’s a rush, I know.  The funding for your kind isn’t there either.  But the Vendragon want you right away, before the seasons on their side of the planet change again, and a special transport’s coming for you.”

Chelsea picked up her knapsack. “Why do they want us, and yet our own kind doesn’t?”

“Now, now.  That’s a silly way to think.” The Keeper was programmed to be sympathetic, but she realized she could not hold the truth from them. “Foster humans have become an expenditure for a very stressed and careworn Earth.  There are less than twenty-three thousand of you left, all within sanctuary care or already placed in homes many light years away.  Some siblings don’t have the luxury of being housed together.  Hopefully, both of your journeys will finally end here.  You are an asset to these other races because of your youth, your empathic ways.  The knowledge and traits you possess can grow with you.  Creatures like the Vendragon see human children as role models.”

Blake cried. “Oh, Keeper,” he said, running to hug her. “I’m gonna miss you.  An awful lot!”

“And I will miss you, child.” She embraced them as if they were her own.  Then she led both of them down to the craft’s transmat. “Now before you leave, is there anything either of you would like to ask? Anything at all?”

Teary-eyed, Blake stepped back and shifted from foot to foot.  Chelsea, in a voice she hardly recognized as her own, said: “Our parents.  Our real ones.  Suppose they come back from Earth.  How will they find us?”

“My child”—the nun’s voice was gentle—“if your parents are indeed alive, and if they do ever come back, we’ll send a salvage team for you.”

“Promise?”

The Keeper parted a half-smile. “Promise.”

The dream blurred.  The one thing that stood out from the whirlwind of goodbyes with the other children was the nun’s last minute reminder—“Oh, and Chelsea! See that you look after your brother!” Then they were waving from behind the protective glass of the particle disseminator, just one section of missionary freighter which had been their home on and off for five years, since she was nine and Blake three.  The transmat beamed them down to the terminus.  From this steel transfer point the rover waited, then headed out on the extremely long drive to the Vendragon Township via the listless wastes.

 

“Yes, sir.  Ragnarok! No ball in the universe quite like it,” the A.I. boasted. “Lots and lots of room to run and play.” 

At first the children had been in awe of Chandler, the synthetic man who was driving.  He was the planet’s tour guide and taxi driver.  He was built tall and rangy, pleasurable and amusing, and he understood the many wonders of human behavior.  Juvenile behavior.  The only weird thing about him was that his body smelled of coolant. 

After getting to know him, the children were taking turns riding up front, and he was feeding them processed nuts and jerky.  He told them of the great herds of reptilian creatures that once drifted over the plains and the thousand-year-old walking cacti, which kept the Vendragon on the move in a never-ending battle for food and water.  He educated them on the Docengard—the gangling, clumsy predecessors to Ragnarok, and how, for centuries, they lived in the rocks alone, yet the earlier species regarded them as something of mystics.  By the end of the first day’s ride they were best friends, and the children loved the voyage through the tired yellow landscape old as time itself.  They saw spiky clumps of Yurga, a sweet white medicinal herb, smooth sculptured garnet trees, bloated potato patches and vegetated mist swamps, and smoke rings rising gray and black over the lime crystal bluffs.  It was a fantastic environment, one that was full of desolation yet color, different yet utterly surreal; surely gods must have shaped it.  It was all exciting and new, but in the bluffs an incident happened that Chelsea wanted to forget.

On the morning of the second day’s ride, when a breeze was blowing over the blazing desert sands, Chelsea had seen shadowy columns of air circling the vehicle.  The silhouetted tornadoes had no real substance to them, neither any real shape nor form.  At first, the dozen or so that were out there did not scare her.  Matter of fact, she didn’t think much of them.  For a brief moment she took her necklace out of her shirt.  Curiously, she held the key drive up.  Then, after a minute or two, she tucked it back in.  With some extra speed and a waving of hands from Chandler and Blake, they were now setting out on what seemed like the final stages of their journey.  For a while the girl sat very still, her eyes on the Yurga-plastered trail, her lips pressed tightly together.  The rover made a weird humming sound, and it vibrated to the point of nausea. 

At midday, when the children were asleep in the back of the vehicle, Chandler was tempted to pull over for a much-needed recharge, but he knew that if the fog clouds or other storm-ravaging elements returned, it would hold them up and transform the ground into a sea of impassable mud.  So he drove on through the heat, watching for rifts in the trail.  The temperature in the bluffs was well over a hundred degrees.  They were three-quarters of the way through the landscape, one of the deepest desert regions on the planet, made up of miles and miles of sand and crystalline escarpment.  The road, still rugged in some areas, was following a gully down through a crack in the plateau, twisting and turning between grotesque blocks of melted green granite—monolithic play-bricks scattered along a dried up riverbed or marsh.

It happened without warning.  One second they were skirting a boulder half the size of a building, the next, the shadowy tornado came swirling around a bend, a ten-foot column of viciously dark spinning air.  It hit the rover head on, knocked the vehicle into a skid, and smashed it against an outcrop of crystal. “What was that?” Chelsea’s heart rose out of her chest and into her throat. “What’s going on?” Her seatbelt snapped and, as the vehicle upended, she fell back into the luggage, causing two rows of holding canisters to collapse on her head. 

The tornado, seemingly alive, came back for seconds.

“Damn!” Chandler fiddled with the clutch, but it was bent and stuck.  He quickly glanced through the looking glass in front of him. “Such power! Don’t worry, I’ll get you kids out of here.”

Blake was frightened. “It’s one of those big reptile monsters,” he shouted, as one of the large jagged-edged crystals pierced the vehicle’s interior.

“Can’t be, son.  They’re extinct.”

Chelsea managed to pull herself out from under the baggage. “It was the wind,” she muttered, her forehead bleeding slightly. “The black things swirling in the wind caught us.”

Blake huddled up in a corner with his sister. “I wanna go home, Chelsea,” he cried, as the tornado came back for more. “I want the Keeper.  I want my Mommy!”

“Okay, both of you need to calm down.  Just stay in back of the vehicle.  I’ll get you out of here, now—”

The A.I. was shouting some miscellaneous warnings when a large spear-tipped crystal burst through the front looking glass and caught him on the base of the neck and cut off his vocal functions.  Silver paint and white oil splattered everywhere.  The children screamed hysterically, as manufacturing fluid sprayed across their faces and drenched their clothes.  Chandler’s eyes rolled in back of his head.  He lifted a weary hand and grabbed the area where his larynx used to be.  Outside, the tornado stopped moving.  The tall phantom-like creature stood atop the shadier part of the monolith closest to the rover, sniffing the air.  Seconds later it flew off, spun its way back to the paralyzed vehicle, tore through what was left of the front looking glass, and ripped the A.I.’s convulsing head off.  Fleshy upper body connector tubes and other plastics fluttered everywhere, leaking more white oil and fluids.  The tornado extended a claw-shaped appendage and tore out Chandler’s mechanical heart, then attempted to absorb the spraying juices.  Frustrated that the A.I. was not digestible, it gave off an ear-piercing howl, swirled in a backward motion, and disappeared from the rover with Chandler’s head.

Shaking uncontrollably, Chelsea hugged Blake.  She dare not let go, as a few more metal boxes fell.  There followed a significant period of silence; she did not even blink.  After what seemed like many hours, she finally whispered, “Stay still.”

“No, Chelsea.  Don’t!” Blake cried frantically but quietly.

“I’m not going anywhere.  I just want to look.” They continued to talk in short whispers. 

“But, but—”

“Shhh.” Chelsea lifted her head slowly and peeked out from the rover’s backend.  At first, everything looked quiet.  The same barren wastes, the same gargantuan stones, the same lime crystal formations, the same patches of Yurga root sprouting here and there.  But then her eyes moved to the far left.  There it was—the ravenous tornado creature.  It whirled playfully up the gully with Chandler’s head in tow, leaving the crushed rover on its side, its enormous tires spinning slowly to a halt.  Her eyes then focused on the other dozen or so monoliths in back of them.  Her heart leaped again.  Silhouettes with razor-sharp claws—not spinning, not moving—stood atop the shadowy parts of the high ledges.  Hauntingly, each one seemed to stare back at her, right through the vehicle’s shell, right through her very soul; she grabbed her necklace out of force of habit.  They reminded her of vultures, hungry and in wait for their next meal.  After a few more minutes, the dust settled and the suns beat down harder.  The tornado creatures vanished.  Everything was very quiet again. 

“Blake!” The girl’s voice was frightened. “You okay?”

The boy was matter-of-fact. “Uh-huh.  But my left arm is stuck under this darned metal crate.  And I can’t feel my fingers.”

“Anything broken?”

“I…I don’t think so,” Blake said. “What was it, sis?”

Chelsea shrugged her shoulders. “A whirling devil or something, I suppose.” She used her feet to push the heavy box of provisions aside.  Then she eased the other toppled luggage away from his fingers as gently as she could, and he pulled his bruised hand away from the piled up chaos. “Probably native to the region,” she went on, “and we just happened to shortcut through its habitat.”

“Do you think that was the Vendragon?”

“No.  It was something else, something far creepier.  More dangerous.”

“How do you know?” 

“The Keeper showed me learning disks.  The Vendragon have lizardy features, sort of like iguanas.  They’re a scaly, dry-skinned race.  Their bodies don’t give off perspiration like we do because of their arid surroundings and Ragnarok’s two suns.  She also said they’re humanoid in more ways than one, more than we think.  Can we continue this biology lesson elsewhere?”

Blake nodded, then pushed himself against the escape hatch. “It won’t budge,” he said, then looked back at his sister. “I’m scared, Chelsea.”

“Yeah, I know.  Me, too, brother.” She felt the impacted metal. “Let me have a go at it.”

She managed the door open and helped Blake down from the half-crushed vehicle, and they stood gazing at the wreckage.  The headless A.I. was sprawled halfway out of the driver’s seat, his flittering tubes and empty chest open to the hot-winded air. “Man, only a giant could have done this,” Blake said after inspecting the damage. “Poor Chandler.  He was cool.  Maybe we can use the spare power cells stored in the rover to reenergize him or somethin’, help guide us the rest of the way.”

“I don’t think that’s possible,” Chelsea explained.  She kept looking over her shoulder. “And I don’t think we should stay out here any longer than we have to.  It’s going to get dark soon.”

“Surely the Township isn’t too far now, huh, sis?”

“Yeah, surely…” Chelsea retrieved her knapsack and Blake’s in a hurry.  She looked for any lightweight supplies—digital nightspecs, perma-flares, laser cutters or first aid blocks—and pre-processed rations she could find.  Anything that might come in handy, anything that might aid in their survival. “Here, catch!”

Blake walked back to the front of the vehicle.  He didn’t understand much about artificial intelligences.  Even headless, he thought for a moment that Chandler was only injured or out of battery power; then he saw the remnants of fluid seeping from his shoulders, and the peculiar angle of his synthetic shape. “Chandler’s not growing another face, is he?” His eyes opened wide and, like his sister, his fingers moved to the key drive hanging low around his neck. “Does he at least have a soul?”

“Blake,” Chelsea whispered. “Chandler’s gone.”

Some time later they sat on a rocky cliff while the environment turned from yellow and green to a dusk brown and deep tangerine.  Chelsea had decided to get as far away from the wreck as possible, but she never left the trail.  Chandler had been in constant communication with Koral.  A scouting rover, she told herself, was bound to come sooner or later, and for the moment they had plenty of sunshine and plenty of food and water.  Blake was falling asleep; the boy was worn out, and his hand swelled something awful.  Every so often Chelsea got some irrational fear inside of her and steeled herself to kneel beside her brother, listening for a flutter of a heartbeat, making sure that he still had his soul on him.  Only when his body began to rest comfortably did she kiss his forehead and lay down beside him. 

“Mother and Father aren’t here,” she said, running her hand through his flimsy hair. “Neither is the Keeper.  It’s my job to look after you, little brother.”

Without realizing just how many hours of daylight Ragnarok was subject to, Chelsea too closed her eyes the moment her muscles stopped tensing and the tornado creature left her thoughts.  The first sun slid behind the rim of the gully, then eventually dissolved over the bluffs; the sky turned orange, with the occasional streak of red marking their spot in the universe.  Then the second, slightly larger sun disappeared over the tip of the escarpment.  The desert wastes, the misty, bubbly swamps that separated them like islands, and the crystalline plateau vanished under a blanket of purple and black, touched up with a satellite-tinged glow.  A breeze swirled the planet’s dusts and, in the face of the twilight, the girl shivered. 

Chelsea was awakened by the wind’s intensity; the monster from earlier played with her mind once more.  Afraid, she shook her brother out of slumber. “Blake.  Blake, get up.” She glanced around her. “It looks like we’re here for the night… However long that is.”

Blake barely opened one eye. “So?”

“So I think those whirling demons can’t take too much daylight.  When I saw them, they always seemed to stand in very little sun or take to the shadows.”

“Then we’ll build a fire.” Blake was very self-possessed. “You took perma-flares from the rover, didn’t you?” Seconds later, he sat up.

“Yeah, but when was the last time you and I went camping?”

“Titan.” Blake smiled.

“How could you possibly remember that? You were only two.  You mean you actually have a vivid memory of Me, Mom and Dad on our trip to Saturn?”

“Yes.”

Chelsea pinched his cheek.  Then she went into her knapsack and handed him a flare. “Remember how to program a spark, too?”

A short while later the children sat close to the blazing fire, listening to the flip-flap-flip of the two-headed air marmot, the long sad wail of the desert dolphin, and the surreal pitter-patter of marsh insects.  They weren’t exactly frightened of these animals; but the front row seat was a far cry from the virtual zoos and jungles back on Earth.

“You think that wind creature was a pterodactyl?” Blake asked out of the blue. 

Huddled closely around the flames, Chelsea answered, “No, silly.  It definitely wasn’t a pterodactyl.  Pterodactyls are long extinct.  From all worlds.” A moment of silence followed. 

Then the boy began to fidget. “Chelsea, what’s this Ragnarok place really like?” He almost wanted to cry again. “Chandler had told me so much.  What do we do now? How are we gonna survive?”

“I don’t know, Blake.  But I reckon we’ll be OK.  So long as you stay with me at all times.  We must never split up, never lose sight of each other.  Not even for a second.”

The boy fiddled with the key drive around his neck. “If something bad happens to one of us, should we give each other permission now to—um, well, you know—”

“Crush the chips and let our souls go free?” Chelsea grasped her own necklace tightly. “Let’s hope we don’t have to.  And if Mom and Dad are still alive, if they’re still out there somewhere, they wouldn’t want us giving up without a fight.”

The boy picked up a garnet tree branch and stirred the fire. “Maybe if the Vendragon find us, they’ll let us use their life server.”

Chelsea grimaced. “Yeah, sure.  Maybe.”

The boy said, “Remember those smoke rings we saw on the way? You reckon they came from the Township?”

She shook her head. “Vendragons live in the grassier regions—probably further north.  They rely on our knowledge of agriculture.  Supposedly, they thrive off it.”

“Yeah, but couldn’t we still head in that direction? I mean, somethin’ made that smoke.”

“Oh, Blake! It’s much too far.  We should wait for a scouting vessel.” She started to undo the knots in her hair. “Go back to sleep.  I’ll take first watch.  Besides, the distance of these plains are farther than you think.  And who knows what manner of beast created those rings.  For all we know it might be the same kind of creature that attacked us, burning carcasses and picking on flesh.”

The boy went scared and silent.

She hoped she spoke with conviction, but after what they’d been through, it disturbed her to know that her brother’s thoughts had been running so close to hers. 

They settled down by the fire, and before long their breathing grew slower and deeper.  After a while, Chelsea couldn’t stay up any longer.  Eyelids falling, she reached for her brother’s swollen hand.  Normally he’d have snatched it away, but he didn’t now.  A veil of mist drifted over the moons that scattered the night sky, and the children slept.

 

TO BE CONTINUED…

OG’s Speculative Fiction, March 2010… (2nd Acceptances!)

You can find me for a second time in the long-running, speculative fiction magazine and PDF webzine: OG’s Speculative Fiction.  Issue #23, March to April 2010.  Previous issues include an appearance in Issue #9.  Edited by Seth Crossman, this particular issue not only features myself but stories by Wayne Helge, Poetry by Darrell Lindsey, and Cover Art by Jem French.  It’s a classic issue, in both free format and print format (eventual release through LULU)…  Online articles, too.  Enjoy!

“Still one of my favorite stories we have ever published. We hope you enjoy the issue.”

— Seth Crossman, editor of the Opinion Guy

OG’s SPECULATIVE FICTION Issue #23 – Feature Author

Available in print via LULU, or as a free PDF – THE OPINION GUY.

HOMEPAGE (with articles):

www.theopinionguy.com

FREE PDF DOWNLOADS (for most readers):

http://theopinionguy.com/2010/03/ogs-speculative-fiction-issue-23/

http://theopinionguy.com/ogs-speculative-fiction/

PURCHASE A PRINT ISSUE (Convention Copies):

‘Also featuring Lawrence R. Dagstine’

ORDER SAMPLE ISSUE BELOW:

Other New Entries: “Magazines”

The Martian Wave, Collector’s Issue… (Now Available!)

Welcome to 2010.  For a decade it started off as a small webzine within the confines of cyberspace, publishing many of today’s familiar SF poets and short story authors… Well, it’s finally here.  The premiere print issue of the highly anticipated Sam’s Dot Pub: THE MARTIAN WAVE.  I am honored to have a story in the premiere issue among such names.  Get it now.  This first issue has a superb cover by Laura Givens and is bound to sell out either online or at Sam’s Dot Publishing attended conventions.  Now a semi-annual magazine! Rejoice!

PREMIERE ISSUE! PREMIERE ISSUE!

THE MARTIAN WAVE Issue #1 – Collector’s Edition!

The Martian Wave - Premiere PRINT issue

ORDER YOUR COLLECTOR’S ISSUE HERE:

http://www.genremall.com/zinesr.htm#tmw

THE MARTIAN WAVE INFORMATION PAGE:

http://www.samsdotpublishing.com/tmw/main.htm

SAM’S DOT PUBLISHING HOMEPAGE:

www.samsdotpublishing.com

FEATURING: Steve De Beer, Tyree Campbell, Dan Thompson, Keith P. Graham, Patty Jansen, Bret Tallman, Rick Novy, Shelly Bryant, Justin Bohardt, s.c. Virtes, Marge Simon, and Lawrence Dagstine.  Edited by J. Alan Erwine.

Other New Entries: “Magazines”

Aoife’s Kiss #35, December 2010… (12th acceptance!)

Hello, and congratulations to the New Orleans Saints for winning Super Bowl 44.  Here was a place that went through a lot five years ago, and I can’t think of a team and city that deserves it more.   Yes, I was rooting for you guys while I was in Atlantic City.  Now on to SF, Fantasy, and the Post-Apocalypse.  I just watched The Road last night; what a terrible movie that was.  Don’t fear, I’ll have a better story than that coming to the December 2010 issue of Aoife’s Kiss (What, better than the Cormac McCarthy you say?).  Published quarterly by Sam’s Dot Publishing, Aoife’s Kiss is edited by Tyree Campbell.  This will either mark my 12th or 13th acceptance into the magazine’s print and former Web component.  A lot of stories are being held onto at the moment, so I’ll know more over the course of the year.  Check out a few sample issues below with stories of mine in them.  And speaking of roads, we’re on the Road to 400 credits!

Sam’s Dot Publishing Main Homepage (updated monthly):

www.samsdotpublishing.com

A Few Sample Issues Featuring Lawrence R. Dagstine

Available for purchase or subscription via The Genre Mall

CLICK HERE: www.genremall.com

Personally, I recommend trying out either the June 2009 or September 2009 issues.  Both had decent stories, the issues sold out and they were bestsellers more than two, three times over.  Those two issues in particular had to be reprinted over three times! All available at The Genre Mall: www.genremall.com

Aoife’s Kiss Issue #22

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 Aoife’s Kiss #24

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Aoife’s Kiss #25

Aoife’s Kiss #29

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Aoife’s Kiss #30 [Bestseller]

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Aoife’s Kiss #31

 

Other New Entries: “Magazines”

The Martian Wave, Premiere Issue… (Coming Spring 2010)

A little reminder that The Martian Wave, edited by J. Alan Erwine and put out by Sam’s Dot Publishing, will be coming out spring 2010.  There’s the old banner below, back when, for about ten years, The Martian Wave was a quarterly webzine of interplanetary stories, space opera, astronaut tales, and fiction about intergalactic exploration.  That was always the central theme.  I appeared in the old Martian Wave about five, maybe six times, and it’ll be real nice to see it now in its much fuller form, and as a semi-annual print magazine.  Intended line-up below!

The Martian Wave – Summer 2010

After ten years – Now an upcoming print magazine

To be published semi-annually by Sam’s Dot Publishing:

www.samsdotpublishing.com

PREMIERE ISSUE LINE-UP… THUS FAR:

Adaptor by Steve de Beer
Bypassed by Shelly Bryant
Prize Crew by Dan Thompson
The Barren Wastes by Justin Bohardt
The Reefs of Jove by Keith P. Graham
another pit for sale by s.c. virtes
Luminescence by Patty Jansen
A Hollander’s Secret Weapon: 1609 by Marge Simon
Into the Silence Flies a Moth by Bret Tallman
Hindsight by Marge Simon
The Pillars of Europa by Rick Novy
The Great Martian Depression by Lawrence R. Dagstine

First Issue Cover Art by Laura Givens

 

Other New Entries: “Magazines” 

FRESH BLOOD by Lawrence Dagstine… (PDF and E-Format!)

My 2009 debut short story collection, FRESH BLOOD, filled with 160 pages of dark science fiction stories and twisted horror tales is now coming to PDF/e-Format.  You can get it from one of the largest RPG retailers on the Web. DriveThruRPG.com! Or, for just a few dollars more, you can splurge for the print copy and see what all of last summer’s buzz was about. Just do a search for “Sam’s Dot Publishing”.  It might take a while for the publisher’s page to go up.

Vampires * Zombies * Ghosts * Giant Lizards * Alternate Universes

FRESH BLOOD: TALES FROM THE SPECULATIVE GRAVEYARD

Published by Sam’s Dot Publishing

Author: Lawrence R. Dagstine

FRESH BLOOD in PDF/E-Format - ISBN: 978-0-9819696-2-6

Order the PDF or e-Version for upload to your readers at… DriveThruRPG.com:

www.drivethrustuff.com

For a little more, the softcover version at The Genre Mall:

http://www.genremall.com/anthologiesr.htm#freshblood

Fresh Blood by Lawrence Dagstine - PRINT VERSION

Other New Entries: “Books & Anthos”

The Next Time: Alternate Reality-Time Traveling Anthology…

 

Now Available on Amazon – 298 Pages, Only $11.95; featuring Lawrence Dagstine!

THE NEXT TIME: Anthology of Alternate Reality/Time Travel

Edited by Chris Bartholomew – Now Available!

The Next Time Anthology by Lame Goat Press

Order your copy today — I’m in it:

https://www.createspace.com/Customer/EStore.do?id=3424257

ISBN/EAN13: 1450519180 / 9781450519182

Author Line-Up: John C. Mannone, Mark Wolf, James P. Wagner, Shells Walter, Lawrence R. Dagstine, Kristin Aune, Kyle Hemmings, Ralph Greco, Pete Carter, Deborah Walker, Albert Melear, Sam S. Kepfield, John F. D. Taff, Lawrence Barker, Terence Kuch, Jo Thomas, Andrew Males, Edward A. Rodosek, David C. Pinnt, Michael C. Pennington, R.H. Reese, Christopher Jacobsmeyer, Joseph Carfagno, Sean Monaghan, John X. Grey, Mark Robinson, Jamie K. Schmidt, and Ken Head.

Other New Entries: “Books & Anthos”

Nova Science Fiction, Spring 2010… (Eight Acceptances!)

My 7th and 8th acceptances to the long-running print mag, NOVA Science Fiction, will be coming your way next year between Issues #25 and #26.  However, now that NOVA is going into its eleventh year and looking to thicken its pages and increase their circulation(s), I might have two stories in one issue again.  Previous issues would be No. #24.  Yes, I’m in it.  Stay tuned in 2010 for a Dr. Who convention with NOVA SF in the dealer’s area (and a lot of famous Brits), and a time traveling story of mine within their pages.

NOVA SCIENCE FICTION – Late Spring 2010

Issues #25 to #26 – Going into its 11th Year!

SUBSCRIBE NOW – SUBMISSION GUIDELINES:

www.novascifi.com

RECENT ISSUES – RECENT ENTRIES – DR. WHO CONVENTION INFO:

https://lawrencedagstine.com/2009/11/20/nova-science-fiction-24-november-2009-now-available/

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Submit Material Via Snail Mail:

NOVA Science Fiction

17983 Paseo Del Sol

Chino Hills, CA 91709

Other New Entries: “Magazines”

Aoife’s Kiss #31, December 2009… (Now Available!)

It’s my 11th story appearance within the folds of Sam’s Dot Publishing’s magazine, Aoife’s Kiss.  This would be the December 2009 issue, a pretty funky cover.  This issue also features Ken Goldman.  No. 31.  Interesting fact about the magazine: the title comes from Irish.  After all these years, I didn’t even know that.  However, if you love science fiction and adventure stories, you definitely can’t go wrong with a copy. 

AOIFE’S KISS, December 2009 – Issue No. 31

APPEARANCE No. 11 – Science Fiction Magazines

SUBSCRIBE/BUY NOW – JUST CLICK BELOW:

http://www.genremall.com/zinesr.htm#aoife

Submission Guidelines and MORE:

http://www.samsdotpublishing.com/aoife/cover.htm

Featuring Work by: Theodora Fair, D.W. Manning, Kate MacLeod, Ken Goldman, Marshall Payne, Kristin Noone, Kimberly Colley, Lawrence R. Dagstine, Jason Heller, Chris Ward, Curt Jeffreys, Geoffrey A. Landis, Julie Mark Cohen, Lenora Farrington-Sarrouf, Vanessa Waters, Justin Bohardt, Jonathan C. Holeman, Hillary Bartholomew, Shelly Bryant, William Beyer, Jamie Lee Moyer, Stephen Jarrell Williams, Michael Ceraolo, Jenna Kelly, Maggie Desmond O’Brien, Jene Erick Beardsley, Roberta Shepard, Carolyn Crow, and Edward Cox.

More Issues of Aoife’s Kiss featuring Lawrence Dagstine (click below):

https://lawrencedagstine.com/magazine-credits-dagstine/

Other New Entries: “Magazines”

Nova Science Fiction #24, November 2009… (Now Available!)

I’m pleased to announce that the 24th issue of NOVA SF is now available.  Ten years publishing! This would mark my fifth appearance with the Hard SF and Christian SF publication.  I’ll have another story with them sometime in late spring 2010.  According to the recent Novel & Short Story Writer’s Market, the circulation has gone up a little.  Let’s see if we can increase that again this year.  You can also subscribe via Paypal.  Published semi-annually, NOVA SF is edited by Wesley Kawato.  It also appears he’ll have a dealer’s table at a very famous Doctor Who Convention in Los Angeles, CA in February.  GALLIFREY 2010/Gallifrey One: http://www.gallifreyone.com/

It’s the Biggest Dr. Who Convention in the United States and NOVA SF will be there!

DETAILS: http://www.gallifreyone.com/dealers.php

Fellow Satirica Author, Bill Housley, is also in this issue:

NOVA SCIENCE FICTION – Issue #24

Autumn 2009 – Ten Years Running!

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PREVIOUS ISSUES FEATURING LAWRENCE DAGSTINE:

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Other New Entries: “Magazines”