Free SF Serial: “Orphan’s Prey pt. 3” – Lawrence Dagstine

Science Fiction Serial Part 3

First Draft – Follow it from the beginning…

Orphan’s Prey 1: https://lawrencedagstine.com/2010/04/20/free-sf-serial-orphans-prey-pt-1-by-lawrence-dagstine/

Orphan’s Prey 2: https://lawrencedagstine.com/2010/06/10/free-sf-serials-orphans-prey-pt-2-by-lawrence-dagstine/

Who are the Vendragon?

So self-assured, she was, only hours earlier. So brave and self-confident. So virtuous and independent at the right moments, yet obviously weak during others. 

She suddenly found herself pressing her hands to the sides of her head—she’d never done something like this in front of her brother—almost sick with discomfort.  She saw the expression on the boy’s face, then her own, only in her mind’s eye, weak, scared, unprotected, and she realized once more that they were just small children, incapable of much, and just how alone they really were.

 

ORPHAN’S PREY

 by

Lawrence Dagstine

A rather large, muscular, adobe-colored lizard was awakened that same night by what sounded like distant explosions.  From behind the controls of his land scout, the startled iguana with the reddish-brown leather armor and twaddle-speaking tongue realized it was thunder reverberating among the low cumulus that was some hundreds of miles wide.  There was the pitter-patter of rain pellets on the vehicle’s front looking glass and hood.  A break in the drought? No, couldn’t be; Ragnarok should only be so lucky this time of year.  All the water in the universe couldn’t fix that recurrent problem, only toss it a band-aid.  Hence the greenhouses, pipelines, and special sprinkler system back at the city.  Fog clouds approaching? Maybe.  It was a more logical bet.  In sandy, mountainous regions like this, a heavy thunderstorm or methane-mixed hail shower could be an isolated occurrence or a signal that a new front was moving in—or yet another unwanted season.  Whichever it was, the lizard was glad he was snug inside his tracker rather than camped out in a dry marsh or deep desert valley where the storm was picking up speed and strength.  As for how bad conditions would get, he’d just have to wait and see.

“Fog billows?” asked a similar life form from a standard operating panel in the rear.  Unlike the front of the vehicle, there were no visual systems or radar maps or even a looking glass to peer out of.   Compared to his much taller partner, this reptile’s armor was grayish steel, the portions of scaly flesh that was visible a mustard tone.

The tongue-tied lizard at the wheel of the land scout looked at his weather gauge. “With precipitation like this”—when he talked his mouth didn’t always move but, rather, an electronic chest unit with a flashing orb flickered—“what else could it be?”

“The way you study natural features,” his friend remarked, “I would have thought something more exciting.  Whatever your definition of exciting is.  You know, Koral, I’m quite surprised you never applied for an Earth visa.  You show a certain kind of enthusiasm for your work.”

Their vernacular wasn’t perfect, the interpretive English and back and forth chitchat a bit skidded; but the chest units helped immensely with vocabulary and pronunciation.

“You mean neurotic?” Koral’s tongue lashed out in slight irritation.

“Mmm, that’s the word.  A human term, too.  I’d bet my green farm that Earth scientists would have adored you.”

“Funny, Bakkra,” he laughed. “I don’t know whether to pat you on the gills for your clever perceptions of me—because I am mostly used to your cynicism—or just go ahead and collect my winnings now.  Heh! And here I thought only the man-droid was able to understand me.” There was a brief pause. “Speaking of which, the synthetic one has not returned or communicated back with our lovely package.”

“He’s a robot.  Robots are late, too, you know.”

“Not this robot.  I was the one the manufacturers hunted down and finally sold to.  I was the one guiding him through the wastes.”

“You seem concerned, and tired.  Should we call off the search?”

“No.  Not yet.”

“They’re that important to you, huh?”

“Yes.  That important.” Koral leaned back in his metal chair and let the ravaging elements unfold before him, while keeping a close eye on the overhead gauges and monitor for something else.

Lightning flashed some more.  The alignment of the bolts, shooting outward from the cumulus in all directions, reminded the lizard of the storm chasing he undertook in his youth; after three hundred and sixty years, one begins to feel old but still take pleasure in the eccentricities of the past.

Thunderstorms in the wastelands of Ragnarok were forever awesome displays of limitless power, he thought, sometimes releasing energy many times greater than the atomic explosion range.  Hailstorms derived of methane were a whole other story.  Still, he knew if you were close to either one, or became trapped in the very center of a fog cloud, there was about them a personal quality.  It was dramatic and inescapable.  It was terrifying but vivid, as if every sudden flash, every strong gust of wind, and every simultaneous explosion that crackled and boomed were seeking you out; after all, it really sought no one else.  The lightning came in multitudes and blinded you.  The thunder wreaked havoc on your ears and deafened you.  The ice-cold rains came down heavily and drowned you.  And on the open plains, the sand-filled wastes, and in hanging valleys of crystal and rock, there was no place to take refuge.

The snow, which frequently becomes spot blizzards with reckless currents of air beyond gale force, could also be merciless and astonishing in its ferocity.  Large, lazy flakes drifting down at first, touching the ground and melting instantly.  But in minutes the fall becomes thicker, more rigid, and the wind-whipped mess pummels the landscape.  The temperature drops rapidly.  Marshes and gullies turn in the twinkling of an eye to great streams of half-frozen mud, which then later break apart from those very same winds and become torrents, rushing steeply downhill unintended, catching up loose rocks, Yurga bush, even boulders.  Other times, the mud is uplifted and snatched from their channels, as if by some godly hand.  Then it is flung into the air with impending force, thus turning it into hail during its whirl around the cloud formations and falling with a shrapnel effect down upon lower elevations of land.  In the midst of the mud particles, an unscented methane composite, laid bare to Ragnarok’s wrath and planetary nature to do whatever mixing and mashing it likes.  Once it falls back down again, hardened and in hail form, it wreaks of the most terrible odor, which can be inhaled up to hundreds of miles away.

Koral always remembered the cloud masses beginning somewhere in the high mountains, never the desert regions or marshlands, and in an almost tentative fashion.  Always the highest escarpments, always the greatest plateaus.  Perhaps that was what made the seasonal irregularities so peculiar, so unrelenting in their expansive devastation.  And you never expected a season to change so fast or, unintentionally, drive through one.  Not unless it was closely monitored or regarded from a distance.

From within the land scout, and up along a high altitude, the now-dozing lizard found such an effect magical.  A swirling, shifting pattern of light, eventually graying, then dulling and, finally, obscuring.  Precipitation from some disturbance in the planet’s magnetic field eventually conjured up the surrounding fog—yes, that had to be it—but he couldn’t be certain.  Neither could his people.  It was just another mystery of the planet, passed down from generation to generation, and his hypothesis was open to much conjecture.  Sometimes there was a break; usually there wasn’t.  Sometimes it revealed uncharted peaks, gorges and canyons, and the Vendragon Township far below, often untouched by the gathering clouds and coming storm.

At times he found such atmospheric wonder indescribable.  He often used worlds populated by humans as a comparison: where Earth’s seasons changed over the course of months, the cycles on Ragnarok could change within minutes if not mere seconds.  He used these comparisons in his teachings.  The Vendragon, whose society already flourished in ways early human colonies had, achieved much knowledge and experience from it.  They took it with them wherever they went; though formally a tribal race, that and available technology became a handed down tradition.

Finally the lizard’s thoughts were interrupted by a voice on the overhead speaker. “Hey, storm chaser! Come in, chaser! What are you chasing after now? Over.”

“Apparently little boys and girls,” Bakkra hollered from the back. “Ain’t that right, Koral?”

The man-sized iguana turned and shot his mustard-colored friend a filthy glance. “Do you mind?” His chest unit flared bright red.

The speaker chimed again: “Check.  Fog clouds reach you yet? Over.”

“Affirmative,” he answered. “Unpredictable weather surrounding just about everything.  All within close proximity of the vehicle, at least, otherwise cloud-to-ground.  Too soon to tell.  Just beginning.  Over.”

“I’m sure the young ones are all right,” the speaker crooned; the voice on the other side tried to be reassuring.

“What makes you think I was worried about that? Over.”

“Have any of our friends made an appearance?” An intense silence followed.

Bakkra was about to say something smart when Koral turned and shushed him. “The man-droid has still not reported back, and no,” he said. “No activity or other signs of life in the region.  Over.”

“Oh, well, still armor yourself.  This storm system reading is immense from our side.  We’re going to catch it for good and for sure, and there’s an airstream behind it.  First snow and ice, then rain and wind, heavy at times.  Even at your elevation.”

“Trust me.  We’ve already felt the thunder.”

“Thunder is nothing.” The communicator cut off for what seemed like two, maybe three seconds, followed by unusual static. “We may lose… you if… you go any… higher,” the voice continued brokenly. “You been feeling tremors? Over.”

“Negative.” Koral flipped a few switches on the overhead panel and fixed the glitch. “Unless there’s something I don’t already know or you’re not telling me.  Over.”

“Hmm, well, we’re still sending two extra rovers your way.  Over.”

“Helpful, Ooglad, but Bakkra and I are all right.  Over.”

“Listen, Koral, I know it’s just a random search, and this cloud build-up is like all the other occasions, but let’s be honest here, you can use all the help you can get.” A brief pause, and then: “Small stuff, under four on the quake register, with sand-shocks set well outside your perimeter.  But why turn down a free assist? Over.”

“Thanks, Ooglad, but no thanks.  Out.” Koral switched off the communicator.

Bakkra was the one with the smug look now. “What did you do that for? You’d have to be mad to turn down a rescue and assist in conditions like this.”

“We don’t need it.  We’ll just stay the night.  The storm will pass, like those before it.”

“For all you know those children might already be dead! Your droid’s bleeper would have picked them up kilometers ago.  This, my friend, is just suicide!”

“Really, Bakkra? How so?” Koral leaned back in his seat once more. “Does this also mean I’m forcing you to commit suicide with me? Because I do occasionally entertain the thought.”

“I guarantee you these children are already worm food or some other kind of beast droppings!”

“I say you’re wrong.” The lizard was terribly amused. “For once in your pathetic existence, don’t be such a coward.  Part of our race’s survival depends on these two kids.  We’ve weathered fog clouds before, and knowing how Ooglad thinks, he’ll most likely still send out that extra patrol regardless of what I say.  He’s crazy and neurotic, too.”

“You’re right,” Bakkra said. “For once you are very right.  That young reptile is paranoid and foolish like you.  But I am not.” Gathering his things, he went on, “I don’t plan on staying here with you.  So, if you will not wait for the assist and accept it, then I will.  They’ll give me a ride back to the city, while you stay out in the hail to wither and die.”

He was prepared to slide open the door and exit the vehicle when Koral jumped up and stopped him. “Oh no, my friend.  You are not leaving this tracker.” The lizard made his presence felt; the air suddenly became hostile and serious. “Not while I am in charge.  I say we weather the storm, investigate these hills and cliffs, and that is final!”

“Let go of the door, Koral.  Things could get messy in a very confined space.”

Lightning flashed just outside; the crackling sound was ear-piercing.  Koral shook it off.  Then he released his massive-sized hand from the door’s grip. “Go ahead,” he said. “I’d ask you to be reasonable but I think you and I both know we are beyond that now.”

The mustard-toned reptile reconsidered. “The only reason you are being this way is because of what happened to Arim.  You’re scared you’ll have to live through a repeat.” There was a brief silence, significant, and followed by what seemed like an even more emotional reawakening. “Your puny brain might not realize it, because it’s crammed deep inside your subconscious—yes, one of your human terms—waiting for the chance to be exposed, waiting for the opportunity to be expressed, and aired in permanent relief.” Then Bakkra put his things down and took two steps back. “There is a cause to your neuroses, Koral.  I see this.  Ooglad sees this.  The whole tribe sees this! They worry about you.  They can see right through your armor, the pain you are suffering, the empty feelings you sometimes emit.  You leave the camps and city grounds to study the conditions out here, bury yourself in your research.  This is your means of escape.  But because Arim perished and you suffer does not mean others need suffer as well.”

Koral did not reply.  Instead, he returned to the front of the vehicle, strapped himself back into his metal chair, and peered silently out of the looking glass.

Bakkra went on, “I will not go.  I will return to my station.  This is a very strong storm formation we are dealing with here.  Hopefully, your instincts are right this time.  I also pray you will not be blinded by pride again.  This stubbornness needs to subside.”

Koral blocked the rest of what he had to say out and stared up at the overhead panels in dismay.  Eventually he closed his eyes and, with the ease of long practice in strange places, went immediately off to dozing again.  In a few hours he would see what effects of the storm he could find, and if the children or the man-droid had left a trail for him.  This time he was prepared.  He had a carry-along machine, lightweight with a strap, which detected alien life forms.

He continued to ignore Bakkra’s petty banter through the night.  He continued to be aware of feeling kinship with the environment and, oddly enough, with the fog clouds.  It was a feeling he found impossible to shake.  Pensively he looked back at the fateful actions that led up to the Arim tragedy.  It was so long ago, uneventful to say the least.  How could the thoughts still persist? Were they really bottled up inside of him? It was his first interspecies “coop”, as most out-colony settlers called it in those days.  The boy was too young.  Sixteen in Earth years.  For every hour the lizard was out there searching for the two orphans he probably thought of Arim and the accident that befell him twice as much, only unconsciously.

For a reptile such emotions were not like him; then again, perhaps he did not try hard enough to show emotion.  Along with his predictions in the weather, and for as long as he could remember, he had experienced premonitions instead.  If the premonition seemed genuine, his chest unit would emit a strange glow, and he would utter a warning of disaster to the rest of the tribe.  Very rarely did the Vendragon take him seriously, and very rarely did they act on it.  His forebodings were never specific, the calamity either absurd or nameless, so it was unusual that he did not speak of any premonition in the days or hours before Arim—a most treasured farmhand assisting their nascent culture in advancing agriculturally—was attacked and fell from that high cliff.  And never in his wildest dreams, he thought, could he predict that, even now, the two orphans he searched endlessly for might bring with them a terrible but ancient disaster.

TO BE CONTINUED…

Einstein’s Pocket Watch, September 2010 (2nd Acceptance!)

I’ll be coming for a second time to what, over the last year or so, has become a very popular and free webzine for writers of poetry, inspirational stories, Christian Fiction, Experimental Fiction, Some Science Fiction and Fantasy, Christian Science Fiction, and more or less stories that are uplifting.  NO horror.  Rob Crandall’s: Einstein’s Pocket Watch.  This would be my 2nd upcoming appearance to the webzine, but with a mainstream/literary piece this time.  I was in the first issue, and I’ll be back again September 2010.  It’s a wonderful blog webzine.  Check it out.

Einstein’s Pocket Watch – Coming September 2010

2nd Appearances – Mainstream – Edited by Rob Crandall

Fiction & Poetry in link below:

http://peafant.wordpress.com/

 

I’ve also gotten 2nd acceptances to “Shelter of Daylight” and 3rd acceptances to OG’s Speculative Fiction.  I’ll try and post those over the next two, three weeks.

Other New Entries: “Magazines” – Webzines

Shelter of Daylight #3, April 2010… (Now Available!)

You can now find me in the thick and fairly new Anthology-Magazine, SHELTER OF DAYLIGHT.  Issue #3.  Published on a bi-annual basis by Sam’s Dot Publishing, and I must confess, with this new year, their cover art and printer/print quality has improved greatly! For this issue I have a science fiction story, and there is a slew of other great authors.  Edited by Tyree Campbell and available in a super-glossy, perfect-bound format.  Just click on the links or the cover art below.  Cheers, Lawrence.

SHELTER OF DAYLIGHT Science Fiction & Fantasy – April 2010

Published semi-annually by Sam’s Dot Publishing:

Sam’s Dot Publishing – Main Homepage:

www.samsdotpublishing.com

ORDER THIS ISSUE (or subscribe):

http://www.genremall.com/zinesr.htm#shelter

Other Great Magazines – The Genre Mall

www.genremall.com

Author Line-up: Tom Humphrey, Greer Woodward, Tyree Campbell, Lawrence Barker, Ursula Warnecke, Kisa Rupp, Keith Graham, Maria Alberto, David Tallerman, Molly Schwanz, Jared Millet, Robin Mayhall, Lawrence R. Dagstine, Michael D. Sonnier, Shane Nelson, John Marfink, Jaime Lee Moyer, Anne Brennan, Marge Simon, K.S. Hardy, WC Roberts, J.L. Opskar, and Amelia B. Winkler.

Other New Entries: “Magazines”

The Martian Wave, Collector’s Issue… (Now Available!)

Welcome to 2010.  For a decade it started off as a small webzine within the confines of cyberspace, publishing many of today’s familiar SF poets and short story authors… Well, it’s finally here.  The premiere print issue of the highly anticipated Sam’s Dot Pub: THE MARTIAN WAVE.  I am honored to have a story in the premiere issue among such names.  Get it now.  This first issue has a superb cover by Laura Givens and is bound to sell out either online or at Sam’s Dot Publishing attended conventions.  Now a semi-annual magazine! Rejoice!

PREMIERE ISSUE! PREMIERE ISSUE!

THE MARTIAN WAVE Issue #1 – Collector’s Edition!

The Martian Wave - Premiere PRINT issue

ORDER YOUR COLLECTOR’S ISSUE HERE:

http://www.genremall.com/zinesr.htm#tmw

THE MARTIAN WAVE INFORMATION PAGE:

http://www.samsdotpublishing.com/tmw/main.htm

SAM’S DOT PUBLISHING HOMEPAGE:

www.samsdotpublishing.com

FEATURING: Steve De Beer, Tyree Campbell, Dan Thompson, Keith P. Graham, Patty Jansen, Bret Tallman, Rick Novy, Shelly Bryant, Justin Bohardt, s.c. Virtes, Marge Simon, and Lawrence Dagstine.  Edited by J. Alan Erwine.

Other New Entries: “Magazines”

Lawrence Dagstine: “How to make $5000.00 from writing…”

*HOW TO MAKE FIVE-GRAND IN YOUR SPARE TIME FROM WRITING*

An Essay by Lawrence Dagstine

This conversation always seems to come up whenever my name is made in passing in certain industry circles, regarding that “Prolific Hack” Lawrence R. Dagstine.  This time it came via Facebook a few days ago by a person we’ll call Chubbs.  Congratulations, Chubbs, you are now a character in my upcoming, racially provocative, cyberpunk novella, MAURICE AND THE URBANITES.  All with good intentions, Chubbs; I won’t kill your character off.  If there’s one thing I’m known for, it’s helping other writers find markets for their work.  However, I think it is important that all housewives or househusbands, part-time tutors, teachers or students looking for extra cash, has-beens, wannabes, bohemians, panderers, starving artists, prose-driven lushes, pain-killer popping poet laureates, and yes, even young technical writers who need reminding pay heed.  Or if you’re smart, can program yourself to type methodically, but find yourself currently unemployed.  So let’s start this off right…

Publishing Clip/Magazine Tupperware No. 2 of 4 - Yes, I own four.

Hi, my name is Lawrence.  I’m a hack writer who made roughly $5000.00 in 2009 from the written word.  Cash.  Mojo.  Bling.  And I’m going to show you too how to make this kind of money over a 365-day period; have checks and payments coming in regularly in this tough economy; samples on how to get writing gigs and become a fiction writing machine in your spare time, and the difference between quantity and quality (in my opinion).  As a trench-writer since the late 90’s, with close to 400 magazine and webzine credits, and in this current market, this is how I perceive Quantity and Quality.

QUANTITY = The Possibility of Fast Money and Brief Popularity.

QUALITY = The Possibility of Immortality and Elegance of Prose.

Author’s Note: With the above, your mileage may vary.  But both can exhibit a certain level of professionalism.  I’ll also get to the novelist a bit more later on.  Everything I put down here in the meantime is from firsthand experience, acceptances, years of observation, and generally whatever else worked for me concerning the written word.

I think everybody pretty much knows by now that I submit to a LOT of half-cent to three-cent per word paying markets.  I often have a minimum of 20 to 40 different short stories and novelettes floating out there at any given time, and so should you; with reprints, once rights have reverted back to me, sometimes as many as 60 fiction markets.  There’s one short that I’ve sold over seven, eight times already.  These are often called “Trunk Stories”, stories which have already been published and are just sitting on your laptop, can be dusted off, and sold again after many years.  And I’m not including small non-fiction gigs, which rely mainly on published clips, actual “print” periodicals, or through connections/recommendations one might have through freelancing or journalism.  That’s a whole other ballgame.  If you want to make some kind of extra cash with short stories, you need to write plenty of them! Like one or two per week, then build up a hefty folder over time.  This is a must! It won’t be an overnight thing.  Oh yeah, and expect to get a boatload of rejections.  But I think every writer and his or her grandmother is aware that it comes with the territory.

At the same time, I truly believe that while the written word is the written word – by that, I mean whatever you manufacture from your keyboard – within short story writing and novel writing there exists two very different breeds of writer.  Two very different thought process patterns between both of them.  Even though, over time, it is essentially the hardworking novelist who will round up the most funds.  One is taught to submit to nothing but the highest paying markets, because there is this invisible rule, and everybody should adhere to it.  Because we should better ourselves.  Start at the top, work your way down.  Maybe go to Clarions or Borderlands or a similar writing workshop, and attend seminars where you can sit down with actual New York Times Bestselling Authors.  Excellent philosophy.  I’m for it one hundred percent! I’ve been told to submit to nothing but five-cent per word markets, otherwise throw your story away.  I’ve had writers tell me five cents is an insult and submit to only seven-to-ten-cent per word paying markets.  And there was the one old-schooler who said submit to only ten-cent markets (yeah, and out of the thousands upon thousands of genre writers, statistically we all know there’s a ton of those out there).  I wouldn’t dare say keep that piece sitting in a drawer, especially if you believe in it.  Submit it! Still, at the same time we can’t forget that some levels of writers do it for the sake of paying other bills, no matter how big or small that earning from writing may be: it might help you fill up your gas tank, it might help you afford air conditioning this summer, or even pay your mortgage or credit card.  For some the opportunity is out there (on both levels); for some, not in a million years because they might not know what to do or how to go about freelancing or how to utilize reprints or how to get into the “Writing Habit”.  Personally, I could give a damn about immortality.  I live in the Here and Now, therefore I must eat, think, and survive in the Here and Now.  That’s my philosophy.

Basically, have a secondary income coming in on a fairly repetitive basis.  Checks and Paypal payments flying in every week to two weeks.  The same way prolific novelists receive royalties by the quarter.  Two very different breeds of writer, in my opinion.

Example 1:

On one particular day in September 2009, I opened up my email to find seven paying acceptances in ONE DAY – nothing big, nothing exorbitant – and I’m not a full-time writer.  That’s my current record, by the way.  In December 2009 I had another four paying acceptances in ONE DAY.  That’s eleven paying short story acceptances right there.  In only two days out of 365.  Now, out of those eleven acceptances, who am I to say no to $25.00 checks, $50.00 checks, $75.00 checks, or even a $100.00 check, which might turn out to be a 2-cent per word story which just happens to equal a Benjamin Franklin? Especially if they’re rolling in constantly! Unless you’re already established, you never say no to Benjamin Franklin.  Benjamin is your friend; Grant ain’t so bad either.  A 2,000-word short story to a professional market equals the SAME hundred dollars.  Not to mention I can probably name three or four other prolific short story writers who have me beat with the numbers above.  And while Benjamin and Grant are your best friends, they can do more than just get your name and work out there.  In this current market and economy it can pay for things.

Here’s another example from December 2009.  The publication in the link below, which has been around eleven years, I often get acceptances from.  I’ve even helped improve their exposure and circulation a bit.  They pay me 1-cent per word for material.  The two accepted stories in this particular entry, to be released this year, are 6,000 words in length each.  That equals $120.00.  Over a period of twelve months, it adds up.

CLICK HERE: https://lawrencedagstine.com/2009/12/21/nova-science-fiction-spring-2010-eight-acceptances/

This recent story acceptance below is fairly long.  It took me one day to write this story.  The creative juices were flowing.  The check from it will pay for one gas bill.  Still, if you want to pay more than one bill, you need to have at least 40 different short stories floating out there for you.  When rejections come in, send the stories right back out.

CLICK HERE: https://lawrencedagstine.com/2010/02/10/aoifes-kiss-35-december-2010-12th-acceptance/

Once again, that $5000.00 was from part-time writing, not full-time.  This came from short fiction, short non-fiction, selling Dagstine mags and wares in Coney Island, small leads and gigs on places like Craigs List to resume writing (www.craigslist.com).  Let’s throw in a little off the books proofreading for people advertising simple jobs from foreign-speaking countries (e.g., gigs I had for Denmark and The Philippines).  You can charge these people a fee in the low hundreds just to edit their manuscripts or fill their technical and business writing needs.  Always charge less than what the Writer’s Market suggests for these jobs; work with your clients, they’ll use you again or recommend you to others.  That’s how resume writing fell into my lap.  It doesn’t matter where you come from: if you understand English, have Internet access, and enjoy typing, anybody can do this… ANYBODY CAN DO THIS! So what if it isn’t entirely fiction? Now I’m building up an entirely different kind of portfolio in the process, something I would never have done or thought of, say, five years ago.  I’ve written under such names as Lawrence Davis, Lawrence Roberts, Lawrence Hewitt, and in the science fiction arena, Lawrence Dagstine.  The list goes on.  I even wrote a porn story once under the name Nabudi Sun (this was for kicks).  Plus, the freedom of this also gives me the time to write more genre fiction, which I enjoy and grew up on.

SAMPLE FOREIGN / FREELANCE LINK: http://manila.craigslist.com.ph/wri/

You ever see that show, DEAL OR NO DEAL? Hosted by Howie Mandel? He comes out on stage rocking his baldy, a woman with a silver briefcase hollering and screaming at his side.  The audience is cheering on.  The woman is given the option to pick briefcases and go for a six-figure win.  Let’s pretend that the contestant is a writer, and that this game show scenario applies to writing.  Very rarely do people get that six-figures; shit, some times they don’t even score five.  Howie Mandel will call upstairs and one of the producers or whatever will make an offer.  It might be $6,000, $8,000, or $10,000… Do yourself a favor, TAKE THE MONEY AND RUN! Don’t wait around for a half-million dollars.  Because, in traditional publishing, six-figures ain’t happening.  $10,000, sure, why not.  I can figure that.  Pay your bills and have fun with your peers.

Example 2:

You know, when you think about it, $5000.00 equals an advance on some novels, which might take you a year to write and then an additional 18 months to be released.  There’s no guarantee the book will sell, the agent you have will keep you or you will keep her, or that you’ll be the next big thing.  Your book may sit on a shelf for what seems like an eternity, or be sent back for a refund.  Or, in the end, have its cover torn off.

You have to remember, writing is a starving profession.  Freelancing is quick cash.  Thanks to it, I sell most of my works a minimum of three times each.  Thanks to it I have heat and hot water, a full refrigerator, electricity and gas, copays on prescriptions covered, clothes on my back, toilet paper to wipe my ass, diapers on my kid’s behind, and all other bills and necessities besides a rent firmly paid.

But, I understand.  Even though you realize that genre is a lottery, with one in every 10,000 to 20,000 truly making it BIG, you aspire to be that New York Times Bestselling writer.  There’s nothing wrong with that.  Dreaming big is a part of life.  Sometimes those workshops or classes, however, are pricey.  With round-trip airfare, hotel and food, you could be talking $2000 just to attend! Freelancing, in the fashion mentioned above, can PAY FOR THAT PROFESSIONAL WORKSHOP… It can help you afford these writing camps in what is a truly reserved economy.

In the end, it’s all about enjoying what you do.  The storytelling aspect, and of course, entertaining your readers.  Listen, you don’t have to stay in this little shell your whole life because some organization has it hammered out that way or because people have inferiority complexes (such as Chubbs).  What good is a writer who ends up worm food from lack of finances? I think that at a certain point, you have to come out and set up your career the way you feel most comfortable with it.  Remember, only you are responsible for your own destiny.  Only you can carve out a niche for yourself, thus turning it into your own reality.

Until Next Time,

Lawrence Dagstine

The Random Eye, Volume #2; 2010… (coming soon!)

For the second year in a row, I’ll be appearing in the annual eZine, The Random Eye. The Random Eye is about parallel universes, alternate history, alternative fiction, and stories which break the boundaries of communication.  Edited by Melissa Jones, the Random Eye is also The Random Radio.  My second acceptance is coming in early 2010, Volume #2.  It can best be described as a weird tale with a dash of steampunk, a dash of the historical, part fairy tale and part science fiction.  Oh yeah, and the 2010 theme is… TEA!

By the way, they’re still actively seeking fiction until January 2010.

THE RANDOM EYE: An eZine Dedicated to Alternatives

a.k.a. THE RANDOM RADIO

The Random Eye

SUBMIT OR READ IN JANUARY-FEBRUARY 2010:

http://therandomeye.atspace.com/index.html

Follow The Random Eye on Twitter:

http://twitter.com/therandomeye

2010 story theme: tea

Other New Entries: “Magazines”

Lawrence Dagstine: “eBooks & Kindle for the Holidays…”

Nothing says Christmas 2009 better than a good old-fashioned eBook, Digital Short Story, or Amazon Kindle title by Lawrence R. Dagstine.  Less than $5.00!

MERRY DIGITAL CHRISTMAS

"Visitation Rights" by Lawrence Dagstine

Story: “Visitation Rights”
Type: Paranormal Drama
Pub: Damnation Books, 2009
www.damnationbooks.com

ISBN 13: 978-1-61572-008-1
ISBN 10: 1-61572-008-1

"The Freak from the Past" by Lawrence Dagstine

Story: “The Freak from the Past”

Pub: Steampunk Tales #2, 2009
www.steampunktales.com

Featuring 10 Semi-Pro & Professional Authors

More E-Stories Coming 2010-2011

KINDLE  *  SONY  eREADER  *  iPHONE/iPOD TOUCH  *  PDA/SMART PHONES

Other New Entries: “eBooks & Kindle”

Aoife’s Kiss #31, December 2009… (Now Available!)

It’s my 11th story appearance within the folds of Sam’s Dot Publishing’s magazine, Aoife’s Kiss.  This would be the December 2009 issue, a pretty funky cover.  This issue also features Ken Goldman.  No. 31.  Interesting fact about the magazine: the title comes from Irish.  After all these years, I didn’t even know that.  However, if you love science fiction and adventure stories, you definitely can’t go wrong with a copy. 

AOIFE’S KISS, December 2009 – Issue No. 31

APPEARANCE No. 11 – Science Fiction Magazines

SUBSCRIBE/BUY NOW – JUST CLICK BELOW:

http://www.genremall.com/zinesr.htm#aoife

Submission Guidelines and MORE:

http://www.samsdotpublishing.com/aoife/cover.htm

Featuring Work by: Theodora Fair, D.W. Manning, Kate MacLeod, Ken Goldman, Marshall Payne, Kristin Noone, Kimberly Colley, Lawrence R. Dagstine, Jason Heller, Chris Ward, Curt Jeffreys, Geoffrey A. Landis, Julie Mark Cohen, Lenora Farrington-Sarrouf, Vanessa Waters, Justin Bohardt, Jonathan C. Holeman, Hillary Bartholomew, Shelly Bryant, William Beyer, Jamie Lee Moyer, Stephen Jarrell Williams, Michael Ceraolo, Jenna Kelly, Maggie Desmond O’Brien, Jene Erick Beardsley, Roberta Shepard, Carolyn Crow, and Edward Cox.

More Issues of Aoife’s Kiss featuring Lawrence Dagstine (click below):

https://lawrencedagstine.com/magazine-credits-dagstine/

Other New Entries: “Magazines”

Lawrence Dagstine: “How to Make Money at Signings…”

“HOW TO MAKE MONEY AT BOOK SIGNINGS”

dagstine-merch-1

AT OUTDOOR EVENTS & FOR THE INDEPENDENT/NEWBIE AUTHOR

by Lawrence R. Dagstine

A lot of people have been “hinting” recently on places such as Facebook and via email looking for advice.  They want to know how I did it.  They want to know how to make money selling books and magazines at functions and signings, especially if you’re an independent/newbie author.  As many people already know, I came out of a series of signings at Coney Island, New York this past summer with a decent intake on such titles as FRESH BLOOD (see Books & Anthos), and more.  Writing is pretty much an extra income field for a majority of us.  Once you learn to accept that, and not depend on fiction or look forward to fancy six-figure careers, you find your comfort zone.  The checks that come in repetitively or non-repetitively may pay for such things as utility bills, groceries, little odds and ends in places like Rite-Aid, CVS, or Walmart, co-pays on prescriptions, dinner and a movie, or something as simple as a gallon of milk or filling up your gas tank.  Of course, all of this might not come from fiction, but that’s okay.  After all, it’s a starving profession to begin with.  In this recession, every dime that comes out of the written word counts, because you never know how much your next electric bill or gas bill will be.  For example, right now I’m doing people’s resumes.  If you’re already an established, professional author with a couple of novels out, this information probably won’t help you, as you already make a nice income from being an upper midlist author or being able to relax on what royalties and advances you make from mass market paperbacks.  That, and some of your publishers may already foot the bill for some of your traveling expenses from signings.  But nowadays it’s very rare unless you’re a lead-lister.

However, if you’re an independent/micro-press author who lives in a big city or a pretty happening little town, whose been published in lots of print magazines, maybe a few anthologies, has a new book or collection available through a POD press, has access to a small newspaper (bonus points here), this information might help you better understand the kind of buyers that you want to attract, the places you want to sell, the performance you want to give when selling, how much to pay for dealers’ tables, number-crunching, and, what seems to work and not work “perception-wise” when selling to an audience outside of genre, because let’s be honest—that’s the consumer you’re gunning for, and they’re hard to reach.  At the end of the day they’re still a reader of Charlaine Harris, Dan Brown, or James Patterson.  You want to sell to both genre readers and non-genre readers alike.  Most likely, you work a day job, or maybe you’re on a fixed income.  You need to rely on a budget throughout, cut corners when necessary, because this article is recession-friendly.  People may perceive you as a hack, an amateur, people you know for years may perceive you as a pro, a super-pro, or even Superman! But no matter what kind of author you are, the moment you sat down at that table and sold a variety of stuff with your name on it, you were no longer just an author.  You also became a merchant and a bookseller, and you need to keep that mindset.

If you do live in a big city or a small town and haven’t been able to get signings in places such as Borders, Waldenbooks, or Barnes & Nobles, that’s okay.  In this economy, if you don’t expect family or friends to show up (or friends of those friends), chances are you’ll only sell less than twenty copies anyway and look like a schmuck at a table in the corner with a bowl of lollipops or cookies.  Somewhere away from the door if you’re not cozy with the store manager.  I chose Coney Island because it was a seasonal attraction—over five million visitors per summer—rather than a one-day gig, and I’d known about it almost a year in advance because I did some writing and research for one of their papers.  I knew people, and I made connections.  And if you can make connections, and you know the turnout is going to be big and profitable in advance, and it’s inexpensive to show up and conduct your little set-up, then what are you waiting for?

Fact: five-million people do not visit a Borders bookstore over the course of a summer — matter of fact, they’re closing stores, and I would be surprised at how many more survive — neither does that amount visit an independent bookstore, which I find to be a good way to do nothing, sell nothing, and just kill the day in a chair.  A world famous amusement park and tourist attraction is a whole other story.  Even little carnivals passing through town may attract more visitors.

Of course, there are always exceptions.

If you’re not selling in places like the chains, then you still want to add some diversity to your table, make it look pretty: business cards, flyers, postcards, magnets, or buttons made up cheap.  I recommend Vistaprint (www.vistaprint.com).  You can get stuff made up by them quite often for free.  All you have to do is pay the shipping & handling.  Some of the greatest places to sell books, and which attract crowds are book fairs, street fairs, flea markets (outdoor, indoor, churches and synagogues), carnivals, community centers, town halls, schools, festivals, bars… But mostly outdoor events in spring and summer.  Warm weather.

One writer asked me how much should he pay for tables (or, in some cases, booths).  I would say if you’re an independent author DO NOT pay more than a hundred bucks for a table (but that’s just me).  If you don’t come out of your signings making a minimum of 70 to 80% profit, don’t even bother reserving a spot.  Why? Because you need to first make the cost of the table back.  Then there’s the cost of gasoline, food and beverages (maybe even hotel and airfare).  Trust me, it adds up.  Make your signings LOCAL, and, if possible, try to split the table costs with fellow authors, too.  Oh yeah, you also want to hit up the smaller cons rather than the big cons.  Not that you shouldn’t attend the bigger cons, only that some of the smaller conventions are much easier on your pocket when it comes to the dealer’s area.  Sam’s Dot Publishing, one of my publishers, always seems to make a killing at these events.  They often sell out! Flea markets, churches, and festivals can go as low as $25 to $50.  I know this one church which holds a pretty popular flea market on Tuesdays and Fridays for twenty bucks, but you have to bring your own table.  Always packed.  Just sell a few used books, sports cards and comics on the side, you’ll make that back in no time flat.  Other genre wares should be meant to cover the cost of your table and traveling expenses.  This is a must!

When you go into a signing as an independent/newbie author, you need to go into it with the mind of a businessman or businesswoman.  You need to ask yourself: where do I expect to pick up the most sales and the best exposure.  The ice cream parlor, the town library, or the state fair (obviously the state fair).  If you need a license, get one.  They’re really not that expensive.  If you’re a newbie on a fixed income, you need to calculate all this in advance.  Don’t just sit at a table with your hands clasped, smiling and nodding at passersby.  Get up and be a regular PT Barnum.  Be jovial.  Prepare what’s called a pitch. For example: “Hello, Ma’am, you’re looking lovely today.  You must love to read.  Oh, don’t be shy.  I bet you have a soft spot for books reminiscent of Stephen King and JK Rowling!”—you get the gist (woman sees table filled to the rim with merch; friendly conversation is under way).  You need to stand up and introduce yourself.  You need to have confidence, charisma, personality, and a little humor doesn’t hurt either.  Books don’t sell themselves.  Hence why you need to be business-minded when you approach this, especially in these hard economic times, where the independent writer gets the short end of the stick.

Snail Mail

Let’s talk about Coney Island now.  My very first signing on that very first day in June was a disaster.  Why? Because I had only brought Fresh Blood with me and a few used books by pulp authors.  Luckily, that first day I covered the cost of the booth (it was only $30 at the time), but I’ll never forget this one guy who came up to me and said, “Wow, so you like write stuff.  Man, I remember books.” I was astonished! Let’s just say the guy was a caveman who’d taken one too many bong hits.  How does someone forget about reading and books? Another girl just wanted her photograph taken with me because she never met an author before, yet she didn’t buy anything.  Not to mention I looked like a big tool just sitting there with one Dagstine-related item to my name when, back home, I had hundreds of print periodicals I could have toted with me.  Duplicate copies, too.  Yes, variety, along with ‘public perception’ makes for a very nice recipe, which I’ll explain in more detail in a moment.

After that first day I learned my lesson.  Between June and August there were supposed to be seven signings, but there ended up to be six due to a one-day rainout.  There would have been a few more had it not rained constantly between June and July.  And Flea by the Sea (the name of Coney Island’s summer marketplace), though covered by tents, was an outdoor event.  It was on top of the beach.  At times, the winds were horrible.  The circus was there, too, and one day there was a big hoopla going on because Ringling Brothers were abusing the elephants, but believe it or not a few of the animal rights activists picked up some of my goods.  So I can’t complain there.  But what I’m trying to say here is that, make sure it’s not going to rain on your parade on the day that you sell.  Mother Nature has a funny way of defying writers when it comes to selling outdoors.  By July and early August I was paying $40.00 for the booth and then $10.00 to rent the table, which came out to $50.00 for an entire weekend.  How could you beat that price? This is the price area you should be looking into.  Once again, a hundred bucks should always be your cap, and hopefully, you have more than one book to offer.  Speaking of which…

They say never judge a book by its cover.  Bullshit. When you’re selling in quantity to a non-genre and genre crowd, cover art I noticed makes all the difference.  In most cases it comes down to perception and appearances, or just the way people interpret merchandise.  I don’t care what anybody says.  They do judge a book by its cover.  And what people saw were stacks of magazines with extra copies, six different hardcovers and anthologies, and of course, a stack of Fresh Blood.  It was set up professionally and it looked pretty, like my own compact comic book shop.  All featuring something by ‘Dagstine.’

People were complimenting me because of the covers of the magazines.  Short lines and interested eyes gathered.  One person said, “So you must be Brooklyn’s SF Writer.”—I said, “Okay.” I just totally went with it.  Everything acted sort of like a cash cow.  One Dagstine publication led to the purchase or attraction of another.  Not only did one person spend $50.00 in one shot on me, but over the course of those signings I pushed $250.00 worth of old self-published hardcovers from The Year of the Flood, back when I didn’t know what the words ‘Vanity Press’ meant.  The point I’m trying to make here: I had a lot to choose from, my buyers had a lot to choose from, and so should you.  The cover art, the variety, the set-up, and “come one, come all” pitch made all the difference.  Even the shirt I wore! I got to autograph and sell my writing where, with only Fresh Blood, I probably wouldn’t have made what I did over the course of the summer: around $1200.00 – NET. And hey, I got my work and business cards out there.  Not bad for a hack, and my table investments had already been covered. 

If you’re a writer whose works have appeared in quite a few magazines, talk to the editor about getting extra issues at an author discount.  Always use media mail.  You might pay $4.00, $5.00, even $6.00 for those extra copies featuring your work in it.  You’re going to autograph them and sell them for $8.00 to $10.00… And don’t forget what I said, once you’ve included the cost of the table, food and beverages, gas or transportation to get to your selling destination, you need to make a minimum of 70 to 80% profit, otherwise it’s pointless.  Remember to invest in your work, invest in yourself, and before you attend that signing with more than one book or periodical, sit down with a calculator and crunch those numbers.  Make sure the location is going to be worth the time and effort.

In closing…

Whether you’re selling indoors in some chain, an artsy-fartsy independent that has velvet couches and serves Lattes and marble loaf in the back, or you’re giving the outdoor thing a whirl like I did, there is also another reason why you need to impress that passerby.  Besides cover art and quantity, nine out of ten times the general reading public will throw down cash on used books, non-fiction, children’s books, fast-paced thrillers, or romances before they will genres or subgenres known for killer slugs, planets with giant lizards, what the future would be like if everybody were pink, zombie stories, and heroic fantasy yarns.  If you’re a writer of genre fiction, you’re automatically at a disadvantage, so you need to think of ways to catch up.  That’s why the business model/bookseller mentality is so important.

Still, if I could do it with twelve hundred smackers, with a little initiative, so can you.

Until Next Time,

Lawrence R. Dagstine

Tales of the Talisman, Fall 2010… (4th acceptance)

Not to be confused with the upcoming Fall 2009 issue, which should be out around Halloween to early November.   That’s Issue #5.2.  I’ve learned I’ll be making my 4th appearance next year in Issue #6.2 — Autumn 2010.  A long way off, but stay tuned to this spot.  Tales of the Talisman.  Edited by David Lee Summers, the magazine has been around for a number of years, features ten to twelve authors per issue, and is published quarterly.  Annual subscriptions also available.

tales_banner

www.talesofthetalisman.com

Previous Issues which may still be available.

Featuring stories by Lawrence R. Dagstine

 tott31.jpg

 

Tales of the Talisman, Issue #3.1 (2007)

 

Tales of the Talisman, Issue #4.1 (2008)

And click the link below to see what’s due in 2009:

https://lawrencedagstine.com/2009/08/10/tales-of-the-talisman-late-fall-2009-coming-soon/

Other New Entries: “Magazines”

Lawrence Dagstine: “On the state of Science Fiction…”

…And a few other thoughts.

The following essay pertains to mostly science fiction.  It’s an opinion-based essay and nothing more than that.  These are my views, take it for what it’s worth.  It derives from something Harlan Ellison originally wrote on his Webderland Website a few days ago, a paragraph which can be found here: http://harlanellison.com/home.htm

Harlan Ellison thinks SF is dead.

Harlan Ellison thinks SF is dead.

 He might be right.  Here is what he wrote:

“Literature is dead. Civility is dead. Ethical considerations are dead. Common sense is dead. Dignity, respect, responsibility are dead. It is a cheapshit spur-of-the-moment tawdry and empty-headed congeries of societies, here, there, everywhere. It is a universally cheapjack time in which a steadily more ignorant and venal species has become drunk on notoriety and the scent of Paris Hilton’s thong. Science fiction is dead? You just noticed? You come late to the literature party; the hyenas have long since been attracted to the stench of stupidity; text them for me: bon appetit.”

HARLAN ELLISON / 28 August 2009

Now…

Did you know there are over 100,000 readers of science fiction, fantasy, and horror out there? At the same time, in any given year, there are around 100,000 submitters of genre fiction out there.  Worldwide, that is a rough estimate.  I was surprised to learn from one hobbyist publication that during their quarterly reading periods, they receive anywhere from 300 to 500 manuscripts.  And they only pay 25 bucks.  So the next time you get a publishing credit or get shortlisted for a story slot, give yourself a pat on the back, because getting published in genre fiction nowadays is sort of like trying to win the lottery.  Actually, if you live in New York, it’s probably easier to win the Take Five or one of those Loose Change/Bingo scratch-offs.  Or you could just pay-to-play (many esteemed venues such as F&SF are doing it, even though for years such places advised against it).  That’s code for broke.  Still, there are much more writers than there are magazines (it’s sad), and buying something as simple as a sample issue or two can help a magazine stay alive and keep slots – part-time and full-time jobs for those who struggle – open and afloat.  Then you have the whole e-revolution and how prices just went down on X-BOX 360’s, Nintendo Wii’s, and Playstation 3’s.  Now that makes it a whole lot easier to introduce a new generation to geek-a-ture.

Everybody has a story to tell, but not everybody wants to listen.  People are laughing now at devices like the Kindle, the iPhone, the Sony eReader.  I’m thinking way ahead of that, wondering what will replace those devices in twenty years time. 

Amazing Stories

Amazing Stories

Remember the days of Jack Vance, Frederick Pohl, Philip Jose Farmer, Ray Bradbury, Theodore Sturgeon, A.E. Van Vogt, Fritz Lieber, Frank Herbert, Robert Heinlein, Isaac Asimov, Arthur C. Clarke, and yes, guys like Harlan Ellison? Remember the days of Richard Laymon, Robert McCammon, Hugh B. Cave, Charles L. Grant? Remember female authors such as Vonda McIntyre, Connie Willis, Ursula K. Leguin, and Octavia Butler? And yes, there are some notable British names I’m leaving out, that should be included.  Nowadays Stephenie Meyer is the NEW Stephen King, and I still don’t know what to make of Margaret Atwood all these years later.  Eventually I’ll have an answer.  In 2009 we can’t wait to read about vampire Bill Compton sucking on little Sookie Stackhouse’s titties—yesteryear it was Spike humping Buffy—or tuning in to the next great classics: Fringe (yesteryear it was The X-Files).  Everywhere there are zombies, werewolves, boogeymen or things that go bumpity-bump in the night.  And vampires.  From TV to movies to comic books to graphic novels.  Zombies, werewolves, vampire crossovers.  Zombies, werewolves, vampire subgenres.  It’s kind of like the Measles, but without the vaccine. 

Before all the clichés, before all the contrived storylines and slightly more mainstream pieces with beginnings but no middles and ends… before the slice-of-life vignettes which were supposed to relate to us, our inner demons (grrr!), or be politically daring and poetic to our ears and somehow symbolic, but was actually crappy and confusing rather… You had character-driven stories, plot-driven stories, protagonists you cared about, antagonists you cursed beneath your tongue, and most of all, innovative ideas.  Some of those ideas would eventually become what you see before you today.  Some of it yet to make its debut in society.

FACT: 75% of genre writers will die poor, starving, or rely on insubstantial bank funds as their nest egg.  Most don’t want to believe change is happening, or that evolution is impossible, and that it is going to stay that way.  A vast majority already have one foot in the coffin.  Otherwise, older, former editors and writers are about eight to ten years away from being maggot food regardless.

“Ah ha, Mr. Dagstine! But I have a Limited Edition of 500 copies from such-and-such-a-press in hardcover dustjacket.  It’s science fiction literature at its finest!”

No, trust me.  It isn’t… Paging Adam Roberts, paging Adam Roberts…

There are six-billion human beings on the planet Earth; most are from Asia.  There are more books than there are people.  Out of that 500 Limited Edition run from that Small Press, you might sell 250 to 300.  Perhaps more, and those will be to your colleagues.  It’s a race against time to write and get read (if, even after your death, technology has not evolved yet again and you are preferably read).  The other day I stared at a non-fiction check for $400.00 (Dagstine is my nom de plume for horror and scifi).  Then I looked at a micro-press pub and said I must be holding my prick in my hand.  My advice: take any money you make in this profession and fucking run!

 

Maybe Harlan Ellison is right.  Maybe science fiction is dead.  And maybe horror is just one big keg party where you get to check in but you don’t check out.  Maybe fantasy is for the LARP’ers who refuse to abandon ye’ olde dungeon.  Better yet, maybe we should save ourselves the glum silences and troubles of the clinical depressions that await us twenty, thirty years down the road.  What do you think? Should we start filling  those Zoloft prescriptions a little early?

Lawrence R. Dagstine

P.S.: If you still enjoy what you do, naturally, just go with the flow.  Me, I guess I’ll still keep on submitting, keep on trucking.  After all, what else is there? 

Damnation Books: “Visitation Rights” by Lawrence Dagstine

Welcome to the Internet premiere of my paranormal story in digital format, Visitation Rights.  It is available for download to practically all manners of reading devices, and at a very affordable price.  Read it on the bus, the subway, in your bed, or in the park.  Visitation Rights (a different kind of ghost story; you’ll never see the ending coming), published by Damnation Books: www.damnationbooks.com

"Visitation Rights" by Lawrence Dagstine

"Visitation Rights" by Lawrence Dagstine

 
Damnation Books: 
 

www.damnationbooks.com

AMAZON KINDLE (order direct):

http://www.amazon.com/Visitation-Rights-ebook/dp/B002LLNFUI/ref=sr_1_4?ie=UTF8&s=books&qid=1251364206&sr=1-4

MY eBooks & Kindle page:

https://lawrencedagstine.com/ebooks-kindle-dagstine/

ISBN 13: 978-1-61572-008-1 
ISBN 10: 1-61572-008-1

With that said, join Damnation Books at KILLERCON 2009 this September in the biggest convention state in the U.S.: Las Vegas, Nevada.

Other New Entries: “eBooks & Kindle”

M-BRANE SF: Issue #9, Fall 2009… (coming soon!)

Slowly catching up, slowly getting there.  My second of three Mars-related stories will appear in M-BRANE SF around the Fall.  Issue #9.  This is my 2nd appearance with them.  They’ve recently released print versions of issues #1 through #5, and No. #6 may already be out.  They are also available via PDF subscription (very affordable!), which I highly recommend checking out.  The publication features many forms of scifi, non-fiction, and analyses of the genre itself.   It has a retro-60’s feel.  Sort of like the pulps.  They’ve featured many familiar names in the SF short fiction arena. 

M-Brane SF

M-BRANE SF is not only a PDF and print publication but a regular science fiction news source, too.  One of the ideas they’re juggling around right now is a ‘Shared World’ theme, which might be of interest to genre lovers.

Direct Link to Shared World Project:

http://mbranesf.blogspot.com/2009/06/shared-world-project-summary-so-far.html

Previous Issues Featuring Lawrence R. Dagstine

M-Brane SF Issue#2

 ORDER HERE:

http://www.lulu.com/content/paperback-book/m-brane-sf-%232-print/6647886

SUBSCRIBE TO THE PDF/SCI-FI NEWS BLOG

www.mbranesf.blogspot.com

Other New Entries: “Magazines” 

The Martian Wave, Issue #1… (coming soon!)

It’s no secret that over the last ten years some of my earliest science fiction works first appeared in venues such as The Fifth Di… and The Martian Wave, or on the Sam’s Dot Publishing roster in general (they’re also the publisher of my debut collection, Fresh Blood).  Over the years, The Martian Wave has provided a home to such prolific talents as Bruce Boston, Rick Novy, Kristine Ong Muslim, Aurelio Rico Lopez III, Justin Stanchfield, Scott Virtes, Terrie Leigh Relf, and David Lee Summers.  And that’s only the tip of the list. 

THE MARTIAN WAVE

Edited by J. Alan Erwine

MartianWave

Published by Sam’s Dot Publishing

www.samsdotpublishing.com

I’m pleased to announce that in just a few weeks from now The Martian Wave is going to finally be a print magazine focused around good, hard, interplanetary SF and space opera.  I’m talking tales of other worlds and alien life — and I’ll be in their premiere issue with… Well, what else? Something about Mars! This also begins a three-story arc of Mars-related shorts I wrote due out between 2009 and 2010.  So stay tuned!

SamsDotPublishing

I’ll provide ordering information and cover art when the time comes (love the new logo, by the way).  Naturally, this magazine will be available through The Genre Mall.

THE GENRE MALL:

http://www.genremall.com/contents.htm

Other New Entries: “Magazines”

Withersin Magazine, Issue 3.3… (coming soon!)

You can find an article of mine in an upcoming winter edition of Withersin Magazine.  Issue No. 3.3, published tri-annually.  Available in various Borders and B&N stores in the literary journal or fiction magazine section.  You can pre-order your copy from the direct link below.  This would be the Arsenic edition.  Withersin is also known for their award-winning art.

Edited to Add: This is a pre-order for January 2010.  

WITHERSIN MAGAZINE – Issue 3.3

PRE-ORDER BELOW (direct link):

http://www.withersin.com/withersin_arsenic.htm

HOMEPAGE (subscribe):

www.withersin.com

Fiction, Non-Fiction, and Dark Art by: Aaron Legler, Kurt Kirchmeier, Kevin Shamel, KCT Webber, M. Awren Grey and K. Sumek, Tom Hamilton, Lawrence Dagstine, Larry Roberts.  Cover by Caroline O’ Neal, other artwork by Doug Draper, B.A. Bosaiya, and Nick Rose.   Edited by Misty Gersley.

Once again, you can PRE-ORDER this now.  It officially hits January 2010.

Other New Entries: “Magazines”

Midnight Times, Summer 2009… (coming soon!)

I’ll be coming with my 3rd appearance to one of the longest-running horror webzines out there, Midnight Times.  In the meantime, check out their free archive.  The current story will take place in July 2009 in what I believe to be a special “zombie-themed” edition.  

MIDNIGHT TIMES – SUMMER 2009

midnight times

CLICK HERE: www.midnighttimes.com

I must confess… with the upcoming signings and reviews, book fairs, bookings and new opportunities which have recently been tossed in my lap, I have not had the time to update this webpage as much as I’d like.  I must also confess I’m now behind by roughly twenty blog entries and twenty fiction pieces which, due to having a personal life besides writing, I will not entirely catch up to anytime soon.  So if you see the blog entries few and far in-between, that’s a good sign.  In the meantime, let’s embrace the digital era (take note of the new eBooks & Kindle link above – things are coming).

Other New Entries: “Magazines”

Necrotic Tissue, April 2009… (appearances)

You can now find me in the latest PDF edition of the immensely popular, ever-growing Necrotic Tissue.  April 2009, available via download.  It’s a great horror magazine with a bright future ahead of it.  If you love zombies, then you’ll love what I have to offer this round up.  Starting in July 2009, Necrotic Tissue will abandon its PDF roots to become a quarterly print.

NECROTIC TISSUE; April 2009

Necrotic Tissue

Necrotic Tissue

www.necrotictissue.com

Other New Entries: “Magazines”

Black Ink Horror #5, Sideshow Press… (Reminder Post!)

This is just a reminder to say that, if you didn’t pick up Black Ink Horror #5, well, you should.  I received my copies and I must admit, I am very impressed with the quality of the product Sideshow Press puts out and will be going back in the near future.  Only 110 exist.  You’ll want this ink… Hurry before it sells out.  Once again, very impressed with the end product.

LIMITED EDITION – VERY FEW IN NUMBER

With artwork by Tom Moran and Others…

BLACK INK HORROR #5

Black Ink Horror #5
Black Ink Horror #5

LIMITED EDITION – ORDER NOW

BOUND TO BE A COLLECTIBLE!

ORDER HERE: www.blackinkhorror.com

 17 Short Stories and lots of poetry.  Hard-spined, and the artwork is dynamite!

Aoife’s Kiss #28, March 2009… (Online Version!)

Aoife’s Kiss, published by Sam’s Dot Publishing and now going into its 28th quarterly issue, is  bigger than ever.  They offer a print version and an online version.  However, starting June 2009, they will become a straight-on print only venue.  I can be found this month, March 2009, in their Web edition.  Would you like to order a copy of the print version? Links provided below.  And remember to vote for your favorite story by your favorite author, as these get chosen for future Wondrous Web World anthologies.

AOIFE’S KISS # 28; March 2009

Published by Sam’s Dot Publishing

ORDER THE PRINT VERSION:

http://www.samsdotpublishing.com/purchasecenter/magazines.htm

READ Volume 7, No. 4 online and VOTE!

http://www.samsdotpublishing.com/aoife/main.htm

Fiction by: Lorraine Pinelli Brown, Kurt Kirchmeier, Linda A. Gould, and Lawrence R. Dagstine.  Cover art by Teresa Tunaley.

Other New Entries: “Magazines”

Also published by Sam’s Dot, and available for PRE-ORDER at The Genre Mall!

Artwork by Mitch Bentley - Atomic Fly Studios

Artwork by Mitch Bentley - Atomic Fly Studios

FRESH BLOOD: Tales from the Speculative Graveyard

by Lawrence R. Dagstine

PRE-ORDER HERE: http://www.genremall.com/anthologiesr.htm#freshblood

A Collection of Science Fiction & Horror: ISBN: 978-0-9819696-2-6

Sam’s Dot has come a long way in the last ten years, its authors being nominated for such awards as the Nebula, the Hugo, and the Bram Stoker.  Many a famous name have made a guest appearance there.  Most important, if you are a new writer, I am living proof that you can slowly work your way up the ladder and get a “book deal” or “payment” or things such as an “advance” or “publicist” for your efforts (bear with me, there’s a lot in the pipeline, and there are only twenty-four hours in a day).

I think this month’s “tuppence” column by SF award-nominated editor Tyree Campbell will be overlooked, and it’s such a terrible shame.  Especially for new talent.  Please, I urge you to read it and follow it with all your heart:

http://www.samsdotpublishing.com/fifth/Column34.htm

This is one way of becoming a WRITER…

This is being YOURSELF…

If someone tells you there is only one way to cross a street, well, you and I both know that that is ridiculous…

Other New Entries: “Books & Anthos”

The Fifth Di, March 2009… (appearances)

You can now find a heavily researched, post-apocalyptic tale about plagues, the death of the human race, and an alien species trying to save what’s left of mankind in… The current issue of THE FIFTH DI.  March 2009, to be exact.  The narrative is first-person, and comes from the perspective of an extraterrestrial doctor/coroner.  The Andromeda Strain was very much an inspiration here, but I wanted to change it up a bit and make my story otherworldly.  If you like 28 Days Later, you might also like this tale.  The Fifth Di is edited by J. Alan Erwine, and published by Sam’s Dot Publishing.  They’ve been around for years, and I’ve appeared there on up to almost 20 other occasions.

THE FIFTH DI…  Edition No. 11, Issue #1

March 2009; Edited by J. Alan Erwine

Cover Art: "After the Fall" by Mitchell Davidson Bentley

Cover Art: "After the Fall" by Mitchell Davidson Bentley

 Hope aboard and read “The Plague Planet”.  Click below:

http://www.samsdotpublishing.com/fifth/fifth.htm

Fiction & Poetry by: Lawrence R. Dagstine, Robert E. Porter, Rick Novy, Joshua Allen, Eric Penner Haury,  Scott Virtes, Shelly Bryant, Jaime Lee Moyer, G.O. Clark, and John Nichols

Other New Entries:Magazines”