M-Brane SF #17, June-July 2010… (Now Available!)

It’s finally summer, folks, and I’m back for what is my third appearance with a weird SF/alternate history tale of sorts to M-BRANE SF.  Edited by Christopher Fletcher, M-Brane Scifi is not just an electronic monthly, a speculative magazine dedicated to the pulps. It’s available in PDF format for  only $1.00 per issue ($12.00 annually); you can download it to your Amazon Kindles and other e-readers.  Christopher Fletcher also provides a daily blog site, complete with news, reviews, and insight on subjects of science fiction and science fact.  Hard SF, Sociological SF, Space Opera, Cyberpunk, Alternate History, authors new and old can all be found at M-BRANE SF. 

M-BRANE SF – Third Appearance – Early Summer 2010

Issue #17 – Edited by Christopher Fletcher

featuring Lawrence R. Dagstine

 

ORDER THE PDF MAGAZINE w. LAWRENCE DAGSTINE – Only $1.00

www.mbranesf.blogspot.com

Issue Line-up: Edd Howarth, Aaron Polson, Lawrence Dagstine, Jason Sizemore, Joe Jablonski, Charles A. Muir, Margaret Karmazin.

Previous Issues available as compilation print mags on LULU (www.lulu.com)

 

 M-Brane SF Issue #9 — October 2009

M-Brane SF – Issue #2 — March 2009

 

Other New Entries: “Magazines” – PDF Downloads

Lawrence Dagstine: “400 Publishing Credits…”

 

“The world only exists in your eyes. You can make it as big or as small as you want.” 

“You don’t write because you want to say something, you write because you have something to say.”

 “All good writing is swimming under water and holding your breath.”

— F. Scott Fitzgerald.

Lawrence Dagstine

Short Stories * Novelettes * Digital Stories

Magazines – Periodicals – Webzines – Anthologies – Kindle

Other New Entries: “The Dude” – Biography

Author’s Note: F. Scott Fitzgerald… The Great Gatsby… One of my ten favorite authors.

Einstein’s Pocket Watch, September 2010 (2nd Acceptance!)

I’ll be coming for a second time to what, over the last year or so, has become a very popular and free webzine for writers of poetry, inspirational stories, Christian Fiction, Experimental Fiction, Some Science Fiction and Fantasy, Christian Science Fiction, and more or less stories that are uplifting.  NO horror.  Rob Crandall’s: Einstein’s Pocket Watch.  This would be my 2nd upcoming appearance to the webzine, but with a mainstream/literary piece this time.  I was in the first issue, and I’ll be back again September 2010.  It’s a wonderful blog webzine.  Check it out.

Einstein’s Pocket Watch – Coming September 2010

2nd Appearances – Mainstream – Edited by Rob Crandall

Fiction & Poetry in link below:

http://peafant.wordpress.com/

 

I’ve also gotten 2nd acceptances to “Shelter of Daylight” and 3rd acceptances to OG’s Speculative Fiction.  I’ll try and post those over the next two, three weeks.

Other New Entries: “Magazines” – Webzines

Withersin Magazine, Spring 2010… (Reminder Post!)

This is a reminder post for what is clearly one of the best designed Horror Digests on the market.  I believe it’s available in a few bookstores in the lit. journal section, so there’s distribution to my knowledge.  It might be available at The Horror Mall, too.  Or you can just order direct from their homepage.  But at close to 300 pages, you get not one, not two, but THREE ISSUES in ONE! I have a piece in the most recently released edition: Withersin – Arsenic.  It’s a bit on the pricey side, but well worth it.  If you’re a fan of horror, you’re missing out.  Their interviews, reviews, and non-fiction articles get five stars automatically.  Their artwork is award-winning.  Get your copy today.

WITHERSIN MAGAZINE: Early Spring 2010

*Turpentine – Iodine – Arsenic*

And remember, each thick-filled issue is actually THREE issues in one!

ORDER WITHERSIN w. LAWRENCE DAGSTINE:

www.withersin.com

Edited by Misty Gersley

Other New Entries: “Magazines”

Silver Moon, Bloody Bullets Anthology… (Coming Soon!)

NEW ANTHOLOGY COMING IN A FEW WEEKS!!

THEME: Werewolves… 25 Authors!!

 

Silver Moon, Bloody Bullets

An Anthology of Werewolf Tails

Yes, that would be correct… “Tails”, not tales.

Cover Art and Ordering Info coming soon.

Intended Author Line Up:

The Adopted–Lawrence R. Dagstine
The Beast Within–Frank Summers
Rise of the Animal–Carl Hose
Twin Moons–Christopher Jacobsmeyer
Grandma, What Big Teeth You Have– Rob Rosen
Exodus–Jessy Marie Roberts
Running With The Pack-Mark Souza
Shilak’s Gift–Scott Sandridge
Roadkill–D. Nathan Hilliard
Forces of Evil–Edward Mckeown
Blood Drops and Mercury–Stephanie Morrell
Arcadia–Donald Jacob Uitvlugt
The Mystery of St. Mary’s Morgue–Matthew Dent
The Werewolf Spell–Kiki Howell
The Trojan Plushy–David Bernstein
The Bane of Existence–Marianne Halbert
Caffeine Fix–Fiona Titchenell
The In Crowd–Patricia Puckett
Uninvited–Kelly Metz
By The Cycle Of The Moon–Dylan J. Morgan
Runaway–J.Leigh Bailey
Once Upon A Crime–Jay Raven
Azieran: The Templar’s Chalice–Christopher Heath
Without Remorse–Ben Langhinrichs
Springing The Wolf–Dale Carothers

www.pillhillpress.com

Other New Entries: “Books & Anthos” – Coming Soon!

Artwork: “Van Helsing Werewolf” by Blog America.

Visitation Rights, Amazon Kindle… (Reminder Post!)

Many of you have probably been wondering where the heck I’ve been, blogging two, three times per month.  Well, lately I’m going through a very hectic divorce.  Yes, I’ve split up and moved away from my now ex-significant other.  We shared four wonderful years together as a couple, gave birth to a scifi nut for a toddler, but with a 70% divorce rate in the United States, hey, sometimes these things are not meant to last.  On June 10th (and maybe beyond), it’s all about who gets the custody and visitation and when and where (I’ll probably get the kid on the weekends).  But New York Court can be a dragging process when it comes to this.  I’d like to thank all of my friends I grew up with in Manhattan, my friends in Brooklyn, all of my very supportive friends–all 2,500 of you–on Facebook, for cheering me up, for being there for me.  Even though there is more legal stuff ahead, a lot of you took the teary moments and depression away.  I’d like to also thank you for your privacy concerning all these family matters at this time.  Sometimes love is not meant forever.  What this does mean, however, is I need to get my ass writing more when all this is over.  I have a roof over my head.  It’s a room… cozy… $500 a month with utilities (I know peeps), and for a Native New Yorker and Bohemian like myself it will suit me just fine.  I feel as if I’ll get more work done now.  Perhaps better work, as I’ll be able to concentrate.  Oddly enough though, the way the visitation proceedings are playing out—minus the paranormal elements, of course—they’re roughly 70% similar to my first Amazon Kindle title: Visitation Rights. 

VISITATION RIGHTS: by Lawrence Dagstine

for Amazon Kindle and most other Digital Readers/Platforms

Sometimes very small fragments of art imitate life…

…and sometimes very small fragments of life imitate art.

Damnation Books – Direct Link:

http://www.damnationbooks.com/book.php?isbn=9781615720088

Other Amazon Kindle & eBook Titles by Dagstine:

https://lawrencedagstine.com/ebooks-kindle-dagstine/

ISBN 13: 978-1-61572-008-1
ISBN 10: 1-61572-008-1

Welcome to my life…

Cover of Darkness, May 2010… (Now Available!)

Nurses and babysitters taking care of vampires and werewolves during The Great Depression? President Herbert Hoover striking financial aid deals with monsters? Compassion for a vampire child from another era? Who came first? The monsters or the humans? The year is 1930… and Lawrence Dagstine is just one of your Feature Authors for a very weird novelette.  It all takes place in the latest issue of Sam’s Dot Publishing’s digest-sized magazine, Cover of Darkness.  Edited by Tyree Campbell.  Published semi-annually.

A Time And Place For Monsters – 1930

 

Written by Lawrence Dagstine

Weaver of the Historical Weird Tale…

COVER OF DARKNESS – MAY 2010

 

 

Order Lawrence Dagstine’s novelette in Cover of Darkness:

http://www.genremall.com/anthologiesr.htm#coverofdarkness0510

Sam’s Dot Publishing Main Homepage (updated monthly):

www.samsdotpublishing.com

Also featuring Novelette-length work by Lawrence Dagstine:

COVER OF DARKNESS – NOVEMBER 2009

 

Get both issues for a discounted postage price at The Genre Mall.

Other Authors & Poets: Mark Anthony Brennan, Tyree Campbell, Virginia Mohlere, Jonathan Wolf, Edward Cox, Ferrel D. Moore, Marc Colten, Lawrence Dagstine, W.K. Tucker, Jennifer Sparlin, Hillary Bartholomew, Eric Obame, Thom Olausson, Marge B. Simon, Peter Layton, K.S. Hardy, Cathy Buburuz, Gary Every, Ash Krafton, and finally, W.C. Roberts. 

Other New Entries: “Magazines”

M-Brane Science Fiction, Summer 2010… (3rd Acceptance!)

In about a month or so I’ll be returning for a third time with a weird SF/alternate history tale of sorts to M-BRANE SF.  Edited by Christopher Fletcher, M-Brane Science Fiction is not just a monthly, speculative magazine dedicated to the pulps in PDF format.  It’s also only $1.00 per electronic issue ($12.00 per year), and you can download it to your Amazon Kindles and other digital readers.  Christopher Fletcher provides a daily blog site, complete with hardcore news, reviews, and insight on subjects of science fiction and science fact.  Hard SF, Sociological SF, Cyberpunk, Alternate History, authors new and old can all be found at M-BRANE SF.  A LULU version is also offered, I believe.

M-BRANE SF – Third Acceptance (summer 2010)

COMING SOON – SO STAY TUNED!

www.mbranesf.blogspot.com

Other New Entries: “Magazines”

Free SF Serial: “Orphan’s Prey pt. 1” – by Lawrence Dagstine

Science fiction meets interplanetary horror, in this 30th century survivalist’s fable about two orphans stranded on the most fantastic yet dangerous world, the benefits and perils of alien cultures meeting and clashing, being reunited with the past, and a most unique and dark breed of alien vampire. Lord of the Flies meets the movie Pitch Black meets Living Amongst the Lizards.  Welcome to Ragnarok, the largest planet in the Cat’s Eye Nebula, the largest world in the known universe.  Meet Chelsea and Blake (our protagonists), as we embark on a new bimonthly series of free serialized science fiction.  What are life servers? Who are the Vendragon? What are the Docengard? An adventure awaits you, in the first installment of Orphan’s Prey, here on… Ragnarok! First draft, first run.  A novella in entirety.  Enjoy!

ORPHAN’S PREY

Science Fiction Serial Part One

 by

Lawrence R. Dagstine

The planet was a phenomenon.  A livable, breathable phenomenon.  The jagged-edged terrain lay sedated to immobility by the heat of twin stars by day, and cold methane hails and monstrous storms by night.  From the vehicle looking glass, the land consisted of desert islands in a yellow sand-like mist that stretched to infinity.  The sky was radiant, directly overhead tangerine with purple, and although the air was chill, the primary sun was already beginning to warm the pre-dawn.

“Sometimes on mornings like this,” the driver said, “I pretend that I’m the only artificial intelligence on Ragnarok.  But”—he smiled with sudden brilliance—“I like it better like this, with a few other inhabitants, preferably young and small.  Oh, by the way, I’m Chandler.”

Suddenly, without warning, the overhead transceiver came to life.  A voice was speaking what sounded to Chelsea and Blake like gibberish, and Chandler smiled. “That’s Koral.  He’s a Vendragon.  You know, the people you were told about before coming here? Always erratic, that one.  He takes a little getting used to.” The children listened for a few moments. “The high pressure system—real high—moving hundreds of degrees faster than what you Earthlings are used to, that’s our direction from him and the colony.  We’ve got a fog cloud ahead of us, which is Koral’s way of saying we’ll be surrounded by irregular precipitation and possible danger.  Good old weather lizard that he is.  But we should be safe in here.  This baby stores double-solar oomph, and the alloy is wind-resistant.”

“Oomph? What’s that?” Blake asked.

Chandler nodded up. “The collector panels on the roof.”

“When do we stop?”

Chandler pointed to an overhead visual system. “Here.” He pressed a red circle on the touchpad.  Surrounding it, the lowest of the two suns lighted the mountaintops, glazed them, turning any visible snow to clear pink, accentuating the shadows of the canyons and valleys and whatever else reside beneath. “We want to be here.  You must understand, this planet is very big.  We go through four seasons every run; it takes more than eighteen seasons to get across the entire northern hemisphere.”

Blake dropped his bottom lip in surprise, then looked across at his sister, who had begun nodding off.

“The weather here is fierce and uncanny,” he continued, “but in the center of that brutality is a place filled with great sunshine, grassy knolls, colorful landscapes, and the most awesome valleys you can run and play in.”

“Did you hear that, Chelsea? Maybe things won’t be that bad after all.” The little boy crowed from his metal chair.

Chelsea was tired.  Her gaze was wandering vaguely, and after a few minutes she closed her eyes again as her lips curved in the faintest of smiles.  She found it hard to follow the A.I.’s rambling words about such a magnificent sphere, but there was still something in them which evoked a sense of unease.

Chandler rambled on.  Chelsea sat trying to think coherently, to feel any kind of enthusiasm, but nothing moved in her.  Eventually Blake stopped crooning and fell asleep himself.  Chelsea’s numbed brain began to come to life again, and she realized that what she had learned made no difference to the situation.  They were never returning to Earth.  They were never returning to the orphan ship, Juniper.  Perhaps it was stupid not to realize that it made a frightening difference.  After all, if it had, she might have been better prepared for the web of mystery, terror, and danger that was to entrap them.

By the time they exited the fog cloud it was almost midday.  The only moving thing was the large zyranium-shelled rover, churning in a cocoon of dust along the now weather-beaten track between the desert islands and the terminus from which they were picked up.  Mud and bacteria-bottomed channels filled the marshlike gaps in-between.  In the driver’s seat the A.I. was alert, optimistic, crossing territories and watching for signs of life.  In the back, seated amongst the luggage and other provisions, the children lay dozing, oblivious to their current surroundings.  The eight-year-old—bright, resourceful, full of energy—slept soundly.  Wisps of red hair covered one of his eyes.  As he breathed, a silky strand would fly up in the air and come back down upon his forehead lightly.  Like his sister, his nose turned up slightly at the end, a spray of freckles across it, his mouth thin, the cheeks half-plump and rosy.  His eyes were wide, a deep blue; his sister’s were hazel. 

Fourteen-year-old Chelsea Prittengayle’s facial gestures were more refined, however, more serious.  More brooding.  Other times they were exaggerated: surprise or puzzlement, pleasure or anxiety, the typical moody or unsatisfied-with-anything teenager.  Whatever emotion she felt, her face would either show it much too emphatically or much too hesitantly.  Compared to Blake’s ruddiness, her chin was smaller, the eyes and ears narrower, her body bonier, her tresses and bangs splayed purple and pink at the tips.  She was also more restless, dreaming.

Chelsea dreamed that she was standing again, as she had stood only three days ago, aboard the Juniper, holding her brother tightly by the hand and listening to her Sanctuary Keeper. “It’s a wonderful chance,” the nun figure said, “for you both, and you’ll be able to stay together.  No more foster planets, just a brave new world.  An exciting one.  Ragnarok is one of the biggest out-colony territories in the Cat’s Eye Nebula, and the Vendragon are a fine species.  Matter of fact, it might be the biggest planet in the known universe.  So much room to move around.  I’m sure you’ll be happy there.”

Chelsea faced the floor. “Yes, ma’am,” she said.

“But what if we don’t like it?” Blake stomped his feet and whined. “What if it’s just like the others? I don’t wanna go.  I don’t wanna leave my friends again!”

“Blake, calm down.” His sister knelt beside him. “Really, it’s all right.  You know the drill.”

The Keeper waved a soothing hand. “No, no.  He’s right.  Here”—she picked up two hexagonal-shaped chips from a servicing tray beside her, walked across the grated floor to a processing machine, then inserted them into place—“in the event you grow bored of your new home.” She brought up the two children’s molecular profiles on screen. “Now give me your hands.” She confirmed their print data.

“What are you doing?” Chelsea asked.

“You’ll see.” Seconds later she was finished.  She removed the two chips from the grooves in the console and attached titanium-alloyed ropes to them. “Wear these key drives as necklaces, but whatever you do don’t lose them.  They hold within them an embodiment of your memories, your metaphysical structure, who you are, and what you may eventually become capable of.  They hold your souls, your very essences.  If you are ever in danger, if you are ever bored, you need only crush them into fine grain, and you will cease to exist in this form and be free from a life unwanted.”

Chelsea held hers up in front of her eye; Blake quickly put his around his neck. “So this is us,” she muttered. “Everything about us is in this small chip.”

“The information on it can be accessed from any life server.  But, at the same time, I would be cautious.  It can be tampered with.”

“I still wish we didn’t have to go,” Blake said.

The Keeper nodded in agreement. “It’s a rush, I know.  The funding for your kind isn’t there either.  But the Vendragon want you right away, before the seasons on their side of the planet change again, and a special transport’s coming for you.”

Chelsea picked up her knapsack. “Why do they want us, and yet our own kind doesn’t?”

“Now, now.  That’s a silly way to think.” The Keeper was programmed to be sympathetic, but she realized she could not hold the truth from them. “Foster humans have become an expenditure for a very stressed and careworn Earth.  There are less than twenty-three thousand of you left, all within sanctuary care or already placed in homes many light years away.  Some siblings don’t have the luxury of being housed together.  Hopefully, both of your journeys will finally end here.  You are an asset to these other races because of your youth, your empathic ways.  The knowledge and traits you possess can grow with you.  Creatures like the Vendragon see human children as role models.”

Blake cried. “Oh, Keeper,” he said, running to hug her. “I’m gonna miss you.  An awful lot!”

“And I will miss you, child.” She embraced them as if they were her own.  Then she led both of them down to the craft’s transmat. “Now before you leave, is there anything either of you would like to ask? Anything at all?”

Teary-eyed, Blake stepped back and shifted from foot to foot.  Chelsea, in a voice she hardly recognized as her own, said: “Our parents.  Our real ones.  Suppose they come back from Earth.  How will they find us?”

“My child”—the nun’s voice was gentle—“if your parents are indeed alive, and if they do ever come back, we’ll send a salvage team for you.”

“Promise?”

The Keeper parted a half-smile. “Promise.”

The dream blurred.  The one thing that stood out from the whirlwind of goodbyes with the other children was the nun’s last minute reminder—“Oh, and Chelsea! See that you look after your brother!” Then they were waving from behind the protective glass of the particle disseminator, just one section of missionary freighter which had been their home on and off for five years, since she was nine and Blake three.  The transmat beamed them down to the terminus.  From this steel transfer point the rover waited, then headed out on the extremely long drive to the Vendragon Township via the listless wastes.

 

“Yes, sir.  Ragnarok! No ball in the universe quite like it,” the A.I. boasted. “Lots and lots of room to run and play.” 

At first the children had been in awe of Chandler, the synthetic man who was driving.  He was the planet’s tour guide and taxi driver.  He was built tall and rangy, pleasurable and amusing, and he understood the many wonders of human behavior.  Juvenile behavior.  The only weird thing about him was that his body smelled of coolant. 

After getting to know him, the children were taking turns riding up front, and he was feeding them processed nuts and jerky.  He told them of the great herds of reptilian creatures that once drifted over the plains and the thousand-year-old walking cacti, which kept the Vendragon on the move in a never-ending battle for food and water.  He educated them on the Docengard—the gangling, clumsy predecessors to Ragnarok, and how, for centuries, they lived in the rocks alone, yet the earlier species regarded them as something of mystics.  By the end of the first day’s ride they were best friends, and the children loved the voyage through the tired yellow landscape old as time itself.  They saw spiky clumps of Yurga, a sweet white medicinal herb, smooth sculptured garnet trees, bloated potato patches and vegetated mist swamps, and smoke rings rising gray and black over the lime crystal bluffs.  It was a fantastic environment, one that was full of desolation yet color, different yet utterly surreal; surely gods must have shaped it.  It was all exciting and new, but in the bluffs an incident happened that Chelsea wanted to forget.

On the morning of the second day’s ride, when a breeze was blowing over the blazing desert sands, Chelsea had seen shadowy columns of air circling the vehicle.  The silhouetted tornadoes had no real substance to them, neither any real shape nor form.  At first, the dozen or so that were out there did not scare her.  Matter of fact, she didn’t think much of them.  For a brief moment she took her necklace out of her shirt.  Curiously, she held the key drive up.  Then, after a minute or two, she tucked it back in.  With some extra speed and a waving of hands from Chandler and Blake, they were now setting out on what seemed like the final stages of their journey.  For a while the girl sat very still, her eyes on the Yurga-plastered trail, her lips pressed tightly together.  The rover made a weird humming sound, and it vibrated to the point of nausea. 

At midday, when the children were asleep in the back of the vehicle, Chandler was tempted to pull over for a much-needed recharge, but he knew that if the fog clouds or other storm-ravaging elements returned, it would hold them up and transform the ground into a sea of impassable mud.  So he drove on through the heat, watching for rifts in the trail.  The temperature in the bluffs was well over a hundred degrees.  They were three-quarters of the way through the landscape, one of the deepest desert regions on the planet, made up of miles and miles of sand and crystalline escarpment.  The road, still rugged in some areas, was following a gully down through a crack in the plateau, twisting and turning between grotesque blocks of melted green granite—monolithic play-bricks scattered along a dried up riverbed or marsh.

It happened without warning.  One second they were skirting a boulder half the size of a building, the next, the shadowy tornado came swirling around a bend, a ten-foot column of viciously dark spinning air.  It hit the rover head on, knocked the vehicle into a skid, and smashed it against an outcrop of crystal. “What was that?” Chelsea’s heart rose out of her chest and into her throat. “What’s going on?” Her seatbelt snapped and, as the vehicle upended, she fell back into the luggage, causing two rows of holding canisters to collapse on her head. 

The tornado, seemingly alive, came back for seconds.

“Damn!” Chandler fiddled with the clutch, but it was bent and stuck.  He quickly glanced through the looking glass in front of him. “Such power! Don’t worry, I’ll get you kids out of here.”

Blake was frightened. “It’s one of those big reptile monsters,” he shouted, as one of the large jagged-edged crystals pierced the vehicle’s interior.

“Can’t be, son.  They’re extinct.”

Chelsea managed to pull herself out from under the baggage. “It was the wind,” she muttered, her forehead bleeding slightly. “The black things swirling in the wind caught us.”

Blake huddled up in a corner with his sister. “I wanna go home, Chelsea,” he cried, as the tornado came back for more. “I want the Keeper.  I want my Mommy!”

“Okay, both of you need to calm down.  Just stay in back of the vehicle.  I’ll get you out of here, now—”

The A.I. was shouting some miscellaneous warnings when a large spear-tipped crystal burst through the front looking glass and caught him on the base of the neck and cut off his vocal functions.  Silver paint and white oil splattered everywhere.  The children screamed hysterically, as manufacturing fluid sprayed across their faces and drenched their clothes.  Chandler’s eyes rolled in back of his head.  He lifted a weary hand and grabbed the area where his larynx used to be.  Outside, the tornado stopped moving.  The tall phantom-like creature stood atop the shadier part of the monolith closest to the rover, sniffing the air.  Seconds later it flew off, spun its way back to the paralyzed vehicle, tore through what was left of the front looking glass, and ripped the A.I.’s convulsing head off.  Fleshy upper body connector tubes and other plastics fluttered everywhere, leaking more white oil and fluids.  The tornado extended a claw-shaped appendage and tore out Chandler’s mechanical heart, then attempted to absorb the spraying juices.  Frustrated that the A.I. was not digestible, it gave off an ear-piercing howl, swirled in a backward motion, and disappeared from the rover with Chandler’s head.

Shaking uncontrollably, Chelsea hugged Blake.  She dare not let go, as a few more metal boxes fell.  There followed a significant period of silence; she did not even blink.  After what seemed like many hours, she finally whispered, “Stay still.”

“No, Chelsea.  Don’t!” Blake cried frantically but quietly.

“I’m not going anywhere.  I just want to look.” They continued to talk in short whispers. 

“But, but—”

“Shhh.” Chelsea lifted her head slowly and peeked out from the rover’s backend.  At first, everything looked quiet.  The same barren wastes, the same gargantuan stones, the same lime crystal formations, the same patches of Yurga root sprouting here and there.  But then her eyes moved to the far left.  There it was—the ravenous tornado creature.  It whirled playfully up the gully with Chandler’s head in tow, leaving the crushed rover on its side, its enormous tires spinning slowly to a halt.  Her eyes then focused on the other dozen or so monoliths in back of them.  Her heart leaped again.  Silhouettes with razor-sharp claws—not spinning, not moving—stood atop the shadowy parts of the high ledges.  Hauntingly, each one seemed to stare back at her, right through the vehicle’s shell, right through her very soul; she grabbed her necklace out of force of habit.  They reminded her of vultures, hungry and in wait for their next meal.  After a few more minutes, the dust settled and the suns beat down harder.  The tornado creatures vanished.  Everything was very quiet again. 

“Blake!” The girl’s voice was frightened. “You okay?”

The boy was matter-of-fact. “Uh-huh.  But my left arm is stuck under this darned metal crate.  And I can’t feel my fingers.”

“Anything broken?”

“I…I don’t think so,” Blake said. “What was it, sis?”

Chelsea shrugged her shoulders. “A whirling devil or something, I suppose.” She used her feet to push the heavy box of provisions aside.  Then she eased the other toppled luggage away from his fingers as gently as she could, and he pulled his bruised hand away from the piled up chaos. “Probably native to the region,” she went on, “and we just happened to shortcut through its habitat.”

“Do you think that was the Vendragon?”

“No.  It was something else, something far creepier.  More dangerous.”

“How do you know?” 

“The Keeper showed me learning disks.  The Vendragon have lizardy features, sort of like iguanas.  They’re a scaly, dry-skinned race.  Their bodies don’t give off perspiration like we do because of their arid surroundings and Ragnarok’s two suns.  She also said they’re humanoid in more ways than one, more than we think.  Can we continue this biology lesson elsewhere?”

Blake nodded, then pushed himself against the escape hatch. “It won’t budge,” he said, then looked back at his sister. “I’m scared, Chelsea.”

“Yeah, I know.  Me, too, brother.” She felt the impacted metal. “Let me have a go at it.”

She managed the door open and helped Blake down from the half-crushed vehicle, and they stood gazing at the wreckage.  The headless A.I. was sprawled halfway out of the driver’s seat, his flittering tubes and empty chest open to the hot-winded air. “Man, only a giant could have done this,” Blake said after inspecting the damage. “Poor Chandler.  He was cool.  Maybe we can use the spare power cells stored in the rover to reenergize him or somethin’, help guide us the rest of the way.”

“I don’t think that’s possible,” Chelsea explained.  She kept looking over her shoulder. “And I don’t think we should stay out here any longer than we have to.  It’s going to get dark soon.”

“Surely the Township isn’t too far now, huh, sis?”

“Yeah, surely…” Chelsea retrieved her knapsack and Blake’s in a hurry.  She looked for any lightweight supplies—digital nightspecs, perma-flares, laser cutters or first aid blocks—and pre-processed rations she could find.  Anything that might come in handy, anything that might aid in their survival. “Here, catch!”

Blake walked back to the front of the vehicle.  He didn’t understand much about artificial intelligences.  Even headless, he thought for a moment that Chandler was only injured or out of battery power; then he saw the remnants of fluid seeping from his shoulders, and the peculiar angle of his synthetic shape. “Chandler’s not growing another face, is he?” His eyes opened wide and, like his sister, his fingers moved to the key drive hanging low around his neck. “Does he at least have a soul?”

“Blake,” Chelsea whispered. “Chandler’s gone.”

Some time later they sat on a rocky cliff while the environment turned from yellow and green to a dusk brown and deep tangerine.  Chelsea had decided to get as far away from the wreck as possible, but she never left the trail.  Chandler had been in constant communication with Koral.  A scouting rover, she told herself, was bound to come sooner or later, and for the moment they had plenty of sunshine and plenty of food and water.  Blake was falling asleep; the boy was worn out, and his hand swelled something awful.  Every so often Chelsea got some irrational fear inside of her and steeled herself to kneel beside her brother, listening for a flutter of a heartbeat, making sure that he still had his soul on him.  Only when his body began to rest comfortably did she kiss his forehead and lay down beside him. 

“Mother and Father aren’t here,” she said, running her hand through his flimsy hair. “Neither is the Keeper.  It’s my job to look after you, little brother.”

Without realizing just how many hours of daylight Ragnarok was subject to, Chelsea too closed her eyes the moment her muscles stopped tensing and the tornado creature left her thoughts.  The first sun slid behind the rim of the gully, then eventually dissolved over the bluffs; the sky turned orange, with the occasional streak of red marking their spot in the universe.  Then the second, slightly larger sun disappeared over the tip of the escarpment.  The desert wastes, the misty, bubbly swamps that separated them like islands, and the crystalline plateau vanished under a blanket of purple and black, touched up with a satellite-tinged glow.  A breeze swirled the planet’s dusts and, in the face of the twilight, the girl shivered. 

Chelsea was awakened by the wind’s intensity; the monster from earlier played with her mind once more.  Afraid, she shook her brother out of slumber. “Blake.  Blake, get up.” She glanced around her. “It looks like we’re here for the night… However long that is.”

Blake barely opened one eye. “So?”

“So I think those whirling demons can’t take too much daylight.  When I saw them, they always seemed to stand in very little sun or take to the shadows.”

“Then we’ll build a fire.” Blake was very self-possessed. “You took perma-flares from the rover, didn’t you?” Seconds later, he sat up.

“Yeah, but when was the last time you and I went camping?”

“Titan.” Blake smiled.

“How could you possibly remember that? You were only two.  You mean you actually have a vivid memory of Me, Mom and Dad on our trip to Saturn?”

“Yes.”

Chelsea pinched his cheek.  Then she went into her knapsack and handed him a flare. “Remember how to program a spark, too?”

A short while later the children sat close to the blazing fire, listening to the flip-flap-flip of the two-headed air marmot, the long sad wail of the desert dolphin, and the surreal pitter-patter of marsh insects.  They weren’t exactly frightened of these animals; but the front row seat was a far cry from the virtual zoos and jungles back on Earth.

“You think that wind creature was a pterodactyl?” Blake asked out of the blue. 

Huddled closely around the flames, Chelsea answered, “No, silly.  It definitely wasn’t a pterodactyl.  Pterodactyls are long extinct.  From all worlds.” A moment of silence followed. 

Then the boy began to fidget. “Chelsea, what’s this Ragnarok place really like?” He almost wanted to cry again. “Chandler had told me so much.  What do we do now? How are we gonna survive?”

“I don’t know, Blake.  But I reckon we’ll be OK.  So long as you stay with me at all times.  We must never split up, never lose sight of each other.  Not even for a second.”

The boy fiddled with the key drive around his neck. “If something bad happens to one of us, should we give each other permission now to—um, well, you know—”

“Crush the chips and let our souls go free?” Chelsea grasped her own necklace tightly. “Let’s hope we don’t have to.  And if Mom and Dad are still alive, if they’re still out there somewhere, they wouldn’t want us giving up without a fight.”

The boy picked up a garnet tree branch and stirred the fire. “Maybe if the Vendragon find us, they’ll let us use their life server.”

Chelsea grimaced. “Yeah, sure.  Maybe.”

The boy said, “Remember those smoke rings we saw on the way? You reckon they came from the Township?”

She shook her head. “Vendragons live in the grassier regions—probably further north.  They rely on our knowledge of agriculture.  Supposedly, they thrive off it.”

“Yeah, but couldn’t we still head in that direction? I mean, somethin’ made that smoke.”

“Oh, Blake! It’s much too far.  We should wait for a scouting vessel.” She started to undo the knots in her hair. “Go back to sleep.  I’ll take first watch.  Besides, the distance of these plains are farther than you think.  And who knows what manner of beast created those rings.  For all we know it might be the same kind of creature that attacked us, burning carcasses and picking on flesh.”

The boy went scared and silent.

She hoped she spoke with conviction, but after what they’d been through, it disturbed her to know that her brother’s thoughts had been running so close to hers. 

They settled down by the fire, and before long their breathing grew slower and deeper.  After a while, Chelsea couldn’t stay up any longer.  Eyelids falling, she reached for her brother’s swollen hand.  Normally he’d have snatched it away, but he didn’t now.  A veil of mist drifted over the moons that scattered the night sky, and the children slept.

 

TO BE CONTINUED…

Shelter of Daylight #3, April 2010… (Now Available!)

You can now find me in the thick and fairly new Anthology-Magazine, SHELTER OF DAYLIGHT.  Issue #3.  Published on a bi-annual basis by Sam’s Dot Publishing, and I must confess, with this new year, their cover art and printer/print quality has improved greatly! For this issue I have a science fiction story, and there is a slew of other great authors.  Edited by Tyree Campbell and available in a super-glossy, perfect-bound format.  Just click on the links or the cover art below.  Cheers, Lawrence.

SHELTER OF DAYLIGHT Science Fiction & Fantasy – April 2010

Published semi-annually by Sam’s Dot Publishing:

Sam’s Dot Publishing – Main Homepage:

www.samsdotpublishing.com

ORDER THIS ISSUE (or subscribe):

http://www.genremall.com/zinesr.htm#shelter

Other Great Magazines – The Genre Mall

www.genremall.com

Author Line-up: Tom Humphrey, Greer Woodward, Tyree Campbell, Lawrence Barker, Ursula Warnecke, Kisa Rupp, Keith Graham, Maria Alberto, David Tallerman, Molly Schwanz, Jared Millet, Robin Mayhall, Lawrence R. Dagstine, Michael D. Sonnier, Shane Nelson, John Marfink, Jaime Lee Moyer, Anne Brennan, Marge Simon, K.S. Hardy, WC Roberts, J.L. Opskar, and Amelia B. Winkler.

Other New Entries: “Magazines”

Lawrence Dagstine: “Historical Works in Progress…”

On Alternate History, Historical Weird Tales, and SF Serials…

In the next couple of weeks I will be continuing my bimonthly series of Free Fiction.  This time I will be serializing a science fiction-themed novella about two orphans that get stranded during an interplanetary adoption. It takes place on the largest planet in the universe — The planet Ragnarok (aptly named after the warring Gods of Norse Mythology, which later supposedly caused a lot of catastrophes concerning Mother Nature and the like for Mankind).  You’ll understand why as you get into it over the course of the year.  There are even a few flashback sequences similar to the series LOST.  On Ragnarok, Quadrant 4, located on the outer rim of the Cat’s Eye Nebula, like most of my worlds, there are eighteen seasons.  Unlike Earth, which has only four.  The good guys are a bunch of giant lizards with chest communicators.  Think the Silurians from Doctor Who, only bigger, stronger.  Bad guys are a bunch of elemental wind creatures who harvest meat by “shadowy” & “vampiric” means.  These guys are the horror element to the story.  Main orphan characters are Chelsea and Blake, and you are sure to fall in love with these two kids.  Mind you, this serial is FIRST DRAFT, so if you see the occasional typo or a bit of redundancy, I don’t plan on publishing this anywhere but my homepage.  Entertainment purposes only.  I could best describe the early portions as a cross between Lord of the Flies, the movie Pitch-Black, and Living Amongst the Lizards (short story).  Serials shall run between 2,500 and 5,000 words in length.  Parts 1, 2, 3, 4, etc.  Once again, all first draft.

Name of planned Bimonthly Serial: “Orphan’s Prey” – Stay Tuned!

On The Great Depression and post-Civil War era…

I already have a batch of finished short stories and novelettes set in these two eras.  Some accepted, too.

Story One: “A Town of Crows” – Killer Scarecrows after the Civil War now appearing in Steampunk Tales #6.  See eBooks & Kindle.

Story Two: “A Time and Place for Monsters” – a very long novelette with vampires and werewolves during the Great Depression coming to Cover of Darkness.  Also, a bit of back history concerning President Hoover and The Monsters.  Never before done.

Story Three: “The Two-Sided Market” – Dedicated to H.G. Wells/Parallel Piece.

Story Four: “The Great Martian Depression” – Scifi currently appearing in The Martian Wave Issue#1.

Story Five: “FDR and the Locusts” – Franklin D. Roosevelt and BIG Insects, with a plot twist.

Cleopatra VII - Brooklyn Museum of New York 2008 - 2009

On Cleopatra and Alternate History…

There are two finished stories, finally edited, featuring Cleo as a fourteen-year-old.  They take place between Ancient Egypt and Rome. Alternate History meets Historical Fantasy, and there will also be mages, sorcerers, the undead, gods, and demigods! Also, the stories begin with Mark Antony as narrator for the first page and ends with him conceptually.  Here, I decided to experiment.

Story One: “Young Cleopatra and The Whispering Ancients”

Story Two: “Young Cleopatra and The Eye of Horus.”

Story Three: UNTITLED (coming 2011, and concerning the suicide of Mark and Cleo).

On Pompeii and Rome…

Next, later in the year off to Pompeii and some more fiction in Rome.  Introducing the Children of Ash short stories/novelettes.  All stand-alone tales, which I often prefer.

Story One: “The Children of Ash” – After Volcano Day.

Story Two: “The Nightmare Lair” – Inside the Volcano.

Story Three: “The Vampires of Pompeii” – The Romans have some neighbors. 😉

I’m also thinking up a totally “messed-up” Caligula-style crossover piece as well.  Of course, this is still not a guarantee that a market will accept all of them.  Never is.

I also noticed that a lot of Fresh Blood PDFs were sold.  Like 40 or 50 in the first two, three weeks.  At $3.50, yeah, it’s a great price. If you own a reader, click on eBooks & Kindle and treat yourself to a copy.  You can also now read PDFs on the Amazon Kindle, or download the free iPhone/iPad application off of Amazon.com as well.  I’d like to thank all of you.  I hope you enjoyed it as much as I enjoyed writing it.  The same with my scarecrow story in Steampunk Tales #6 (www.steampunktales.com).

Other than that, there are ten brand new short stories and novelettes completed, my first novella is in the editorial screening stages, and ten brand new acceptances for 2010-2011.  I wish I had the time to blog ten times per day, but life does not permit me such luxury.  I’ll try and fit what I can.  Historical stories take two, three weeks alone.  However, some acceptances are to print anthologies.  So stay tuned! SF serial starts Late April/May 2010.  It’s gonna be fun!

Cheers,

Lawrence Dagstine

Print Magazines * Amazon Kindle * The iPhone/iPad * Sony & PDF Download

Other New Entries: “General News”

P.S.: Speaking of crazy historical tales, enjoy the new season of Doctor Who.   Series Five with Matt Smith!

OG’s Speculative Fiction, March 2010… (2nd Acceptances!)

You can find me for a second time in the long-running, speculative fiction magazine and PDF webzine: OG’s Speculative Fiction.  Issue #23, March to April 2010.  Previous issues include an appearance in Issue #9.  Edited by Seth Crossman, this particular issue not only features myself but stories by Wayne Helge, Poetry by Darrell Lindsey, and Cover Art by Jem French.  It’s a classic issue, in both free format and print format (eventual release through LULU)…  Online articles, too.  Enjoy!

“Still one of my favorite stories we have ever published. We hope you enjoy the issue.”

— Seth Crossman, editor of the Opinion Guy

OG’s SPECULATIVE FICTION Issue #23 – Feature Author

Available in print via LULU, or as a free PDF – THE OPINION GUY.

HOMEPAGE (with articles):

www.theopinionguy.com

FREE PDF DOWNLOADS (for most readers):

http://theopinionguy.com/2010/03/ogs-speculative-fiction-issue-23/

http://theopinionguy.com/ogs-speculative-fiction/

PURCHASE A PRINT ISSUE (Convention Copies):

‘Also featuring Lawrence R. Dagstine’

ORDER SAMPLE ISSUE BELOW:

Other New Entries: “Magazines”

Steampunk Tales #6: “A Town of Crows” – (eBooks & Kindle)

The scarecrows are finally here!!! Steampunk horror, Neo-Victorian literature, and pulp adventure and mayhem during the post-Civil War. A tale with a twist.  An invasion of epic proportion! A novelette! Characters we care about, and an unexpected plotline. Hundreds of pages worth of Penny Dreadfuls for your pocket: PDF Format, iPad and iPhone, Mobipocket, and through Amazon Kindle! Featuring more than 500+ pages of fiction. Only $1.99 in most formats (Kindle prices may vary).

Steampunk Horror and the Post-Civil War!

Digital Novelettes and Thrills and Chills!

THE SCARECROWS ARE HERE!!!

"A Town of Crows" by Lawrence Dagstine

*eBOOKS & KINDLE:*

Apple iPhone – iPad – iPod Touch – PDF Version – Amazon Kindle

“A TOWN OF CROWS” by Lawrence R. Dagstine

www.steampunktales.com

Hurry Up! Buy Now!

AUTHOR LINE-UP: G.D. Falksen, Joe Goodson, Lawrence Dagstine, Katherine Isham, Arkwright, Karl Custer, Larry C. Kay, John F. Montagne, Andrew Singleton.  Cover Art by Brian Bowes.  Steampunk Marketing, Evelyn Kriete.

Past Dagstine-Featured Editions!

"The Freak from the Past" by Lawrence Dagstine

Author’s Note: ‘probably one of my scariest novelettes to date…’

Other New Entries: “eBooks & Kindle” and “Magazines”

The Martian Wave, Collector’s Issue… (Now Available!)

Welcome to 2010.  For a decade it started off as a small webzine within the confines of cyberspace, publishing many of today’s familiar SF poets and short story authors… Well, it’s finally here.  The premiere print issue of the highly anticipated Sam’s Dot Pub: THE MARTIAN WAVE.  I am honored to have a story in the premiere issue among such names.  Get it now.  This first issue has a superb cover by Laura Givens and is bound to sell out either online or at Sam’s Dot Publishing attended conventions.  Now a semi-annual magazine! Rejoice!

PREMIERE ISSUE! PREMIERE ISSUE!

THE MARTIAN WAVE Issue #1 – Collector’s Edition!

The Martian Wave - Premiere PRINT issue

ORDER YOUR COLLECTOR’S ISSUE HERE:

http://www.genremall.com/zinesr.htm#tmw

THE MARTIAN WAVE INFORMATION PAGE:

http://www.samsdotpublishing.com/tmw/main.htm

SAM’S DOT PUBLISHING HOMEPAGE:

www.samsdotpublishing.com

FEATURING: Steve De Beer, Tyree Campbell, Dan Thompson, Keith P. Graham, Patty Jansen, Bret Tallman, Rick Novy, Shelly Bryant, Justin Bohardt, s.c. Virtes, Marge Simon, and Lawrence Dagstine.  Edited by J. Alan Erwine.

Other New Entries: “Magazines”

Lawrence Dagstine: “A Day at the Brooklyn Museum…”

The following series of pictures were taken a little over a year ago, when I went on a research trip to The Brooklyn Museum of New York.  During that time, between 2008 and early 2009, there was an Ancient Egyptian/Assyrian Exhibit.  They also had an “Old School” Graffiti Art exhibit on the 5th Floor.  It was a lot of fun.  I got to see some real mummies (which you’ll see below), tombs, statues, canvases, masks, and a whole lot of other interesting stuff from the days before Christ.  I finally got around to resizing some of those other photographs.  The results of this visit would be a short article for an archeological magazine and an alternate history tale featuring Cleopatra (novelette-length).  Here they are, finally, in all their glory.  Historical and artistic pics.

Assyria * Ancient Egypt * Mummies * Tombs

The mummies were the freakiest…

(There were more pics for this exhibit, but those were sold along with the article)

Asian Artifacts * Age-Old Trinkets * Masks * Molds

 

Paintings * Canvases * Stained-Glass Works

Graffiti Art Exhibit * Urban Art Canvases * Retro Works

As you can tell, you could even participate…

 

For more information about the Brooklyn Museum of New York:

www.brooklynmuseum.org

200 Eastern Parkway
Brooklyn, NY 11238-6099
(718) 638-5000

Lawrence Dagstine: “How to make $5000.00 from writing…”

*HOW TO MAKE FIVE-GRAND IN YOUR SPARE TIME FROM WRITING*

An Essay by Lawrence Dagstine

This conversation always seems to come up whenever my name is made in passing in certain industry circles, regarding that “Prolific Hack” Lawrence R. Dagstine.  This time it came via Facebook a few days ago by a person we’ll call Chubbs.  Congratulations, Chubbs, you are now a character in my upcoming, racially provocative, cyberpunk novella, MAURICE AND THE URBANITES.  All with good intentions, Chubbs; I won’t kill your character off.  If there’s one thing I’m known for, it’s helping other writers find markets for their work.  However, I think it is important that all housewives or househusbands, part-time tutors, teachers or students looking for extra cash, has-beens, wannabes, bohemians, panderers, starving artists, prose-driven lushes, pain-killer popping poet laureates, and yes, even young technical writers who need reminding pay heed.  Or if you’re smart, can program yourself to type methodically, but find yourself currently unemployed.  So let’s start this off right…

Publishing Clip/Magazine Tupperware No. 2 of 4 - Yes, I own four.

Hi, my name is Lawrence.  I’m a hack writer who made roughly $5000.00 in 2009 from the written word.  Cash.  Mojo.  Bling.  And I’m going to show you too how to make this kind of money over a 365-day period; have checks and payments coming in regularly in this tough economy; samples on how to get writing gigs and become a fiction writing machine in your spare time, and the difference between quantity and quality (in my opinion).  As a trench-writer since the late 90’s, with close to 400 magazine and webzine credits, and in this current market, this is how I perceive Quantity and Quality.

QUANTITY = The Possibility of Fast Money and Brief Popularity.

QUALITY = The Possibility of Immortality and Elegance of Prose.

Author’s Note: With the above, your mileage may vary.  But both can exhibit a certain level of professionalism.  I’ll also get to the novelist a bit more later on.  Everything I put down here in the meantime is from firsthand experience, acceptances, years of observation, and generally whatever else worked for me concerning the written word.

I think everybody pretty much knows by now that I submit to a LOT of half-cent to three-cent per word paying markets.  I often have a minimum of 20 to 40 different short stories and novelettes floating out there at any given time, and so should you; with reprints, once rights have reverted back to me, sometimes as many as 60 fiction markets.  There’s one short that I’ve sold over seven, eight times already.  These are often called “Trunk Stories”, stories which have already been published and are just sitting on your laptop, can be dusted off, and sold again after many years.  And I’m not including small non-fiction gigs, which rely mainly on published clips, actual “print” periodicals, or through connections/recommendations one might have through freelancing or journalism.  That’s a whole other ballgame.  If you want to make some kind of extra cash with short stories, you need to write plenty of them! Like one or two per week, then build up a hefty folder over time.  This is a must! It won’t be an overnight thing.  Oh yeah, and expect to get a boatload of rejections.  But I think every writer and his or her grandmother is aware that it comes with the territory.

At the same time, I truly believe that while the written word is the written word – by that, I mean whatever you manufacture from your keyboard – within short story writing and novel writing there exists two very different breeds of writer.  Two very different thought process patterns between both of them.  Even though, over time, it is essentially the hardworking novelist who will round up the most funds.  One is taught to submit to nothing but the highest paying markets, because there is this invisible rule, and everybody should adhere to it.  Because we should better ourselves.  Start at the top, work your way down.  Maybe go to Clarions or Borderlands or a similar writing workshop, and attend seminars where you can sit down with actual New York Times Bestselling Authors.  Excellent philosophy.  I’m for it one hundred percent! I’ve been told to submit to nothing but five-cent per word markets, otherwise throw your story away.  I’ve had writers tell me five cents is an insult and submit to only seven-to-ten-cent per word paying markets.  And there was the one old-schooler who said submit to only ten-cent markets (yeah, and out of the thousands upon thousands of genre writers, statistically we all know there’s a ton of those out there).  I wouldn’t dare say keep that piece sitting in a drawer, especially if you believe in it.  Submit it! Still, at the same time we can’t forget that some levels of writers do it for the sake of paying other bills, no matter how big or small that earning from writing may be: it might help you fill up your gas tank, it might help you afford air conditioning this summer, or even pay your mortgage or credit card.  For some the opportunity is out there (on both levels); for some, not in a million years because they might not know what to do or how to go about freelancing or how to utilize reprints or how to get into the “Writing Habit”.  Personally, I could give a damn about immortality.  I live in the Here and Now, therefore I must eat, think, and survive in the Here and Now.  That’s my philosophy.

Basically, have a secondary income coming in on a fairly repetitive basis.  Checks and Paypal payments flying in every week to two weeks.  The same way prolific novelists receive royalties by the quarter.  Two very different breeds of writer, in my opinion.

Example 1:

On one particular day in September 2009, I opened up my email to find seven paying acceptances in ONE DAY – nothing big, nothing exorbitant – and I’m not a full-time writer.  That’s my current record, by the way.  In December 2009 I had another four paying acceptances in ONE DAY.  That’s eleven paying short story acceptances right there.  In only two days out of 365.  Now, out of those eleven acceptances, who am I to say no to $25.00 checks, $50.00 checks, $75.00 checks, or even a $100.00 check, which might turn out to be a 2-cent per word story which just happens to equal a Benjamin Franklin? Especially if they’re rolling in constantly! Unless you’re already established, you never say no to Benjamin Franklin.  Benjamin is your friend; Grant ain’t so bad either.  A 2,000-word short story to a professional market equals the SAME hundred dollars.  Not to mention I can probably name three or four other prolific short story writers who have me beat with the numbers above.  And while Benjamin and Grant are your best friends, they can do more than just get your name and work out there.  In this current market and economy it can pay for things.

Here’s another example from December 2009.  The publication in the link below, which has been around eleven years, I often get acceptances from.  I’ve even helped improve their exposure and circulation a bit.  They pay me 1-cent per word for material.  The two accepted stories in this particular entry, to be released this year, are 6,000 words in length each.  That equals $120.00.  Over a period of twelve months, it adds up.

CLICK HERE: https://lawrencedagstine.com/2009/12/21/nova-science-fiction-spring-2010-eight-acceptances/

This recent story acceptance below is fairly long.  It took me one day to write this story.  The creative juices were flowing.  The check from it will pay for one gas bill.  Still, if you want to pay more than one bill, you need to have at least 40 different short stories floating out there for you.  When rejections come in, send the stories right back out.

CLICK HERE: https://lawrencedagstine.com/2010/02/10/aoifes-kiss-35-december-2010-12th-acceptance/

Once again, that $5000.00 was from part-time writing, not full-time.  This came from short fiction, short non-fiction, selling Dagstine mags and wares in Coney Island, small leads and gigs on places like Craigs List to resume writing (www.craigslist.com).  Let’s throw in a little off the books proofreading for people advertising simple jobs from foreign-speaking countries (e.g., gigs I had for Denmark and The Philippines).  You can charge these people a fee in the low hundreds just to edit their manuscripts or fill their technical and business writing needs.  Always charge less than what the Writer’s Market suggests for these jobs; work with your clients, they’ll use you again or recommend you to others.  That’s how resume writing fell into my lap.  It doesn’t matter where you come from: if you understand English, have Internet access, and enjoy typing, anybody can do this… ANYBODY CAN DO THIS! So what if it isn’t entirely fiction? Now I’m building up an entirely different kind of portfolio in the process, something I would never have done or thought of, say, five years ago.  I’ve written under such names as Lawrence Davis, Lawrence Roberts, Lawrence Hewitt, and in the science fiction arena, Lawrence Dagstine.  The list goes on.  I even wrote a porn story once under the name Nabudi Sun (this was for kicks).  Plus, the freedom of this also gives me the time to write more genre fiction, which I enjoy and grew up on.

SAMPLE FOREIGN / FREELANCE LINK: http://manila.craigslist.com.ph/wri/

You ever see that show, DEAL OR NO DEAL? Hosted by Howie Mandel? He comes out on stage rocking his baldy, a woman with a silver briefcase hollering and screaming at his side.  The audience is cheering on.  The woman is given the option to pick briefcases and go for a six-figure win.  Let’s pretend that the contestant is a writer, and that this game show scenario applies to writing.  Very rarely do people get that six-figures; shit, some times they don’t even score five.  Howie Mandel will call upstairs and one of the producers or whatever will make an offer.  It might be $6,000, $8,000, or $10,000… Do yourself a favor, TAKE THE MONEY AND RUN! Don’t wait around for a half-million dollars.  Because, in traditional publishing, six-figures ain’t happening.  $10,000, sure, why not.  I can figure that.  Pay your bills and have fun with your peers.

Example 2:

You know, when you think about it, $5000.00 equals an advance on some novels, which might take you a year to write and then an additional 18 months to be released.  There’s no guarantee the book will sell, the agent you have will keep you or you will keep her, or that you’ll be the next big thing.  Your book may sit on a shelf for what seems like an eternity, or be sent back for a refund.  Or, in the end, have its cover torn off.

You have to remember, writing is a starving profession.  Freelancing is quick cash.  Thanks to it, I sell most of my works a minimum of three times each.  Thanks to it I have heat and hot water, a full refrigerator, electricity and gas, copays on prescriptions covered, clothes on my back, toilet paper to wipe my ass, diapers on my kid’s behind, and all other bills and necessities besides a rent firmly paid.

But, I understand.  Even though you realize that genre is a lottery, with one in every 10,000 to 20,000 truly making it BIG, you aspire to be that New York Times Bestselling writer.  There’s nothing wrong with that.  Dreaming big is a part of life.  Sometimes those workshops or classes, however, are pricey.  With round-trip airfare, hotel and food, you could be talking $2000 just to attend! Freelancing, in the fashion mentioned above, can PAY FOR THAT PROFESSIONAL WORKSHOP… It can help you afford these writing camps in what is a truly reserved economy.

In the end, it’s all about enjoying what you do.  The storytelling aspect, and of course, entertaining your readers.  Listen, you don’t have to stay in this little shell your whole life because some organization has it hammered out that way or because people have inferiority complexes (such as Chubbs).  What good is a writer who ends up worm food from lack of finances? I think that at a certain point, you have to come out and set up your career the way you feel most comfortable with it.  Remember, only you are responsible for your own destiny.  Only you can carve out a niche for yourself, thus turning it into your own reality.

Until Next Time,

Lawrence Dagstine

Aoife’s Kiss #35, December 2010… (12th acceptance!)

Hello, and congratulations to the New Orleans Saints for winning Super Bowl 44.  Here was a place that went through a lot five years ago, and I can’t think of a team and city that deserves it more.   Yes, I was rooting for you guys while I was in Atlantic City.  Now on to SF, Fantasy, and the Post-Apocalypse.  I just watched The Road last night; what a terrible movie that was.  Don’t fear, I’ll have a better story than that coming to the December 2010 issue of Aoife’s Kiss (What, better than the Cormac McCarthy you say?).  Published quarterly by Sam’s Dot Publishing, Aoife’s Kiss is edited by Tyree Campbell.  This will either mark my 12th or 13th acceptance into the magazine’s print and former Web component.  A lot of stories are being held onto at the moment, so I’ll know more over the course of the year.  Check out a few sample issues below with stories of mine in them.  And speaking of roads, we’re on the Road to 400 credits!

Sam’s Dot Publishing Main Homepage (updated monthly):

www.samsdotpublishing.com

A Few Sample Issues Featuring Lawrence R. Dagstine

Available for purchase or subscription via The Genre Mall

CLICK HERE: www.genremall.com

Personally, I recommend trying out either the June 2009 or September 2009 issues.  Both had decent stories, the issues sold out and they were bestsellers more than two, three times over.  Those two issues in particular had to be reprinted over three times! All available at The Genre Mall: www.genremall.com

Aoife’s Kiss Issue #22

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 Aoife’s Kiss #24

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Aoife’s Kiss #25

Aoife’s Kiss #29

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Aoife’s Kiss #30 [Bestseller]

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Aoife’s Kiss #31

 

Other New Entries: “Magazines”

The Martian Wave, Premiere Issue… (Coming Spring 2010)

A little reminder that The Martian Wave, edited by J. Alan Erwine and put out by Sam’s Dot Publishing, will be coming out spring 2010.  There’s the old banner below, back when, for about ten years, The Martian Wave was a quarterly webzine of interplanetary stories, space opera, astronaut tales, and fiction about intergalactic exploration.  That was always the central theme.  I appeared in the old Martian Wave about five, maybe six times, and it’ll be real nice to see it now in its much fuller form, and as a semi-annual print magazine.  Intended line-up below!

The Martian Wave – Summer 2010

After ten years – Now an upcoming print magazine

To be published semi-annually by Sam’s Dot Publishing:

www.samsdotpublishing.com

PREMIERE ISSUE LINE-UP… THUS FAR:

Adaptor by Steve de Beer
Bypassed by Shelly Bryant
Prize Crew by Dan Thompson
The Barren Wastes by Justin Bohardt
The Reefs of Jove by Keith P. Graham
another pit for sale by s.c. virtes
Luminescence by Patty Jansen
A Hollander’s Secret Weapon: 1609 by Marge Simon
Into the Silence Flies a Moth by Bret Tallman
Hindsight by Marge Simon
The Pillars of Europa by Rick Novy
The Great Martian Depression by Lawrence R. Dagstine

First Issue Cover Art by Laura Givens

 

Other New Entries: “Magazines” 

Lawrence Dagstine: “The Scarecrows are Coming…”

A chilling tale by Lawrence R. Dagstine

The Scarecrows are Coming!!

The Scarecrows are Coming!!

The Scarecrows are Coming!!

 

Available in 2010 for iPad * iPhone * iPod Touch

Amazon Kindle * PDF Download * Mobipocket

Coming Soon to eBooks & Kindle!!

 

Added: The following picture above was obtained on MySpace. 

Added: If you’re interested in this artist’s work, please visit his site and consider purchasing something: http://www.eeriepa.com/home/