Miss the debut back in early January? Well, here’s a second opportunity to pick up one of these LIMITED EDITION issues of POLLUTO #4, featuring yours truly, and some of the finest short fiction authors in all the UK. It’s a themed journal, published quarterly by DOG HORN PUBLISHING (www.doghornpublishing.com). Edited by Adam Lowe. Creative Director is Michael Dark.
‘Alice in the Palace’ by Dave Migman
‘Parasol Clerks’ by Rhys Hughes
‘Jeanne’ by Steve Redwood
‘Mouse Diary’ by Daniel Wilson
‘Queer & Loathing on the Yellow Brick Road’ by Deb Hoag
‘A Shade of Yellow’ by Alex MacFarlane
‘Beta Child, Gamma Child’ by Malon Edwards
‘Paint the Town’ by Anne Pinckard
‘Sweet Adult Cell’ by Ray Succre
‘Beauty and the Beast’ by Micci Oaten
‘Heart of Cement’ by Lawrence Dagstine
‘The Bears in the Wood’ by Jim Steel
‘The Androidgenous Zone’ by Andrew Hook & Allen Ashley
‘Velcro Hurt’ by Ernesto Sarezale
‘The Day Hermeneutics Died’ by David McLean
‘Willow Within’ by D. W. Green
‘A Long Hard Look’ by Rhian Waller
‘On Biting Roy’ by Janis Butler Holm
‘Live Without a Net’ by RC Edrington
‘Mona and the Machine’ by Matthew Longo
‘Backseat Ballet’ by Mark Howard Jones
‘Voom and Bloom’ by Frank Burton
‘Alice in Agony Pink’ by Michelle Mead
‘ADD’ by Chris Patton
‘Shedding’ by Rhian Waller
Previous Issues have featured such names as: Jeff VanderMeer, Michael Moorcock, Rhys Hughes, Steve Redwood, and MORE! This is a Limited Edition magazine. 500 copies of the paperback, 100 numbered hardback! Once it sells out, you won’t be able to get it again.
Ancient Egypt that is! Minus the Scifi novella, a look into one of five upcoming projects between 2009 and 2010 that should wet any reader’s appetite. This should give my fans and peers a look into what I do for inspiration and, at times, research. From the ashes of a New Yorker’s mind, a non-fiction and fiction tale is born. Think of an article or story like a work of architecture — Like any building, it needs a foundation drafted, then crafted, in order to stand. A good story can also be like a work of art. Colorful and priceless, depending on the artist. With any dedicated and enthusiastic study, life experience also plays a major role in creation.
Lawrence Dagstine does Egypt
Lawrence Dagstine does Egypt
Lawrence Dagstine does Egypt
Whether it’s freelancing pre-dynasty non-fiction or fantasy, alternate history or occultist horror, Dagstine will do it! That’s for sure. The hints to one of my next tales sits on this screen — well, rather yours — in front of you. Will it have lots of mummies and real mystery? Will it involve Cleopatra? Will it showcase ancient gods and pyramids in an adventure the likes you’ve never read? I guess you’ll have to wait and see…
Lawrence Dagstine does Egypt
By the way, there’s tiny scarabs and children’s remains — mummified, I might add — in that tomb behind me (just kidding). Coffins such as these were used by pharoahs or kings for royal pets, such as cats. Lots of times they were mummified and buried with their owners. Personal belongings were included for their long journey into the next world.
Sound juicy so far? Well, you better stay tuned then…
Ten to fifteen years ago, a new technology was developed called print-on-demand (POD).Publishers and small authors alike who didn’t know any better explored it as a means to getting their works into print.The Web, fairly new by publishing standards, helped become a vehicle for this phenomenon.Back in those days you didn’t have to worry about garages or basements filled with over 500 or more titles not being sold.No, you could order two or three at a time without having to sweat.Vanity presses took the most advantage of this, but now anyone and their mother can become a writer-turned-printer-turned-publisher (if you get the gist). Still, no matter how far POD has come, no matter how much it has been utilized and what it is capable of, media in the form of a virtual entity will eventually – no, I’m sorry, inevitably – reign supreme.
So toward the end of February 2009, Amazon’s new eReading gadget, KINDLE 2 makes its stunning debut.You can go and preorder it now for a mere $359.00 – kind of steep, if you ask me – or you could wait five to ten years until every book, magazine, and news periodical known to man makes the switch regardless.And that goes for the unknown or semi-popular ones, too. Think about it: saving trees and saving money, even saving shelf space unlike ever before, while being able to listen to music, read your favorite blogs, and go wireless on buses and subways or the road.Amazon and Sony know what they’re doing.In these tough times, where publishing companies are laying off hundreds if not thousands, where pro and non-pro magazines are folding left and right or going on hiatus, companies like Amazon are taking small steps through the cracks into what I call the ‘future of written word-related media’.
E-publications are more cost-effective than print.So get with the program now, before it’s too late. I’ll miss hardcovers and paperbacks like every other reader or writer from my generation.But if we don’t assimilate now, we may be missing out on a mighty fine resurgence.Only in a different format.
What do you think of the Kindle 2, or eBooks and eReaders in general?
I’ll have a new, almost-novelette length zombie thriller appearing in a future edition of Sam’s Dot Publishing’s Cover of Darkness. An “Annual Magazine-Anthology”, they’re mostly known for their tales of horror and dark speculative fiction. Sam’s Dot will also be releasing my collection FRESH BLOOD, many future issues of Aoife’s Kiss with stories of mine in it, and lots of other great publications between now and 2010. So stay tuned.
Previous issues have featured Bram Stoker winner Scott Nicholson, LL Soares, Cathy Buburuz, David Kopaska-Merkel, Kristine Ong Muslim, Angela Albee, Tamara Wilhite, Tyree Campbell, J.J. Steinbeck, Kate England… And many other fine talents…
You can now pre-order one of the finest hand-illustrated horror mags available in the Small Press. Only 110 copies will be printed up, and with stunning ink-to-paper art by some of today’s leading artists in the field (such as Tom Moran), who wouldn’t want to own a copy? This is a limited edition horror digest with fantastic original art!
Fiction and poetry by: Douglas E. Wright, Paul Anderson, Greg Schwartz, MontiLee Stormer, Sam W. Anderson, Lawrence Dagstine, Mark Tullius, Sean Logan, Mike L. Lane, Russell Jackson, David E. Greske, Kris Williams, Jason Hauser, Matthew Bey, James Futch, C.C. Parker, Patrick Rabe, Mo Irvine, Scott Virtes, Kristine Ong Muslim, and Aurelio Rico Lopez III. 17 short stories and 4 poems in all.
Never expected this, but here is what turned out to be a very interesting discourse over at SHOCKLINES (www.shocklines.com). If you’re into horror, you can always depend on meeting some cool people in the business or getting your jollies off there. The subject matter is something I’d been meaning to ask, something I’d been pondering for quite some time. A few of the answers actually surprised me; some even got me thinking. For me, writing is very much an addiction — yeah, sometimes the buck ain’t so bad either — and at the same time that addiction can also be very therapeutic. It’s kind of like a drug. Depending on the strength of the addiction, sometimes it leads to better opportunities, other times it doesn’t. It’s something you need to get out of your system; nevermind the withdrawal symptoms I call “Writer’s Block”.
Now I don’t blog too much, because I don’t really understand the full concept of it. I merely self-promote and give plugs. But like any drug writing is something which is hard to quit. Still, I’m living in the “here and now”. Many an author’s work do cease to exist. Even the way our society is adapting, revolving, just generally changing, and at such a rapid pace, paper may soon disappear and reading as we know it may switch formats and cease to exist too!
My friend once said, “Have fun with this. See where it takes you. See who you meet. But don’t ever make something big of it.” Then he went on how I’d be looking back at this moment in twenty years time, perhaps the victim of diabetes, stroke, or a heart attack. What would I really think about writing for immortality or money then, when I’m old and gray with age? Something to consider…
And here’s a quick appearance from over two months ago to THE RANDOM EYE: An Ezine Dedicated to Alternatives. You can find a lot of cool stuff here (from alternate history to parallel universes). SFWA member Rick Novy is also in this issue, and I believe we’ll be appearing in some other stuff together later in the year. Great writer, and an even greater fella to chat with. In the meantime, be sure to read the premiere edition; it’s only published once per year.
Featuring Work by: Robert Freese, Eric Steele, Robert Paul Blumenstein, M. Jones, Jeffrey Sims, Richard S. Levine, Rick Novy, Emily Neiley, Lawrence R. Dagstine, and Mark Fewell. Edited by Melissa Jones.
This is a fine-looking import, that’s all I have to say. A Spectrum Fantastic Arts award-winning, Anti-Pop, culture-clashing literary magazine which kicks you in the balls at light speed. This magazine breaks the rules, and then some. The quality of material is remarkable. It’s a themed journal, and the running theme for Issue #4 is: QUEER & LOATHING IN WONDERLAND. Edited by Adam Lowe, and distributed by Dog Horn Publishing (www.doghornpublishing.com). Creative Director is Michael Dark.
‘Alice in the Palace’ by Dave Migman
‘Parasol Clerks’ by Rhys Hughes
‘Jeanne’ by Steve Redwood
‘Mouse Diary’ by Daniel Wilson
‘Queer & Loathing on the Yellow Brick Road’ by Deb Hoag
‘A Shade of Yellow’ by Alex MacFarlane
‘Beta Child, Gamma Child’ by Malon Edwards
‘Paint the Town’ by Anne Pinckard
‘Sweet Adult Cell’ by Ray Succre
‘Beauty and the Beast’ by Micci Oaten
‘Heart of Cement’ by Lawrence Dagstine
‘The Bears in the Wood’ by Jim Steel
‘The Androidgenous Zone’ by Andrew Hook & Allen Ashley
‘Velcro Hurt’ by Ernesto Sarezale
‘The Day Hermeneutics Died’ by David McLean
‘Willow Within’ by D. W. Green
‘A Long Hard Look’ by Rhian Waller
‘On Biting Roy’ by Janis Butler Holm
‘Live Without a Net’ by RC Edrington
‘Mona and the Machine’ by Matthew Longo
‘Backseat Ballet’ by Mark Howard Jones
‘Voom and Bloom’ by Frank Burton
‘Alice in Agony Pink’ by Michelle Mead
‘ADD’ by Chris Patton
‘Shedding’ by Rhian Waller
Plus art from: Elaine Borthwick, Ignacio Candel, Luke Drozd, Kurt Huggins & Zelda Devon, Dave Migman, Flavia Testa-Lytle
Previous Issues have featured such names as: Jeff VanderMeer, Michael Moorcock, Rhys Hughes, Steve Redwood, and MORE! This is a Limited Edition magazine. 500 copies of the paperback, 100 numbered hardback! Once it sells out, you won’t be able to get it again. My short story could best be described as “extreme”, and matches the theme of the issue. Hurry and get your copy today. There’s a lot of fine authors here.
No, it has to be a PR stunt as Russell T. Davies leaves the show and Stephen Moffat takes over. It’s a terrible lie, I tell you! No, the next doctor is not some goth kid who just “happens” to look like Peter Davison and Beethoven. Are they blowing the series like John Nathan Turner did back in the 80’s with Colin Baker and Sylvestor McCoy, just blowing it right the hell off television for good? Did they just choose him because his hair was “cool”? Who knows. All I know is that I would have preferred a much older actor — not a “companion” as the Doctor; they might as well have gone with Radcliffe now — maybe a black actor. Colin Salmon, Paterson Joseph, or even Adrian Lester! As a science fiction writer myself, I would have even bargained for Morrissey, Nesbitt, or Sean Pertwee. But who is Matt Smith? Well, if you look at the picture below, that’s him.
He was just introduced the other day on Doctor Who Confidential, and it appears that this man is the Doctor my son will most likely grow up to. And while I am a fan of “young” doctors (Peter Davison is by far my all-time favorite), and while I have faith in Moffat’s writings, I just don’t particularly like the wild card choice he made with some no-name talent; Smith also has a few unmemorable shows behind him. Matter of fact, Moffat and Paul Cornell’s writing in particular are some of the BEST! But Matt Smith doesn’t remind me of a Time Lord. Sorry. OK, so maybe I am jumping the gun. I’ve been to Outpost Gallifrey, Den of Geek, and every other website and forum in-between hoping the news was really just a big old PR stunt — praying that Paterson Joseph walks through the TARDIS door and says in 2010… SURPRISE!!! But at the age of 40, Tom Baker was relatively a no-name actor with only a few creds to his name… look at what he accomplished. Peter Davison was, at one time, the youngest Doctor to take on the role. He was fantastic, too, but he had a hit series like All Creatures Great and Small behind him. Acting experience! Maybe the scripts will make the difference here, not so much the “hairstyle”. Because this, to me, seems like why they chose him. That and his odd finger mannerisms. I guess we have to watch and see, eh? I mean, David Tennant made the part all his own in one season. He grew on us. But how long will Matt Smith last as The Eleventh Doctor? Will he even be any good? What are some of your thoughts on Matt Smith (aka Doctor Number 11)?
Matt Smith promo shot
A while back I held a few Doctor Who fan polls, where you could vote for your favorite Time Lord and so on. This time I have TWO POLLS… Both dedicated to Matt Smith…
Come, take TWO different DOCTOR WHO polls with me…
Didn’t catch my Sci-Fi love story, A Virtual Affair, the first time around…? Well, you can always read it again before it goes into retirement. Below in the January 2009 issue of SURPRISING STORIES. Edited by John and Eric Thiel. This well-received story would be one of the final 30 hobbyist venues which will feature work of mine over the next twelve months.
Featuring Work by: Steve Sneyd, David Zeldis, Lawrence Dagstine, Jamie Meyers, Herbert Jerry Baker, Gerald F. Heyder, Rose Gordy, Bob Bolin, Joanne Tolson, Albert J. Manachino, Anne M. Valley, Paul Truttman, Gary Every, and John Thiel. Reviews by Elmwood Kraemer. Art by Ramos Fumes and Peter Zenger.
My New Years Resolution was to retire from many a small venue, with 350 publishing credits as rocket fuel, and see where I can take these crazy horror stories and science fiction-cluttered thoughts of mine. And while I will still be an integral part of the Small Press, I’ve decided to take a leave of absence from the hobby press to search for a little more. As I invest over four hours per day into a new novella with “true” emotion and real, identifiable characters, make up marketing materials and get ready for the premiere of my first short story collection, and outline fresh ideas for a hopefully pro-paying anthology, I really can’t wait to see what this year off from shorter work brings. In the meantime, please, enjoy what the publication above has to offer.
I’d like to wish all my readers, friends in the small press, friends outside of the small press, peers, family, editors and publishers, and whoever else I may have missed a very healthy, Happy New Year.
With Arkham Tales, Atomjack, and Necrography just around the corner, I would have to say that this will probably be my last story acceptance for the year 2008. I’ll have about 30 stories coming out over the next 12 months to some very fine and familiar publications. However, there’s a new magazine that will be available in print and PDF format come February. It’s a monthly. The pay isn’t big, but with subscriptions and good authors that could change. A very likable venue, too. Simple looking. It’s called M-BRANE SF. It looks very promising, and Christopher Fletcher is an extremely nice editor. He also does reviews and SF analysis, too.
I don’t know who the first two issues consist of yet, but since I could not find a banner, I thought this public domain pic of a space shuttle entering the atmosphere would be cool. In other news…
FRESH BLOOD, my collection from Sam’s Dot Publishing, has currently surpassed the 60,000+ word mark (making it novel-length). Also, writers have been emailing me in regards to my hiatus rumors. Other than Sam’s Dot… YES, where smaller genre publications are concerned, 350 publishing credits will mark a form of retirement for me, and 2009 will not only be a year off… but a year of book promotions, outlining projects, direction, new ideas, and most important, change…
The issue is a bit late, but my story DEPARTURE FLIGHT is currently up at The Written Word Magazine, Issue No. #15. The Web-based publication is also connected with Rebel Dawn Creative Force and Masterpiece Comics.
WRITTEN WORD ONLINE MAGAZINE #15 – November/December 2008
Featuring work by: William Markly O’Neal, C.A. Ellis, Kate Smith, Christopher Hivner, Billy Wong, Lawrence Dagstine, Dudgeon, Byron D. Howell, Roger Haller, and Morgen Kirby. Edited by Ace Masters and Barb McCaffrey.
There are some good science fiction webzines out there. Then there are some fine ones. ATOMJACK is by far one of the better ones, and it’s proven rightly so with their material and lineups over the past four years. This would be my 3rd acceptance with them. Published by Susurrus Press, Atomjack is edited by Adicus Ray Garton.
Previous authors have included Bruce Boston, Carmelo Rafala, Kristine Ong Muslim, Rick Novy, Lou Antonelli, Gary Cuba, Cory Doctorow, James Maddox, and more.
Aoife’s Kiss #27 is now available (or up should I say). In both print and online format. For December 2008, I would be in their Web component with a juicy new werewolf story. The artwork for this edition is entitled “Athanor” by Mitchell Davidson Bentley (www.atomicflystudios.net). Check it all out below.
Featuring stories by: Lawrence R. Dagstine, Diane Gallant, Richard Jones, Jamie Killen, and Andrew Knighton
Since it’s the end of the year, and there’s the possibility of the story making it into a Sam’s Dot anthology, you can vote for your favorite tale on the same page. Enjoy.
I’ll have a zombie story coming to the April 2009 edition of NECROTIC TISSUE. They’re a free PDF download and a fairly new webzine with a liking for horror stories which explore the human condition, the Golden Age yarn, or Tales from the Crypt meets the classic morality play. They also give free T-shirts with each acceptance. How cool is that? Link below.
First, I hope everybody had a wonderful Thanksgiving holiday. I also hope you braved the Black Friday crowds better than I did. Next, I’ll have a BRAND NEW story coming to the September 2009 issue — I know, a good ways off — of Aoife’s Kiss (Sam’s Dot Publishing). This would be my 10th print acceptance to their magazines; I’ve probably published in the area of thirty with them over the years if you include online. Actually, I’ll have a new story for you in almost every quarterly issue of Aoife’s for some time to come. Including, to my knowledge, the “special” winter issue.
You can view previous issues of Sam’s Dot magazines by clicking below:
Next, Tiptree-nominated writer-editor Tyree Campbell and Sam’s Dot will ALSO be releasing my debut collection, which has a couple of blurbs at the moment, and is going by the title FRESH BLOOD. This will be a collection of stories new and old (a lot of new) in the genres of horror and science fiction. This book has taken over a year of edits, building momentum, and to just carefully compile. At the moment, I’m clueless as to how many stories will appear in it – it should be around a minimum of 50,000+ words. But you’ll get a lot of nice variety here, including the kitchen sink.
I’ll have a story appearing soon in a new and interesting ezine called THE RANDOM EYE. Published Annually, they seem to accept work which is dark and speculative, but borders on the alternative, parallel (like universes), and the overall bizarre. More than just “weird fiction”. Be sure to check them out.
From their homepage:The Random Eye is a yearly anthology of horror and speculative fiction that focuses on the possibilities of parallel universes. Have you ever wondered what would happen if Rob Zombie became president, or if the Titanic was used for space travel, or if television was invented for communicating with the dead rather than entertainment? The Random Eye takes a simple theme for each anthology and encourages authors to imagine an existence far removed from our own, where a myriad alternate universes reside and where these strange possibilities exist.
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