The Orange & Bee | Substack Publication – Professional Venue for Magical Stories and Fairy Tales…

I have a professional credit (8 to 10 cents per word) in the Substack publication, The Orange & Bee. It’s a flash fiction piece, and this would be my third pro credit the past three years. The Orange & Bee is a venue with thousands of subscribers. They seem to update their newsletter-like publication on a weekly basis, and their mission is to publish stories aimed at enchanting readers. They offer critiquing services, and have something called writing and reading “roundtables.” They also seek contemporary short stories inspired by a long tradition of fairy tales. But they celebrate all styles and genres, as they aim to explore, expand on, and subvert the rich traditions of international folklore. They publish poetry and non-fiction, too. According to them, they look at stories that stretch between the shadows. Which is good, because my story this time around falls into this category (along with the theme of loss and grief). Read my flash fiction story, “Shadow Play.” In the Oct. 24th 2025 edition of The Orange & Bee…

The Orange & Bee – Professional Substack Publication

Featuring Dagstine flash fiction piece: “Shadow Play”

The Orange & Bee MAIN PAGE – (click link, be redirected):

https://theorangebee.substack.com/

Lawrence Dagstine piece, Shadow Play – (click link, be redirected):

https://theorangebee.substack.com/p/shadow-play

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I’ll put the banner above in magazines, since that’s where I put webzine-related stuff for close to twenty years.

Other New Entries: “Magazines”

FREE STORIES: “Visitation Rights” by Lawrence Dagstine

Welcome to Free Story Day! I have a chapbook tale to share called “Visitation Rights.” It’s a paranormal court story about a heated legal battle for a child transitioning into a ghost. The child’s father argues that his spirit should stay with him during this eerie transition, rather than remain in the realm of science. However, the judge believes he knows what’s best for the child’s welfare in his current state. There are science fiction elements to this story, as I predicted such court battles would take place long after Barack Obama left office. Originally published in 2009 by Damnation Books, it was part of their debut lineup of ebooks, when ebooks and the digital revolution were fairly new—Amazon Kindle, for example, was probably in its Second Generation. Lisa Jackson was my editor, and it sold extremely well for five years. Cinsearae Santiago created the cover. The story emerged during a time when I was writing a lot of sociological horror involving family dynamics, father-mother-child relationships, and how children can be more terrifying than adults in certain situations. Not too many authors were doing this kind of fiction back then. At least in a way that makes the idea of life after death seem totally plausible, kind of like it could just blend right in with the living and everything we deem real. At the time, I made a professional impression with it.

Anyway, without further ado…Visitation Rights (2009) by Lawrence Dagstine.

Jack Golden was magnificent, his wife Margery thought as she looked on from the front row. He was controlled, sincere, and candid, just as their lawyer had urged him to be. He was a tall, handsome figure of fifty-seven, barely even gray at the sides. He had dark brown hair and lively, intelligent green eyes like Margery, who had her own spark of confidence. She was petite, auburn-haired, and just as youthful-looking in her middle age.

Their naturally relaxed manners of speech were usually inclined to set a distance between themselves and those who existed outside the norm of modern society. Some in the courtroom found their cultured East Coast accents disquieting—after all, they were dragging this out in Jenny’s new hometown—especially when it came to these things. Still, wherever the legal battle might end up, Jack always regarded his family first and foremost and was ready to fight.

Margery, however, had felt awful on the stand. It had been a relief to discover that the lawyer had not chosen to make an issue of her visit to her daughter-in-law, Jenny Hathabee. She was as good as a wife could be to her son, who had been fatally wounded in Afghanistan. Of course, Jenny’s opening testimony was a real surprise; it almost felt like a custody battle. Cagey lady, Margery thought, wondering what other surprises the opposition had in store.

She watched now as Jenny’s lawyer slowly rose, like a bear moving in for the kill. Only this bear was rotund, his disposition stiff like the color of his suit, along with a short mustache and bulbous nose. Oh yes, and dark eyes. All lawyers had them. The odd image frightened her, but good ol’ Jack seemed to be reacting well, chin thrust out, hands on his knees.

“Mr. Golden.” The voice of the lawyer boomed in the cavernous courtroom. “What is your occupation?” He did not smile. His pose was unmistakably aggressive.

“I used to work in Washington during the Obama Administration. I was an inspector for a stem cell research facility. Just retired. Now I work part-time in a slightly similar platform, what the scientists-turned-corporatists call a nursery. The rest of my days are spent gardening, cooking, cleaning, hanging out about the house.”

“Are you enjoying your retirement?”

“I told you, I’m not that retired,” Jack said, smiling.

“All right. Since you’re familiar with stem cell research and nurseries, can you tell me why you chose that particular day to visit your daughter-in-law’s AV-36 at the camp?”

“I—I just couldn’t stand it any more. I’d looked at some pictures in an album, some frames on my mantelpiece. I missed him is all.”

“But why that particular day?”

“It was my birthday.”

“How old were you?”

“Fifty-seven.”

“What else did that day mark?”

Jack cleared his throat. “My retirement day, after twenty years.”

“Voluntary retirement?”

“No. They have this new program. Fifties are the new sixties. You hit fifty-five, you can retire.”

“In fact, it was an involuntary retirement, wasn’t it?” the lawyer pointed out.

Margery’s stomach knotted, afraid of where this would lead.

“Well, sort of,” Jack went on.

“And you felt, well, lousy. You needed a bit of comfort, a bit of remembrance. So you ran immediately to see your daughter-in-law’s AV-36?”

“Must we refer to him as AV-36?”

“Please just answer the question, Mr. Golden.”

“Well, yes.” Jack sounded confused. “Is there anything wrong with that?”

“From your point of view? Maybe not. From the point of view of an AV-36? That’s another question.” The lawyer began to pace in front of the chair, then suddenly shot Jack a query. “How did AV-36 react to your confrontation?”

Jack squirmed in his seat. “He seemed brain-dead at first, but otherwise he was glad to see me.”

“How glad?”

“Just glad.” He forced a laugh; it sounded hollow. “I brought him some clothes.”

“Where was he when you arrived?”

“In captivity.”

“And your visit interrupted this captivity?”

“Well, yes.”

“How did he express his happiness?”

“He sort of smiled.”

“Did he rush into your arms?”

“Well, no. He probably didn’t know to do that.”

“Did he say something like, ‘Gosh, I missed you,’ or did he show confusion and surprise?”

“I guess he was confused. No, wait! Maybe he was surprised.”

“Not confused?”

Jack scratched his head. “I can’t be sure.”

“In fact, for an AV-36, he was totally confused. Wasn’t he, Mr. Golden? We have it on good authority from the researchers that were present. AV-36’s transition was disrupted. He really didn’t know what was happening. You saw there was no military presence and you bullied your way in. You did not even use your real name.”

“I wanted to see him,” Jack said.

The lawyer sighed heavily. “Mr. Golden, the tragedy here is that you needed AV-36 for therapeutic reasons, to make you feel better about the things that happened to you on that day, to make you feel better about the things that happened to your son, Eric, in Afghanistan. Only AV-36 didn’t need you. He was doing just fine. He is doing fine.” A brief pause, and then, “Yes, I understand it’s hard losing an only child to war, but you intruded on this woman’s life”—with this, he gestured to Jenny—“the new one she has built and worked so hard at. AV-36 is a happy, adjusted, productive, normal… Well, you worked in stem cell research, Mr. Golden, and even now you’ve found part-time employment in a nursery or camp which fosters the same kind of thing. As much as I hate to say it, he either didn’t need, or want, your visit, did he, Mr. Golden?”

“If they let the transitioning period happen in a normal way—”

“We are dealing here with what is best for an AV-36. That is the only issue in this court, Mr. Golden.”

Jack clenched his hands into fists. “Oh, for God’s sake, stop with the scientific labels! He needed his family around him. Not Jenny shipping him off to be prodded and poked!”

As the cross-examination continued, Margery felt a sinking sensation in her heart. She knew her man. Just beneath the surface, he was at the breaking point. The opposing lawyer suddenly became ingratiating, leading Jack through a series of questions that focused on his early life; the things that he and Eric, of all things, had done together—baseball, football, hunting, fishing—the affection and interests that both father and son shared. How odd, Margery thought. She wondered where the lawyer was going with this and hoped Jack would be able to sustain himself from tears.

“It was a terrible blow to lose your only child, your cherished son?”

“Yes, it was,” Jack admitted sadly. “Many young men and women died for nothing.”

“It depressed you?”

Jack faced the bench. “Very much.”

“Then when you finally realized that stem cell research opened up doors to all sorts of other possibilities, there came the loss of your AV-36?”

“Yes. I never knew we could renew and harvest so much more through monoclonal antibodies and mitotic cells. I never knew we could reach that level.”

“This loss and these possibilities combined, bothered you, did they not?”

“Objection!” yelled the defense. “My client is clearly being psychologically baited now.”

The judge said, “Overruled. I want to hear this. Go on.”

Jack looked to Margery; she covered her eyes and sank in her seat.

“Thank you, Your Honor.” The lawyer cleared his throat. “And your job after twenty years? After witnessing such scientific breakthroughs firsthand? Come, Mr. Golden. No wonder then that you were depressed, that you exhibited odd behavior. Also, you have been known occasionally to lose your temper.”

Jack was rattled now. “Sometimes. But I never—”

“All the pressures of life suddenly coming together can wreak havoc on a man’s psyche.”

“I don’t know what you’re talking about,” Jack cried, his voice rising, his body taut. He looked over at Margery again; she gripped herself from standing and interjecting.

“I’m talking about—” The big lawyer paused, his gaze first roaming the room, first to the judge, then to his client, Jenny, then to Margery, and finally back to Jack. “I’m terribly sorry, Mr. Golden. But your suicidal tendencies have to be faced.”

Margery felt an invisible hand grab at her insides and squeeze. She nudged her attorney on the elbow to do something.

The defending lawyer stood up. “Objection, Your Honor! I reject this line of questioning,” she said. “This is outrageous and debased speculation.”

The judge thought for a long hard second, then waved two fingers and said, “Sit down.” He nodded at Jenny’s lawyer. “Go on. This better be relevant.”

Jack rose out of his chair, then fell back, looking bewildered, exhausted, and defeated. “My what?!”

“I’m sorry, Your Honor,” the opposition said, shaking his balding head as if the revelation were equally painful to him. He turned and looked toward Margery. “The state of Mr. Golden’s mental health, as will be shown, was reported by Mrs. Golden herself in a meeting with a nursery counselor only a few months ago.”

“Did this meeting happen because of the AV-36?” the judge asked, still trying to find relevance.

“I can discontinue this line and pick it up again with the counselor. But I assure you it cannot be swept under the rug.”

The judge looked at Jack with an expression that seemed like sympathy. He shook his head, then turned and looked across the courtroom at Margery. His eyes were sad and questioning. His disappointment seemed to drill through her; she wished she could disappear.

Margery turned toward Jenny. “How could you?” she asked in tears. “You were like a daughter to us. We treated you as family. We put a roof over your head while you were married to Eric. Why?” Jenny quickly turned away, keeping silent.

“Um… May I request a short recess, Your Honor?” the defense asked.

The judge nodded, raised his gavel, and brought it down. He looked behind him at the clock. “Go and have some lunch, people. Be back at two.” Those present rose as he left the courtroom.

For a moment, no one moved. Margery rushed forward to her husband. Feelings of sorrow cluttered her mind, along with much to answer for. But she couldn’t find the composure to speak.

“I’m sorry, Jack,” she eventually said, embracing him as he stepped down.

He looked down at her with moist eyes and a frown. “You really think I would have chosen the easy way out? You really think seeing him like that would have affected me where I would have just…just ended it?” There was a moment of silence, then: “I miss him, Margery. I miss him dearly. He’s the only thing our poor Eric left behind. Transitioning doesn’t last a lifetime, you know. All I want is what’s fair before it’s too late. I just want visitation rights.”

*

When the hearing reconvened, Jenny Hathabee rose and approached the stand. It was her second time recalled. Her lawyer followed. Despite the wickedness beneath all that makeup, Jenny looked more radiant than Margery had ever seen her. Her face had filled out and her skin glowed with health. Clear-eyed, neat in her starched blouse and dress ensemble, she looked the picture of confidence and contentment—a far cry from months before, when depression and despair filled her life. It had left her like a hollow shell. Now those around her could acknowledge the fact that the emptiness was gone. She had never appeared as strong as she did at this moment.

Notwithstanding the dispute, Margery felt admiration for her. She had come a long way. From them. Perhaps from Jenny’s point of view she and Jack were pariahs, reminders of sadder days, an unwanted, unnecessary, and negative influence on an AV-36 already lacking in substance.

Jenny’s lawyer gently led her through the questioning. Earlier, he had driven home a few key points to his arguments. It remained to put the frosting on the cake. “And your previous husband, Eric Golden, who is a major factor in all this, was, to say the least, unsatisfactory?” he asked.

The question made Jack shrink back in his seat.

“At first I was reasonably happy,” the woman of twenty-eight said. “At first we even lived in Connecticut with his parents, because we were still on the waiting list for a home on base. Then he went off to Afghanistan, the war became fierce, and the military rarely let him home. After that, there came AV-36.”

“I understand. But when the military did let him home, how did he act?”

“He was distant. He was different.”

“Did you contemplate divorce?”

She lowered her eyes and clasped her hands across the expanse of the bench. “It was on my mind to run away. Yes.”

“Was the experience frightening?”

Very.”

“With respect to your former in-laws, how did they treat you during the marriage to their son?”

“We never had real words. They were never unkind, mind you. They acknowledged me as their daughter.”

“And are they sincere when they say they love AV-36 now?”

“I believe so.”

“Is it true that after your husband’s death, they were supportive?”

“Yes. I suppose so.”

“And when you learned about the importance of transitioning facilities, both morally and ethically, how did your father-in-law react?”

“He did not approve of them.”

“And he made these views known to you, yes?”

“Emphatically. Often angrily.” She stopped for a second. Then, facing Jack, she went on, “Of all people, I thought he would have understood.”

The lawyer paused. Turning, he looked at the Goldens. “Would you tell the court, Ms. Hathabee, in your own words, exactly why you feel that it would be better if Mr. and Mrs. Golden stayed away from your AV-36?”

“Where does he come off saying that it’s her AV-36?” he whispered to Margery.

“Shush!” his wife pinched him.

The judge tilted his head toward Jenny for her reply, then looked over at Margery; she reached out and took Jack’s hand. It was cold and clammy.

“AV-36 is a happy, well-adjusted manifestation. He has a new life awaiting him in every respect. All that stands in the way is the transitioning process and the constant interference of Jack Golden. Thanks to the good people at the camp, he has a new form. One which he loves and, as I’ve said to this court in previous days, another on the way. I know my former in-laws think me cruel and heartless for taking this action, but I have to make decisions that are best for my AV-36. The past for him is a dim memory, as is the case with much of his kind. Why should he be disrupted? Why should he be treated differently than the rest? It is not necessary for him to visit with Margery and Jack. In fact, with all this emotional debris and refusal to let go, it will undoubtedly be bad for him—”

“What makes you say that?” the lawyer interrupted.

“His reaction to Jack’s visit to the camp was upsetting,” Jenny answered. “It upset the others like him. It was an unneeded intrusion on a perfectly good harvest.”

“This must have aggravated you.”

“Yes, well so.”

“And how did this affect you?”

“Badly. I began having migraines and terrible thoughts. I woke up with nightmares almost every night thereafter. I felt haunted by something. Like I was surrounded by negative energy. Like—”

“Like something was molesting your conscience and the environment in which you resided?” the lawyer asked.

“I can only assume it was because of that.”

“Some researchers call that kind of invasive energy an entity.” Then the lawyer said, “Do you believe in the supernatural, Ms. Hathabee?”

Jenny vested a short laugh. “This is the twenty-first century,” she said.

He pushed some more. “Did this whole ordeal leave you with any regrets, any second thoughts about your decision on visitation?”

“None.”

“Regardless of contemplating divorce, did you still love Eric?”

“Yes. I’d be lying if I said otherwise.”

The lawyer nodded and looked up at the judge. “No further questions, Your Honor.”

He doesn’t have to go much further, Margery thought, watching him closely. She looked up at the judge, then back at her husband. Jack’s eyes were burning with intensity. Then the defense attorney moved forward, long-legged, lean and spare, indicating a singleness of purpose that almost made Margery wince with fear for Jenny’s sake.

The female lawyer, brown-haired and bright-eyed, started abruptly. There were no introductions or preliminaries on this day. “If you had not stayed married to Eric, Ms. Hathabee, would you have allowed your former in-laws to have access to AV-36?”

“I object, Your Honor,” the opposition said, rising. “That question is completely hypothetical.”

“I understand.” She reconsidered. “I’ll put it another way then. Ms. Hathabee, you did not have any objection to living with your former in-laws or their support—psychological, financial, whatever—during the brief period following your widowhood. Am I correct?”

“Well, I was no longer an army wife. I had to leave the base. I had no choice.”

“Did you detest it? Were those extra few months so terrible?”

“I did not feel comfortable being dependent on them again. But I did get back on my feet and start a new life for myself.”

“Did you think that they were a bad influence once the AV-36 revealed itself?”

“I wasn’t overjoyed.”

“Why?”

Jenny hesitated, her eyes searching the courtroom. “They couldn’t offer a positive atmosphere for him in this new state.”

“Are you blaming them for the hauntings?”

“The bad energy? In a way, I suppose. You have to understand. Even though Eric and I were distant at times, and the marriage quite rocky, we took vows. If we had divorced, mentally, it still would have been ‘til death do us part. For me, at least. There were always hauntings, but not really in the paranormal sense of the word. Eric’s father just possessed him, instead of the other way around.”

“Possession unwarranted and through influence, an influence you perceived as negative. Is that what you mean?”

“In some ways, yes.”

“In what ways?”

“They were together a lot.”

“Meaning you were left out. That seems very vague, Ms. Hathabee.”

Jenny’s lawyer stood up. “I object, Your Honor. Now she’s badgering my client.”

“I’m almost inclined to agree,” the judge said. “Go on, but gently, please. This is not a murder trial.”

The defense turned back to Jenny. “So you felt that your father-in-law was a bad influence on your AV-36. Perhaps there is vindictiveness lying just beneath the surface, Ms. Hathabee.” She paused. “What do you think?”

“No, I don’t,” Jenny said calmly. “You’re making it sound like I’m deliberately hurting my in-laws. That’s just not the case.”

The attorney was relentless. “So if it had not been for Eric Golden, you might never ever have prohibited your former in-laws from seeing the AV-36?”

“Maybe not.”

“But the spirit didn’t want to be reminded of its own life, what had happened to it, as if it somehow diminished him. It wanted to move on in the most comfortable way possible, surrounded by loved ones. It didn’t want to be brainwashed or tagged. It didn’t want to be harvested or converted. Transformation was the last thing on its mind. Or at least what was left of it. Isn’t that right, Ms. Hathabee?”

“This line of questioning is ridiculous, Your Honor,” the bulbous-nosed lawyer said as he rose to his feet once again.

“I’m simply trying to show, Your Honor, that none of the motivations for barring my clients from visiting their son’s ghost have anything to do with the welfare of the soul per se,” the defense explained, “that an adult woman’s concerns have clearly interfered with what is a perfectly natural, helpful, and enhancing way of moving on to the afterlife uninhibited. It is both moral and ethical, and I see no reason for an objection to that line of questioning.”

“In cases of spectral phenomena, that does not mean the right to automatically grant visitation rights,” the judge interjected. “There are new laws in this day and age. There are reasons for these camps. One minute you’re letting ghosts roam freely around living rooms and graveyards, the next, religious fanatics are hiding in church basements. Or protestors are blocking the White House lawn in droves.”

On the witness stand, Jenny looked wilted, and for a brief moment Margery was afraid her attorney had pushed a little too far. She glanced at Jack, who merely shook his head.

“It’s way out of control, honey,” he whispered. “We should have just said our goodbyes. Besides, there’ll always be the memories.”

“Poor Jenny,” Margery said. “Poor Eric.”

The judge banged the gavel. He was visibly angry and the creases in his forehead stood out. “You may step down, Ms. Hathabee.”

Shaken, Jenny walked back to her seat.

The judge, calming, looked down at all of them. “It would seem that the presentation of both sides of this case is missing a very important element.” In the long pause that followed, Margery felt her stomach drop. “You will see to it that Eric Golden’s ghost is present in this courtroom tomorrow at nine.”

“No,” Jenny cried. “I will not have that!”

“Sir, I hate the idea of putting my beloved, but deceased, child through this,” Margery said.

“He’s only dead seven months,” Jack agreed.

The judge did not respond.

“You know, the man is right,” the Goldens’ attorney said to both sides. “Nobody wanted it this way. Now it’s our only chance.”

“But it’s wrong,” Margery said, her eyes welling up. “He’s barely recognizable.”

“It’s also his soul at stake.”

“Can they refuse to bring him?” Jack asked.

“No. Not while he’s in the custody of that facility. Not while he’s tagged.”

The whole courtroom seemed upset.

Finally Jenny’s lawyer, who was just as concerned, stood up and sucked in a deep breath. “Tomorrow at nine, Your Honor.”

*

The next morning, the courthouse was quiet, all but closed down, mortally wounded by the previous day’s events. It surprised Jack to see it this empty, except for the clerk and the stenographer.

“I won’t say that I’m not scared,” Jack admitted.

“I’m petrified,” Margery swallowed. “You think in this state he’ll know me?”

“You’re his mother. Nobody forgets their mother.” They took their seats, and soon Jenny arrived with her lawyer. The two of them had probably had breakfast together, Jack thought with disgust. Conspiring to manipulate our lives. What did it matter to them?

Despite all his valiant efforts to hold back the gloom, depressing thoughts still consumed him. This thing with AV-36—Eric being called to court—had jolted him. Why was all this happening? Time was when you could go to sleep and get up in the morning and society would be the same as it was back in 2010. A man went to work and provided for his family. A mother watched over the house and helped with her share during a struggling economy. Parents stood lovingly, proudly by their sons and daughters who served in the military. Back then there were no such things as hauntings or the spirits of the dead wandering the earth. At least not outside the movies or comic books. There were no such connections between stem cell research and the paranormal. There was no such thing as life after death in modified forms. Even outside religious circles, the soul was a questionable invention. Had times changed that much? Was this really the future? Where were the honor and dignity in mothers and fathers having to sit in court and secure the right to visit their own offspring and say farewell? Jack was sorry he had turned down the open coffin at the funeral now. Anything was better than having to go through this.

He tried to remember why he had put those shells in the shotgun the day Margery had found him in the study. He could barely remember doing it, just as he had barely remembered the time he placed the razor blade and bottle of scotch along the side of the bathtub. Was he consciously seeking to check out of life, put an end to the frustration and pain and join his son in this wisp-like form? Never! Could he have done something so cowardly and unworthy? Of course not; impossible was a better word. It must have been some of that negative energy like they mentioned in court. Yeah, that was it. Bad energy.

Margery gripped his hand. They heard movement behind them and turned. A smoke-like figure with grayish-blue crystals surrounding it materialized at the door. It slowly moved in, looking like the former embodiment of a man, but now something else. The ethereal image of Eric. Jack felt his heart leap to his throat as their son hovered up the aisle. Everybody hurried to their places, frightened. The ghost stood at the head of the courtroom, busy exploring the high ceilings.

“He didn’t see me,” Margery whispered.

“Of course he can’t,” Jack said with some trepidation. “But he will.”

The clock read fifteen minutes after nine. There was no sign of the judge’s arrival. No one said a word. Margery cleared her throat and the ghost looked toward where they were sitting. Jack lifted his hand and waved. Eric waved back and smiled. Jack noticed a metal bracelet around his wrist. It was made out of a strange metal and read AV-36. Jack whispered to Margery, “Honey, focus!”

“M…Mom?” the ghost said.

“Hello, dear,” Margery cried, her eyes quickly filling with tears.

“See. He recognized you. Nothing to cry about.” Jack did all he could to blink away his own tears. “He just needed a bit of instruction.”

The door leading to the judge’s chambers opened. “All rise,” the clerk said, and they stood up. The judge breezed through the door, lips pursed, unsmiling, and tight-faced like the day before. Jack looked for signs of sympathy; he got no such vibes. Matter of fact, the judge seemed terrified by Eric. Eric, on the other hand, was busily absorbed in assessing this phenomenon of a room and the mysteriously black-robed man who sat high above him in it.

“Will counsel for both parties approach the bench?” the judge said after the ritual of his entrance. Both lawyers rose and stepped forward. Jack strained to hear what they were so fervently whispering about. Eventually, the two lawyers returned to their seats.

“It’s the best deal we could work out,” the Goldens’ attorney said. “The judge will talk with the apparition alone in his chambers. He’ll seek what’s best.”

The judge looked up from his papers. “This trial has been based on one party’s yearning to hold on while the other has wanted to let go,” he began. “It’s been about trying to stay in touch with something far beyond the scope of the living, to either pay tribute or say final goodbyes, and to do what is merely in the best interest of the deceased. Today we will come to a decision.” There was hesitation in his voice. “There will be no court reporter present and no lawyers. Just the ghost and myself.” He paused and looked at Eric. “AV-36,” he said gently.

Everyone in the courtroom looked at the spirit who, surprised to hear his tag called, looked down at his bracelet then up at the bench. When he started hovering, the judge turned to everyone in the courtroom. “Court is adjourned for one hour,” he said, standing up. The ghost gravitated toward the door of his chambers.

Jack felt something give way inside of him. An image, like a developing Polaroid picture, began to appear in his mind. The judge and Eric moving inexorably away from him, levitating, space and time disintegrating. In the image, he could see his own trembling hands, reaching, trying to stop the movement of Eric and the judge. Then they disappeared and he heard the sound of the door closing. The image dissolved.

In the end, all the legal research, all the petitions, all the printed words meant less than this court had realized. The answers could only be found in that most vulnerable place of all, the human heart and soul.

“What is it, Jack?” Margery asked. There was no hiding anything from her.

“It’s no good,” he said. “Either way.”

“You mean the transitioning?”

“Eric will leave this form at some point or another.”

She nodded. He knew what he must do.

An hour had passed. No word from the judge’s chambers.

Jack was watching Jenny. He felt so insignificant in the baroque vastness, not at all the formidable figure he once was. He moved toward her now and struggled to smile.

“I’ll only be a minute, Jenny,” he said, leaning toward her. “I don’t like this business of Eric being in there with him.”

Jenny turned a cheek. “I know that, Jack,” she said gently. “I’m not too crazy about it myself.”

Jack shook his head. “I tell you, Jenny, I never wanted this. I swear it! You were a good wife to my boy, and an even greater daughter.”

Jenny looked up. “Really, Jack?”

“Yes, absolutely. I know you’ll treat my son’s ghost just fine, you know just what’s right for him. He needs to move on.” He inhaled a deep breath. “So what I’m saying is that it’s your say all the way. We’re the outsiders now. We’ve had enough time to say our farewells and make our peace. And if you don’t want us around—it doesn’t matter why—you’ve earned that right as far as we’re concerned. Only what’s best for Eric’s soul counts here, and we’re not going to barge in. Let science handle it. It’s just no good any other way. No good at all.”

“I—I don’t know what to say,” Jenny stammered.

“You don’t have to say anything. We’re just not going to interfere in your life any more. What we want”—he took in some deep breaths—“is not to give Eric’s soul a minute’s worth of pain. Let the professionals go on handling his transition. We’re going to ask our lawyer to withdraw our petition, to stop this whole rotten business.”

Meanwhile, another hour had gone by. Still no word from the judge’s chambers.

“I appreciate that,” Jenny said. “Oh, and don’t think I am oblivious to the pain of it for you and Margery.”

“So that’s it, I guess,” Jack said, bending over and hugging her. Before turning away, he added, “Take care of yourself, you hear?”

When he sat back down, Margery kissed him. “It’s all right, darling,” she said. “Who knows, this might work out in everybody’s favor after all.”

Finally, the chamber doors opened. The voice of the clerk boomed, “Court is now in session!”

“I have reached my decision in this case,” the judge said, avoiding the faces of those in the courtroom. The ghost was not with him. Jack noticed Margery glance at him, but he remained rigid, eyes focused straight ahead. He shrugged his shoulders; he also sensed something wrong.

“As you are all well aware,” the judge began, “the law in this country is not explicit on the point being argued in this courtroom. Yes, morals and ethics must be considered. The issue here is clearly the best interests of the ghost who, when he was a card-carrying member of the living, went under the name Eric Golden.” He paused. “We had a nice lengthy chat in my chambers. Now, it is difficult to assess the state of anyone’s mind and spirit in the brief space of an hour, or two, or even three. Certainly, it is doubly difficult in the case of the dead.” He raised his head and looked toward Jack. He flashed him a broad smile.

Jack recognized those blue eyes and that smirk anywhere.

“But since I am charged with such judgment, I have concluded that this particular ghost is well-adjusted, bright, cheerful, and has much more to look forward to in the next life. He is obviously loved and cherished by his mother and father, as I’m sure is the case with his former wife. The inclination of the case law is to leave well enough alone.”

Jack leaned forward now. He was about to say something when Margery put a finger on his lips and he quieted.

“The question then is, does this well-adjusted, happy ghost need the visits of any family to enhance the quality of his afterlife? It seems to me that in all human endeavors there is not exactly an overabundance of love, genuine and unselfish, honest and caring. When you find it, you should never deprive it of its natural outlet. The dead, in my opinion, need as much of it as they can get. Put aside your grievances. All of you.” He banged the gavel. “This case is closed.”

Jenny’s lawyer now stood up. “That was a very moving verdict, Your Honor. But if I may be so bold, where is the AV-36?”

“Where he belongs,” the judge said. “Free. After our discussion, I let him out the window. It was his choice and his alone. I did not coerce him whatsoever.”

The entire court was shocked; murmurs of disbelief followed.

“Well, that’s that,” Jack said, getting up. “No point in staying.” Margery rose with him as the judge continued to speak. They moved down the aisle, ignoring Jenny’s upturned face. Nor did they pause for one last look at the judge, although Jack could feel his eyes watching them.

“Don’t feel so bad, Jack. Wasn’t really your fault. He did his best,” Margery said as they walked hand in hand out the courtroom.

“Seems he forgot who the victim was.”

“Say what you want. I still think we won the case.”

“Perhaps we did.” He brooded for a moment, pausing in the stairwell. “How can he judge what’s best for a ghost?”

“That’s his job,” Margery responded. “And it was an enlightening speech. I’ll give him that. Turned out he had a lot more feeling than I thought.”

“Hmm, seems he had a little bit more than that.” He paused for a moment. “They took awfully long in those chambers. I want to know why.”

Across the lobby, the couple saw Jenny and her lawyer watching them from above in confusion and slight disgust. The judge, all changed now, headed for the courthouse exit. Jack and Margery took a step forward, hesitant. The judge stopped moving the moment he saw Margery. Through a mist of tears, she moved toward him, equally hesitant. They went to meet one another, middle-aged woman and middle-aged man. When they embraced, Margery was certain it was not only a contact of bodies, but of spirits as well, and what passed between them was beyond words. Then they parted. Jack moved in and the three exchanged brief glances. What they shared needed no articulation. Not any more. The ordeal was finally over.

“Mom, Dad…” the judge said, smirking again.

“We’ve missed you, Eric. We’ve missed you something awful.”

“I’ve missed you, too. And I’m coming home.”

Jack extended a hand and the judge took it. Underneath his cuff there was a bracelet made out of a strange metal. It read AV-36.

THE END

MODERN FICTION: “Mono No Aware” – Anthology on the Fleeting Nature of Beauty

Pleased to announce I have a fiction piece in the modern fiction anthology from Culture Cult, Mono No Aware. This is not a genre piece. While I’m mostly known for scifi and horror and a small touch of humor, I don’t always write to the beat of a specific drum or “formulaic forms” in fiction (per se). While Mono No Aware is chock full of fantastic fiction, it is a book of forty-five stories by forty-five very talented authors on the subject of nature and beauty, as depicted from a particular saying in Japanese. The fiction in this book is literary and modern. My story just happens to take place in Japan, where a young boy relocates with his mother. The child suffers from a terrible stutter (a speech impediment), and he’s able to conquer this disability by befriending the seals of the region. Check out Mono No Aware, An Anthology of Fleeting Nature and Beauty. Be sure to read my tale, “The Seal Whisperer.”

Mono No Aware – Anthology of Modern Fiction

Stories on the Fleeting Nature of Beauty

Featuring Dagstine Story: “The Seal Whisperer”

Published by Culture Cult Press of India: http://www.culturecult.co.in

Edited by Dibyasree Nandy

ORDERING LINKS AND CULTURE CULT SOCIALS (click below):

Order the paperback version: https://www.lulu.com/shop/dibyasree-nandy/mono-no-aware/paperback/product-gj8djzr.html

Order the digital version: https://www.lulu.com/shop/dibyasree-nandy/mono-no-aware/ebook/product-95k8549.html

Facebook: www.facebook.com/CultureCultPress

Instagram: https://instagram.com/culturecultpress

Twitter/X: https://twitter.com/CultureCultPub

Visit Culture Cult at: https://CultureCult.co.in

Other New Entries: “Books & Anthos”

Moonday Mag: Untouchable – Spring 2024, Issue No. #02

I have a short story appearing in the fairly new magazine, Moonday Mag. I’m in Issue No. #2, Spring 2024. It is available on Magcloud as a beautifully put together print format or read it free digitally. Edited by Caridad Cole, Moonday Mag could best be described as a magazine of experimental fiction: experimental forms and prose, speculative fiction, some magic realism and literary too. There’s gorgeous artwork and poetry within its pages, and creative nonfiction to boot. The best way to describe this very colorful 64-page production is ecclectic. I’ll leave links below and file this under magazines. And I’ll be seeing you on the next one.

Moonday Mag: Untouchable – Spring 2024

BUY THE PRINT OR READ THE DIGITAL FREE (on MagCloud):

https://www.magcloud.com/browse/issue/2799525

New Entries: “Magazines”

DASH Literary Journal #16 – California State University (Fullerton – Futurist Fiction)

I’ve currently got a work of futurist fiction (spec-fic with a steampunk aesthetic tossed in for good measure), appearing in the current edition of DASH Literary Journal. No. #16, 2023. This is the official literary magazine of California State University. Out of Fullerton’s Comparative English Studies Department for Language and Linguistics. I actually studied linguistics back in the 1990s but ended up graduating in journalism and the science of publishing. I used to submit to a handful of literary magazines when I was first starting out in the fiction field. DASH No. #16 features poetry AND fiction, and the short stories in Volume #16 come from the likes of: J.M. Williams, Daniel Webre, Robert S. Gordon, Myself, Mark Silcox, Jared Livingston, James Fowler, and there is a TON of non-fiction. It’s very well put together. I will say that. Links, pics below with website info.

DASH Literary Journal Volume #16

THEME: Futurisms – (Futurist Fiction)

Featuring Dagstine Story: “Before Measured Time”

DASH WEBSITE/UNIVERSITY INFO:

https://english.fullerton.edu/publications/dash.aspx

DASH Literary Journal on Facebook:

https://www.facebook.com/dashliteraryjournal/

To my knowledge, it is available in PRINT only.

Other New Entries: “Magazines”

Coming Soon: “A Child Weeps in Moscow” by Lawrence Dagstine

COMING SPRING-SUMMER 2013

to Amazon Kindle, B&N Nook, Sony eReader, Kobo…

Coming to e-Dagstine.com Download Center, coming to eBooks & Kindle (and as a chapbook).

In the vein of George Orwell’s 1984

“A CHILD WEEPS IN MOSCOW”

A Novella by Lawrence Dagstine

ChildWeepsMoscow

Alien possession meets alternate history, in this communist tale set in 1923 Russia, about a boy named Abraham (Abe), whose parents suddenly disappear one day.  Like many of the adults throughout Russia, they are being taken away in the night by a special police force put together by Lenin’s “new” government, a government put together after the arrival of spacecrafts with biomechanoid origins and higher intelligence and influence.  Aliens the citizens simply call, The Invaders!

Klara Izolyev, Abe’s teacher, tells the boy that the only way he can learn the truth about the Invaders is to go to Moscow.  There he will learn what they really want on Earth, what role they play in the current socialist movement, and possibly find his missing parents and sister.  There he will fight starvation, arrest, combat homelessness, and meet an even more influential figure.  Arkady, the leader of a Moscow street gang, whose parents have also been taken away.  Together they will all journey to find the people they once loved, discovering just why the aliens are so interested in helping Lenin.

Official soundtrack for… Mysterious Lady of the Caribbean (teasers):

Also coming in 2013, and a MUST READ!

For fans of Weird Tales & Pirate Fiction

“THE MYSTERIOUS LADY OF THE CARIBBEAN”

A Novelette by Lawrence Dagstine

MysteriousLadyoftheCaribbean

Coming Soon to: New Releases, eBooks & Kindle

Proofreading and Writing Services – Satisfaction Guaranteed!

Hi, my name is Lawrence, and I’m a writer of fiction and non-fiction.  If you clicked on this page, then you are probably interested in my proofreading services, or at the very least, wondering what I can do in regards to the written word.  Let me first tell you a little bit about myself and this website.  Many people know me as an author of speculative fiction (science fiction, fantasy and horror), and my name is pretty synonymous within the small press.  I’ve been writing for well over fifteen years, and I have an extensive publishing history.  Think of this site as a sort of virtual resume of some of my previous work, upcoming work, and publications.  Not just the services I provide, since I consider myself a working writer.  I’ve been called prolific when it comes to writing short stories and informative when it comes to magazine articles.  Wherever I go, any social media platform I visit, people tend to say, “Oh, Lawrence Dagstine, he’s that Scifi/Horror writer.  Sure, I’ve heard of him.”

This is me, hard at work for you.

Unfortunately, it’s a label I’m stuck with—because I chose to enter that field and write in that form.  You see, as a child I grew up to movies like Star Wars and Aliens, TV shows like Doctor Who and The Incredible Hulk, and I read Marvel comic books and digested good science fiction literature (no, great!).  Isaac Asimov, Arthur C. Clarke, Robert Heinlein, George Orwell, Ray Bradbury, you name it.  I read voraciously! I lived around the corner from a Forbidden Planet and was practically there every day.  I did book reports on lengthy Stephen King novels in 2nd and 3rd grade, and was the head of the boys in reading and writing in my school district at the time (the 1980s).  Years back my IQ was tested and I got a score of 150 (teachers called me gifted).  I even delivered prescriptions to the late Kurt Vonnegut and, for a brief period, became friends with him and he a sort of mentor to me.  So reading and writing, especially genre, has always been in my blood.  But I prefer to be called a Freelance Writer because I work with words in general.  It’s what I studied.  Not just fiction.  Genre fiction is pretty much the “fandom” side.  And it is very hard to make a full-time income writing fiction, as most genre writers are paid a pittance.  I’ve known writers who got their BA or MA, thinking they were going to write the next literary masterpiece or appear in The Paris Review, only to become editors or teachers.  They weren’t delusional, they had the confidence, their hearts were in it, they just dreamed a little too high is all.  Even I dreamed high once, then my first client base involved writing and proofing pamphlets and instruction manuals.  So you really need to expand your writing skills to other areas, other venues.

Now if you’ve written something that you feel needs improvement, but don’t know how to go about fixing it, ask yourself a few questions… Have you ever had trouble with words like ‘further’ and ‘farther?’ Perhaps verb usage? Do you know the difference between their/there/they’re? Did you know that words like ‘never mind’, or ‘any more’, or ‘all together’ are not compound words? They’re all two words! Does your story have a beginning, a middle, and an end? Plenty of conflict? Because something has to happen in your story, and something has to be resolved.  The first sentence means more than you know, because it’s the first thing the reader sees after the title and byline.  It’s what immediately draws the reader in.  What about non-fiction, or product placement, or a cool advertisement? Maybe you have an idea and want somebody to word that idea a certain way, where it can potentially become a moneymaking vehicle.  Maybe you need help creating or formatting a resume or cover letter, want to stand out from the rest of the crowd when it comes time to apply for that killer job.  Need a catalog done, or a brochure, or a catchy slogan? Need some minor ghostwriting (query)? Textbook writing or editing? Essays or proposals? Striking web content for a business or organization? Help with a novelette or novella? What’s that? Want me to write you a Western Romance? Okay, I’ll write you a Western Romance.  You’re the boss.

No matter what it is, if it involves words, I can probably help you.  My publishing history consists of over 400 fiction credits in print magazines, webzines, anthologies, and miscellaneous periodicals.  My non-fiction consists of 150 credits, online and offline, for small and medium circulation newspapers, trade journals, regionals, and everyday magazines in need of good filler.  I’ve penned video game reviews in the past for Nintendo Power and written greeting card jingles for Hallmark’s competitors.  I’ve written articles on the paranormal, pharmaceuticals, beach erosion, Native American spirituality, theology, historical subjects, marriage, divorce, pets, vacation spots, real estate, wrestling and more.  I’ve shared tables of contents with two Hugo Award winners and two Bram Stoker winners.  I can do just about 75% of what’s out there.

Still in doubt? Well, ask yourself these 12 sample questions.

Do you know how to assemble a story arc? Do you know what character development is? Do you know what a three-act and five-act narrative is? Are you familiar with the Chicago Manual of Style? Have you ever referenced the work of John Gardner (On Becoming a Novelist, The Forms of Fiction, The Art of Fiction)? Do you know the difference between literary and mainstream? Do you know what structural analysis is? Have you ever studied English Literature—authors like Graham Greene, Truman Capote, EM Forster, D.H. Lawrence, Joseph Conrad, Scott Fitzgerald, Hemingway, and the like? Do you know what proper manuscript format is? Do you know the difference between filler and feature article? Do you know how to write a pitch? Do you know the difference between a plot formula and a plot device? Heck, do you even know what I’m talking about?

If you answered no to five or more of the above, then it wouldn’t hurt to have me or some other qualified individual as your proofreader/editor.  Because I will only improve your fiction or non-fiction project, and only to your liking.  That is what I do.  I work with words.  Think of me as a sort of literary engineer.  I check for errors, make corrections, do any necessary research, and make your prose more persuasive.  I assist you in getting it the attention it deserves.  I develop fresh, innovative, and compelling work.  I drive constant voice, grammar, format, and diction across all text.  I know that your project is your baby.  It was birthed from your imagination.  But you must be able to take criticism and suggestions.  It will only help your project stand out from the rest, and help you get better.  What I am not is a copy editor.  A copy editor is an entirely different animal.  Copy editors usually work, or have worked, for publishing houses.  And good ones (not the kind you see for these run-of-the-mill small presses, who also publish their own books with the same company).  They do what’s called line edits.  They review your manuscript and send it to you with revisions in a program like Microsoft Word.  I do NOT do line edits.  Yes, I am certified in editing, but there is a great difference between a workshop certificate and a staff editor with more than 10 years experience at one of the big houses.  Yes, I have a background and education in journalism, creative writing, technical writing, and the business side of writing that could very well meet your needs.  Yes, as a proofreader I will go over your manuscript a minimum of three times, acquiring your voice and style.  Yes, I will print out your story or article, take a red pen to it, highlight certain areas I feel should be highlighted, and tell you what I think.  Yes, as your proofreader I will pay attention to the usual stuff like grammar, punctuation, spelling, consistency and sentence structure.  But I am not a copy editor.  I’m being honest here.  Even I use an outside editor for lengthy projects.  Because everybody needs a qualified editorial eye.  After all, how can you successfully edit a work that came from your own subconscious mind?

Difference between copyediting and proofreading:

http://www.dailywritingtips.com/the-difference-between-copyediting-and-proofreading/

Difference between copyediting and line editing:

http://publicizeyourbook.blogspot.com/2007/04/difference-between-copy-and-line.html

A copy editor will usually charge you by the word or line (I charge a flat fee).  They often do book manuscripts, and make up what’s called a style sheet.  If you’re looking for one, personally, I suggest looking for someone with at least three years experience.  Also, be careful of line editors posing as copy editors, as they can really screw up the flow of your manuscript if they don’t know what they’re doing.  This has happened to me.

Once again, I charge a very affordable flat fee.  Satisfaction guaranteed.  On a budget? I understand we’re still in a recession, the economy may very well not be good for years to come, and because of that, I am willing to work with you.  I expect at least half the cost of the project at the beginning of our agreement.  You are to pay me the other half after the project is finished.  Our email acts as a sort of electronic contract, if you will.  Research or additional time spent on projects (like staying up all night and losing sleep to meet a deadline on your behalf), costs extra.  And no, not an arm and a leg.  You are responsible for the cost of things like encyclopedias, visual aids, books purchased on Amazon, transportation places, or other reference materials.  I fact-check well, and I give citations where instructed or needed.  I do great copy—print copy! I’m not the kind of lazy individual who just looks something up on Google or Wikipedia.  Google is one of the worst reference tools you can turn to.  That’s because you usually find more than one answer to a particular question.  A long time ago I was commissioned to do a short article on Planned Parenthood in the new millennium.  I needed abortion statistics.  I found eleven well-rounded, informative sites by using Google.  The only problem is I found eleven different statistics.  So which was the right answer? For your project, if I have to go to a library, then so be it.  To the library it is.

I put in the time and effort to make your project as professional as possible.  I am proficient in Microsoft Word and Open Office (sorry, no crappy programs like WordPerfect).  I can give your project the treatment it deserves, and if you feel it needs work or you are not fully satisfied, I will tailor it to suit your needs at no additional cost.  I want you to be happy with my work.  I want you to succeed.  You retain all rights.  My name does not go on your written material.  I merely spruce it up.  So do you have something that involves the written word? Send me an email today for a free evaluation or price quote.  Give me an outline of your project and what you’re looking for.  Tell me about yourself and the work you do in three to six paragraphs; small businesses and companies most welcome.  If you want, I’ll even give you a freebie.  Three double-spaced pages for fiction (or 1,000 words); a half-a-page for non-fiction (150 words)—absolutely free! Have a fax machine? Want more proof emailed to you? Press clips always available upon request.  And I do simple typing too!

So contact me today, tell a friend, because no project is too large.  All material should be sent as an attachment.  I look forward to our partnership and any questions you may have.  Contact: ldagstine @ hotmail.com

Sincerely Yours,

Lawrence Dagstine

Speculative Fiction Author/Freelance Writer & Editor

Proofreading and Writing Services

Also be sure to follow me on Facebook, Twitter, and Linkedin

Other New Entries: “Proofreading Services”

Einstein’s Pocket Watch, July to September 2010…

You can now find me for a second time  in what has become a very popular and free webzine for writers of poetry, inspirational stories, Christian and Experimental Fiction, Science Fiction and Fantasy, Christian Science Fiction, literary, and more or less stories that are uplifting.  NO horror pieces.  Friend and editor Rob Crandall presents: Einstein’s Pocket Watch.  Rather than genre this time, I have a mainstream piece.  It’s a wonderful blog webzine.  Do check it out.

Einstein’s Pocket Watch – July to Sept. 2010

2nd Appearances – Mainstream – Edited by Rob Crandall

Fiction & Poetry in link below:

FREE READS – CLICK HERE:

http://peafant.wordpress.com/

Photography: “From Train Site On World Wide Web”

Other New Entries: “Magazines”

Einstein’s Pocket Watch, September 2010 (2nd Acceptance!)

I’ll be coming for a second time to what, over the last year or so, has become a very popular and free webzine for writers of poetry, inspirational stories, Christian Fiction, Experimental Fiction, Some Science Fiction and Fantasy, Christian Science Fiction, and more or less stories that are uplifting.  NO horror.  Rob Crandall’s: Einstein’s Pocket Watch.  This would be my 2nd upcoming appearance to the webzine, but with a mainstream/literary piece this time.  I was in the first issue, and I’ll be back again September 2010.  It’s a wonderful blog webzine.  Check it out.

Einstein’s Pocket Watch – Coming September 2010

2nd Appearances – Mainstream – Edited by Rob Crandall

Fiction & Poetry in link below:

http://peafant.wordpress.com/

 

I’ve also gotten 2nd acceptances to “Shelter of Daylight” and 3rd acceptances to OG’s Speculative Fiction.  I’ll try and post those over the next two, three weeks.

Other New Entries: “Magazines” – Webzines

Lawrence Dagstine: “Historical Works in Progress…”

On Alternate History, Historical Weird Tales, and SF Serials…

In the next couple of weeks I will be continuing my bimonthly series of Free Fiction.  This time I will be serializing a science fiction-themed novella about two orphans that get stranded during an interplanetary adoption. It takes place on the largest planet in the universe — The planet Ragnarok (aptly named after the warring Gods of Norse Mythology, which later supposedly caused a lot of catastrophes concerning Mother Nature and the like for Mankind).  You’ll understand why as you get into it over the course of the year.  There are even a few flashback sequences similar to the series LOST.  On Ragnarok, Quadrant 4, located on the outer rim of the Cat’s Eye Nebula, like most of my worlds, there are eighteen seasons.  Unlike Earth, which has only four.  The good guys are a bunch of giant lizards with chest communicators.  Think the Silurians from Doctor Who, only bigger, stronger.  Bad guys are a bunch of elemental wind creatures who harvest meat by “shadowy” & “vampiric” means.  These guys are the horror element to the story.  Main orphan characters are Chelsea and Blake, and you are sure to fall in love with these two kids.  Mind you, this serial is FIRST DRAFT, so if you see the occasional typo or a bit of redundancy, I don’t plan on publishing this anywhere but my homepage.  Entertainment purposes only.  I could best describe the early portions as a cross between Lord of the Flies, the movie Pitch-Black, and Living Amongst the Lizards (short story).  Serials shall run between 2,500 and 5,000 words in length.  Parts 1, 2, 3, 4, etc.  Once again, all first draft.

Name of planned Bimonthly Serial: “Orphan’s Prey” – Stay Tuned!

On The Great Depression and post-Civil War era…

I already have a batch of finished short stories and novelettes set in these two eras.  Some accepted, too.

Story One: “A Town of Crows” – Killer Scarecrows after the Civil War now appearing in Steampunk Tales #6.  See eBooks & Kindle.

Story Two: “A Time and Place for Monsters” – a very long novelette with vampires and werewolves during the Great Depression coming to Cover of Darkness.  Also, a bit of back history concerning President Hoover and The Monsters.  Never before done.

Story Three: “The Two-Sided Market” – Dedicated to H.G. Wells/Parallel Piece.

Story Four: “The Great Martian Depression” – Scifi currently appearing in The Martian Wave Issue#1.

Story Five: “FDR and the Locusts” – Franklin D. Roosevelt and BIG Insects, with a plot twist.

Cleopatra VII - Brooklyn Museum of New York 2008 - 2009

On Cleopatra and Alternate History…

There are two finished stories, finally edited, featuring Cleo as a fourteen-year-old.  They take place between Ancient Egypt and Rome. Alternate History meets Historical Fantasy, and there will also be mages, sorcerers, the undead, gods, and demigods! Also, the stories begin with Mark Antony as narrator for the first page and ends with him conceptually.  Here, I decided to experiment.

Story One: “Young Cleopatra and The Whispering Ancients”

Story Two: “Young Cleopatra and The Eye of Horus.”

Story Three: UNTITLED (coming 2011, and concerning the suicide of Mark and Cleo).

On Pompeii and Rome…

Next, later in the year off to Pompeii and some more fiction in Rome.  Introducing the Children of Ash short stories/novelettes.  All stand-alone tales, which I often prefer.

Story One: “The Children of Ash” – After Volcano Day.

Story Two: “The Nightmare Lair” – Inside the Volcano.

Story Three: “The Vampires of Pompeii” – The Romans have some neighbors. 😉

I’m also thinking up a totally “messed-up” Caligula-style crossover piece as well.  Of course, this is still not a guarantee that a market will accept all of them.  Never is.

I also noticed that a lot of Fresh Blood PDFs were sold.  Like 40 or 50 in the first two, three weeks.  At $3.50, yeah, it’s a great price. If you own a reader, click on eBooks & Kindle and treat yourself to a copy.  You can also now read PDFs on the Amazon Kindle, or download the free iPhone/iPad application off of Amazon.com as well.  I’d like to thank all of you.  I hope you enjoyed it as much as I enjoyed writing it.  The same with my scarecrow story in Steampunk Tales #6 (www.steampunktales.com).

Other than that, there are ten brand new short stories and novelettes completed, my first novella is in the editorial screening stages, and ten brand new acceptances for 2010-2011.  I wish I had the time to blog ten times per day, but life does not permit me such luxury.  I’ll try and fit what I can.  Historical stories take two, three weeks alone.  However, some acceptances are to print anthologies.  So stay tuned! SF serial starts Late April/May 2010.  It’s gonna be fun!

Cheers,

Lawrence Dagstine

Print Magazines * Amazon Kindle * The iPhone/iPad * Sony & PDF Download

Other New Entries: “General News”

P.S.: Speaking of crazy historical tales, enjoy the new season of Doctor Who.   Series Five with Matt Smith!

The Random Eye, Volume #2… (2010 Edition!)

The 2010 edition of The Random Eye is now up — an annual e-Zine dedicated to alternatives, communication that breaks the mold, universes or altiverses that are parallel in nature, and where, for the new decade, tea is the ongoing theme.  Edited by Melissa Jones, The Random Eye is also The Random Radio.  Published annually.  Come, click, and have a cup.

The Random Eye, Volume #2

MAIN HOMEPAGE:

http://therandomeye.atspace.com/index.html

THE RANDOM EYE on TWITTER:

http://twitter.com/therandomeye

FREE FICTION – THEME: TEA…

http://therandomeye.atspace.com/thegirlwhodreamtportals.html

Other New Entries: “Magazines”

Shelter of Daylight, April 2010… (acceptances)

I don’t know whether to consider this a magazine credit or anthology credit, so mark them as both for now, I suppose.  I’ll have a SF and Fantasy-mixed tale coming to a fairly new bi-annual trade paperback anthology-magazine called Shelter of Daylight by Sam’s Dot Publishing.  They’re published every April and October, with a dash of poetry and art.  Edited by Tyree Campbell.  And yes, this officially puts me on the road to 400 publishing credits sometime in 2010.

SHELTER OF DAYLIGHT – APRIL 2010

Coming Next Year from Sam’s Dot Publishing

SAMPLE ISSUE – SAMPLE ISSUE

Shelter of Daylight

Shelter of Daylight

SAMPLE ISSUE – SAMPLE ISSUE – SAMPLE ISSUE

 Sam’s Dot Publishing Main Homepage:

www.samsdotpublishing.com

I’m not in the issue above, however, if you’d like to sample it:

http://www.genremall.com/zinesr.htm#shelter

And I’ll see you in spring 2010.

Other New Entries: “Books & Anthos” and “Magazines”

Labyrinth Inhabitant, September 2009… (Now Available!)

I’ll have a semi-long story coming soon to an upcoming edition of the online fiction zine, Labyrinth Inhabitant.  A very hard SF market to break into, they’ve featured such fantastic and familiar short story authors as Gareth D. Jones, Kristine Ong Muslim, Robert E. Keller, T.M. Crone, and Patricia Russo.

Labyrinth Inhabitant

Labyrinth Inhabitant

http://www.labyrinthinhabitant.com/

Other New Entries: “Magazines”

POLLUTO #4: Limited Edition, Big Names… (Reminder Post!)

Miss the debut back in early January? Well, here’s a second opportunity to pick up one of these LIMITED EDITION issues of POLLUTO #4, featuring yours truly, and some of the finest short fiction authors in all the UK.  It’s a themed journal, published quarterly by DOG HORN PUBLISHING (www.doghornpublishing.com).  Edited by Adam Lowe.  Creative Director is Michael Dark.

Winter 2009 theme: QUEER & LOATHING IN WONDERLAND

LIMITED EDITION – VERY FEW IN NUMBER

BOUND TO BE A COLLECTOR’S ITEM

POLLUTO: THE ANTI-POP CULTURE JOURNAL

SUBSCRIBE HERE: http://www.polluto.com/subscribe

Polluto #4

Polluto #4

TABLE OF CONTENTS: 

‘Alice in the Palace’ by Dave Migman
‘Parasol Clerks’ by Rhys Hughes
‘Jeanne’ by Steve Redwood
‘Mouse Diary’ by Daniel Wilson
‘Queer & Loathing on the Yellow Brick Road’ by Deb Hoag
‘A Shade of Yellow’ by Alex MacFarlane
‘Beta Child, Gamma Child’ by Malon Edwards
‘Paint the Town’ by Anne Pinckard
‘Sweet Adult Cell’ by Ray Succre
‘Beauty and the Beast’ by Micci Oaten
‘Heart of Cement’ by Lawrence Dagstine
‘The Bears in the Wood’ by Jim Steel
‘The Androidgenous Zone’ by Andrew Hook & Allen Ashley
‘Velcro Hurt’ by Ernesto Sarezale
‘The Day Hermeneutics Died’ by David McLean
‘Willow Within’ by D. W. Green
‘A Long Hard Look’ by Rhian Waller
‘On Biting Roy’ by Janis Butler Holm
‘Live Without a Net’ by RC Edrington
‘Mona and the Machine’ by Matthew Longo
‘Backseat Ballet’ by Mark Howard Jones
‘Voom and Bloom’ by Frank Burton
‘Alice in Agony Pink’ by Michelle Mead
‘ADD’ by Chris Patton
‘Shedding’ by Rhian Waller

Purchase Here: http://www.polluto.com/purchase.html

Previous Issues have featured such names as: Jeff VanderMeer, Michael Moorcock, Rhys Hughes, Steve Redwood, and MORE! This is a Limited Edition magazine.  500 copies of the paperback, 100 numbered hardback!  Once it sells out, you won’t be able to get it again. 

Other New Entries: “Magazines”

Polluto: The Anti-Pop Culture Journal, Issue #4…

This is a fine-looking import, that’s all I have to say.  A Spectrum Fantastic Arts award-winning, Anti-Pop, culture-clashing literary magazine which kicks you in the balls at light speed.  This magazine breaks the rules, and then some.  The quality of material is remarkable.  It’s a themed journal, and the running theme for Issue #4 is: QUEER & LOATHING IN WONDERLAND.  Edited by Adam Lowe, and distributed by Dog Horn Publishing (www.doghornpublishing.com).  Creative Director is Michael Dark.

LIMITED EDITION – VERY FEW IN NUMBER

POLLUTO: THE ANTI-POP CULTURE JOURNAL

 -Issue #4, Winter 2009-

Polluto #4

Polluto #4

SUBSCRIBE HERE: http://www.polluto.com/subscribe

TABLE OF CONTENTS: 

‘Alice in the Palace’ by Dave Migman
‘Parasol Clerks’ by Rhys Hughes
‘Jeanne’ by Steve Redwood
‘Mouse Diary’ by Daniel Wilson
‘Queer & Loathing on the Yellow Brick Road’ by Deb Hoag
‘A Shade of Yellow’ by Alex MacFarlane
‘Beta Child, Gamma Child’ by Malon Edwards
‘Paint the Town’ by Anne Pinckard
‘Sweet Adult Cell’ by Ray Succre
‘Beauty and the Beast’ by Micci Oaten
‘Heart of Cement’ by Lawrence Dagstine
‘The Bears in the Wood’ by Jim Steel
‘The Androidgenous Zone’ by Andrew Hook & Allen Ashley
‘Velcro Hurt’ by Ernesto Sarezale
‘The Day Hermeneutics Died’ by David McLean
‘Willow Within’ by D. W. Green
‘A Long Hard Look’ by Rhian Waller
‘On Biting Roy’ by Janis Butler Holm
‘Live Without a Net’ by RC Edrington
‘Mona and the Machine’ by Matthew Longo
‘Backseat Ballet’ by Mark Howard Jones
‘Voom and Bloom’ by Frank Burton
‘Alice in Agony Pink’ by Michelle Mead
‘ADD’ by Chris Patton
‘Shedding’ by Rhian Waller

Plus art from: Elaine Borthwick, Ignacio Candel, Luke Drozd, Kurt Huggins & Zelda Devon, Dave Migman, Flavia Testa-Lytle

Purchase direct from: http://www.polluto.com/purchase.html

Previous Issues have featured such names as: Jeff VanderMeer, Michael Moorcock, Rhys Hughes, Steve Redwood, and MORE! This is a Limited Edition magazine.  500 copies of the paperback, 100 numbered hardback!  Once it sells out, you won’t be able to get it again.  My short story could best be described as “extreme”, and matches the theme of the issue.  Hurry and get your copy today.  There’s a lot of fine authors here.

The Anti-Pop Culture Journal

Polluto: The Anti-Pop Culture Journal

 LIMITED EDITION – ORDER NOW

BOUND TO BE A COLLECTIBLE!

ORDER HERE: www.polluto.com

Other New Entries: “Magazines”

The Random Eye, An Ezine Dedicated to Alternatives…

I’ll have a story appearing soon in a new and interesting ezine called THE RANDOM EYE.  Published Annually, they seem to accept work which is dark and speculative, but borders on the alternative, parallel (like universes), and the overall bizarre.  More than just “weird fiction”.  Be sure to check them out.

THE RANDOM EYE

An E-Anthology Dedicated to Alternatives

randomeye1

http://therandomeye.says.it

From their homepage: The Random Eye is a yearly anthology of horror and speculative fiction that focuses on the possibilities of parallel universes. Have you ever wondered what would happen if Rob Zombie became president, or if the Titanic was used for space travel, or if television was invented for communicating with the dead rather than entertainment? The Random Eye takes a simple theme for each anthology and encourages authors to imagine an existence far removed from our own, where a myriad alternate universes reside and where these strange possibilities exist.

Other New Entries: “Magazines”

Aoife’s Kiss #29, June 2009… (9th acceptance)

I’ll have a brand new story coming to the June 2009 Issue/Edition of AOIFE’S KISS.  Published quarterly by Sam’s Dot Publishing.  This would be my 9th print acceptance with Sam’s Dot (Aoife’s Kiss, Sounds of the Night, and Beyond Centauri).  On top of that, this will also be their 8th Anniversary Issue  – though a long way off, it’ll be a biggie, and you’ll want to pick it up.   I may also appear in the online version, come anniversary time.  Still, expect me in a couple of issues well before that.

You can also view previous issues of Sam’s Dot magazines by going here:

http://www.samsdotpublishing.com/purchasecenter/magazines.htm

Previous Issues featuring Lawrence R. Dagstine:

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OTHER SAM’S DOT MAGAZINES WORTH CHECKING OUT:

www.samsdotpublishing.com

Sounds of the Night & Beyond Centauri (featuring Lawrence Dagstine)

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Each issue is CHOCK full of entertaining fiction & poetry.

Order them now from THE GENRE MALL:

http://www.genremall.com/contents.htm

Other New Entries: “Magazines”

Sein Und Werden, Summer 2008… (appearances)

It’s been a year, but I’m back – back in Rachel Kendall’s SEIN UND WERDEN.  Popular among short story enthusiasts and poets in the UK, Sein Und Werden is published quarterly and themed.  However, its basic scope is on works of speculative or weird fiction with a literary feel, surrealism, existentialism, miserablist fiction, and lots more.  Over the years it’s featured some of Britain’s finest short story writers.  This particular issue would be the MAPS Edition… Being and Becoming…

SEIN UND WERDEN

Summer 2008 Theme: MAPS Edition

 

ORDER HERE/SUBMISSIONS:

 http://www.kissthewitch.co.uk/seinundwerden/sein.html

Fiction, Poetry, & Art by: Jim Steel, Lee Rourke, Peter Tennant, Daniel Y. Harris, Lawrence Dagstine, Brent Powers, W.S. Fisher, Michael Blackburn, Michael Loughrey, Marie Lecrivain, Michael Pittman, Juliet Cook, Patrick Sullivan, John Brewer, Marc Lowe, Laura Forgie, D. Thornburgh, Kevin Brown, Miliana Sesartic, Sean Ruane, Willie Smith, B. Drew Collier, Misti-Rainwater Lites, and Mark Howard Jones.

Other New Entries: “Magazines”

______________________________________

One Year Blog-a-versary

 

With that said, I’ve been blogging and promoting magazines for exactly one year today, June 6th; also, famously known as D-Day. Hmm, amazing how time flies…  

Sein Und Werden, Summer 2008… (2nd acceptance)

Today’s acceptance is to Rachel Kendall’s very popular existentialist and surreal literature publication, Sein Und Werden.  Available in the UK.  They not only feature experimental prose, but artwork and poetry in their print version(s), too.  Each issue has featured renowned names in the British short story arena, and has its own unique theme.  Next issue’s theme is a “mathematical-meets-speculative” one, if I’m not mistaken (or ologies). The current issue is themed: Clandestine Encounters.

This would be my 2nd upcoming appearance…

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Details Here: http://www.kissthewitch.co.uk/seinundwerden/sein.html

Previous Issues featuring Lawrence Dagstine…

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Happy Cinco de Mayo…! 

Other New Entries: “Magazine Credits”

Polluto: The Anti-Pop Culture Journal.. (acceptance)

My most recent acceptance comes to a quarterly journal which features some big names: we’re talking Jeff Vandermeer, Michael Moorcock, Steve Redwood, Rhys Hughes, Vince Locke (former illustrator for The Sandman), Patti Plinko, Justina Robson, R.C. Edrington, Dave Migman, Deb Hoag, Paparazzi Whore, Mike Philbin, Chet Gottfried, John Lee Michael, and MORE.  Edited by Adam Lowe and Helen Lyttle.

‘POLLUTO: THE ANTI-POP CULTURE JOURNAL’

SAMPLE ISSUES – SAMPLE ISSUES – SAMPLE ISSUES

 

SAMPLE ISSUES – SAMPLE ISSUES – SAMPLE ISSUES

For Mission Statement and Purchasing Information:

www.polluto.com

 

Polluto is a quarterly themed Literary Journal which pushes the boundaries of normal everyday fiction.  They’re dedicated to publishing edgy, dark, hip (or anti-hip), queer, extreme or surreal fiction within several genres.  Poetry and columns, too.

I’ll be in their 4th Issue, late 2008-early 2009. THEME: “Queer and Loathing in Wonderland”.  They are also available in limited edition signed hardbacks, and they’re available throughout the UK.

Other New Entries: “Magazine Credits”