FREE STORIES: “Visitation Rights” by Lawrence Dagstine

Welcome to Free Story Day! I have a chapbook tale to share called “Visitation Rights.” It’s a paranormal court story about a heated legal battle for a child transitioning into a ghost. The child’s father argues that his spirit should stay with him during this eerie transition, rather than remain in the realm of science. However, the judge believes he knows what’s best for the child’s welfare in his current state. There are science fiction elements to this story, as I predicted such court battles would take place long after Barack Obama left office. Originally published in 2009 by Damnation Books, it was part of their debut lineup of ebooks, when ebooks and the digital revolution were fairly new—Amazon Kindle, for example, was probably in its Second Generation. Lisa Jackson was my editor, and it sold extremely well for five years. Cinsearae Santiago created the cover. The story emerged during a time when I was writing a lot of sociological horror involving family dynamics, father-mother-child relationships, and how children can be more terrifying than adults in certain situations. Not too many authors were doing this kind of fiction back then. At least in a way that makes the idea of life after death seem totally plausible, kind of like it could just blend right in with the living and everything we deem real. At the time, I made a professional impression with it.

Anyway, without further ado…Visitation Rights (2009) by Lawrence Dagstine.

Jack Golden was magnificent, his wife Margery thought as she looked on from the front row. He was controlled, sincere, and candid, just as their lawyer had urged him to be. He was a tall, handsome figure of fifty-seven, barely even gray at the sides. He had dark brown hair and lively, intelligent green eyes like Margery, who had her own spark of confidence. She was petite, auburn-haired, and just as youthful-looking in her middle age.

Their naturally relaxed manners of speech were usually inclined to set a distance between themselves and those who existed outside the norm of modern society. Some in the courtroom found their cultured East Coast accents disquieting—after all, they were dragging this out in Jenny’s new hometown—especially when it came to these things. Still, wherever the legal battle might end up, Jack always regarded his family first and foremost and was ready to fight.

Margery, however, had felt awful on the stand. It had been a relief to discover that the lawyer had not chosen to make an issue of her visit to her daughter-in-law, Jenny Hathabee. She was as good as a wife could be to her son, who had been fatally wounded in Afghanistan. Of course, Jenny’s opening testimony was a real surprise; it almost felt like a custody battle. Cagey lady, Margery thought, wondering what other surprises the opposition had in store.

She watched now as Jenny’s lawyer slowly rose, like a bear moving in for the kill. Only this bear was rotund, his disposition stiff like the color of his suit, along with a short mustache and bulbous nose. Oh yes, and dark eyes. All lawyers had them. The odd image frightened her, but good ol’ Jack seemed to be reacting well, chin thrust out, hands on his knees.

“Mr. Golden.” The voice of the lawyer boomed in the cavernous courtroom. “What is your occupation?” He did not smile. His pose was unmistakably aggressive.

“I used to work in Washington during the Obama Administration. I was an inspector for a stem cell research facility. Just retired. Now I work part-time in a slightly similar platform, what the scientists-turned-corporatists call a nursery. The rest of my days are spent gardening, cooking, cleaning, hanging out about the house.”

“Are you enjoying your retirement?”

“I told you, I’m not that retired,” Jack said, smiling.

“All right. Since you’re familiar with stem cell research and nurseries, can you tell me why you chose that particular day to visit your daughter-in-law’s AV-36 at the camp?”

“I—I just couldn’t stand it any more. I’d looked at some pictures in an album, some frames on my mantelpiece. I missed him is all.”

“But why that particular day?”

“It was my birthday.”

“How old were you?”

“Fifty-seven.”

“What else did that day mark?”

Jack cleared his throat. “My retirement day, after twenty years.”

“Voluntary retirement?”

“No. They have this new program. Fifties are the new sixties. You hit fifty-five, you can retire.”

“In fact, it was an involuntary retirement, wasn’t it?” the lawyer pointed out.

Margery’s stomach knotted, afraid of where this would lead.

“Well, sort of,” Jack went on.

“And you felt, well, lousy. You needed a bit of comfort, a bit of remembrance. So you ran immediately to see your daughter-in-law’s AV-36?”

“Must we refer to him as AV-36?”

“Please just answer the question, Mr. Golden.”

“Well, yes.” Jack sounded confused. “Is there anything wrong with that?”

“From your point of view? Maybe not. From the point of view of an AV-36? That’s another question.” The lawyer began to pace in front of the chair, then suddenly shot Jack a query. “How did AV-36 react to your confrontation?”

Jack squirmed in his seat. “He seemed brain-dead at first, but otherwise he was glad to see me.”

“How glad?”

“Just glad.” He forced a laugh; it sounded hollow. “I brought him some clothes.”

“Where was he when you arrived?”

“In captivity.”

“And your visit interrupted this captivity?”

“Well, yes.”

“How did he express his happiness?”

“He sort of smiled.”

“Did he rush into your arms?”

“Well, no. He probably didn’t know to do that.”

“Did he say something like, ‘Gosh, I missed you,’ or did he show confusion and surprise?”

“I guess he was confused. No, wait! Maybe he was surprised.”

“Not confused?”

Jack scratched his head. “I can’t be sure.”

“In fact, for an AV-36, he was totally confused. Wasn’t he, Mr. Golden? We have it on good authority from the researchers that were present. AV-36’s transition was disrupted. He really didn’t know what was happening. You saw there was no military presence and you bullied your way in. You did not even use your real name.”

“I wanted to see him,” Jack said.

The lawyer sighed heavily. “Mr. Golden, the tragedy here is that you needed AV-36 for therapeutic reasons, to make you feel better about the things that happened to you on that day, to make you feel better about the things that happened to your son, Eric, in Afghanistan. Only AV-36 didn’t need you. He was doing just fine. He is doing fine.” A brief pause, and then, “Yes, I understand it’s hard losing an only child to war, but you intruded on this woman’s life”—with this, he gestured to Jenny—“the new one she has built and worked so hard at. AV-36 is a happy, adjusted, productive, normal… Well, you worked in stem cell research, Mr. Golden, and even now you’ve found part-time employment in a nursery or camp which fosters the same kind of thing. As much as I hate to say it, he either didn’t need, or want, your visit, did he, Mr. Golden?”

“If they let the transitioning period happen in a normal way—”

“We are dealing here with what is best for an AV-36. That is the only issue in this court, Mr. Golden.”

Jack clenched his hands into fists. “Oh, for God’s sake, stop with the scientific labels! He needed his family around him. Not Jenny shipping him off to be prodded and poked!”

As the cross-examination continued, Margery felt a sinking sensation in her heart. She knew her man. Just beneath the surface, he was at the breaking point. The opposing lawyer suddenly became ingratiating, leading Jack through a series of questions that focused on his early life; the things that he and Eric, of all things, had done together—baseball, football, hunting, fishing—the affection and interests that both father and son shared. How odd, Margery thought. She wondered where the lawyer was going with this and hoped Jack would be able to sustain himself from tears.

“It was a terrible blow to lose your only child, your cherished son?”

“Yes, it was,” Jack admitted sadly. “Many young men and women died for nothing.”

“It depressed you?”

Jack faced the bench. “Very much.”

“Then when you finally realized that stem cell research opened up doors to all sorts of other possibilities, there came the loss of your AV-36?”

“Yes. I never knew we could renew and harvest so much more through monoclonal antibodies and mitotic cells. I never knew we could reach that level.”

“This loss and these possibilities combined, bothered you, did they not?”

“Objection!” yelled the defense. “My client is clearly being psychologically baited now.”

The judge said, “Overruled. I want to hear this. Go on.”

Jack looked to Margery; she covered her eyes and sank in her seat.

“Thank you, Your Honor.” The lawyer cleared his throat. “And your job after twenty years? After witnessing such scientific breakthroughs firsthand? Come, Mr. Golden. No wonder then that you were depressed, that you exhibited odd behavior. Also, you have been known occasionally to lose your temper.”

Jack was rattled now. “Sometimes. But I never—”

“All the pressures of life suddenly coming together can wreak havoc on a man’s psyche.”

“I don’t know what you’re talking about,” Jack cried, his voice rising, his body taut. He looked over at Margery again; she gripped herself from standing and interjecting.

“I’m talking about—” The big lawyer paused, his gaze first roaming the room, first to the judge, then to his client, Jenny, then to Margery, and finally back to Jack. “I’m terribly sorry, Mr. Golden. But your suicidal tendencies have to be faced.”

Margery felt an invisible hand grab at her insides and squeeze. She nudged her attorney on the elbow to do something.

The defending lawyer stood up. “Objection, Your Honor! I reject this line of questioning,” she said. “This is outrageous and debased speculation.”

The judge thought for a long hard second, then waved two fingers and said, “Sit down.” He nodded at Jenny’s lawyer. “Go on. This better be relevant.”

Jack rose out of his chair, then fell back, looking bewildered, exhausted, and defeated. “My what?!”

“I’m sorry, Your Honor,” the opposition said, shaking his balding head as if the revelation were equally painful to him. He turned and looked toward Margery. “The state of Mr. Golden’s mental health, as will be shown, was reported by Mrs. Golden herself in a meeting with a nursery counselor only a few months ago.”

“Did this meeting happen because of the AV-36?” the judge asked, still trying to find relevance.

“I can discontinue this line and pick it up again with the counselor. But I assure you it cannot be swept under the rug.”

The judge looked at Jack with an expression that seemed like sympathy. He shook his head, then turned and looked across the courtroom at Margery. His eyes were sad and questioning. His disappointment seemed to drill through her; she wished she could disappear.

Margery turned toward Jenny. “How could you?” she asked in tears. “You were like a daughter to us. We treated you as family. We put a roof over your head while you were married to Eric. Why?” Jenny quickly turned away, keeping silent.

“Um… May I request a short recess, Your Honor?” the defense asked.

The judge nodded, raised his gavel, and brought it down. He looked behind him at the clock. “Go and have some lunch, people. Be back at two.” Those present rose as he left the courtroom.

For a moment, no one moved. Margery rushed forward to her husband. Feelings of sorrow cluttered her mind, along with much to answer for. But she couldn’t find the composure to speak.

“I’m sorry, Jack,” she eventually said, embracing him as he stepped down.

He looked down at her with moist eyes and a frown. “You really think I would have chosen the easy way out? You really think seeing him like that would have affected me where I would have just…just ended it?” There was a moment of silence, then: “I miss him, Margery. I miss him dearly. He’s the only thing our poor Eric left behind. Transitioning doesn’t last a lifetime, you know. All I want is what’s fair before it’s too late. I just want visitation rights.”

*

When the hearing reconvened, Jenny Hathabee rose and approached the stand. It was her second time recalled. Her lawyer followed. Despite the wickedness beneath all that makeup, Jenny looked more radiant than Margery had ever seen her. Her face had filled out and her skin glowed with health. Clear-eyed, neat in her starched blouse and dress ensemble, she looked the picture of confidence and contentment—a far cry from months before, when depression and despair filled her life. It had left her like a hollow shell. Now those around her could acknowledge the fact that the emptiness was gone. She had never appeared as strong as she did at this moment.

Notwithstanding the dispute, Margery felt admiration for her. She had come a long way. From them. Perhaps from Jenny’s point of view she and Jack were pariahs, reminders of sadder days, an unwanted, unnecessary, and negative influence on an AV-36 already lacking in substance.

Jenny’s lawyer gently led her through the questioning. Earlier, he had driven home a few key points to his arguments. It remained to put the frosting on the cake. “And your previous husband, Eric Golden, who is a major factor in all this, was, to say the least, unsatisfactory?” he asked.

The question made Jack shrink back in his seat.

“At first I was reasonably happy,” the woman of twenty-eight said. “At first we even lived in Connecticut with his parents, because we were still on the waiting list for a home on base. Then he went off to Afghanistan, the war became fierce, and the military rarely let him home. After that, there came AV-36.”

“I understand. But when the military did let him home, how did he act?”

“He was distant. He was different.”

“Did you contemplate divorce?”

She lowered her eyes and clasped her hands across the expanse of the bench. “It was on my mind to run away. Yes.”

“Was the experience frightening?”

Very.”

“With respect to your former in-laws, how did they treat you during the marriage to their son?”

“We never had real words. They were never unkind, mind you. They acknowledged me as their daughter.”

“And are they sincere when they say they love AV-36 now?”

“I believe so.”

“Is it true that after your husband’s death, they were supportive?”

“Yes. I suppose so.”

“And when you learned about the importance of transitioning facilities, both morally and ethically, how did your father-in-law react?”

“He did not approve of them.”

“And he made these views known to you, yes?”

“Emphatically. Often angrily.” She stopped for a second. Then, facing Jack, she went on, “Of all people, I thought he would have understood.”

The lawyer paused. Turning, he looked at the Goldens. “Would you tell the court, Ms. Hathabee, in your own words, exactly why you feel that it would be better if Mr. and Mrs. Golden stayed away from your AV-36?”

“Where does he come off saying that it’s her AV-36?” he whispered to Margery.

“Shush!” his wife pinched him.

The judge tilted his head toward Jenny for her reply, then looked over at Margery; she reached out and took Jack’s hand. It was cold and clammy.

“AV-36 is a happy, well-adjusted manifestation. He has a new life awaiting him in every respect. All that stands in the way is the transitioning process and the constant interference of Jack Golden. Thanks to the good people at the camp, he has a new form. One which he loves and, as I’ve said to this court in previous days, another on the way. I know my former in-laws think me cruel and heartless for taking this action, but I have to make decisions that are best for my AV-36. The past for him is a dim memory, as is the case with much of his kind. Why should he be disrupted? Why should he be treated differently than the rest? It is not necessary for him to visit with Margery and Jack. In fact, with all this emotional debris and refusal to let go, it will undoubtedly be bad for him—”

“What makes you say that?” the lawyer interrupted.

“His reaction to Jack’s visit to the camp was upsetting,” Jenny answered. “It upset the others like him. It was an unneeded intrusion on a perfectly good harvest.”

“This must have aggravated you.”

“Yes, well so.”

“And how did this affect you?”

“Badly. I began having migraines and terrible thoughts. I woke up with nightmares almost every night thereafter. I felt haunted by something. Like I was surrounded by negative energy. Like—”

“Like something was molesting your conscience and the environment in which you resided?” the lawyer asked.

“I can only assume it was because of that.”

“Some researchers call that kind of invasive energy an entity.” Then the lawyer said, “Do you believe in the supernatural, Ms. Hathabee?”

Jenny vested a short laugh. “This is the twenty-first century,” she said.

He pushed some more. “Did this whole ordeal leave you with any regrets, any second thoughts about your decision on visitation?”

“None.”

“Regardless of contemplating divorce, did you still love Eric?”

“Yes. I’d be lying if I said otherwise.”

The lawyer nodded and looked up at the judge. “No further questions, Your Honor.”

He doesn’t have to go much further, Margery thought, watching him closely. She looked up at the judge, then back at her husband. Jack’s eyes were burning with intensity. Then the defense attorney moved forward, long-legged, lean and spare, indicating a singleness of purpose that almost made Margery wince with fear for Jenny’s sake.

The female lawyer, brown-haired and bright-eyed, started abruptly. There were no introductions or preliminaries on this day. “If you had not stayed married to Eric, Ms. Hathabee, would you have allowed your former in-laws to have access to AV-36?”

“I object, Your Honor,” the opposition said, rising. “That question is completely hypothetical.”

“I understand.” She reconsidered. “I’ll put it another way then. Ms. Hathabee, you did not have any objection to living with your former in-laws or their support—psychological, financial, whatever—during the brief period following your widowhood. Am I correct?”

“Well, I was no longer an army wife. I had to leave the base. I had no choice.”

“Did you detest it? Were those extra few months so terrible?”

“I did not feel comfortable being dependent on them again. But I did get back on my feet and start a new life for myself.”

“Did you think that they were a bad influence once the AV-36 revealed itself?”

“I wasn’t overjoyed.”

“Why?”

Jenny hesitated, her eyes searching the courtroom. “They couldn’t offer a positive atmosphere for him in this new state.”

“Are you blaming them for the hauntings?”

“The bad energy? In a way, I suppose. You have to understand. Even though Eric and I were distant at times, and the marriage quite rocky, we took vows. If we had divorced, mentally, it still would have been ‘til death do us part. For me, at least. There were always hauntings, but not really in the paranormal sense of the word. Eric’s father just possessed him, instead of the other way around.”

“Possession unwarranted and through influence, an influence you perceived as negative. Is that what you mean?”

“In some ways, yes.”

“In what ways?”

“They were together a lot.”

“Meaning you were left out. That seems very vague, Ms. Hathabee.”

Jenny’s lawyer stood up. “I object, Your Honor. Now she’s badgering my client.”

“I’m almost inclined to agree,” the judge said. “Go on, but gently, please. This is not a murder trial.”

The defense turned back to Jenny. “So you felt that your father-in-law was a bad influence on your AV-36. Perhaps there is vindictiveness lying just beneath the surface, Ms. Hathabee.” She paused. “What do you think?”

“No, I don’t,” Jenny said calmly. “You’re making it sound like I’m deliberately hurting my in-laws. That’s just not the case.”

The attorney was relentless. “So if it had not been for Eric Golden, you might never ever have prohibited your former in-laws from seeing the AV-36?”

“Maybe not.”

“But the spirit didn’t want to be reminded of its own life, what had happened to it, as if it somehow diminished him. It wanted to move on in the most comfortable way possible, surrounded by loved ones. It didn’t want to be brainwashed or tagged. It didn’t want to be harvested or converted. Transformation was the last thing on its mind. Or at least what was left of it. Isn’t that right, Ms. Hathabee?”

“This line of questioning is ridiculous, Your Honor,” the bulbous-nosed lawyer said as he rose to his feet once again.

“I’m simply trying to show, Your Honor, that none of the motivations for barring my clients from visiting their son’s ghost have anything to do with the welfare of the soul per se,” the defense explained, “that an adult woman’s concerns have clearly interfered with what is a perfectly natural, helpful, and enhancing way of moving on to the afterlife uninhibited. It is both moral and ethical, and I see no reason for an objection to that line of questioning.”

“In cases of spectral phenomena, that does not mean the right to automatically grant visitation rights,” the judge interjected. “There are new laws in this day and age. There are reasons for these camps. One minute you’re letting ghosts roam freely around living rooms and graveyards, the next, religious fanatics are hiding in church basements. Or protestors are blocking the White House lawn in droves.”

On the witness stand, Jenny looked wilted, and for a brief moment Margery was afraid her attorney had pushed a little too far. She glanced at Jack, who merely shook his head.

“It’s way out of control, honey,” he whispered. “We should have just said our goodbyes. Besides, there’ll always be the memories.”

“Poor Jenny,” Margery said. “Poor Eric.”

The judge banged the gavel. He was visibly angry and the creases in his forehead stood out. “You may step down, Ms. Hathabee.”

Shaken, Jenny walked back to her seat.

The judge, calming, looked down at all of them. “It would seem that the presentation of both sides of this case is missing a very important element.” In the long pause that followed, Margery felt her stomach drop. “You will see to it that Eric Golden’s ghost is present in this courtroom tomorrow at nine.”

“No,” Jenny cried. “I will not have that!”

“Sir, I hate the idea of putting my beloved, but deceased, child through this,” Margery said.

“He’s only dead seven months,” Jack agreed.

The judge did not respond.

“You know, the man is right,” the Goldens’ attorney said to both sides. “Nobody wanted it this way. Now it’s our only chance.”

“But it’s wrong,” Margery said, her eyes welling up. “He’s barely recognizable.”

“It’s also his soul at stake.”

“Can they refuse to bring him?” Jack asked.

“No. Not while he’s in the custody of that facility. Not while he’s tagged.”

The whole courtroom seemed upset.

Finally Jenny’s lawyer, who was just as concerned, stood up and sucked in a deep breath. “Tomorrow at nine, Your Honor.”

*

The next morning, the courthouse was quiet, all but closed down, mortally wounded by the previous day’s events. It surprised Jack to see it this empty, except for the clerk and the stenographer.

“I won’t say that I’m not scared,” Jack admitted.

“I’m petrified,” Margery swallowed. “You think in this state he’ll know me?”

“You’re his mother. Nobody forgets their mother.” They took their seats, and soon Jenny arrived with her lawyer. The two of them had probably had breakfast together, Jack thought with disgust. Conspiring to manipulate our lives. What did it matter to them?

Despite all his valiant efforts to hold back the gloom, depressing thoughts still consumed him. This thing with AV-36—Eric being called to court—had jolted him. Why was all this happening? Time was when you could go to sleep and get up in the morning and society would be the same as it was back in 2010. A man went to work and provided for his family. A mother watched over the house and helped with her share during a struggling economy. Parents stood lovingly, proudly by their sons and daughters who served in the military. Back then there were no such things as hauntings or the spirits of the dead wandering the earth. At least not outside the movies or comic books. There were no such connections between stem cell research and the paranormal. There was no such thing as life after death in modified forms. Even outside religious circles, the soul was a questionable invention. Had times changed that much? Was this really the future? Where were the honor and dignity in mothers and fathers having to sit in court and secure the right to visit their own offspring and say farewell? Jack was sorry he had turned down the open coffin at the funeral now. Anything was better than having to go through this.

He tried to remember why he had put those shells in the shotgun the day Margery had found him in the study. He could barely remember doing it, just as he had barely remembered the time he placed the razor blade and bottle of scotch along the side of the bathtub. Was he consciously seeking to check out of life, put an end to the frustration and pain and join his son in this wisp-like form? Never! Could he have done something so cowardly and unworthy? Of course not; impossible was a better word. It must have been some of that negative energy like they mentioned in court. Yeah, that was it. Bad energy.

Margery gripped his hand. They heard movement behind them and turned. A smoke-like figure with grayish-blue crystals surrounding it materialized at the door. It slowly moved in, looking like the former embodiment of a man, but now something else. The ethereal image of Eric. Jack felt his heart leap to his throat as their son hovered up the aisle. Everybody hurried to their places, frightened. The ghost stood at the head of the courtroom, busy exploring the high ceilings.

“He didn’t see me,” Margery whispered.

“Of course he can’t,” Jack said with some trepidation. “But he will.”

The clock read fifteen minutes after nine. There was no sign of the judge’s arrival. No one said a word. Margery cleared her throat and the ghost looked toward where they were sitting. Jack lifted his hand and waved. Eric waved back and smiled. Jack noticed a metal bracelet around his wrist. It was made out of a strange metal and read AV-36. Jack whispered to Margery, “Honey, focus!”

“M…Mom?” the ghost said.

“Hello, dear,” Margery cried, her eyes quickly filling with tears.

“See. He recognized you. Nothing to cry about.” Jack did all he could to blink away his own tears. “He just needed a bit of instruction.”

The door leading to the judge’s chambers opened. “All rise,” the clerk said, and they stood up. The judge breezed through the door, lips pursed, unsmiling, and tight-faced like the day before. Jack looked for signs of sympathy; he got no such vibes. Matter of fact, the judge seemed terrified by Eric. Eric, on the other hand, was busily absorbed in assessing this phenomenon of a room and the mysteriously black-robed man who sat high above him in it.

“Will counsel for both parties approach the bench?” the judge said after the ritual of his entrance. Both lawyers rose and stepped forward. Jack strained to hear what they were so fervently whispering about. Eventually, the two lawyers returned to their seats.

“It’s the best deal we could work out,” the Goldens’ attorney said. “The judge will talk with the apparition alone in his chambers. He’ll seek what’s best.”

The judge looked up from his papers. “This trial has been based on one party’s yearning to hold on while the other has wanted to let go,” he began. “It’s been about trying to stay in touch with something far beyond the scope of the living, to either pay tribute or say final goodbyes, and to do what is merely in the best interest of the deceased. Today we will come to a decision.” There was hesitation in his voice. “There will be no court reporter present and no lawyers. Just the ghost and myself.” He paused and looked at Eric. “AV-36,” he said gently.

Everyone in the courtroom looked at the spirit who, surprised to hear his tag called, looked down at his bracelet then up at the bench. When he started hovering, the judge turned to everyone in the courtroom. “Court is adjourned for one hour,” he said, standing up. The ghost gravitated toward the door of his chambers.

Jack felt something give way inside of him. An image, like a developing Polaroid picture, began to appear in his mind. The judge and Eric moving inexorably away from him, levitating, space and time disintegrating. In the image, he could see his own trembling hands, reaching, trying to stop the movement of Eric and the judge. Then they disappeared and he heard the sound of the door closing. The image dissolved.

In the end, all the legal research, all the petitions, all the printed words meant less than this court had realized. The answers could only be found in that most vulnerable place of all, the human heart and soul.

“What is it, Jack?” Margery asked. There was no hiding anything from her.

“It’s no good,” he said. “Either way.”

“You mean the transitioning?”

“Eric will leave this form at some point or another.”

She nodded. He knew what he must do.

An hour had passed. No word from the judge’s chambers.

Jack was watching Jenny. He felt so insignificant in the baroque vastness, not at all the formidable figure he once was. He moved toward her now and struggled to smile.

“I’ll only be a minute, Jenny,” he said, leaning toward her. “I don’t like this business of Eric being in there with him.”

Jenny turned a cheek. “I know that, Jack,” she said gently. “I’m not too crazy about it myself.”

Jack shook his head. “I tell you, Jenny, I never wanted this. I swear it! You were a good wife to my boy, and an even greater daughter.”

Jenny looked up. “Really, Jack?”

“Yes, absolutely. I know you’ll treat my son’s ghost just fine, you know just what’s right for him. He needs to move on.” He inhaled a deep breath. “So what I’m saying is that it’s your say all the way. We’re the outsiders now. We’ve had enough time to say our farewells and make our peace. And if you don’t want us around—it doesn’t matter why—you’ve earned that right as far as we’re concerned. Only what’s best for Eric’s soul counts here, and we’re not going to barge in. Let science handle it. It’s just no good any other way. No good at all.”

“I—I don’t know what to say,” Jenny stammered.

“You don’t have to say anything. We’re just not going to interfere in your life any more. What we want”—he took in some deep breaths—“is not to give Eric’s soul a minute’s worth of pain. Let the professionals go on handling his transition. We’re going to ask our lawyer to withdraw our petition, to stop this whole rotten business.”

Meanwhile, another hour had gone by. Still no word from the judge’s chambers.

“I appreciate that,” Jenny said. “Oh, and don’t think I am oblivious to the pain of it for you and Margery.”

“So that’s it, I guess,” Jack said, bending over and hugging her. Before turning away, he added, “Take care of yourself, you hear?”

When he sat back down, Margery kissed him. “It’s all right, darling,” she said. “Who knows, this might work out in everybody’s favor after all.”

Finally, the chamber doors opened. The voice of the clerk boomed, “Court is now in session!”

“I have reached my decision in this case,” the judge said, avoiding the faces of those in the courtroom. The ghost was not with him. Jack noticed Margery glance at him, but he remained rigid, eyes focused straight ahead. He shrugged his shoulders; he also sensed something wrong.

“As you are all well aware,” the judge began, “the law in this country is not explicit on the point being argued in this courtroom. Yes, morals and ethics must be considered. The issue here is clearly the best interests of the ghost who, when he was a card-carrying member of the living, went under the name Eric Golden.” He paused. “We had a nice lengthy chat in my chambers. Now, it is difficult to assess the state of anyone’s mind and spirit in the brief space of an hour, or two, or even three. Certainly, it is doubly difficult in the case of the dead.” He raised his head and looked toward Jack. He flashed him a broad smile.

Jack recognized those blue eyes and that smirk anywhere.

“But since I am charged with such judgment, I have concluded that this particular ghost is well-adjusted, bright, cheerful, and has much more to look forward to in the next life. He is obviously loved and cherished by his mother and father, as I’m sure is the case with his former wife. The inclination of the case law is to leave well enough alone.”

Jack leaned forward now. He was about to say something when Margery put a finger on his lips and he quieted.

“The question then is, does this well-adjusted, happy ghost need the visits of any family to enhance the quality of his afterlife? It seems to me that in all human endeavors there is not exactly an overabundance of love, genuine and unselfish, honest and caring. When you find it, you should never deprive it of its natural outlet. The dead, in my opinion, need as much of it as they can get. Put aside your grievances. All of you.” He banged the gavel. “This case is closed.”

Jenny’s lawyer now stood up. “That was a very moving verdict, Your Honor. But if I may be so bold, where is the AV-36?”

“Where he belongs,” the judge said. “Free. After our discussion, I let him out the window. It was his choice and his alone. I did not coerce him whatsoever.”

The entire court was shocked; murmurs of disbelief followed.

“Well, that’s that,” Jack said, getting up. “No point in staying.” Margery rose with him as the judge continued to speak. They moved down the aisle, ignoring Jenny’s upturned face. Nor did they pause for one last look at the judge, although Jack could feel his eyes watching them.

“Don’t feel so bad, Jack. Wasn’t really your fault. He did his best,” Margery said as they walked hand in hand out the courtroom.

“Seems he forgot who the victim was.”

“Say what you want. I still think we won the case.”

“Perhaps we did.” He brooded for a moment, pausing in the stairwell. “How can he judge what’s best for a ghost?”

“That’s his job,” Margery responded. “And it was an enlightening speech. I’ll give him that. Turned out he had a lot more feeling than I thought.”

“Hmm, seems he had a little bit more than that.” He paused for a moment. “They took awfully long in those chambers. I want to know why.”

Across the lobby, the couple saw Jenny and her lawyer watching them from above in confusion and slight disgust. The judge, all changed now, headed for the courthouse exit. Jack and Margery took a step forward, hesitant. The judge stopped moving the moment he saw Margery. Through a mist of tears, she moved toward him, equally hesitant. They went to meet one another, middle-aged woman and middle-aged man. When they embraced, Margery was certain it was not only a contact of bodies, but of spirits as well, and what passed between them was beyond words. Then they parted. Jack moved in and the three exchanged brief glances. What they shared needed no articulation. Not any more. The ordeal was finally over.

“Mom, Dad…” the judge said, smirking again.

“We’ve missed you, Eric. We’ve missed you something awful.”

“I’ve missed you, too. And I’m coming home.”

Jack extended a hand and the judge took it. Underneath his cuff there was a bracelet made out of a strange metal. It read AV-36.

THE END

Lawrence Dagstine: “2024 was my most productive year…but wait, there’s MORE…

2024 will arguably go down as my best year in writing and submitting; 2023 wasn’t so bad either (The Nightmare Cycle was published and I got an advance for it). I wrote a record sixty-five short stories between November 2023 and December 2024—all new. During that time, I also received the most book, anthology, and magazine acceptances (some yet to be released) for a single calendar year, surpassing my previous record year of 2008. I received acceptances from a variety of markets—mainly genre, as that is my specialty—in science fiction, fantasy, horror, and even humor. These markets ranged from pro-identifying to token, including small press and micro press. I also appeared in two anthology-magazines that went to number one on Amazon; another Kindle Anthology broke the Top 100 in World Literature, and a handful of my other offerings made it into the Top 100 or Top 500 sales rank-wise. That’s never happened to me before. Additionally, I have a couple of new books out right now (see right-hand column, scroll down).

My rejection ratio was fifteen turn-downs for every acceptance, if you’re curious about the odds. Yes, where there are acceptances, there are rejections. It comes with the territory. But I’m not here to toot my horn. This was a personal goal I wanted to achieve, and I did. I wanted to see if I still possessed that 2000s-era magic.

At fifty years old, you stop measuring press levels—Pro, Semi-Pro, Hobby, Indie—and accept whatever comes your way, especially if it’s available physically (paperback or hardback), and you know how to hustle and sell it. Believe it or not, most of my readers are not from the United States. Many Americans are too dependent on technology, staring at their smartphones all day, or engaging in activities that don’t involve literature. If they do read, it’s usually the “obligatory” twelve books per year—one per month. I’m guilty of this myself. I used to read a hundred books per year, but as you get older, there are only so many hours in a day. Most of my readers hail from places like India, Japan, and, oddly enough, Belgium. Earlier this year, readers from India wrote to tell me how much they liked my horror stories. I appreciate that; I’ve never received such feedback from US readers. Obviously, I was flattered. I joined two writing groups in Manhattan, got the necessary certifications, and became a writing teacher, which is relatively easy in New York State compared to other places.

As we get older, we often become adjunct professors, tutors, instructors, substitute or assistant teachers. We take up residencies, shepherd online MFA programs, hold online and in-person workshops, and add experience to our curriculum vitae. The revenue from these workshops helps fill our fridges. We may teach English as a second language if we move overseas or teach the short story form, novel writing, story analysis, and linguistics. We show younger writers our techniques and formulas, paving the way for them and enlightening them on how we did it. We pass our knowledge to the next generation of aspiring writers. We take on protégés. Other jobs we take on include writing advertising copy, technical writing/business writing, expository essay writing, things like that.

I can’t believe I’ve been doing this for thirty years. Sometimes I wonder if I wasted my life. Should I have pursued another field? Should I have become a full-time artist and taken up comic illustration, which was my passion in the early ‘90s? Despite my love for science fiction, I would have preferred seeing the art through. I lost my love for drawing in late 1994 and turned to writing instead. Applying for art jobs thirty years ago, where prospective employers said comic art and graffiti art weren’t “real art” didn’t help. So I ended up in writing. I appeared in a couple of magazines, made some cash, and bought nice things. Picking up every genre magazine I could get a hold of in Borders and meeting Kurt Vonnegut regularly while working as a delivery boy for a pharmacy further fueled my enthusiasm.

Author Mercedes Lackey once noted that 90% of the writers in the SFWA (Science Fiction Writers Association) have had or currently hold full-time jobs. The rest have spouses who work full-time, serving as the breadwinners, covering the overhead, and providing health insurance for the family. Alternatively, the full-time writer might be retired and living on a pension or 401K. I could join the SFWA tomorrow. But at my age? For what? Bragging rights? I’m ready for the grave. This isn’t to say I won’t produce an anthology in the future. I’m full of ideas, and I won’t accept anything less than outstanding. But hey, I’m old. Many of the books with my stories are published by presses that might not exist in five or ten years. Presses come and go; the same can be said about good books. Publications go on lengthy hiatuses. Economies rise and fall. Inflation affects spending habits. People’s reading preferences change. Advertising techniques and technology evolve. Not only that, over 10,000 books are self-published per day, so there’s no such thing as professional competition anymore. It’s a too-open field. Also, generational shifts happen, and what was popular with one generation might not be with the next. How many people do you know in 2025 who have a profound love for Philip K. Dick, Isaac Asimov, and John Brunner like I do?

I’m very much a socialite. I often go into the city, visit upscale places, penthouses, private parties, and get the VIP treatment. I network and get my books into these places. You have to network in this day and age. Word of mouth is still a very powerful tool, and you want to get non-genre readers interested in reading genre. When I sit down with a glass of wine and talk to affluent or corporate types about horror, they say, “Oh, Stephen King!” And that’s it. They don’t know anybody else. They think Stephen King is the only author there is when it comes to horror. I say, “You haven’t read the work of Paul Tremblay, Stephen Graham Jones, or Josh Malerman?” They give me a daft look. Who? What? They don’t even know that Stephen King has two sons who also write (Owen and Joe). They think Stephen King never had children. But we know. Because writers read each other. We are aware of each other. And it’s kind of depressing in a way. It’s like we’re trapped inside this shrinking genre bubble, and you’re not sure if it’s going to burst or when it’s going to burst. It’s disintegrating, for sure, it’s just a matter of when. You hope it pays your utilities for as long as it can, at least until you take up a teaching position or land an agent. Only 15% of writers ever land an agent and break into the Big Five. And that number shrinks with age. Some are luckier than others; your mileage may vary. What happens for most, whether traditionally published or indie-published, is we end up at genre conventions, gaming cons, comic cons, indie bookstores, or local fairs and fests, and our literature is available at vendor tables.

Nowadays, many people publish each other in a quid pro quo fashion (tit-for-tat), which is fine, but simply reading each other’s work isn’t sustainable in the long term. It seems we’re just passing time until we reach the end. If we’ve chosen writing as our forte, we must have a lot of time to spare. Some of the biggest names, award-nominated genre writers, are suddenly submitting to semi-pro and token markets. This used to be a no-no. Yesterday’s professional paying magazines now depend on Patreons or annual crowdfunding just to survive. And then there’s Artificial Intelligence, which will inevitably replace us in the next 20 years. I’ve seen some of these young tech kids at conferences, and what they can do with Python and Stable Diffusion; they’re smart.

Publishing was a very different animal in the first ten years of the Internet. You could actually make an income from freelancing regularly, and web content was big! Webzines were especially big. They were new, they paid fair money, and there wasn’t much of an editorial filter, but you got your byline and content out to the world. A handful of these sites were built with Dreamweaver, Frontpage (Microsoft), or typical HTML coding. Some were even hosted by GeoCities. Plus, the cost of living was cheaper back then (my rent was only $650 to $750 per month during this era, utilities included). You could stay home, take care of the kids, and have paper checks coming to your mailbox. This was still before the age of PayPal, Venmo, Zelle, and other electronic payment methods. So it was paper checks. If you were a freelancer of genre fiction and creative non-fiction, and you were a quick writer and productive, you got paid $20 to $50 per piece consistently! Sometimes more, sometimes less. One on top of the other. Some of the webzines that appeared in the first ten years of the Internet were Atomjack Magazine, Whispering Spirits, Midnight Times, Dawnsky, The Random Eye, Gotta Write Network Litmag, and hundreds of others! I appeared in many of these places, scouring market sites like Ralan and Spicy Green Iguana on a daily basis. The Boomers never went near these little zines, but I did. And I got my name out there. And I was paid. And I bought clothes. And I bought food. And I paid bills. At one point, I even had a $6000 bank account put aside for my infant son—from writing. There was a time when I had 200 different stories in a folder on a Windows XP laptop, and I would submit to any paying market, even those offering $5.00 compensation. Acceptance here, acceptance there. You do the math. You might find these webzines on the Wayback Machine, but if you’ve heard of the ones I just mentioned, you’re old and gray now, just like me.

To this day, I think the periodical I was paid the most for a single story or article was in either 1999 or 2000, and this was in a queer publication called GENRE Magazine. Or just Genre. And it had nothing to do with genre. They didn’t even publish science fiction. That was just the name. It was primarily a New York-based gay lifestyle magazine with a modest circulation for its time period. It was distributed to LGBTQ-identifying establishments before LGBTQ was even a term. Before ebooks, before Amazon, when physical publications still had modest circulations. When people still relied on the Writer’s Market. I was paid $750 for two, maybe three hours worth of work. The editor said he would take care of the grammatical errors. I kept my mouth shut, let him handle it. Nowadays, twenty-five years later, that same $750 is your paycheck for a horror novel to a rising indie press.

Still, I’m thankful I didn’t become a full-timer in this day and age. I own nice things. Call me materialistic, but I enjoy my little luxuries: designer clothes, nice electronics, video games. I can buy my family birthday and Christmas presents. I can wine and dine on occasion. Some writers who went all-in don’t have that luxury. Imagine not having health insurance, unable to run to an emergency room or urgent care. A vast majority of writers don’t have insurance. Sure, some scored two or three-book deals with the big houses, only to not sell to expectations and never be heard from again. So when people ask me what advice I would give an aspiring writer in 2025, I say, “Don’t quit your day job. Do this strictly for passive income. Do this because you love it. For the sake of art. Do this because you like to tell stories. And read!”

Listen, H.P. Lovecraft died extremely poor. He couldn’t afford treatment for his small intestine cancer, compounded by his fear of doctors. So, he wrote and lived in daily pain—not a pot to piss in. Some of his finest works weren’t noticed until decades later. John Wyndham, a prominent British science fiction writer, was often overlooked in his lifetime. He didn’t receive the recognition he deserved, even as the author of “The Day of the Triffids.” It’s only now, in the 21st century, that his shorter works are being sought out and reprinted. John Brunner, author of mega-hits like “Stand on Zanzibar” and “The Crucible of Time,” feared failure. He wrote under a pen name in his later years and worked as an underpaid proofreader. But regardless of success, they were storytellers. And there’s nothing wrong with being a storyteller. If you get paid for it, that’s like the cherry on top of a hot fudge sundae.

Looking back, I’d say I’m privileged. I’m not a New York Times or USA Today Bestseller by any means. I see myself as a semi-pro of the short form, one of those one-to-three cent jobbers. Apparently, I’m a jobber who makes it into the TOP 100 often; I probably would’ve really crushed it during John W. Campbell’s era. Many writers don’t get to do this for three decades, non-stop. Today, many people self-publish books that are mediocre at best, invest in Amazon Ads, and suddenly they call themselves bestselling authors. They don’t know what it’s like to have spent time in the trenches. Otherwise, a handful of the younger kids coming up don’t know how to read, write, spell their names, or pick up a book after high school. I definitely didn’t think I’d become a teacher. Like I said, I feel privileged. I came to this earth and got to do it. And I’ll try to continue doing it for as long as I have the desire.

This is Lawrence Dagstine, prolific writer for the past thirty years.

Storyteller. Jobber. Future anthologist? I could live with that.

Edited to Add: This essay, which I write from firsthand experience, will be reprinted in a newsletter, currently under development. Stay tuned for news of that.

CHARITY BOOKS: “The Devil’s Playground” – A Horror Charity Anthology for Drug Addiction

I have a reprint in the next one (all for a great cause). It’s big. It’s got a stellar lineup of short story writers. Good God, it’s close to 600 pages in length. It’s available for your Amazon Kindle or in a thick juicy paperback. The book is for a wonderful cause, and is put out by Kasey Hill and the fine folks at Dark Moon Rising Publications. It’s called The Devil’s Playground, and it’s a charity anthology for drug addiction. All proceeds go out to help people who are addicted to drugs, or who have lost loved ones to overdoses. This one really hits home too. My story is actually themed around addiction (and vampires). What an ensemble: Rhys Hughes, Lindsey Goddard, Suzie Lockhart, John Claude Smith, J. Rocky Colavito (who I’ve shared multiple TOCs with in the past). Over 60 authors. A lot of love went into making this. If you’re a fan of big beautiful horror books and good causes this one is a no-brainer. I’ll leave all the pics and details down below.

The Devil’s Playground: Horror Charity Anthology for Drug Addiction

Over 60 Authors – Published by Dark Moon Rising Publications

Featuring Lawrence Dagstine reprint: “Geraldine’s Addiction”

Get it on Amazon (click below):

Talk and inspiration regarding THE DEVIL’S PLAYGROUND on YouTube:

Miscellaneous Links/Websites:

Dark Moon Rising: https://www.darkmoonrisingpublications.com/

Other New Entries: “Books & Anthos”

HORROR ANTHOLOGIES: “Monsterthology 3” – Zombie Works Publications

Pleased to announce I have an obscure vampire tale in the third entry in the Zombie Works Publications anthology series, Monsterthology 3. Headed and edited by David Montoya and Stephanie J. Bardy, this book visits some original fare in correlation to the Famous Monsters of Filmland. Think waking up to the horror of Bela Lugosi on Saturday Mornings in the 1950s, or Lon Chaney as the Wolfman, or Boris Karloff as Frankenstein’s Monster, and fiction which runs in a similar vein. I was supposed to update my website a while ago, but I’ve just been so busy with editing and the holidays being just around the bend. I will post photos and links down below, and any other relevant info. It is available on Amazon in paperback format or for your Kindle. Some familiar names I share the TOC with this time around include Justin Alcala, Alan Russo, Dawn DeBraal, Liam Hogan, and I believe Gary Every is in it as well. Get your copy today.

MONSTERTHOLOGY 3 – Zombie Works Publications

Published and Edited by David Montoya & Stephanie J. Bardy

Available through Amazon HERE (sample below):

It did reach the TOP 100 in Horror Anthologies in its debut week. Here is some more info, copied and pasted from Amazon…

“Step into the shadows of this chilling anthology where the monsters that terrified generations rise once again. Monsterthology 3 gathers the Legends of Fear—the iconic Universal Monsters you thought you knew—and unleashes them in ways you’ve never imagined. From the eerie depths of Dracula’s curse to the moonlit rampages of the Wolfman, each story reimagines and expands the terrifying legacy of the creatures that defined horror.

In this gripping collection, renowned and emerging authors breathe new life into the classics. The Mummy’s curse is darker, Frankenstein’s creation more twisted, and the Creature from the Black Lagoon surfaces with deadly vengeance. Whether you’re a lifelong fan of the original Universal Monsters or a newcomer to their terror, Monsterthology 3 will chill you to your core. The Monsters are back—and they’re more horrifying than ever!”

Other New Entries: “Books & Anthos”

FLASH FICTION: “Flash of the Dead Halloween ’24 Anthology” – Wicked Shadow Press

I have a flash fiction piece in the latest seasonal/Halloween-themed anthology from Wicked Shadow Press. And the book features well over 60-plus authors, with short works ranging from 500 to 1500 words in length; my short is exactly 1000 words. And that’s what flash fiction pretty much is. It’s a very quick snippet of writing, a very short and concise piece of literature, something maybe to consume when in a doctor’s office, or on a daily commute, or when falling asleep in bed. Flash of the Dead Halloween 2024 is actually a sequel of sorts to the original (and successful) Flash of the Dead Anthology from back in 2022. I had a story in that entry as well, called Saving the Dead. This time, however, for Halloweeen 2024, my miniature tale is called, “Angel Hunter.”

FLASH OF THE DEAD Halloween ’24 – Flash Fiction Anthology

Edited by Parth Sarathi Chakraborty & Rasiika Sen

Published by Wicked Shadow Press

Featuring Dagstine flash piece: “Angel Hunter”

Flash of the Dead Halloween ’24 Ordering Links and WSP Socials:

Order the Paperback: https://www.lulu.com/shop/rasiika-sen-and-parth-sarathi-chakraborty/flash-of-the-dead-halloween-24/paperback/product-e7rj6n2.html

Order the Digital Version: https://www.lulu.com/shop/rasiika-sen-and-parth-sarathi-chakraborty/flash-of-the-dead-halloween-24/ebook/product-yvj9k6m.html

Wicked Shadow Press on Facebook: https://www.facebook.com/wickedshadowpress

Wicked Shadow Press on Instagram: https://instagram.com/wickedshadowpress

Wicked Shadow Press on X: https://twitter.com/wickedshadowpub

Other New Entries: “Books & Anthos”

Children’s Horror: “Children of the Dead” – Wicked Shadow Press

Pleased to announce I have a horror story about zombie children (a theme I’m known for writing since 2005) in the latest Wicked Shadow Press anthology for adult and young adult alike. Well, maybe teenager and up. It’s part of a two-book title series, and I’m in the first volume: ‘Children of the Dead – Lost Lullabies.’ What a beautiful cover spread. Wicked Shadow Press books are available through Lulu here in the US, but they are available all over India. There are some familiar short fiction names if you look at the back cover. It even has a tale by Tom Moran! If you’re from the 2000s like me, you’ll remember Tom Moran from Black Ink Horror. Generally speaking, fans of Stephen King’s Pet Semetary will feel right at home with this thick book. It’s got everything youthful and scary but the kitchen sink. I’ll post all pictures and links to ordering pages, with relevant social media info down below. And also in the Books & Anthos section of this website.

Oh, and it’s illustrated throughout. Like a scary children’s book. Beautiful art too.

Children of the Dead – The Lost Lullabies

Edited by Parth Sarathi Chakraborty & Rasiika Sen of Wicked Shadow Press

Featuring Lawrence Dagstine and many other talented names

Ordering Info and Wicked Shadow Press Socials HERE (click links below):

Buy the Paperbackhttps://www.lulu.com/shop/rasiika-sen-and-parth-sarathi-chakraborty/children-of-the-dead-lost-lullabies/paperback/product-2mj5m6z.html

Buy the Digital: https://www.lulu.com/shop/rasiika-sen-and-parth-sarathi-chakraborty/children-of-the-dead-lost-lullabies/ebook/product-nvgwvkq.html

ALL INDIA FREE DELIVERY. Whatsapp 9830652666 to order!

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Other New Entries: “Books & Anthos”

Black Sheep Magazine, September 2024 No. #15 – Hobb’s End Press

Pleased to announce I have a story about a little boy and the devil himself (think William Peter Blatty’s The Exorcist), in the latest issue of a very interesting and pulpish looking “anthology-magazine.” It’s got that 1970s nerd vibe to it, when kids used to ride their bikes to the comic shop to pick up their weekly scifi rags. Also getting hints of Tales of the Talisman here. How many of you remember Hadrosaur Tales way back in the 2000s? The name of the publication is Black Sheep. They have beautiful covers, and they are published as a numbered anthology series by the fine folks at Hobb’s End Press. They have a couple of these magazine series up for sale, 181 pages in length, from Dark Horses to Mobius Blvd to what-have-you, and feature roughly ten to twelve authors per edition. Their focus is primarily science fiction, fantasy, horror, and your good old-fashioned weird tale. I’m in Issue No. 15, September 2024. It is exclusive to Amazon on Kindle for $3.99, or as a collectible paperback for a mere $8.99. Pick up your copy today. Clickable links and pics below.

Black Sheep: Unique Tales of Terror and Wonder

Published by Hobb’s End Press – featuring Lawrence Dagstine

September 2024 Edition/Issue – No. 15 of 15 Anthology-Magazine

AUTHOR LINEUP:

Kelly Hossaini, Elizabeth Rosen, Spencer Sekulin, NP Cunniffe, Wayne Kyle Spitzer, C. Dan Castro, Ethan Cordeta, Lawrence Dagstine, Mikel J. Wisler, George Hagler.

Other New Entries: “Magazines” and “Digital Credits”

H.P. LOVECRAFT: “Eldritch Encore” – Lovecraftian Horror Anthology by Culture Cult Press

I haven’t written weird fiction or what I call the “Weird Tale” in a hot minute. Probably since around 2008 to 2010, the days of The Willows Magazine, when I was headlining magazine covers. And the next book I’m in can definitely be considered weird, and inspired by none other than H.P. Lovecraft and many of his tales set around oceanic settings, abyssmal sea gods, waterside cults, and ominous places like Innsmouth and Dunwich. The name of the Culture Cult Press anthology is, “Eldritch Encore – The Innsmouth Volume.” It is a two volume book set. I’m in the first book, Innsmouth (the other volume is called Dunwich). Many of the stories are Eldritch Tales, by definition, but mine is a weird tale set at sea about a Fish-Woman and a Sea Captain caught in a horrible storm. It’s also part love story and, I suppose, in some ways a mermaid tale in disguise. Read my brand new short story, Ocean’s Return, in Eldritch Encore Innsmouth.

Eldritch Encore: Innsmouth Volume – published by Culture Cult Press India

H.P. Lovecraft inspired – Edited by Parth Sarathi Chakraborty

Featuring Lawrence Dagstine weird tale: “Ocean’s Return”

Available to order HERE, by clicking the direct links below:

Glossy Paperback from Lulu: https://www.lulu.com/shop/parth-sarathi-chakraborty/eldritch-encore-the-innsmouth-volume/paperback/product-zmkpgdz.html

Digital Version from Lulu: https://www.lulu.com/shop/parth-sarathi-chakraborty/eldritch-encore-the-innsmouth-volume/ebook/product-gjgw7w9.html

Order Paperback from Pothi (India only)https://store.pothi.com/book/parth-sarathi-chakraborty-editor-eldritch-encore-innsmouth-volume/

Order ebook from Pothi (India only)https://store.pothi.com/book/ebook-parth-sarathi-chakraboparthrty-editor-eldritch-encore-innsmouth-volume/

Follow Culture Cult on Social Media:

Facebook: www.facebook.com/CultureCultPress

Instagramhttps://instagram.com/culturecultpress

Twitter/Xhttps://twitter.com/CultureCultPub

Visit at: https://CultureCult.co.in

I’ll try to have a few print copies of Eldritch Encore Innsmouth on hand at my book table when I do my signing in Greenpoint, Brooklyn. No guarantees. Here are some of the books I will have on hand. It’s mostly a meet and greet. Two days.

Other New Entries: “Books & Anthos”

GHOST STORIES: “Dead Girls Walking” – GREEN Volume… Wicked Shadow Press

I am pleased to announce yet another spooky anthology offering, this time a paranormal tale to the latest Wicked Shadow Press series of anthologies (part of a three volume set), called: Dead Girls Walking. My story is in the second book, the GREEN volume! There is also a purple volume and a red volume in the series, which collects about 100 authors in all. This is a series of paranormal books where the central characters, whether ghost or zombie or vampire or whatever, are women. You really will want to collect them all. My ghost story is one part mystery. If you’re into Amelia Earhart, you might be into this yarn of mine. It’s about a 747 pilot who always sees the spirit of a 1920s classic aviator pilot. But she’s always following his jumbo jet. She’s always staring inside his 747 window. What is she trying to tell him? How far will the 747 pilot go to learn the mystery behind her aviation past? Find out in my story, “GHOST PILOT” …In Dead Girls Walking (the Green Volume).

DEAD GIRLS WALKING – THE GREEN VOLUME

From Wicked Shadow Press – Edited by Parth Sarathi Chakraborty

Featuring Lawrence Dagstine story: “Ghost Pilot”

Purchase Links (Worldwide):

Paperback: https://www.lulu.com/shop/rasiika-sen-and-parth-sarathi-chakraborty/dead-girls-walking-the-green-volume/paperback/product-45mgzkm.html

Epub (digital): https://www.lulu.com/shop/rasiika-sen-and-parth-sarathi-chakraborty/dead-girls-walking-the-green-volume/ebook/product-45mgwjj.html

All India Free Delivery! Whatsapp 9830652666 to order your copies now!

Follow Wicked Shadow on Facebook: https://www.facebook.com/wickedshadowpress


Follow Wicked Shadow on Instagram: https://instagram.com/wickedshadowpress
Follow Wicked Shadow on X: https://twitter.com/wickedshadowpub

Be a part of the Facebook group to get author-related info from Wicked Shadow and other publishers: https://www.facebook.com/groups/7867933553277077/

Other New Entries: “Books & Anthos”

QUEER HORROR: “Spectral Spectrum” – Anthology of Modern Gay Horror, from Wicked Shadow Press

I am pleased to announce I have a queer horror story in the latest LGBTQIA+ anthology, Spectral Spectrum, by the fine people at Wicked Shadow Press in India (they distribute all over the country). This book is really beautiful, well put together, formatted and designed with a specific goal in mind. And it really achieves that goal. The cover is absolutely breathtaking. If you’re a fan of edgy, “Bury your Gay” type fiction, this is definitely a must read. My story takes place right here, in my hometown, down in the East Village NYC. Some times when you’re a loner, and you go to that pick-up spot to wash your worries away, you meet somebody you’d like to take home with you. But you should be careful, you never know the past history of the person you’re trying to click with. Read my gay horror tale, “Heart of Cement” in… Spectral Spectrum.

SPECTRAL SPECTRUM – Anthology of Queer/Gay Horror Tales

Published by Wicked Shadow Press – Edited by Parth Sarathi Chakraborty

Featuring Lawrence Dagstine story: “Heart of Cement”

“In the eerie twilight where the boundaries between reality and nightmare blur, Spectral Spectrum emerges as a chilling collection of queer horror stories. Witness love and fear in a dance diabolique as cursed lovers and ghostly encounters, ancient spirits and unspeakable terrors populate this anthology that aims to explore the darkest realms of horror from the lens of myriad LGBTQ+ experiences. Prepare to be captivated and terrified as these stories delve into the depths of identity, desire, and the supernatural.”

AUTHORS FEATURED IN THIS COLLECTION: Aspen Duscha, Dan B. Fierce, Daniel DiQuinzio, Delaney L. Mathew, Fernando E. Silva, J. Rocky Colavito, JB Corso, Jonathan Reddoch, Joshua Vise, Kira Kamiński, L.Pine, LaVern Spencer McCarthy, Lawrence Dagstine, Linda M. Crate, Michael Paige, Natasia Langfelder, N. S. Anthony, Scot Walker, Tom Guilfoyle AND Toshiya Kamei

For the United States/Canada/Europe…ORDER BELOW (click links):

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All India Free Delivery! Whatsapp 9830652666 to order your copies now!

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Other New Entries: “Books & Anthos”

PIRATE BOOKS: “The Black Beacon Book of Pirates” – Pirate & Horror-Themed Anthology

It’s with great pleasure to announce that I am headlining a very major pirate and horror-themed anthology with a brand new tale which borders on novelette length, and has just the right touch of the Golden Age of Piracy to it (from a historical point of view), and just the right Lovecraftian feel to it (where Cosmic Horror is concerned). But it’s not all about tentacles and eerie and ominous abberations from the deepest corners of the Seven Seas or Hades itself. Presenting, “The Black Beacon Book of Pirates.” Edited by Cameron Trost. Available in the USA, UK, Australia, Amazon, or obtain it from Black Beacon themselves. They have a website, and I will put links, pictures, the table of contents, and any miscellaneous information down below or to the side column. My story, which I first started working on in 2022 and didn’t finish till 2023, is called, “The Mutineer.”

Without giving too much of the story away, The Mutineer is an unsettling tale full of despair, the story of an imprisoned buccanner named Frederick March, who is in service to an evil monarchy and their power-hungry armada. March, who is the Mutineer and witness to everything on this scary voyage, tells his tale of oceanic, cosmic mayhem of how he is sent to the Caribbean to hunt down a Cthulhu-like apparition with great power. This manifestation of ill-omen is known only as The Boatswain. But March soon finds out the merry band of pirates he leads gets a little bit more than they bargained for when they invade the Boatswain’s island habitat and learn he comes from a race of beings and worshippers just like himself. Who will survive? Because you only get one chance. Only one! With the Boatswain… in The Mutineer!

THE BLACK BEACON BOOK OF PIRATES – Edited by Cameron Trost

Published by Black Beacon Books

Featuring BRAND NEW Dagstine story: “The Mutineer”

BLACK BEACON BOOKS WEBSITE (click link):

https://blackbeaconbooks.blogspot.com/

ORDER ON AMAZON (sample below):

Table of Contents:

Personally, I would even go as far as to say The Mutineer is one of my three best horror stories of my life. It’s definitely up there with the likes of Thursday’s Children (which can be found in The Nightmare Cycle), and my tale of vampires and one man’s paralysis, The Paraplegic.

Time will tell.

Oh, the cover art is by the legendary Daniele Serra.

Edited to Add: The Black Beacon Book of Pirates is now available at Books-A-Million.

LINK: https://www.booksamillion.com/p/Black-Beacon-Book-Pirates/Lawrence-Dagstine/9780645247183?id=9202635427834

New Entries: “Books & Anthos” and “Digital Credits”

SCIENCE FICTION DIGESTS: “The Triumvirate, Vol. #5” – Journal of Fantasy, Science Fiction, and Horror

Fellow genre readers. I have a brand new story of despair and hardship set after the troubling events of the War in Iraq in the latest, book-sized edition of David Oliver Kling’s speculative fiction journal, The Triumvirate. Volume Five. The Triumvirate features tales of science fiction, fantasy, horror, even the occasional essay. It is available for your Amazon Kindle (digitally), or as a paperback in the $10.00 range. It is one part anthology-magazine, one part journal (but I consider it more a beefy digest). This is Mr. Kling’s labor of love, which I highly recommend if you are enthusiastic about old school genre. Kling started the magazine back in 1985 at the tender age of fifteen. Links and cover picture below (and in side column). This is my second appearance with The Triumvirate, and the name of my story this time around is: “After the Soldiers go Home.”

THE TRIUMVIRATE Volume #5 – Journal of Fantasy, Science Fiction, and Horror

Edited and compiled by David Oliver Kling

Featuring Lawrence Dagstine story: “After the Soldiers go Home”

TABLE OF CONTENTS/STORIES & AUTHORS FEATURED:


In “Earth-697,” Mark Mackey introduces us once again to Ambrosial Decarva, the dragon slayer of Dystonia.

Lawrence Dagstine’s “After the Soldiers go Home” takes us to a post-war Iraq plagued by both disease and despair.

Nicholas Hurst’s “You Can Almost See The Shininess” provides a lighter, yet equally enticing, exploration of military life.

In “Back From the War: A 1920’s Vampire Tale,” Mark Mackey transports us to a post-Great War America where Bram Collinwood faces supernatural horrors upon returning home.

Paul O’Neill’s “Mister Sleep” brings terror to the quiet town of Balekerin, where a sleepover turns into a nightmare.

Robert Henry’s “Fall into the Sky” takes us on a mythic journey with Ragnar, a father desperate to save his son.

Larry Johnson’s “The Under People” follows Lew Brown’s unsettling encounters with mysterious workers.

In “Amen” by Ed Perratore, high school senior Walter’s Halloween prank leads to a grim fate.

Finally, in David Oliver Kling’s essay, “What Dreams May Come: A Pastoral Care Perspective,” he provides a thoughtful analysis of the 1998 film “What Dreams May Come.”

Amazon Purchase Link (or sample below):


Also be sure to check out Volume #4. I’m in that edition too!

Other New Entries: “Magazines”

Wicked Shadow Press: “Masks of Sanity – The Monster Within” – ANTHOLOGIES!

Let it be said Wicked Shadow Press is slowly dominating the horror anthology market! Their anthologies focus on a particular theme, keep to that theme, they make their books beautiful both inside and outside, some times with art, give each title collectible value (I saw one book fetching $95.00 on Ebay few months back), and they have heavy exposure in India. The next title is no exception, and I have a story within its pages which I first wrote in early 2004. Twenty years ago, and it’s nice to see my tale within this next book. Wicked Shadow Press presents: “Masks of Sanity The Monster Within: Stories of Secret Psychopaths”

This is the perfect year for psychopath stories too, with Joker 2 due out in the Fall with Joaquin Phoenix and Lady Gaga. My tale is called, “The Scourge of Nine-Rah.” It’s about an investigative writer who gets mixed up in an whole underground cult of psychopaths who do the most horrific things. Think Charles Manson mentality. Heavy on the horror, just as uneasy on the suspense, be sure to check out Masks of Sanity: The Monster Within. Pictures and links below or off to the side (scroll down).

MASKS OF SANITY – THE MONSTER WITHIN

STORIES OF SECRET PSYCHOPATHS

Featuring Dagstine Cult-Psychopath story: “The Scourge of Nine-Rah”


Paperback: https://www.lulu.com/shop/parth-sarathi-chakraborty/masks-of-sanity-the-monster-within/paperback/product-kv98726.html

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Other New Entries: “Books & Anthos”

Vampire Stories: “The Paraplegic” – Farthest Star Publishing

I’m pleased to announce that Farthest Star Publishing has acquired the rights to my vampire novelette, The Paraplegic. The Paraplegic started out as a self-published ebook and went on to see several printings, including Serial Magazine. Making the front cover years ago. Farthest Star now holds reprint rights to my tale of one man becoming paralyzed from the waist down, coping with this new way of life, and a handful of ghastly beings visiting him in the middle of the night. Read my novelette The Paraplegic now, in 2024, direct from Farthest Star. Pictures and links below.

THE PARAPLEGIC – VAMPIRE NOVELETTE

by Lawrence Dagstine – Published 2024 by Farthest Star Publishing

Link to purchase (click below):

https://www.fartheststarpublishing.com/product-page/the-paraplegic-by-lawrence-dagstine-paperback

Or on Amazon:

Farthest Star Publishing Website Page:

https://www.fartheststarpublishing.com

Synopsis:

"Herbert Holtzman’s life takes a drastic turn after a horrific incident leaves him paralyzed from the waist down. Struggling to come to terms with his new reality, Herbert finds himself grappling not only with physical pain but also with existential questions about his identity and purpose. As he lies in the hospital bed, tethered to tubes and machines, Herbert's mind is consumed by a whirlwind of emotions - fear, anger, and despair. But amidst the darkness, a sinister presence lurks, a vampire who sees in Herbert an opportunity for a twisted experiment. 

Herbert's journey is one of resistance and acceptance, as he battles against both his physical limitations and the insidious influence of his vampire captor. With each passing day, he grapples with the conflicting desires within him - the longing for his old life, and the seductive allure of immortality and power. As Herbert navigates the treacherous terrain of his new existence, he encounters allies and adversaries alike, each with their own agendas and motivations. From the compassionate nurses who tend to his physical needs to the enigmatic doctor who holds the key to his fate, Herbert must navigate a labyrinth of intrigue and betrayal. 

But ultimately, “The Paraplegic” is a story of resilience and redemption, as Herbert discovers that true strength lies not in the body, but in the spirit. With courage and determination, he embraces his newfound identity, forging a path forward in a world where the lines between humanity and monstrosity are blurred."

Other New Entries: “Books & Anthos”

Days of the Dead Horror Convention: “The Nightmare Cycle” – Dark Owl Publishing

It’s with pleasure to announce that small press Dark Owl Publishing and my 2023 book, The Nightmare Cycle, will be coming to ‘DAYS OF THE DEAD Horror Convention.‘ Dark Owl Publishing will be an official vendor, they will have a booth, and it will be in Phoenix, Arizona on the following days: June 28th thru June 30th 2024 at the Sheraton Phoenix Downtown Hotel. You can book flights and hotel reservations now, it’s going to be a major event. A lot of dealer tables, and a lot of actors and actresses and authors and horror artists. Such famous names as Malcolm McDowell (A Clockwork Orange), Michael Ironside (Starship Troopers), Heather Langenkamp (Nightmare on Elm Street), Michael Biehn (Aliens & Terminator), and so many more! Including, to my knowledge, the cast of George Romero’s 1968 Night of the Living Dead. There will be autograph opportunities, cosplays, contests, you name it! Just click the links below for the guest list so far.

DAYS OF THE DEAD – Major HORROR Convention:

June 28th to June 30th 2024 – Sheraton Phoenix Downtown

LINK 1: http://www.daysofthedead.com

LINK 2: https://www.daysofthedead.com/phoenix/

Vendor/Publisher: Dark Owl Publishing

Copies on hand of The Nightmare Cycle by Lawrence Dagstine

I’ll also be appearing around that time period in an anthology with a brand new, lengthy tale of cosmic horror set during the golden age of piracy. Will keep you all updated.

New Entries: “Conventions”

POST APOCALYPTIC BOOKS: “Apocalyptales, Judgment Day!” – Wicked Shadow Press

NOTE: This anthology was late to press because of the holidays. The book will most likely have debuted January 2024. Hence the tardiness of this website post plugging it.

It’s most likely safe to say this is my last story appearance of 2023. And what a year it has been. A small press book deal, two professional-identifying markets, and a TON of print and ebook anthologies. 2023 marked my return to science fiction, fantasy, and horror. It was also the year I wrote the most fiction in a very long time. What better way, I say, than to end the year with a disaster of epic proportions. I’m talking stories of doomsday, the near future, and what fictitious calamaties just might await us. I have a story in the latest illustrated anthology from Wicked Shadow Press, called: “Apocalyptales – Judgment Day!”

Apocalyptales is a book of stories featuring nothing but post-apocalyptic fiction, and my story is about a peculiar weather phenomenon that threatens to bury all of mankind. I originally wrote The Big Dirt Nap (the name of my tale contained within) in early 2010. It took me almost fourteen years to find a home for it. Here we are, late 2023, and it finally has a home. I like to call tales like The Big Dirt Nap “Attic Stories.” Attic stories are hard to place, you sit on them for more than a decade, dust it off when the correct themed market comes along, send it on in. Any way, Happy New Year.

APOCALYPTALES – JUDGMENT DAY Anthology

In Epub or Illustrated Paperback – published by Wicked Shadow Press

Featuring post-apocalyptic Dagstine tale: “The Big Dirt Nap.”

ORDERING INFO/LINKS TO BUY:

Order the illustrated paperback: https://www.lulu.com/shop/parth-sarathi-chakraborty/apocalyptales-judgment-day/paperback/product-v8829zp.html

Order the epub: https://www.lulu.com/shop/parth-sarathi-chakraborty/apocalyptales-judgment-day/ebook/product-rmmk8g6.html?page=1&pageSize=4

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Other New Entries: “Books & Anthos”

HALLOWEEN BOOKS: “Halloweenthology Jack O’ Lantern” – Wicked Shadow Press

Happy Halloween 2023! Chills and thrills, and ghosts and goblins to all horror readers out there. This next anthology from Wicked Shadow Press is holiday-themed, and the very lengthy story I have within its 240+ pages is BRAND NEW. Never to be reprinted in print. There are familiar story writers such as Don Money, Brian Smith, not just myself. There’s even a new young girl making her horror writing debut, which I think is fabulous. HALLOWEENTHOLOGY: Jack O’ Lantern is available for Amazon Kindle or in glossy, beautiful looking paperback. And on Kindle retails at only $3.99, the price of a Starbucks coffee. While most stories might harbor around All Hallow’s Eve, my tale is a devastating one of loss. My story is about Cupid and Love. Unrequited love. A love that you really can’t dismiss. I’ve never written about Cupid before. I will be closing the book out with a story close-to-novelette length. Read, “The Barn Cupid” in Wicked Shadow Press’s new holiday reading extravaganza, HALLOWEENTHOLOGY: Jack O’ Lantern! Links and pics below!

HALLOWEENTHOLOGY JACK O’LANTERN – HALLOWEEN 2023 ANTHOLOGY

from Wicked Shadow Press – Edited by Parth Sarathi Chakraborty

Featuring exclusive Lawrence Dagstine horror story, “The Barn Cupid.”

ALL Links where to purchase in paperback or digital (Amazon box is above):

Buy HALLOWEENTHOLOGY: JACK-O’-LANTERN (the paperback) from Lulu:

https://www.lulu.com/shop/parth-sarathi-chakraborty/halloweenthology-jack-o-lantern/paperback/product-w45we2q.html

Buy epub version of HALLOWEENTHOLOGY: JACK-O’-LANTERN from Lulu: https://www.lulu.com/shop/parth-sarathi-chakraborty/halloweenthology-jack-o-lantern/ebook/product-yv7kjeg.html

Halloweenthology: Jack-o’-Lantern is coming soon to Pothi TOO (India only)!

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Other New Entries: “Books & Anthos, Digital Credits”

PSYCHOLOGICAL THRILLER ANTHOLOGIES: “It’s All In My Mind” – Culture Cult Press

I’m pleased to announce I have a brand new flash fiction piece of around 600 words in length in the 230-page Kindle and print “Psychological Thriller” anthology, “It’s All In My Mind.” This is a book featuring a whopping forty-four stories by over forty authors worldwide! It’s a book of “very short fictions” you could say, tales which you could read real quick before bed, when you are stuck waiting at the doctor’s office, or just on your daily commute to work by bus or subway and getting off in a few stops. That is what “flash fiction” or “extremely short stories” are. Very quick reads, which are mentally easy and satisfying to digest.

Or are they, as this is an anthology focused primarily on the psyche! The theme: Psychologically thrilling shorts. All links will be below (as always), and book covers to the sides (also as always).

IT’S ALL IN MY MIND – VERY SHORT PSYCHOLOGICAL THRILLERS

Edited by Jay Chakravarti of Culture Cult/Pulp Cult Press in India

Featuring flash fiction tale “The Approach” by Lawrence Dagstine

BUY ON AMAZON KINDLE OR AS A PRINT PAPERBACK (click box above).

CULTURE CULT/PULP CULT PRESS Socials…

Facebook: www.facebook.com/CultureCultPress
Instagram: https://instagram.com/culturecultpress
Twitter: https://twitter.com/CultureCultPub

Visit them at https://CultureCult.co.in

Other New Entries: “Books & Anthos, Digital Credits”

STYGIAN LEPUS Online Magazine – Fall 2023, Edition No. #6 – 2024 UPDATE!

I have a 4,000-word historical story of psychological horror and romance (emphasis on the psychological, and this one is set against the backdrop of the Second World War, called: “Competing for Roses.” And you can read that story in the latest issue of a fairly new online magazine called Stygian Lepus. Fall 2023, Edition No. #6. The author line-up is on the webzine cover below. So those are who I share the Table of Contents with. If you enjoy online reading, why not give it a go. I’ll post this one in Magazines. I’ll also provide a link to the webzine’s site just below the cover. And I’ll be seeing you on the next one. Cheers.

Stygian Lepus – Edition No. #6

Online Magazine/Webzine of Dark Speculative Fiction and Horror

READ HERE: https://stygianlepus.com/

Edited to Add (2024): Stygian Lepus #6, featuring my story Competing for Roses is now available as a very pretty illustrated magazine exclusive to Kindle and Amazon print format. Get it below.

Other New Entries: “Magazines”